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Girl Rising Has Made Midriff-Baring Dresses
in Taylor Swift (left) with Shraddha Karlie Kloss Kapoor Parineeti Chopra Lorde (left) with Charli XCX at Alia Bhatt the 2014 MTV Movie Awards Miley Cyrus VIEWPOINT names of designers.” But there is a reason we Our collective frown upon men in denim overalls—unless fear of ageing they’re Calvin Klein models—and little girls in Girl rising has made midriff-baring dresses. Fashion, if not style, has an age and station. On a recent visit to Accessorize with a friend the totems While much has been said about the shocking and her three-year-old daughter, I was asked by and motifs of sexualisation of teenage girls à la Gossip Girl, a fellow shopper to help pick between a hairclip I’m keen to enter the room from the other door. with cupcakes and one with pink pastel butter- teenage girls a What about the girlifi cation of women? Why fl ies. All of us, including the three-year-old, thing of fetish. are grown women trying to dress like they’re gave the butterfl ies a nod (because cupcakes in 11? When did it become okay to do so? And your hair are plain weird), and I was about to As our female what does it say about us? ask who they were for, when the woman start- celebrities ed trying them on. She was wearing an amber FASHION’S PRINCESS MOMENT chiffon shirt and black trousers, and in my gen- get younger Sonam Kapoor, Amy Adams, Carrie Under- eral mapping seemed like someone who worked everyday, wood—women lauded for their red-carpet ap- in fi nance. -
The Intertwining of Multimedia in Emma, Clueless, and Gossip Girl Nichole Decker Honors Scholar Project May 6, 2019
Masthead Logo Scholar Works Honors Theses Honors 2019 Bricolage on the Upper East Side: The nI tertwining of Multimedia in Emma, Clueless, and Gossip Girl Nichole Decker University of Maine at Farmington Follow this and additional works at: https://scholarworks.umf.maine.edu/honors_theses Part of the Comparative Literature Commons Recommended Citation Decker, Nichole, "Bricolage on the Upper East Side: The nI tertwining of Multimedia in Emma, Clueless, and Gossip Girl" (2019). Honors Theses. 5. https://scholarworks.umf.maine.edu/honors_theses/5 This Research Project is brought to you for free and open access by the Honors at Scholar Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Scholar Works. For more information, please contact [email protected]. 2 Bricolage on the Upper East Side: The Intertwining of Multimedia in Emma, Clueless, and Gossip Girl Nichole Decker Honors Scholar Project May 6, 2019 “Okay, so you’re probably going, is this like a Noxzema commercial or what?” - Cher In this paper I will analyze the classic novel Emma, and the 1995 film Clueless, as an adaptive pair, but I will also be analyzing the TV series, Gossip Girl, as a derivative text. I bring this series into the discussion because of the ways in which it echos, parallels, and alludes to both Emma and Clueless individually, and the two as a source pair. I do not argue that the series is an actual adaptation, but rather, a sort of collage, recombining motifs from both source texts to create something new, exciting, and completely absurd. -
THE WEALTH Drying up Proposed Sales Tax Bill Could Unite in Budget Urban, Rural Counties in N.C
‘HE HAS A FEEL FOR THE Today’s weather SPEED OF THE GAME’ Mild to moderate Inside Bentley Spain, a sophomore offensive back sweat. PLAYING SACRED MUSIC lineman, might surprise you when H 85, L 64 UNC senior and DTH reporter Eric you ask him what he aspires to do one Surber drives to Duke University six day: He hopes to be a NASCAR driver, Thursday’s weather mornings a week to practice playing as he notes in his GoHeels profile. Partly cloudy. the organ. See page 3. See page 5. H 84, L 65 Serving UNC students and the University community since 1893 Volume 123, Issue 60 dailytarheel.com Wednesday, August 26, 2015 Driver’s $ SPREAD ed funds THE WEALTH drying up Proposed sales tax bill could unite in budget urban, rural counties in N.C. Many N.C. public school By Charles Talcott The current scheme has segmented Senior Writer the state, providing huge advantages to districts have suspended booming urban areas while neglecting A bill in the N.C. leg- other counties, Brown said. the teaching program. islature could real- Wake County receives $145 million locate hundreds of from sales tax revenue annually, com- By Corey Risinger DTH/JUN CHOU millions of dollars pared with nearby Warren County’s Assistant State & National Editor from urban retail $2.4 million, Brown said. Likewise, centers like Chapel Mecklenburg County receives $193 mil- Shelby High School Principal Hill to rural communi- lion, while neighboring Anson County David Allen has watched a dwin- ties — and it has elicited criticism from receives $2.8 million, he said. -
Thrill of the Chace
