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Music and the American Civil War
“LIBERTY’S GREAT AUXILIARY”: MUSIC AND THE AMERICAN CIVIL WAR by CHRISTIAN MCWHIRTER A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2009 Copyright Christian McWhirter 2009 ALL RIGHTS RESERVED ABSTRACT Music was almost omnipresent during the American Civil War. Soldiers, civilians, and slaves listened to and performed popular songs almost constantly. The heightened political and emotional climate of the war created a need for Americans to express themselves in a variety of ways, and music was one of the best. It did not require a high level of literacy and it could be performed in groups to ensure that the ideas embedded in each song immediately reached a large audience. Previous studies of Civil War music have focused on the music itself. Historians and musicologists have examined the types of songs published during the war and considered how they reflected the popular mood of northerners and southerners. This study utilizes the letters, diaries, memoirs, and newspapers of the 1860s to delve deeper and determine what roles music played in Civil War America. This study begins by examining the explosion of professional and amateur music that accompanied the onset of the Civil War. Of the songs produced by this explosion, the most popular and resonant were those that addressed the political causes of the war and were adopted as the rallying cries of northerners and southerners. All classes of Americans used songs in a variety of ways, and this study specifically examines the role of music on the home-front, in the armies, and among African Americans. -
Read an Excerpt
ACROSS THE PLAINS The Journey of the Palace Wagon Family by SANDRA FENlCHEL ASHER Dramatic Publishing Wcxxlstock, lllinois • London, England • Melooume, Australia © The Dramatic Publishing Company, Woodstock, Illinois *** NOTICE *** TIle amaleur and stock acting rights to this wen: are controlled exclusively by TIm DRAMATIC PUBUSHING COMPANY without wha;e pennission in writing 00 performance of it may be given. Royalty fees are given in our current catalogue and are subject to change without notice. Royalty must be paid every time a play is perfonned whether or not it is JI=lted for profit and whether a- not admission is charged. A play is perfonned any time it is acted bef<re an audience. All inquiries conceming amateur and stock rights should be addressed to: DRAMATIC PUBUSlllNG P. O. Box 129, Woodstock, lliioois 60098. COPYRIGHT UW GWES THE AUTHOR OR THE AUTHOR'S AGENT THE EXCLUSIVE RIGHT TO MAKE COPIES. This law provides lIlIlhcrs with a fair return fa- their creative efforts. Authas earn their living from the royalties they receive fnm book sales and from the perfonnance of their work Conscientious offiervance ofcopyright law is not ooly ethical, it encour ages authors to continue their creative work. This wa-k is fully protected by copyright No altecations, deletions a- substitutions may be made in the work without the pria- written consent of the publisher. No part of this work may be reproduced a- ttansmitted in any form or by any means, electrooic or me chanical, including photocopy, recording, videotape, film, or any information storage and retrieval system, without pennission in writing from the publisher. -
Ashton Patriotic Sublime.5.Pdf (9.823Mb)
commercial spaces like theaters, and to performances spanning the gamut from the solemn, to the joyous. This diversity encompassed celebrations outside the expected calendar of national days. Patriotic sentiment was even a key feature of events celebrating the economic and commercial expansion of the new nation. The commemorative celebration for the laying of the foundation-stone of the Baltimore & Ohio Railroad, the “great national work which is intended and calculated to cement more strongly the union of the Eastern and the Western States,” took place on July 4, 1828.1 It beautifully illustrated the musical ties that bound different spaces together – in this case a parade route, a temporary outdoor civic space, and the permanent space of the Holliday Street Theatre. Organizers chose July Fourth for the event, wishing to signal civic pride and affective patriotism. Baltimore filled with visitors in the days before the celebration, so that on the morning of the Fourth the “immense throng of spectators…filled every window in Baltimore-street, and the pavement below….fifty thousand spectators, at least, must have been present.” The parade was massive and incorporated a great diversity of groups, including “bands of music, trades, and other bodies.” One focal point was a huge model, “completely rigged,” of a naval vessel, the “Union,” complete with uniformed sailors. Bands playing patriotic tunes were interspersed amongst the nationalist imagery on display: militia uniforms, banners emblazoned with patriotic verse, national flags, eagle figures, shields, and more. Charles Carrollton, one of the last surviving signers of the Declaration of Independence, gave the main public address at the site, accompanied by a march composed for the occasion, the “Carrollton March” (see Figure 2.4). -
Hell on Wheels
