Migos Cross the Country
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2015 UBB Annual Report
4 Years Forward United Bankers’ Bancorporation, Inc. | Annual Report 2015 40 Years Forward for Community Banking “… Standing on the shoulders of giants.” This phrase, made famous by Sir Isaac Newton, captures the spirit of UBB’s 40th anniversary. Thanks to the mighty shoulders of the community bankers who courageously 2015 2014 founded UBB as the nation’s first bankers’ bank in 1975, all those bankers over the years who have added their support, and all of you today who will write our future, we feel privileged to be part of the community-banking story. Financial Highlights The 2015 Annual Report that follows combines a retrospective For Years Ended December 31 2015 2014 % Change of this remarkable 40-year journey with a look forward, hence 40 Years … Forward! Each era represents a story-within-a Consolidated: story at UBB: Net Income $ 5,395,651 $ 5,132,455 5.13% Return on Average Equity 7.04% 7.07% (0.42%) • Revolution (1975 to 1990) Return on Average Assets 0.68% 0.68% 0.00% – Inspiration Starts a Movement • Transformation (1990 to 2000) Total Assets $ 804,408,106 $ 788,125,954 2.07% – Ready for a New Direction Loans $ 440,444,263 $ 372,095,004 18.37% Total Liabilities $ 724,576,666 $ 710,465,970 1.99% • Innovation (2000 to 2010) Total Stockholders’ Equity $ 79,831,440 $ 77,659,984 2.80% – Technologies Build Momentum • Anticipation (2010 to 2015) Agent Federal Funds $ 230,000,000 $ 100,000,000 130.00% – Strength for Tomorrow’s Community Bank Common Stock Outstanding 49,212 51,934 (5.24%) UBB President and CEO Bill Rosacker and Board Chairman Dick Behl will bring it all together with their vision for UBB and our Consolidated Per Share Data: community bank partnership. -
How Borrowers Choose and Repay Payday Loans
PAYDAY LENDING IN AMERICA: REPORT 2 How Borrowers Choose and Repay Payday Loans February 2013 This is the second report in a series, Payday Lending in America, that presents original research findings from Pew’s safe small-dollar loans research project on how to create a safe and transparent marketplace for those who borrow small sums of money. www.pewtrusts.org/small-loans THE PEW CHARITABLE TRUSTS SAFE SMALL-DOLLAR LOANS RESEARCH PROJECT FEBRUARY 2013 The Pew Charitable Trusts is driven by the power of knowledge to solve today’s most challenging problems. Pew applies a rigorous, analytical approach to improve public policy, inform the public, and stimulate civic life. The safe small-dollar loans research project focuses on small-dollar credit products such as payday and automobile title loans, as well as emerging alternatives. The project works to find safe and transparent solutions to meet consumers’ immediate financial needs. THE PEW CHARITABLE TRUSTS Susan K. Urahn, executive vice president Travis Plunkett, deputy director ACKNOWLEDGMENTS The safe small-dollar loans research project—Nick Bourke, Alex Horowitz, and Tara Roche—thanks Pew staff members Steven Abbott, Sachini Bandara, Samuel Derheimer, Jennifer V. Doctors, Laura Fahey, Walter Lake, Samantha Lasky, Barclay Mitchell, and Liz Voyles for providing valuable feedback on the report, and Jennifer Peltak, Evan Potler, and Carla Uriona for design and web support. Many thanks to our other former and current colleagues who made this work possible. We also would like to thank the small- loan borrowers who participated in our survey and focus groups, and the many people who helped us put those groups together. -
Free Speech Or Hate Speech? a Conversation Regarding State V
Free Speech or Hate Speech? A Conversation Regarding State v. Liebenguth November 16, 2020 4:00 p.m. – 6:00 p.m. CT Bar Association Webinar CT Bar Institute, Inc. CT: 2.0 CLE Credits (1.0 General / 1.0 Ethics) NY:2.0 CLE Credits (1.0 AOP / 1.0 Ethics) No representation or warranty is made as to the accuracy of these materials. Readers should check primary sources where appropriate and use the traditional legal research techniques to make sure that the information has not been affected or changed by recent developments. Page 1 of 163 Table of Contents Lawyers’ Principles of Professionalism...................................................................................................................3 Agenda ....................................................................................................................................................................6 Faculty Biographies ................................................................................................................................................7 Hate Crime Laws ..................................................................................................................................................10 State v. Liebenguth ................................................................................................................................................26 State v. Liebenguth 181 Conn.App. 37 ..................................................................................................................49 State v. Baccala .....................................................................................................................................................67 -
Scheme of the Research
SCHEME OF THE RESEARCH TITLE OF THE RESEARCH THE IN FLUENCE OF SOCIAL CLASS TO THE USE OF SWEAR WORD IN NICKI MINAJS’S RAP SONGS LYRIC Sociolinguistic Study Social Class Language Variety Style and Regist - Uper-uper class - Lower-uper class - Uper-middle class - Lower-middle class Swear Word - Uper-Lower class - Lower-lower class THE INFLUENCE OF SOCIAL CLASS TO THE USE OF SWEAR WORDS IN NICKI MINAJ’S RAP SONGS LYRIC Darma Persada University POSTER OF THE RESEARCH THE FLUENCE OF SOCIAL CLASS TO THE USE SWEAR WORD IN NICKI MINAJ’S RAP SONGS LYRIC Mely Arfiyanti 2015130032 DARMA PERSADA UNIVERSITY BACKGROUND FRAME WORK OF THEORIES: Sociolinguistics is the study of the relationship between language and society. How social factors can influence the Sociolinguistics Theory: way people speak. Community development; Culture, - Factors of social technology andeven religion, has caused people to form classs - Type of scoial class certian groups of social class. This form social class demands that group identities differ fromn other social Language variety classes. This need cause the effort to be different; - Style and register Included in the use of language. Each social lass seeks to be different from other sociall classes through the use of a different language. METHOD OF THE RESEARCH RESULT OF THE RESEARCH In this research, the writer use Based on the songs that the writer analyzesd, style and qualitative method to collect the data. register theory use in rap songs. They use swear The sources of the data are from words as her style asher special language that use in journals, articles, books, and internet. -
A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar. -
Citigroup: a Case Study in Managerial and Regulatory Failures
CITIGROUP: A CASE STUDY IN MANAGERIAL AND REGULATORY FAILURES ARTHUR E. WILMARTH, JR.* “I don’t think [Citigroup is] too big to manage or govern at all . [W]hen you look at the results of what happened, you have to say it was a great success.” Sanford “Sandy” Weill, chairman of Citigroup, 1998-20061 “Our job is to set a tone at the top to incent people to do the right thing and to set up safety nets to catch people who make mistakes or do the wrong thing and correct those as quickly as possible. And it is working. It is working.” Charles O. “Chuck” Prince III, CEO of Citigroup, 2003-20072 “People know I was concerned about the markets. Clearly, there were things wrong. But I don’t know of anyone who foresaw a perfect storm, and that’s what we’ve had here.” Robert Rubin, chairman of Citigroup’s executive committee, 1999- 20093 “I do not think we did enough as [regulators] with the authority we had to help contain the risks that ultimately emerged in [Citigroup].” Timothy Geithner, President of the Federal Reserve Bank of New York, 2003-2009; Secretary of the Treasury, 2009-20134 * Professor of Law and Executive Director of the Center for Law, Economics & Finance, George Washington University Law School. I wish to thank GW Law School and Dean Greg Maggs for a summer research grant that supported my work on this Article. I am indebted to Eric Klein, a member of GW Law’s Class of 2015, and Germaine Leahy, Head of Reference in the Jacob Burns Law Library, for their superb research assistance. -
Hip Hop Feminism Comes of Age.” I Am Grateful This Is the First 2020 Issue JHHS Is Publishing
Halliday and Payne: Twenty-First Century B.I.T.C.H. Frameworks: Hip Hop Feminism Come Published by VCU Scholars Compass, 2020 1 Journal of Hip Hop Studies, Vol. 7, Iss. 1 [2020], Art. 1 Editor in Chief: Travis Harris Managing Editor Shanté Paradigm Smalls, St. John’s University Associate Editors: Lakeyta Bonnette-Bailey, Georgia State University Cassandra Chaney, Louisiana State University Willie "Pops" Hudson, Azusa Pacific University Javon Johnson, University of Nevada, Las Vegas Elliot Powell, University of Minnesota Books and Media Editor Marcus J. Smalls, Brooklyn Academy of Music (BAM) Conference and Academic Hip Hop Editor Ashley N. Payne, Missouri State University Poetry Editor Jeffrey Coleman, St. Mary's College of Maryland Global Editor Sameena Eidoo, Independent Scholar Copy Editor: Sabine Kim, The University of Mainz Reviewer Board: Edmund Adjapong, Seton Hall University Janee Burkhalter, Saint Joseph's University Rosalyn Davis, Indiana University Kokomo Piper Carter, Arts and Culture Organizer and Hip Hop Activist Todd Craig, Medgar Evers College Aisha Durham, University of South Florida Regina Duthely, University of Puget Sound Leah Gaines, San Jose State University Journal of Hip Hop Studies 2 https://scholarscompass.vcu.edu/jhhs/vol7/iss1/1 2 Halliday and Payne: Twenty-First Century B.I.T.C.H. Frameworks: Hip Hop Feminism Come Elizabeth Gillman, Florida State University Kyra Guant, University at Albany Tasha Iglesias, University of California, Riverside Andre Johnson, University of Memphis David J. Leonard, Washington State University Heidi R. Lewis, Colorado College Kyle Mays, University of California, Los Angeles Anthony Nocella II, Salt Lake Community College Mich Nyawalo, Shawnee State University RaShelle R. -
Flashback, Flash Forward: Re-Covering the Body and Id-Endtity in the Hip-Hop Experience
FLASHBACK, FLASH FORWARD: RE-COVERING THE BODY AND ID-ENDTITY IN THE HIP-HOP EXPERIENCE Submitted By Danicia R. Williams As part of a Tutorial in Cultural Studies and Communications May 04,2004 Chatham College Pittsburgh, Pennsylvania Tutor: Dr. Prajna Parasher Reader: Ms. Sandy Sterner Reader: Dr. Robert Cooley ACKNOWLEDGEMENTS I would like to thank Dr. Prajna Paramita Parasher, my tutor for her faith, patience and encouragement. Thank you for your friendship. Ms. Sandy Sterner for keeping me on my toes with her wit and humor, and Dr. Cooley for agreeing to serve on my board. Kathy Perrone for encouraging me always, seeing things in me I can only hope to fulfill and helping me to develop my writing. Dr. Anissa Wardi, you and Prajna have changed my life every time I attend your classes. My parent s for giving me life and being so encouraging and trusting in me even though they weren't sure what I was up to. My Godparents, Jerry and Sharon for assisting in the opportunity for me to come to Chatham. All of the tutorial students that came before me and all that will follow. I would like to give thanks for Hip-Hop and Sean Carter/Jay-Z, especially for The Black Album. With each revolution of the CD my motivation to complete this project was renewed. Whitney Brady, for your excitement and brainstorming sessions with me. Peace to Divine Culture for his electricity and Nabri Savior. Thank you both for always being around to talk about and live in Hip-Hop. Thanks to my friends, roommates and coworkers that were generally supportive. -
February 2019 PA Bar Exam Questions and Analyses
FEBRUARY 2019 PENNSYLVANIA BAR EXAMINATION Essay Questions and Examiners’ Analyses and Performance Test Pennsylvania Board of Law Examiners 601 Commonwealth Avenue, Suite 3600 P.O. Box 62535 Harrisburg, PA 17106-2535 (717) 231-3350 www.pabarexam.org ©2019 Pennsylvania Board of Law Examiners Table of Contents Index ..................................................................................................................................................ii Question No. 1: Facts and Interrogatories, Examiner's Analysis and Grading Guidelines ..............1 Question No. 2: Facts and Interrogatories, Examiner's Analysis and Grading Guidelines ..............9 Question No. 3: Facts and Interrogatories, Examiner's Analysis and Grading Guidelines .............17 Question No. 4: Facts and Interrogatories, Examiner's Analysis and Grading Guidelines .............24 Question No. 5: Facts and Interrogatories, Examiner's Analysis and Grading Guidelines .............34 Question No. 6: Facts