REVIEW Ed and Thrill of Jessica are dating in real life KELLY RUTHERFORD CE (Lily van der Woodsen) It’s a case of life imitating THELUCKY SHANNON O’M EARACHA KEEPS A DATE Ed and art as 40-year-old WITH GOSSIP GIRL NICE GUY NATE Chace are Kelly, who plays a great mates multi-divorced mum, off-screen battles for custody of her WAKE-UP call at 6am is not real-life son, Hermès. much fun, although if Chace ED WESTWICK Crawford – Gossip Girl’s Nate (Chuck A Bass), CHACE CRAWFORD Archibald – is at the end of the line, (Nate Archibald) and JESSICA could there be a better reason to get SZOHR (Vanessa Abrams) up in the morning? Nate and Vanessa briefly dated on So Grazia happily (and breathlessly) the show, but party-boy Ed is now takes the call from the Texan romancing Jessica in the real world – heart-throb, who has a rare day off despite the gay rumours that plague former flatmates Ed and Chace. from !lming the hit drama series. The 23-year-old is eager to tell us about his crush on Australia and his penchant for Aussie stars. “I want to get to Australia so bad,” Chace says. “Ed [Westwick, aka Chuck Bass] has of the been down there and he had a blast. Real-life drama s Australia is de!nitely next on my list. The accent, the girls!” CAST Despite having hordes of female GOSSIP GI RL fans, the actor remains surprisingly THE ON-SCREEN SOAP OPERA HAS grounded, mostly thanks to some NOTHING ON THEIR OFF-SCREEN PLOTS good ole southern values. -
GOSSIP GIRL by Cecily Von Ziegesar
Executive Producer Josh Schwartz Executive Producer Stephanie Savage Executive Producer Bob Levy Executive Producer Les Morgenstein Executive Producer John Stephens Co-Executive Producer Joshua Safran Producer Amy Kaufman Producer Joe Lazarov Episode 206 “New Haven Can Wait” Written by Alexandra McNally & Joshua Safran Directed by Norman Buckley Based on GOSSIP GIRL by Cecily von Ziegesar Double White Revisions 8/20/08, pg. 41 Goldenrod Revisions 8/14/08, pgs. 2, 3, 3A Green Revisions 8/12/08, pg. 16 Yellow Revisions 8/12/08, pgs. 5, 20, 20A-21, 22, 23, 31, 31A, 31B-32, 32A, 33, 36, 37, 38, 38A-39, 49A, 50, 51 Full Pink Revisions 8/11/08 Full Blue Revisions 8/8/08 Production #: 3T7606 Production Draft 8/5/08 © 2008 Warner Bros. Entertainment Inc. This script is the property of Warner Bros. Entertainment, Inc. No portion of this script may be performed, reproduced or used by any means, or disclosed to, quoted or published in any medium without the prior written consent of Warner Bros. Entertainment Inc. “New Haven Can Wait” Character List CAST Serena van der Woodsen Blair Waldorf Dan Humphrey Jenny Humphrey Nate Archibald Chuck Bass Rufus Humphrey Lily Bass Eleanor Waldorf Dorota Vanessa Abrams Headmaster Prescott Headmistress Queller Assistant GUEST CAST * Dean Berube (pronounced Barraby) Jordan Steele Skull and Bones Leader Skull Bones Shirley History Professor Girl (Miss Steinberg) Yale Guy EXTRAS Constance and St. Jude’s Seniors Yale Students Serena’s Driver Yale Guys and Two Super-Hot Yale Girls Skull and Bones Members Three Masked -
The Fashion Industry As a Slippery Discursive Site: Tracing the Lines of Flight Between Problem and Intervention
THE FASHION INDUSTRY AS A SLIPPERY DISCURSIVE SITE: TRACING THE LINES OF FLIGHT BETWEEN PROBLEM AND INTERVENTION Nadia K. Dawisha A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Communication in the College of Arts and Sciences. Chapel Hill 2016 Approved by: Patricia Parker Sarah Dempsey Steve May Michael Palm Neringa Klumbyte © 2016 Nadia K. Dawisha ALL RIGHTS RESERVED ii ABSTRACT Nadia K. Dawisha: The Fashion Industry as a Slippery Discursive Site: Tracing the Lines of Flight Between Problem and Intervention (Under the direction of Dr. Patricia Parker) At the intersection of the glamorous façade of designer runway shows, such as those in Paris, Milan and New York, and the cheap prices at the local Walmart and Target, is the complicated, somewhat insidious “business” of the fashion industry. It is complicated because it both exploits and empowers, sometimes through the very same practices; it is insidious because its most exploitative practices are often hidden, reproduced, and sustained through a consumer culture in which we are all in some ways complicit. Since fashion’s inception, people and institutions have employed a myriad of discursive strategies to ignore and even justify their complicity in exploitative labor, environmental degradation, and neo-colonial practices. This dissertation identifies and analyzes five predicaments of fashion while locating the multiple interventions that engage various discursive spaces in the fashion industry. Ultimately, the analysis of discursive strategies by creatives, workers, organizers, and bloggers reveals the existence of agile interventions that are as nuanced as the problem, and that can engage with disciplinary power in all these complicated places. -
We Are All Gossip Girl”: Gossip Girl and the Promise of Interactive Television
PREVIOUSLY ON “We are all Gossip Girl”: Gossip Girl and the Promise of Interactive Television Elisa Lange In November 2010, Current TV, a cable network founded by former Vice President Al Gore, has started airing a 30 minute TV series called Bar Karma, which is created in online collaboration with fans and is thus a new step to truly participatory and interactive TV. On a website users can pitch storylines, comment on submitted entries, talk to the producers, and contribute marketing ideas. The show is co-produced by SimCity creator Will Wright and features well-known actors like William Sanderson (http://current.com/studios/about/). Of course, there is no guarantee that the fans’ story idea will find its way into the actual show since the producers and writers still hold the power to decide how and if a pitch is worked into the final product. Still, this project allows viewer to have more than an imaginary control over the televised narrative even if the project’s success still remains to be seen. Still, interactivity rarely plays out on the primary level of the TV program itself, but more commonly on the secondary level and tertiary level of the televisual text, that is network created websites that allow some contributions from fans and unregulated communications between fans (Fiske, 1983: 85). Interactivity within the TV landscape is often associated with the viewers’ ability to turn from passive consumers into active producers of content that “adds” to the televised narrative but does not change it (Hassapopoulou, 2010: 48). This distinction usually does not to take into account that even when viewers are passively sitting on their couch watching soap operas, their minds are still actively engaged in making sense of the narratives and relationships. -
Gossip Girl You Know You Love Me All I Want Is Everything Because I'm
Generated by ABC Amber LIT Converter, http://www.processtext.com/abclit.html gossip girl novels created by Cecily von Ziegesar: Gossip Girl You Know You Love Me All I Want Is Everything Because I'm Worth It I Like It Like That You're The One That I Want Nobody Does It Better Nothing Can Keep Us Together Only In Your Dreams Would I Lie To You Don't You Forget About Me It Had To Be You And keep your eye out for a new era ofGossip Girl: The Carlyles, coming May 2008. If you like gossip girl, you may also enjoy: Bass Ackwards and Belly Upby Elizabeth Craft and Sarah Fain Secrets of My Hollywood Lifeby Jen Calonita Hatersby Alisa Valdes-Rodriguez Betwixtby Tara Bray Smith Poseurby Rachel Maude Be sure to read all the novels in the #1New York Times bestselling GOSSIP GIRL series Page 1 Generated by ABC Amber LIT Converter, http://www.processtext.com/abclit.html Gossip Girl You Know You Love Me All I Want Is Everything Because I'm Worth It I Like It Like That You're The One That I Want Nobody Does It Better Nothing Can Keep Us Together Only In Your Dreams Would I Lie To You Don't You Forget About Me It Had To Be You And keep your eye out for a new era ofGossip Girl: The Carlyles, coming May 2008. HOW FAR WILL ONE GIRL GO TO BECOME … the it girl Be sure to read all the novels in theNew York Times bestsellingit girl series Page 2 Generated by ABC Amber LIT Converter, http://www.processtext.com/abclit.html the it girl notorious reckless unforgettable lucky And keep your eye out forTempted , coming June 2008. -
OMG! the Gossip Behind One Program's Effects on Interpersonal Relationship Expectations
OMG! The Gossip Behind One Program's Effects on Interpersonal Relationship Expectations BY Cailin Rocco ADVISOR • Stanley Baran _________________________________________________________________________________________ Submitted in partial fulfillment of the requirements for graduation with honors in the Bryant University Honors Program APRIL 2010 Table of Contents Abstract ..................................................................................................................................... 1 Introduction ............................................................................................................................... 2 Purpose of This Study ........................................................................................................... 3 Literature Review ...................................................................................................................... 4 Social Cognitive Theory ....................................................................................................... 4 Elaboration Likelihood Model .............................................................................................. 6 The Early Window ................................................................................................................ 8 Cultivation Theory ................................................................................................................ 9 Method ................................................................................................................................... -
Estreno Series
octubre 2011 estreno series brotherhood franklin and bash 2ª sensación de vivir 8º las hermanas mcleod 2ª cásate conmigo ex convictos 2ª rizzoli & isles zen person of interest 8ª navy 5ª gossip girl teen wolf 4ª breaking bad 3ª true blood the chicago code 5ª cinco hermanos 4ª el mentalista 4ª la que se avecina 2ª rescue me 4ª daños y perjuicios 4ª californication 6ª doctor who 2ª the walking dead 4ª castle 3ª sanctuary la mezquita de la pradera satisfaction borgia 2ª the glades the killing 2ª rookie blue verónica mars pan am revista sobre programación de plataformas de televisión de pago en españa bookneeo ejemplar gratuito octubre11 Una publicación de: Departamento de prensa de: http://www.neeo.es ONO AXN Channel España Turner Broadcasting Disney Channel Fox International Channels Discovery Communications Cosmopolitan Televisión neeo no se responsabiliza de Chellomulticanal los posibles cambios que Eurosport puedan realizar los diversos NBC Universal España canales en su programación. Viacom Media España Sogecable Ejemplar gratuito. 8 Madrid cine y series documentales axn biography channel buzz caza y pesca calle 13 universal crimen & investigación canal hollywood discovery channel canal+ historia cinematk natura cosmopolitan tv ngc dcine español odisea fox viajar fox crime mgm paramount comedy entretenimiento somos canal cocina sony televisión decasa syfy universal tcm deportes tcm clásico eurosport tnt eurosport 2 xtrm neeo música infantil 40 tv cartoon network book vh1 cartoonito disney channel disney cinemagic disney junior disney xd kids co nickedoleon bookneeo cine y series axn ONO Digital+ 4ª Temporada Castle Movistar El caso de la muerte de la madre de Kate sigue latente en esta nueva temporada, al igual que estuvo presente en los últimos Orange acontecimientos de la pasada. -
The Cw/Prssa Case Study
THE CW/PRSSA CASE STUDY PRSSA OBJECTIVE: Position The CW to college students across the country by raising awareness for the network’s popular series “Gossip Girl,” while implementing non-traditional and outside- the-box publicity and promotion. The CW Network was formed as a joint venture between Warner Bros. Entertainment and CBS Corporation. The CW is America’s fifth broadcast network and the only network targeting women 18-34. The CW offers a six-night, 13-hour primetime lineup that runs Sunday through Friday; a two-hour weekday afternoon block; and a five-hour Saturday morning animation block that delivers a total of 30 hours of programming a week over seven days. The network’s primetime schedule includes such popular series as “America’s Next Top Model,” “Gossip Girl,” “90210,” “One Tree Hill,” “Supernatural,” “Everybody Hates Chris” and “Smallville.” Mondays (8:00-9:00 p.m.) on The CW The privileged prep school teens on Manhattan’s Upper East Side first learn that Serena van der Woodsen (Blake Lively, “The Sisterhood of the Traveling Pants”) is back in town the way they learn all the important news in their lives ─ from the blog of the all- knowing albeit ultra-secretive Gossip Girl. No one knows Gossip Girl’s identity, but everyone in this exclusive and complicated vicious circle relies on her website and text messages for the latest scoop. Even Serena’s closest friend, Blair Waldorf (Leighton Meester, “Entourage”), is surprised to find that Serena has suddenly ended her self- imposed exile to boarding school and returned to Manhattan. -
Copyright by Lauren Elizabeth Wilks 2019
Copyright by Lauren Elizabeth Wilks 2019 The Thesis Committee for Lauren Elizabeth Wilks Certifies that this is the approved version of the following Thesis: Teens of Color on TV: Charting Shifts in Sensibility and Approaches to Portrayals of Black Characters in American Serialized Teen Dramas APPROVED BY SUPERVISING COMMITTEE: Mary Beltrán, Supervisor Alisa Perren Teens of Color on TV: Charting Shifts in Sensibility and Approaches to Portrayals of Black Characters in American Serialized Teen Dramas by Lauren Elizabeth Wilks Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2019 Abstract Teens of Color on TV: Charting Shifts in Sensibility and Approaches to Portrayals of Black Characters in American Serialized Teen Dramas Lauren Elizabeth Wilks, MA The University of Texas at Austin, 2019 Supervisor: Mary Beltrán Over the past several decades, the serialized teen drama genre on television has moved through a series of cycles. The genre, which began with the arrival of Beverly Hills, 90210 (1990) on Fox Broadcasting Network, focuses on portrayals of different subsets of teenagers in their school, family and interpersonal lives. Sometimes called the “teen soap opera,” the genre is subject to the scrutiny and dismissiveness often reserved for media located in the realm of women’s entertainment. Through comparative discourse and textual analysis bounded in socio-cultural consideration of each temporal cycle, this thesis asserts that close attention to this genre can valuably articulate approaches to racial representational strategies.