MercantileEXCITINGSee section our NovemberNovemberNovember 2001 2001 2001 CowboyCowboyCowboy ChronicleChronicleChronicle(starting on PagepagePagePage 90) 111 The Cowboy Chronicle~ The Monthly Journal of the Single Action Shooting Society ® Vol. 21 No. 11 © Single Action Shooting Society, Inc. November 2008 . HELL ON WHEELS . THE SASS HIGH PLAINS REGIONAL By Captain George Baylor, SASS Life #24287 heyenne, Wyoming – The HIGHLIGHTS on pages 70-73 very name conjures up images of the Old West. chief surveyor for the Union Pacific C Wyoming is a very big state Railroad, surveyed a town site at with very few people in it. It has what would become Cheyenne, only 500,000 people in the entire Wyoming. He called it Cow Creek state, but about twice as many ante- Crossing. His friends, however, lope. A lady at Fort Laramie told me thought it would sound better as Cheyenne was nice “if you like big Cheyenne. Within days, speculators cities.” Cheyenne has 55,000 people. had bought lots for a $150 and sold A considerable amount of history them for $1500, and Hell on Wheels happened in Wyoming. For example, came over from Julesburg, Colorado— Fort Laramie was the resupply point the previous Hell on Wheels town. for travelers going west, settlers, and Soon, Cheyenne had a government, the army fighting the Indian wars. but not much law. A vigilance com- On the far west side of the state, mittee was formed and banishments, Buffalo Bill built his dream town in even lynchings, tamed the lawless- Cody, Wyoming. ness of the town to some extent. Cheyenne, in a way, really got its The railroad was always the cen- start when the South seceded from tral point of Cheyenne. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
PHILIP JOHN AHNEMAN - Died at 12:15 AM on Tuesday, November 1, 2016 in the Southwest Louisiana War Veterans Home in Jennings, Louisiana at the Age of 72
PHILIP JOHN AHNEMAN - Died at 12:15 AM on Tuesday, November 1, 2016 in the Southwest Louisiana War Veterans Home in Jennings, Louisiana at the age of 72. The cause of death was Parkinson’s disease. He was born in Morris, Minnesota on February 16, 1944 to the late Gaylord and Marian (née Peterson) Ahneman. He spent 15 years in the United States Army, served in the Vietnam War and eventually settled in Lafayette, Louisiana as a corporate pilot until retirement. He was a Permanently Hospitalized Veteran Member of Vietnam Veterans of America – Jennings Chapter #1058. Survivors include his wife, Jana (née Marifjeren) Ahneman, of Lafayette; his daughter, Carrie Lynne Ahneman, of Carencro; his son, Christopher Robert Ahneman, of Lafayette; one sister, Judi Christensen, of Portland, Oregon; one brother, David Ahneman, of Eugene, Oregon; and his nine-year old grandson, Cole Hunter Ahneman, of Lafayette; Jana's sisters, Judy (Bill) Raymer, of Denver, CO and Joni (Roar) Rommesmo, of Fargo, ND and sister-in-law Kathy Marifjeren, of Chicago, Illinois. A memorial service will be held at a later date. Donations in Mr. Ahneman's memory may be made to The Michael J. Fox Parkinson's Foundation. IRA D. “Ike” ARENT – Died Saturday, August 29, 2015 in Yorktown, Texas, after a courageous four-year battle with cancer. He was 68 years of age. He was born on November 4, 1946 in Greeley County, Nebraska to the late Leslie and Cleo Arent. He served in the United States Army during the Vietnam War as a medic. He married Nancy Warren August 22, 1969. -
C Upton, Lucile Morris (1898-1992), Papers, 1855-1986 3869 1 Linear Foot; 25 Rolls of Microfilm; 1 Video Cassette
C Upton, Lucile Morris (1898-1992), Papers, 1855-1986 3869 1 linear foot; 25 rolls of microfilm; 1 video cassette MICROFILM This collection is available at The State Historical Society of Missouri. If you would like more information, please contact us at [email protected]. INTRODUCTION The personal and professional papers of a Springfield, Missouri, journalist and writer consisting of newspaper clippings, correspondence, research notes, manuscripts, pamphlets, photographs and scrapbooks. The papers are especially strong in the history of Springfield and the Ozarks region, and in Ozark folklore. DONOR INFORMATION The Lucile Morris Upton Papers were donated to the State Historical Society by Mrs. Upton through her nephew John Morris on 11 November 1990 (SHS Accession No. 2807). Included in this accession were scrapbooks that were loaned for microfilming and then returned to the family. An addition to the papers was made on 8 May 1991 (SHS Accession No. 2835). BIOGRAPHICAL SKETCH Lucile Morris was born in Dadeville, Missouri, in 1898. She graduated from Greenfield High School in 1915 and attended Southwest Missouri State and Drury Colleges, although she did not graduate from either school. She taught school for a few years in Missouri and New Mexico. In 1923 Lucile decided to try her hand at journalism. After two and one-half years on the Denver Express and the El Paso Times, she returned to her native Missouri where she spent the rest of her life. In the early 1930s she became the first woman reporter in Springfield assigned to the "court house beat." It was there that she met her future husband Eugene V. -
History of Minstrelsy, Its Inner Workings and Business. "Minstrelsy Is an Ancient Art."
