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141 midterm review

FILM Short or Wide-angle Lenses Exposure is controlled by: 1. Common wide angle lenses for a 4x5 1. f/stop (or ) located in the lens view : 90mm and 75 mm 2. speed. The shutter is: 2. Give a wider than a normal lens. a. located in the camera body on a 3. Have more than longer lenses. 35mm single-lens reflex 4. Increased feeling of space. b. located in the lens on a 4x5 The B setting holds the shutter open for as long as Long or Telephoto Lenses: the shutter release is held. 1. Common long lenses for a 4x5: 210mm, 300mm The X setting on the shutter is for electronic 2. Give a narrow angle of view. synchronization, M is for flash bulbs. 3. Are generally slower than wide lenses. The T setting is for long exposures. Pressing the 4. Less depth of field than shorter lenses. shutter once on T opens the shutter, 5. Compress space. pressing it again closes the shutter. DEPTH OF FIELD- The area of the image Equivalent exposures are adjustments made to in front and back point of focus, that falls within shutter speeds or f/stops which change a visual acceptable focus. effect without altering film or print density. Example: Depth of field (DOF) is determined by: changing from f8 at 1/125 to f11 at 1/60, increases 1. F/stop (smaller increase DOF) the depth of field in the scene while maintaining an i.e. f 11 gives more depth of field than f8. equal exposure. 2. Camera subject distance. The closer the subject, the less DOF FILM CHARACTERISTICS 3. Lens ( the shorter the lens the 1. a. sensitivity b. contrast greater the DOF -- i.e. a 90mm lens offers c. resolution d. grain more DOF than a 150mm lens). 2. Doubling or halving the ISO requires 4. On a view camera the depth of field can be a one stop change in exposure. controlled with the camera's swings and tilts. 3. High-speed films (ISO 400, 3200) have: more grain and sensitivity, less contrast and VIEW a lower resolution. 1. Swinging and tilting the on High speed films can be used in low light. a view camera controls depth of field. 4. Medium speed films (ISO 100, 125 ) have: 2. Swinging and tilting the back of a view camera less grain and sensitivity and higher resolution controls perspective -- the shape of the subject. and contrast than high speed films. Advantages 5. Low speed films (ISO 50) have: less grain and 1. Large size sensitivity than higher speed films, but more contrast (4x5s require only 2x enlargement for 8x10 print). and a higher resolution than faster films. Low speed 2. Depth of field and perspective control. films require more light than medium or high speed 3. Leaf shutters synch. with flash at all speeds. films. 4. Less grain & better resolution than 35 or 21/4 5. Negatives can be developed individually LENSES Disadvantages Lenses vary in both focal length and speed. 1. View cameras have longer & slower lenses A fast lens opens to a wider aperture. (150mm) than 35mm cameras. Normal lens for a film SLR 35mm camera-50mm. 2. Upside down viewing. Normal lens for a 4x5 view camera- 3. Use leaf shutters-- slower and increases cost 135-150 mm. of each lens. This is often referred to in inches, i.e. a normal lens on a 4x5 is a 6" lens.

View camera lenses: a. Are slower. b. Stop down to smaller apertures (f64 or f90)

Enlargements should be made using the normal lens for that . THE is an approach to film Thin (light) term used to describe a exposure and development which offers more negative that has been under-exposed. precise control of each negative. A thin negative usually requires a high number filter. 1. Film exposure determines low value density. To increase detail in shadows, increase exposure. Film development time is determined by: Density of low values remains constant after first 1. the temperature of the developer 50% of film developing time. That is, the shadows 2. the ISO of the film of a given scene will have approximately the same 3. the contrast range of the original scene density whether the film is developed for 3.5 or 6 minutes. Developing film for a longer period does Dodging: decreasing exposure to an area little to increase overall negative density. of the print in order to make that area lighter.

2. High values are determined by film development. Emulsion: the light sensitive, silver material, coating To make whites whiter in a print, time in the film on both film and paper. developer should be increased. The emulsion is: the dull side of film, 3. With , low values should be the shiny side of enlarging paper. placed and high values should be allowed to fall. Flat: term used to describe a print with 4. With roll film, high values should be placed too little contrast and low values should be allowed to fall. PRINT FOR THE WHITES: TERMS TO UNDERSTAND Always give enough exposure for large white areas Developer (both film or paper) (the high values) to have detail and texture. Converts exposed silver halide crystals to metallic Only after whites have sufficient density can the silver. proper filter be determined. (both film or paper) Stops developer action. Water is used for stop bath PHOTOGRAPHERS with films. Diluted acetic acid is used for papers. Minor White: exploration of Zone System. Fixer or Hypo (both film or paper) Influential East & West Coast photographer. Removes unexposed silver halide crystals. 1940's -70's Hypo Clear (both film or paper) A chemical wash which removes chemicals Nicholas Nixon: large-format portraits. from film or paper emulsions and shortens wash Contemporary East Coast photographer. times. (Not used with RC papers.) Photo Flo Used to prevent water spots on film. Also, study the Zone Definition handout.

Burning: Practice Question: adding exposure to an area of the print in order to If in a scene you are photographing, given the make that area darker. following: You place your shadow in Zone III Contrast: The shadow reads f 8 @ 1/30 When printing, contrast is controlled with variable The sky reads f 8 @ 1/250 contrast filters. The higher the filter number the greater the contrast. What is your exposure? Because of their density and , filters require varied amounts of exposure.

Dense (dark) term used to describe a negative with too much exposure -- overexposed.

A dense negative usually requires a low number filter. 1/125 @ 8 f Answer: