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Unsettling a Settler Family's History in Aotearoa New Zealand
genealogy Article A Tale of Two Stories: Unsettling a Settler Family’s History in Aotearoa New Zealand Richard Shaw Politics Programme, Massey University, PB 11 222 Palmerston North, New Zealand; [email protected]; Tel.: +64-27609-8603 Abstract: On the morning of the 5 November 1881, my great-grandfather stood alongside 1588 other military men, waiting to commence the invasion of Parihaka pa,¯ home to the great pacifist leaders Te Whiti o Rongomai and Tohu Kakahi¯ and their people. Having contributed to the military campaign against the pa,¯ he returned some years later as part of the agricultural campaign to complete the alienation of Taranaki iwi from their land in Aotearoa New Zealand. None of this detail appears in any of the stories I was raised with. I grew up Pakeh¯ a¯ (i.e., a descendant of people who came to Aotearoa from Europe as part of the process of colonisation) and so my stories tend to conform to orthodox settler narratives of ‘success, inevitability, and rights of belonging’. This article is an attempt to right that wrong. In it, I draw on insights from the critical family history literature to explain the nature, purposes and effects of the (non)narration of my great-grandfather’s participation in the military invasion of Parihaka in late 1881. On the basis of a more historically comprehensive and contextualised account of the acquisition of three family farms, I also explore how the control of land taken from others underpinned the creation of new settler subjectivities and created various forms of privilege that have flowed down through the generations. -
Dougal Austin
Te Hei Tiki A Cultural Continuum DOUGAL AUSTIN TeHeiTiki_TXT_KB6.indd 2-3 29/04/19 8:20 PM He kupu whakataki Introduction 9 01/ Ngā whakamāramatanga Use and meaning 15 02/ Ngā momo me ngā āhua Types and shapes 27 03/ Te pūtakenga mai Physical origins 49 04/ Ngā kōrero kairangi Exalted histories 93 Contents 05/ Ngā tohu ā-iwi Tribal styles 117 06/ Ngā tai whakaawe External versus local influence 139 07/ Ka whiti ka pūmau, 1750–1900 Change and continuity, 1750–1900 153 08/ Te whānako toi taketake, ngā tau 1890–ināianei Cultural appropriation, 1890s–present 185 09/ Te hei tiki me te Māori, 1900–ināianei Māori and hei tiki, 1900–present 199 He kupu whakakapi Epilogue 258 Appendices, Notes, Glossary, Select bibliography, Image credits, Acknowledgements, Index 263 TeHeiTiki_TXT_KB6.indd 6-7 29/04/19 8:20 PM He kupu whakataki Introduction 9 TeHeiTiki_TXT_KB6.indd 8-9 29/04/19 8:20 PM āori personal adornments take a wide variety of forms, all treasured greatly, but without a doubt Mthe human-figure pendants called hei tiki are the most highly esteemed and culturally iconic. This book celebrates the long history of hei tiki and their enduring cultural potency for the Māori people of Aotearoa. Today, these prized pendants are enjoying a resurgence in popularity, part of the late twentieth- to early twenty-first- century revitalisation of Māori culture, which continues to progress from strength to strength. In many ways the story of hei tiki mirrors the changing fortunes of a people, throughout times of prosperity, struggle, adaptation and resilience. -
2569 Explain Objects As Symbols to Demonstrate Cultural Awareness In
NZQA registered unit standard 2569 version 9 Page 1 of 3 Title Explain objects as symbols to demonstrate cultural awareness in whakairo Level 7 Credits 14 Purpose This unit standard is for people furthering their knowledge in whakairo. It supplements the Toi Whakairo and Whakaraupapa Whakairo unit standards. People credited with this unit standard are able to interpret: architectural components to demonstrate cultural awareness in whakairo; environmental orientation of architecture; and the function of artefacts. Classification Whakairo > Mana Whakairo Available grade Achieved Entry information Critical health and Unit 2568, Explain symbolic representation to demonstrate safety prerequisites cultural awareness in whakairo, or demonstrate equivalent knowledge and skills. Recommended skills Unit 2561, Explain taha wairua to demonstrate cultural and knowledge awareness in whakairo. Explanatory notes 1 Tikanga and kawa related to the content of the Whakairo subfield refer to specific interpretations and understandings of whakapapa, te reo, symbolism, concepts and representation within a whakairo context. They are distinctive from those within the broader context of Te Ao Māori. 