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CALIFORNIA's NORTH COAST: a Literary Watershed: Charting the Publications of the Region's Small Presses and Regional Authors
CALIFORNIA'S NORTH COAST: A Literary Watershed: Charting the Publications of the Region's Small Presses and Regional Authors. A Geographically Arranged Bibliography focused on the Regional Small Presses and Local Authors of the North Coast of California. First Edition, 2010. John Sherlock Rare Books and Special Collections Librarian University of California, Davis. 1 Table of Contents I. NORTH COAST PRESSES. pp. 3 - 90 DEL NORTE COUNTY. CITIES: Crescent City. HUMBOLDT COUNTY. CITIES: Arcata, Bayside, Blue Lake, Carlotta, Cutten, Eureka, Fortuna, Garberville Hoopa, Hydesville, Korbel, McKinleyville, Miranda, Myers Flat., Orick, Petrolia, Redway, Trinidad, Whitethorn. TRINITY COUNTY CITIES: Junction City, Weaverville LAKE COUNTY CITIES: Clearlake, Clearlake Park, Cobb, Kelseyville, Lakeport, Lower Lake, Middleton, Upper Lake, Wilbur Springs MENDOCINO COUNTY CITIES: Albion, Boonville, Calpella, Caspar, Comptche, Covelo, Elk, Fort Bragg, Gualala, Little River, Mendocino, Navarro, Philo, Point Arena, Talmage, Ukiah, Westport, Willits SONOMA COUNTY. CITIES: Bodega Bay, Boyes Hot Springs, Cazadero, Cloverdale, Cotati, Forestville Geyserville, Glen Ellen, Graton, Guerneville, Healdsburg, Kenwood, Korbel, Monte Rio, Penngrove, Petaluma, Rohnert Part, Santa Rosa, Sebastopol, Sonoma Vineburg NAPA COUNTY CITIES: Angwin, Calistoga, Deer Park, Rutherford, St. Helena, Yountville MARIN COUNTY. CITIES: Belvedere, Bolinas, Corte Madera, Fairfax, Greenbrae, Inverness, Kentfield, Larkspur, Marin City, Mill Valley, Novato, Point Reyes, Point Reyes Station, Ross, San Anselmo, San Geronimo, San Quentin, San Rafael, Sausalito, Stinson Beach, Tiburon, Tomales, Woodacre II. NORTH COAST AUTHORS. pp. 91 - 120 -- Alphabetically Arranged 2 I. NORTH COAST PRESSES DEL NORTE COUNTY. CRESCENT CITY. ARTS-IN-CORRECTIONS PROGRAM (Crescent City). The Brief Pelican: Anthology of Prison Writing, 1993. 1992 Pelikanesis: Creative Writing Anthology, 1994. 1994 Virtual Pelican: anthology of writing by inmates from Pelican Bay State Prison. -
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Winter 2016–17 OBAMA’S LEGACY PROFESSOR ROBERT Y. SHAPIRO CONSIDERS THE Columbia PRESIDENT’S TIME IN OFFICE College THE TRANS LIST SELECTIONS FROM PORTRAIT Today PHOTOGRAPHER TIMOTHY GREENFIELD-SANDERS ’74 HOMECOMING VICTORY LIONS SMACK DOWN The DARTMOUTH 9–7 Alumni in the know offer-tos fun, practical how 30 YEARS OF COLUMBIA COLLEGE WOMEN On May 13, 1987, Columbia College graduated its first coeducational class, and the College was forever changed. Join us, 30 years later, for a one-day symposium as we reflect on how women have transformed the College experience, ways College women are shaping the world and why coeducation and gender equality remain topics of great importance to us all. Save the Date SATURDAY, APRIL 22, 2017 Learn more: college.columbia.edu/alumni/ccw30years Registration opens in February. To join the Host Committee, email [email protected]. Contents 30 YEARS OF COLUMBIA COLLEGE WOMEN Columbia College CCT Today VOLUME 44 NUMBER 2 WINTER 2016–17 EDITOR IN CHIEF Alex Sachare ’71 EXECUTIVE EDITOR Lisa Palladino DEPUTY EDITOR 24 12 28 Jill C. Shomer CLASS NOTES EDITOR Anne-Ryan Heatwole JRN’09 FORUM EDITOR Rose Kernochan BC’82 CONTRIBUTING WRITER features Shira Boss ’93, JRN’97, SIPA’98 EDITORIAL INTERN 12 Aiyana K. White ’18 ART DIRECTOR The Experts Eson Chan Alumni in the know offer fun, practical how-tos. Published quarterly by the Columbia College Office of By Alexis Boncy SOA’11; Shira Boss ’93, JRN’97, SIPA’98; Alumni Affairs and Development Anne-Ryan Heatwole JRN’09; Kim Martineau JRN’97, SPS’14; for alumni, students, faculty, parents and friends of Columbia College. -
Collected Writings
THE DOCUMENTS O F TWENTIETH CENTURY ART General Editor, Jack Flam Founding Editor, Robert Motherwell Other titl es in the series available from University of California Press: Flight Out of Tillie: A Dada Diary by Hugo Ball John Elderfield Art as Art: The Selected Writings of Ad Reinhardt Barbara Rose Memo irs of a Dada Dnnnmer by Richard Huelsenbeck Hans J. Kl ein sc hmidt German Expressionism: Dowments jro111 the End of th e Wilhelmine Empire to th e Rise of National Socialis111 Rose-Carol Washton Long Matisse on Art, Revised Edition Jack Flam Pop Art: A Critical History Steven Henry Madoff Co llected Writings of Robert Mothen/le/1 Stephanie Terenzio Conversations with Cezanne Michael Doran ROBERT SMITHSON: THE COLLECTED WRITINGS EDITED BY JACK FLAM UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles Londo n University of Cali fornia Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 1996 by the Estate of Robert Smithson Introduction © 1996 by Jack Flam Library of Congress Cataloging-in-Publication Data Smithson, Robert. Robert Smithson, the collected writings I edited, with an Introduction by Jack Flam. p. em.