Album song remix ringtone Continue By David Weedmark using the song editing capability in iTunes, you can convert any song into a custom ringtone for your iPhone. All you have to do is create a copy of your favorite track and then tweak it a little to make it into a ringtone your iPhone can use. Ringtones must be 30 seconds or less, so you'll have to choose which part of the song you want to use. Start iTunes. If asked, log on using the same Apple ID and password you use for your iPhone. Drag a music file into the iTunes Music library, or press Ctrl-O to import it. Find the song in your Music Library or playlist. Right-click on the file name and select Get Information. Click the Options tab in the window that opens. Click the check boxes next to the song's Start time and Stop Time and change the times so that the song is 30 seconds or shorter in length. If you want to start the song one minute, then change the Start time to 1:00 and the Stop Time to 1:30. Click OK. Right-click again on the song. This time, select Create AAC version to create a copy of your song in AAC format. If you don't see this option, you need to change your iTunes preferences (see the following step). A duplicate 30-second version of the song appears in the Music Library under the original. If you don't have the option to create an AAC version of a song, press Ctrl-B to reveal the iTunes Menu bar. Then select Preferences from the Edit menu, and the click Import Settings button on the General tab. Click OK twice to close the preferences windows. Right-click your original song file - the one that still shows the full time length – and select Get Information Again. Mark and remove the Start time and Stop Time, and then click OK. It returns your original song file to its normal length. Open the Windows Control Panel, select Appearance and Personalize, and then click Folder Options. Click the View tab and close the checkbox beside Hide extensions for known file types. You should be able to see the song's file extension to make it a ringtone file. Right-click on the 30-second AAC version of your song in iTunes and select Open in Windows Explorer. Right-click the file in Windows Explorer and select Rename. Mark the .mp3 extension and replace it with the .m4r file extension used for ringtones. Press Typing. Click the menu button at the upper-left corner iTunes, which must say Music and select Show. Your new ringtone appears on this page, indicating that you have changed the file extension correctly. Connects your iPhone to the computer using its USB cable. Select your iPhone when it appears in the upper-right side of the iTunes window. Click the Show tab, and then click the Synchronize Tone button. Click Apply Then Sync After the sync is completed, include iTunes and disconnect the USB cable. Start Settings of the home screen. Scroll down and touch Sounds. Scroll down again and touch Ringtone. You can now choose your custom ringtone from the list of available options. Ad - Read under Ad - Read below ad - Read below Ad - Read below ad - read on below, An essential disclaimer: When Usher fans look back on his discography—because, frankly, what else is they going to do?-his new surprise eight-rail album A isn't quite as lovingly remembered as My Way , 8701, or Confessions. A is a full-fledged embrace of trap music, partly thanks to Usher's collaboration with Atlanta manufacturer Zaytoven. As the album title refers to, it is an Atlanta-centric project through and through, complete with features by Future on Stay At Home and Gunna on Gift Shop. Zaytoven even gets equal billing with Usher on the album's track list on Spotify. Great day for producers! A was also apparently created and sent out in the world in less than a week, as noted in Apple Music's description of the album:If you didn't know there was new Usher music coming, don't feel bad -these songs didn't exist mere days before this release. Writing and recording in Atlanta, he and producer Zayton beat eight songs during a five-day sprint. R&B aficionados pining for old-school Usher can't quite pin his recent trap leaning on Zayton-the-singer's is this way for a while, especially on 2016's Hard II Love. If you are looking for something that even remotely seems to catalogue its 2004 catalog, hit straight to Say What You want and don't listen to anything else here. It uses a real real piano and sports Usher crooning in more than some of the octaves. But if you're willing to give the 40-year-old birthday boy's attempt to appeal to youth a shot, the best song on the album is, coincidentally enough... also about birthdays. Birthday helps Usher cross off an unwrewed requirement of rappers and R&B singers: releasing a sometimes sexy, sometimes very much-not song that celebrates you, dear listener, turns another year older. Until Friday, Usher is many times by Destiny's Child (Birthday), Twista (Birthday), 2 Chainz (Birthday Song), Drake (Ratchet Happy Birthday), Childish Great Achievement. SZA and Isaiah Rashad (Happy Birthday), Rihanna (Birthday Cake), and most celebrities. Better late than never, Usher. Birthday falls into the very-not sexy camp. Taking a page of Drake's Nice for What, Usher's Target Audience for Birthday is women, which he encourages you to do your dance and spend a bond if you're worth it. He adds, Go it is your world to the choir, to truly hammer the positivity point home. The sample drifting around as background noise, Kelly Rowland and Nelly's Dilemma, (which as a second degree of separation, originally patti LaBelle's Love, Need and Will You) give Birthday a boost of always welcoming early 2000s nostalgia. It's a fun, unintentional cheese jam with an equally unintentional hilarious turn at the 2:30 mark, when Usher goes all-in on making it as inclusive as possible:Your girl has a birthday, yes / Your sister has a birthday, yes / Your aunt has a birthday, yes / Your mommy has a birthday, yes / Your baby has a birthday, yes. All these people do, in fact, have a birthday. Usher's best days may be behind him, and A is a generally underwhelmy effort, but Birthday is something you would dance completely at a friend's birthday party on a crowded dance floor to a few drinks. So, with that admittedly low bar in mind, mission is reached. What's to say about Young Thug? He's an icon, he's a rock star, he's an element. He is a linguistic innovator, a sartorial pioneer, an unlikely cultural ambassador. He's a gangster in a dress, a stranger in designer clothes, a mystery every time. Although Young Thug is only 28 (rare; happy birthday, Thug!), he released an impossible amount of music (18 mixtures, three EPs, a composition album and numerous guest appearances. His wing abounds as germs on William McNabb's yard. And yet, for an artist of his prominence, probability and influence, he has remarkably little signature hits (Danny Glover? Stoner? The remix to the Old Town Road remix?). Sometimes I suspect that, like Thomas Kruger or Samuel Beckett, more people like to think about the weft of Thug's work than actually taking his work. What is, in part, why I'm not sure what to make of today's so much fun. Thug's new album should be a Big Deal, noting Thug's stature, that the album (again) is called its first, and So much fun's fortified title (it's not just fun). But is this an event? Did a Thive project album, mixture, or otherwise ever have? Does as much fun's designation as an album signal a meaningful distinction or departure? After a morning with it, at every score, I tend to answer... Not really? In sweeping Thug's scoring list career, so much fun is another point. By his own admission, the intention behind his alleged debut was not to make a statement or spile a sweeping narrative, but, as the album's Katy Perry-esque title suggests, to have just fun and, in turn, provide fun. It is supposed to be a party, not a culmination; An album of Ob-La-Di, Ob-La-Da-ing, not a Day in life-ing. And on those scores, mostly succeed. So much fun is, by Thug standards, accessible (most of his words are remarkably intelligent English). It's an album full of Thug's favorite things (drugs, sports cars, Birkin bags, blowjobs) and he's ceremoned by his favorite people (Future, Gunna, Lil Baby, Quavo). The party goes too long (the second half of the hour-long album drags) and it's not a good time for everyone (one song is titled I bought her; It's not the most misogynistic), but there are indeed moments of Fun (Travis Scott makes Travis Scott sounds on London), Lots of fun (starting a choir, Molly, Roxies/Oxycontin (yes) /Jubilee, Ostrich (Uh- uh)), and yes, even so much fun (future sweeps your nose! on the Sup Mate reflective). But the most fun song of everything, from start to finish, is without a doubt, jumped out the window.