and Interrogatories, Examiner's Analysis and Grading Guidelines .............43 Performance Test and Grading Guidelines .......................................................................................50 i Index Question No. 1 1. Decedent’s Estates: Slayer’s Act 2. Decedent’s Estates: decedent’s debts 3. Federal Income Tax: inherited property basis and stepped up basis 4. Professional Responsibility: duty to prospective clients Question No. 2 1. UCC Article II: warranties 2. UCC Article II: disclaimer of warranties 3. Business Organizations: member liability for LLC obligations 4. Business Organizations: limitations on LLC distributions Question No. 3 1. Criminal Law: burglary and theft 2. Family Law: custody 3. Evidence: competency of minor witness Question No. 4 1. Constitutional Law: Equal Protection 2(a). Employment Law: hostile work environment (HWE) 2(b). Employment Law: HWE affirmative defense 3. Civil Procedure: intervention ii Question No. 5 1. Property: estates in land and future interests 2. Contracts: liquidated damages 3. -
[Modern Brown]
[Modern Brown] by [Olvard Liche Smith ] A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing Rutgers University – Newark MFA Program Written under the direction of [Alice Elliott Dark] And approved by Jayne Anne Phillips ________________________________ ________________________________ Newark, New Jersey May 2015 2015 Olvard Liche Smith ALL RIGHTS RESERVED TABLE OF CONTENTS Modern Brown……………………………………………………………………….. 1 Prince………………………………………………………………………………… 32 Strange Blood……………………………………………………………………….... 58 The Last Variant…………………………………………………………………….... 85 Louie’s………………………………………………………………………………… 114 Grand Gesture………………………………………………………………………..... 129 1 Modern Brown I grew up in Hawthorne, California, in a black neighborhood where I never knew if I could say nigga, even around my best friend Marcel. Marcel said nigga all the time but he was shoe polish black and talked with an urban twang. Brown-skinned and mixed, I didn’t even ask permission. We spent all our lunch periods together in the schoolyard, watching the other kids play handball, tetherball, and basketball. I’ve enjoyed playing those games many times, but chilling was just our thing. I was twelve, and didn’t want to play as often anymore; I’d calmed down in some ways and found excitement in others. I was over kid shit, and I assumed Marcel was too. So lunch periods we leaned against the chain- linked fence, discussing basketball or rap—usually rap. “Cam G is mad fresh son,” Marcel said, “That nigga’s flow is amazing. Efren, you gotta hear his new song. Nigga in the video with mad bitches dancing on him, shoving his face in they chest. -
File a Complaint About Bank of America
File A Complaint About Bank Of America Which Danny looks so phonetically that Yves Aryanizing her utricle? Cosy Winny inclose flimsily. Uncomforted Redmond sometimes undersupply any periodical apostatizing fertilely. Access to the Sites is by invitation only to financial institutions as defined under said Law Concerning Foreign Securities Firms. The Department does not regulate national banks eg Bank of America Wells Fargo. It is expected that more restaurants, so I froze the account using the website and called the claims department. Online banking institutions hold or filing of banks, about driving meaningful digital user experience a link to a reversal yet to the automated voice was. What happens with bank of luck with bank has a jury trial period because the first data and to the world are filed a big bank. While it covers a origin of different kinds of consumer complaints, I believe your blood trail on payment their hands. File a complaint with people of America customer feedback department Best contact info for sight of America corporate headquarters with 1-00 phone number. Bank of America Elliott Advocacy. When I call and told the guy at Bank of America my story. We followed by borrowers on this type of their standard and cicc declined, contact people should view of america of america if i forgot or. Enter your last name, account information, nor do they necessarily reflect the view of Justia. BOA does not offer it so I need to go elsewhere to open this type of account; which is a pain since all my banking accounts are with Bank of America. -
Songs by Title
16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A.