2 Glossary taha wairua – spiritual perspective. Outcomes and evidence requirements Outcome 1 Interpret architectural components of artefacts to demonstrate cultural awareness in whakairo. NZQA Māori Qualifications Services New Zealand Qualifications Authority 2016 SSB Code 194 NZQA registered unit standard 2569 version 9 Page 2 of 3 Evidence requirements 1.1 Form is analysed to interpret symbolic correlation between architectural components and position in space that concurs with hapū or iwi tradition. Range components – paepae, poutahu, poutuarongo, pane, tāhuhu, pare, poutokomanawa, koruru, tekoteko, epa, poupou, tukutuku, papaka, kaho paetara, kaho, maihi, raparapa, amo, poupou, heke, heketipi, kuwaha, waharoa, pou rāhui, pou haki, whare taua; position in space – kei mua, kei muri, ki te taha maui, ki te taha matau, kei runga, kei raro, kei waho, kei roto. -
92467102. Robertson
Edinburgh Research Explorer Chapter 15:Construction of a Paleozoic–Mesozoic accretionary orogen along the active continental margin of SE Gondwana (South Island, New Zealand): summary and overview Citation for published version: Robertson, AHF, Campbell, HJ, Johnston, MR & Palamakumbra, R 2019, Chapter 15:Construction of a Paleozoic–Mesozoic accretionary orogen along the active continental margin of SE Gondwana (South Island, New Zealand): summary and overview. in Introduction to Paleozoic–Mesozoic geology of South Island, New Zealand: subduction-related processes adjacent to SE Gondwana . 1 edn, vol. 49, Geological Society Memoir, Geological Society of London, pp. 331-372. https://doi.org/10.1144/M49.8 Digital Object Identifier (DOI): 10.1144/M49.8 Link: Link to publication record in Edinburgh Research Explorer Document Version: Publisher's PDF, also known as Version of record Published In: Introduction to Paleozoic–Mesozoic geology of South Island, New Zealand: subduction-related processes adjacent to SE Gondwana Publisher Rights Statement: ©2019TheAuthor(s).ThisisanOpenAccessarticledistributedunderthetermsoftheCreativeCommonsAttribution4.0Li cense(http://creativecommons.org/ licenses/by/4.0/). Published by The Geological Society of London. Publishing disclaimer: www.geolsoc.org.uk/pub_ethics General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. -
Using Te Reo Māori and Ta Re Moriori in Taxonomy
VealeNew Zealand et al.: Te Journal reo Ma- oriof Ecologyin taxonomy (2019) 43(3): 3388 © 2019 New Zealand Ecological Society. 1 REVIEW Using te reo Māori and ta re Moriori in taxonomy Andrew J. Veale1,2* , Peter de Lange1 , Thomas R. Buckley2,3 , Mana Cracknell4, Holden Hohaia2, Katharina Parry5 , Kamera Raharaha-Nehemia6, Kiri Reihana2 , Dave Seldon2,3 , Katarina Tawiri2 and Leilani Walker7 1Unitec Institute of Technology, 139 Carrington Road, Mt Albert, Auckland 1025, New Zealand 2Manaaki Whenua - Landcare Research, 231 Morrin Road, St Johns, Auckland 1072, New Zealand 3School of Biological Sciences, University of Auckland, 3A Symonds St, Auckland CBD, Auckland 1010, New Zealand 4Rongomaiwhenua-Moriori, Kaiangaroa, Chatham Island, New Zealand 5Massey University, Private Bag 11222 Palmerston North, 4442, New Zealand 6Ngāti Kuri, Otaipango, Ngataki, Te Aupouri, Northland, New Zealand 7Auckland University of Technology, 55 Wellesley St E, Auckland CBS, Auckland 1010, New Zealand *Author for correspondence (Email: [email protected]) Published online: 28 November 2019 Auheke: Ko ngā ingoa Linnaean ka noho hei pou mō te pārongo e pā ana ki ngā momo koiora. He mea nui rawa kia mārama, kia ahurei hoki ngā ingoa pūnaha whakarōpū. Me pēnei kia taea ai te whakawhitiwhiti kōrero ā-pūtaiao nei. Nā tēnā kua āta whakatakotohia ētahi ture, tohu ārahi hoki hei whakahaere i ngā whakamārama pūnaha whakarōpū. Kua whakamanahia ēnei kia noho hei tikanga mō te ao pūnaha whakarōpū. Heoi, arā noa atu ngā hua o te tukanga waihanga ingoa Linnaean mō ngā momo koiora i tua atu i te tautohu noa i ngā momo koiora. Ko tētahi o aua hua ko te whakarau: (1) i te mātauranga o ngā iwi takatake, (2) i te kōrero rānei mai i te iwi o te rohe, (3) i ngā kōrero pūrākau rānei mō te wāhi whenua. -