- (The documents of twentieth century art) Originally published: The writings of Robert Smithson. New York: New York University Press, 1979. Includes bibliographical references and index. ISBN 0-520-20385-2 (pbk.: alk. paper) r. Art. I. Title. II. Series. N7445.2.S62A3 5 1996 700-dc20 95-34773 C IP Printed in the United States of Am erica o8 07 o6 9 8 7 6 T he paper used in this publication meets the minimum requirements of ANSII NISO Z39·48-1992 (R 1997) (Per111anmce of Paper) . -
Atmospheric and Geological Entanglements
Atmospheric and Geological Entanglements: North American Ecopoetry and the Anthropocene Nuno Marques Department of Language Studies Umeå 2020 This work is protected by the Swedish Copyright Legislation (Act 1960:729) Dissertation for PhD © Nuno Filipe da Silva Marques ISBN: 978-91-7855-406-5 (print) ISBN: 978-91-7855-407-2 (pdf) Umeå Studies in Language and Literature 43 Cover image © André Alves [email protected] Electronic version available at: http://umu.diva-portal.org/ Printed by: CityPrint i Norr AB Umeå, Sweden 2020 “song outlasts poetry, words are breath bricks to support the guardless singing project.” (Hillman 2005) i i Acknowledgments I am grateful to the poets. Their poetry is present in me, in my body, in those around me. They transformed the way I eat, what and whom I eat or not, the way I relate to others: people, animals, things. They allowed me to translate their poems for free, they wanted to read mine. I am grateful for their generosity in working from love and not profit, for others and not selves. And for fun! I am grateful to my supervisors Maria Lindgren Leavenworth and Daniel Andersson. With you I learned how to write a monograph and that is immensely valuable, for what it implies about doing research, clarifying thoughts, arguing, sharing. Thank you for your rigor, support, questioning, encouragement, availability and generosity. We were a team for these years. I am grateful to Claudia Egerer and David Farrier for supportive and enthusiastic comments to the thesis in the mid and final seminars that directed it to a new structure and a clearer focus. -
Kabila, Laurent-Desiré (1939–2001). Congolese Politician. a Guerilla and Bandit for 30 Years, His Forces Overthrew *Mobutu In
1912 and 1917, he had a relationship with Felice Bauer (1887–1960). They were twice engaged but never married. (He wrote her 500 letters but they only met 17 times.) Kafka had the smallest output of any K major writer, three short novels (all unfinished), one novella, 23 short stories, diaries and five collections of Kabila, Laurent-Desiré (1939–2001). Congolese letters, almost all published posthumously. He lived politician. A guerilla and bandit for 30 years, his forces briefly with two unhappily married women. overthrew *Mobutu in July 1997 and he became The novella Metamorphosis (Die Verwandlung), President of the Democratic Republic of the Congo published in 1915, is famous for the image of the (formerly Zaire). Assassinated in January 2001 by his central character Gregor Samsa waking to find bodyguard, 135 people were tried, mostly convicted himself transformed into ‘a monstrous vermin’, which but apparently not executed. His son Joseph is usually rendered in English as an insect or beetle. Kabila Kabange (1971– ) was President of the DRC Kafka does not explain why the transformation 2001–19. In 2018, a corrupt and violent election was occurred. won by an opposition candidate Félix Tshisekedi; a bizarre result that appeared to be a democratic He suffered from tuberculosis of the larynx, died transition but was engineered to guarantee Kabila’s —essentially of starvation—in a sanatorium at continuing influence and preservation of his family’s Klosterneuburg, near Vienna, and was buried in wealth. Prague. He left instructions that his literary works be burnt, unread, but his friend and executor Max Brod Kaczyński, Jarosław (1949– ) and Lech Aleksander (1882–1968) ignored the direction and published Kaczyński (1949–2010). -
Blood Meridian Or the Evening Redness in the West Dianne C
European journal of American studies 12-3 | 2017 Special Issue of the European Journal of American Studies: Cormac McCarthy Between Worlds Electronic version URL: https://journals.openedition.org/ejas/12252 DOI: 10.4000/ejas.12252 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference European journal of American studies, 12-3 | 2017, “Special Issue of the European Journal of American Studies: Cormac McCarthy Between Worlds” [Online], Online since 27 November 2017, connection on 08 July 2021. URL: https://journals.openedition.org/ejas/12252; DOI: https://doi.org/10.4000/ejas. 12252 This text was automatically generated on 8 July 2021. European Journal of American studies 1 TABLE OF CONTENTS Introduction: Cormac McCarthy Between Worlds James Dorson, Julius Greve and Markus Wierschem Landscapes as Narrative Commentary in Cormac McCarthy’s Blood Meridian or the Evening Redness in the West Dianne C. Luce The Novel in the Epoch of Social Systems: Or, “Maps of the World in Its Becoming” Mark Seltzer Christ-Haunted: Theology on The Road Christina Bieber Lake On Being Between: Apocalypse, Adaptation, McCarthy Stacey Peebles The Tennis Shoe Army and Leviathan: Relics and Specters of Big Government in The Road Robert Pirro Rugged Resonances: From Music in McCarthy to McCarthian Music Julius Greve and Markus Wierschem Cormac McCarthy and the Genre Turn in Contemporary Literary Fiction James Dorson The Dialectics of Mobility: Capitalism and Apocalypse in Cormac McCarthy’s The Road Simon Schleusener Affect and Gender -
The Haunted Continent and Andrew Bird's Apocrypha
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2013 Chasing That Ghost On Stage: The Haunted Continent And Andrew Bird's Apocrypha Mary Elizabeth Lasseter University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the American Studies Commons Recommended Citation Lasseter, Mary Elizabeth, "Chasing That Ghost On Stage: The Haunted Continent And Andrew Bird's Apocrypha" (2013). Electronic Theses and Dissertations. 1163. https://egrove.olemiss.edu/etd/1163 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. CHASING THAT GHOST ON STAGE: THE HAUNTED CONTINENT AND ANDREW BIRD’S APOCRYPHA A Thesis presented in partial fulfillment of requirements for the degree of Master of Arts in the Department of Southern Studies The University of Mississippi by M.E. LASSETER May 2013 Copyright M.E. Lasseter 2013 ALL RIGHTS RESERVED ABSTRACT This thesis traces the various physical and metaphorical journeys south of Chicago musician Andrew Bird. Using what historical record is publicly available, I examine Bird’s formal musical training. I then explore the years between 1995 and 2001, or what I call Bird’s period of apprenticeship. Next is an exploration of the canonical narratives surrounding the blues of the Mississippi Delta, especially the music of Charley Patton. When Andrew Bird encountered a canon, or dominant histories and meanings of Southern music that influence how musicians play and how audiences interpret that music, he began to react against that canon in his own compositions and performances. -
Features Named After 07/15/2015) and the 2018 IAU GA (Features Named Before 01/24/2018)
The following is a list of names of features that were approved between the 2015 Report to the IAU GA (features named after 07/15/2015) and the 2018 IAU GA (features named before 01/24/2018). Mercury (31) Craters (20) Akutagawa Ryunosuke; Japanese writer (1892-1927). Anguissola SofonisBa; Italian painter (1532-1625) Anyte Anyte of Tegea, Greek poet (early 3rd centrury BC). Bagryana Elisaveta; Bulgarian poet (1893-1991). Baranauskas Antanas; Lithuanian poet (1835-1902). Boznańska Olga; Polish painter (1865-1940). Brooks Gwendolyn; American poet and novelist (1917-2000). Burke Mary William EthelBert Appleton “Billieâ€; American performing artist (1884- 1970). Castiglione Giuseppe; Italian painter in the court of the Emperor of China (1688-1766). Driscoll Clara; American stained glass artist (1861-1944). Du Fu Tu Fu; Chinese poet (712-770). Heaney Seamus Justin; Irish poet and playwright (1939 - 2013). JoBim Antonio Carlos; Brazilian composer and musician (1927-1994). Kerouac Jack, American poet and author (1922-1969). Namatjira Albert; Australian Aboriginal artist, pioneer of contemporary Indigenous Australian art (1902-1959). Plath Sylvia; American poet (1932-1963). Sapkota Mahananda; Nepalese poet (1896-1977). Villa-LoBos Heitor; Brazilian composer (1887-1959). Vonnegut Kurt; American writer (1922-2007). Yamada Kosaku; Japanese composer and conductor (1886-1965). Planitiae (9) Apārangi Planitia Māori word for the planet Mercury. Lugus Planitia Gaulish equivalent of the Roman god Mercury. Mearcair Planitia Irish word for the planet Mercury. Otaared Planitia Arabic word for the planet Mercury. Papsukkal Planitia Akkadian messenger god. Sihtu Planitia Babylonian word for the planet Mercury. StilBon Planitia Ancient Greek word for the planet Mercury. -
Thomas Merton and Vincent Van Gogh: the Map of Two Pilgrim Journeys to the True Self in Art and Parable
https://theses.gla.ac.uk/ Theses Digitisation: https://www.gla.ac.uk/myglasgow/research/enlighten/theses/digitisation/ This is a digitised version of the original print thesis. Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Thomas Merton and Vincent Van Gogh: The map of two Pilgrim Journeys to the True Self in Art and Parable. By Paula Hazel Hutchinson Submitted in fulfilment of the degree of M.Th. University of Glasgow Department of Theology and Religious Studies Centre for the Study of Literature, Theology and the Arts April 2007 © Paula Hazel Hutchinson ProQuest Number: 10396058 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10396058 Published by ProQuest LLO (2017). Copyright of the Dissertation is held by the Author. -
The Ruined Archive the Ruined Archive
Books edited by Iain Chambers, Giulia Grechi, Mark Nash the ruined archive the ruined archive edited by Iain Chambers, Giulia Grechi, Mark Nash Books 11 The Ruined Archive Books The Ruined Archive edited by Iain Chambers, Giulia Grechi and Mark Nash Books 4 — the ruined archive mela books 11 – rf02 cultural memory, migrating modernities and museum practices Published by Politecnico di Milano © June 2014, The Authors This work is provided on line as open access document under the terms of Creative Commons Attribution-NonCommercial-NoDerivs 4.0 International. The work is protected by copyright and/or other applicable law. Any use of the work other than as authorized under this license or copyright law is prohibited. For additional information http:// creativecommons.org/. isbn 978-88-95194-38-7 This Book ensued from the Research Project MeLa - European Museums in an age of migrations funded within the European Union’s Seventh Framework Programme (SSH- 2010-5.2.2) under Grant Agreement n° 266757. Project Officer: Mr. Zoltán Krasznai mela consortium Politecnico di Milano (Coordinator), Italy – Copenhagen Institute of Interaction Design, Denmark – Consiglio Nazionale delle Ricerche ITIA, Italy – University of Glasgow, United Kingdom – Museu d’Art Contemporani de Barcelona, Spain – Muséum National d’Histoire Naturelle, France – The Royal College of Art, United Kingdom – Newcastle University, United Kingdom – Università degli Studi di Napoli “L’ Orientale,” Italy. www.mela-project.eu english editing Mark Weir graphic design Zetalab — Milano layout Mariangela Orabona legal notice The views expressed here are the sole responsibility of the authors and do not necessarily reflect the views of the European Commission. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Self Portrait with Wind in My Hair
The Gordian Review Volume 3, 2018 Texas Review Press Huntsville, TX Copyright 2018 Texas Review Press, Sam Houston State University Department of English. ISSN 2474-6789. The Gordian Review volunteer staff: Editor in Chief: Elizabeth Evans Fiction Editor: Elizabeth Evans Nonfiction Editor: Laura Brackin Cover Design: Elizabeth Evans All images were found, copyright-free, on Adobe Stock. For those graduate students interesting in having their work published, please submit through The Gordian Review website (gordianreview.org) or via the Texas Review Press website (texasreviewpress.org). Only work by current or recently graduated graduate students (Masters or PhD level) will be considered for publication. If you have any questions, the staff can be contacted by email at [email protected]. Editor’s note Welcome to the third issue of The Gordian Review. Inside you will find poetry, fiction, and nonfiction written by promising talents in the literary world. Since its inception in 2016, The Gordian Review has made a commitment to publishing the voices of today’s graduate students and giving them a unique publishing opportunity just for them. The original idea came from Texas Review Press’ founder and late director, Dr. Paul Ruffin, who wanted to present the world a sneak peek of the next generation of writers. I hope that you enjoy the selections inside. I would like to thank my fellow editor Laura Brackin for all her hard work, and our supervisor Kim Davis for all her guidance on this project. And lastly, thank you to everyone who submitted. Thank you for sharing your work with us. Without you, none of this would be possible.