The Colonial Reinvention of the Hei Tiki: Pounamu, Knowledge and Empire, 1860S-1940S
The Colonial Reinvention of the Hei Tiki: Pounamu, Knowledge and Empire, 1860s-1940s Kathryn Street A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in History Victoria University of Wellington Te Whare Wānanga o te Ūpoko o te Ika a Māui 2017 Abstract This thesis examines the reinvention of pounamu hei tiki between the 1860s and 1940s. It asks how colonial culture was shaped by engagement with pounamu and its analogous forms greenstone, nephrite, bowenite and jade. The study begins with the exploitation of Ngāi Tahu’s pounamu resource during the West Coast gold rush and concludes with post-World War II measures to prohibit greenstone exports. It establishes that industrially mass-produced pounamu hei tiki were available in New Zealand by 1901 and in Britain by 1903. It sheds new light on the little-known German influence on the commercial greenstone industry. The research demonstrates how Māori leaders maintained a degree of authority in the new Pākehā-dominated industry through patron-client relationships where they exercised creative control. The history also tells a deeper story of the making of colonial culture. The transformation of the greenstone industry created a cultural legacy greater than just the tangible objects of trade. Intangible meanings are also part of the heritage. The acts of making, selling, wearing, admiring, gifting, describing and imagining pieces of greenstone pounamu were expressions of culture in practice. Everyday objects can tell some of these stories and provide accounts of relationships and ways of knowing the world. The pounamu hei tiki speaks to this history because more than merely stone, it is a cultural object and idea. -
James Butterworth and the Old Curiosity Shop, New Plymouth, Taranaki
Tuhinga 16: 93–126 Copyright © Te Papa Museum of New Zealand (2005) James Butterworth and the Old Curiosity Shop, New Plymouth, Taranaki Kelvin Day PO Box 315, New Plymouth, Taranaki ([email protected]) ABSTRACT: James Butterworth established a successful Mäori curio dealing business in New Plymouth during the latter part of the nineteenth century. The coastal Taranaki settlement of Parihaka was a favoured place to obtain artefacts for his shop. Butterworth produced three sales catalogues and many of the artefacts he sold carried important information regarding provenances and associations. Some of Butterworth’s artefacts found their way into the Canterbury Museum in 1896. Other items helped form the foundation of the taonga Mäori collection of the Colonial Museum, Wellington. Locating where other items, which passed through Butterworth’s shop, are now held has proved very difficult. This study highlights the need for further analysis of curio dealers who operated within New Zealand and the artefacts in which they dealt. KEYWORDS: history, James Butterworth, curio dealer, Parihaka, Canterbury Museum, Colonial Museum, New Plymouth Industrial Exhibition, New Zealand International Exhibition. Introduction nineteenth and early twentieth centuries was seen as a legitimate practice. A number of dealers operated during This paper examines the life and times of James this period, such as Eric Craig (Auckland), Edward Butterworth (Fig.1), a New Plymouth dealer of Mäori Spencer (Auckland), Sygvard Dannefaerd (Auckland and ‘curios’. Research indicates that Butterworth was the only Rotorua), and David Bowman (Christchurch), satisfying commercial dealer in Mäori artefacts to operate in the the demand of collectors like Willi Fels (Dunedin), Taranaki region and, so far as is known, he was one of Augustus Hamilton (Hawke’s Bay, Dunedin), Alexander two New Zealand dealers – the other was Eric Craig Turnbull (Wellington), Thomas Hocken (Dunedin), and (1889) – to issue sales catalogues (as opposed to auction Walter Buller (Wellington), to name but a few. -
Creating an Online Exhibit
CREATING AN ONLINE EXHIBIT: TARANAKI IN THE NEW ZEALAND WARS: 1820-1881 A Project Presented to the faculty of the Department of History California State University, Sacramento Submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS in History (Public History) by Tracy Phillips SUMMER 2016 © 2016 Tracy Phillips ALL RIGHTS RESERVED ii CREATING AN ONLINE EXHIBIT: TARANAKI IN THE NEW ZEALAND WARS: 1820-1881 A Project by Tracy Phillips Approved by: __________________________________, Committee Chair Patrick Ettinger, PhD __________________________________, Second Reader Christopher Castaneda, PhD ____________________________ Date iii Student: Tracy Phillips I certify that this student has met the requirements for format contained in the University format manual, and that this project is suitable for shelving in the Library and credit is to be awarded for the project. __________________________, Graduate Coordinator ___________________ Patrick Ettinger, PhD Date iv Abstract of CREATING AN ONLINE EXHIBIT: TARANAKI IN THE NEW ZEALAND WARS: 1820-1881 by Tracy Phillips This thesis explicates the impact of land confiscations on Maori-Pakeha relations in Taranaki during the New Zealand Wars and how to convey the narrative in an online exhibit. This paper examines the recent advent of digital humanities and how an online platform requires a different approach to museum practices. It concludes with the planning and execution of the exhibit titled “Taranaki in the New Zealand Wars: 1820- 1881.” _______________________, Committee Chair Patrick Ettinger, PhD _______________________ Date v DEDICATION I would like to dedicate this paper to my son Marlan. He is my inspiration and keeps me motivated to push myself and reach for the stars. -
In the Waitangi Tribunal Wai 207 Wai 785
In the Waitangi Tribunal Wai 207 Wai 785 Under the Treaty of Waitangi Act 1975 In the Matter of the Northern South Island Inquiry (Wai 785) And In the Matter of a claim to the Waitangi Tribunal by Akuhata Wineera, Pirihira Hammond, Ariana Rene, Ruta Rene, Matuaiwi Solomon, Ramari Wineera, Hautonga te Hiko Love, Wikitoria Whatu, Ringi Horomona, Harata Solomon, Rangi Wereta, Tiratu Williams, Ruihi Horomona and Manu Katene for and on behalf of themselves and all descendants of the iwi and hapu of Ngati Toa Rangatira BRIEF OF EVIDENCE OF TE WAARI CARKEEK Dated 9 June 2003 89 The Terrace PO Box 10246 DX SP26517 Wellington Telephone (04) 472 7877 Facsimile (04) 472 2291 Solicitor Acting: D A Edmunds Counsel: K Bellingham/K E Mitchell/B E Ross 031600261 KEM BRIEF OF EVIDENCE OF TE WAARI CARKEEK Introduction 1 My name is Te Waari Carkeek, and I am known as Te Waari. I was born at Otaki on 29 October 1960, I was brought up there. My father is Rikihana Te Rei Carkeek and my mother is Hemaima Te Hiwi Carkeek. I am the second youngest of their fourteen children. I am of Ngati Toa and Ngati Raukawa descent, among others. 2 I reside in Otaki today. Although I am not a resident in Te Tau Ihu I have always been aware that our family had roots there through our Maori ancestry. 3 I am self-employed and contract my administrative and teaching skills for our iwi developments. I presently have a working relationship with Te Runanga o Raukawa Inc and the Raukawa Marae Information and Support Service. -
Mythos of the Maori Is Copyright 2000, 2008 Christopher Johnstone
Mythos of the Maori By Christopher Johnstone 1 The Content Introduction 3 Core Rules 5 The Setting 8 Character Creation 13 Magic, Tapu and Noa 19 Character Advancement 28 So are Spun the Tales... 30 The Way of the Warrior 52 Appendix 60 Copyright: Mythos of the Maori is copyright 2000, 2008 Christopher Johnstone. Written and designed by Christopher Johnstone, unless otherwise stated. Permission is given for this version, “Mythos of the Maori (core rules) (PDF),” to be copied, printed and distributed freely on the condition that no version of this PDF (whether electronic, print or other) is sold. 2 Chapter One Introduction This is a game with a little personal history lingering idea that the North Island is a fish and the South a canoe is behind it and as such, it requires some explanation. The also recent in origin and appears nowhere prior to about bulk of the following text was initially written as a stand- 1950. It’s a pretty addition, but a modern addition alone book on the mythology and folkloric beliefs of the nonetheless. Unfortunately, just as English fairies suffered pre-European Maori, the roleplaying rules came later. The under the attentions of Victorians, and grew butterfly folkloric part of the book was written during some wings and antenna, the myths and folklore of other extensive reading into original records of oral stories held cultures suffered too. in the rare documents collection in the Auckland Library, But, to be honest, we can keep this between you and as well as investigation into a few other sundry sources me. -
TE PORERE REDOUBT and SITE VISIT Ngā Whenu | Levels: Year 3 - Year 13 1 Hour at Museum, 1 - 2 Hours at Site
TE PORERE REDOUBT AND SITE VISIT Ngā Whenu | Levels: Year 3 - Year 13 1 hour at museum, 1 - 2 hours at site PĀTAI MATUA | BIG QUESTION What were the historical contexts which led to the beginnings of the New Zealand Wars? fierce fighting that occurred here – examine the loopholes for the rifles. Why did their angle inhibit TIROHANGA WHĀNUI | PROGRAMME OVERVIEW the defenders? video on school FB page. Experience • Visit the New Zealand Wars Gallery of the National Army Museum. • The actions of Maori Victoria Cross winners Ngarimu and Apiata will be looked explored. • Compare traditional Maori weapons (Taiaha, Tewhatewha, Patu, Mere etc.) with European weapons (muskets, shotguns.) • Compare traditional Maori fortifications (Pukehinahina- Gate Pa) with European style redoubts. • Consider why Te Porere was unsuccessful. • Collect activity sheets from the Education Department for further study at Te Porere Redoubt. Reflection • Students compare traditional Maori weapons with contemporary British weapons • Students will travel to the Te Porere Redoubt (15 minutes southwest of Turangi – on SH49A towards National Park.) • Site visit will expose strengths and weaknesses of chosen site as a defensive position. • Place and the Environment: Students learn how people perceive and interact with their environment. RAUEMI AWHINA Further reading • The New Zealand Wars – and the pioneering period. Volume 1 and 2. By James Cowan. • “Sacred Soil – Images and Stories of the New Zealand Wars” by Neil Finlay ISBN 1 86941 357 1. • “Landscapes of Conflict. A field guide to the New Zealand Wars” by Nigel Prickett. ISBN 1 86941 542 6. Post-visit • Visit Te Porere Redoubt on your way north – it is 15 minutes west of Turangi. -
Prices Are in Nz$ and Exclude Gst and Freight Waka
1 ALL PRICES ARE IN NZ$ AND EXCLUDE GST AND FREIGHT WAKA STERN - DELETED ITEM (will be introducing new waka stern) (Taurapa) The taurapa carvings represent the story of Tāne (god of forests and birds) ascending the twelve heavens to obtain the three baskets of knowledge - kete tuauri (basket of peace, goodness, and love), kete tūātea (basket of prayer, incantations, and ritual), and kete aronui (basket of war, agriculture, wood, stone, and earth work) - in order to learn the secrets of life. On the way, his elder brother Whiro (evil) tries, unsuccessfully, to disrupt Tāne's journey. The more elaborately carved taurapa would have a manaia or avian- like creature seen grappling with the two vertical rib forms representing the creative principles of life. The manaia is biting down on the tops of the two ribs, which represent ira-atua (the gods) and ira-tangata (humankind). The manaia is therefore symbollically battling the opposing notions of war and peace. The surrounding spiral system is called pitau meaning perforated spiral carving. To carve a waka taua took great skill, and canoe-makers acquired great mana (prestige) and reputations as priests and craftsmen for their ritual and technical expertise. These qualities were seen as inseparable and would have been highly desirable in the construction of waka taua, which were imbued with spiritual significance during the transportation of warriors over great distances. C0117 Small Waka Stern Post (120mm x 80mm) $129.00 on a base (100mm xx 20mm)50mm in MADINZ Presentation Box BRANDING If you would like these items branded, we can organize this for you.