1 History of Minstrelsy, Its inner workings and business. "Minstrelsy is an ancient art." This project is to explore the inner working of minstrelsy. During its heyday, from the 1840s to the end of World War I it was the major exponent of entertainment in America. Minstrelsy has been around for centuries -from King David, to the medieval troubadours and finally to the shores of America. In America it took place before, during and after the emancipation of the Negro slaves and spread across the continent both with professional white and Negro groups (both using black face) and with minstrel shows produced by churches, schools and social organizations. Etc. While professional minstrels became less popular, minstrels did last long into the 20th century. (Personnel note-My father played bones in a church minstrel in the late 1930s and my brother and I (playing accordions) played in the olio part of a church minstrel in the 1940s.) Few forms or styles of entertainment last over generations. There are revivals but these are just points in time. An 'art' has an influence on a society. Rap music can be seen as a present day reversal of the minstrels. Eventually the public had problems accepting the minstrel with its black faced individuals. Strangely the height of minstrel happened after the Civil War. As with any art form, minstrelsy evolved, dropping its first part and became a spectacular revue taking the Olio into vaudeville. Black face was a familiar theatrical device in Europe (Shakespeare's Othello) as black was not permitted to be onstage. -
June 2015 Th SSAASSSS CCOONNVVEENNTTIIOONN San Antonio , 12 by Capitan in George Baylor, SASS Life #24287 Regulator Photos by Black Jack Mcginnis, SASS #2041
!! S S C For Updates, Information and GREAT Offers on the fly-Text SASS to 772937! A ig L CCCooowwwCCbbboooywywy CbbCCoohhyhyrr r oCoConnnhhiiiiirccrcclollolleeeneniiccllee I November 2001 CowCboyw Cbohyr oCSnhircloe niicnlle PaCge 1 NNSNSoeeoopvpvvetteteememmmmbbbbbeeeererrr r 2 2 2 2020000001111 00 S - PPPPaaaagggKgeeee 1 111 E u H ( p E S N R e D T E Cowboy Chroniiclle e o ! October 2010 P page 1o d ! October 2010 a a g f y ~ e T R ! 7 A The Cowboy Chronicle ) I L The Monthly Journal of the Single Action Sh ooting Society ® Vol. 28 No. 6 © Single Action Shooting Society, Inc. June 2015 th SSAASSSS CCOONNVVEENNTTIIOONN San Antonio , 12 By CapItan in George Baylor, SASS Life #24287 Regulator Photos by Black Jack McGinnis, SASS #2041 he Menger Hotel, San Antonio, TTexas, January 7-11, 2015. The Alamo is next door. The Alamo—only a small portion survives. It is a place of legend. The siege of the Alamo defines Texas. In 1836 for 13 days a few Texians held an indefensible mission from the most powerful army on the continent, Santa Anna’s Mexican army. The Texi - ans were outnumbered by more than ten to one. The Alamo fell on the morn - ing of March 6, 1836, and the defenders died to the last man. Sam Houston would rouse his troops with “Remember Historical impersonator Tom Jackson (complete with U.S. Krag carbine) the Alamo,” and “Remember Goliad.” On at the Menger Bar recreates what it would have been like to be a bright, sunshiny April afternoon, recruited into the Rough Riders by Theodore Roosevelt. -
THE HISTORY GUILD of DALY CITY/COLMA Thank You to All Our 2009 Mem Bers Your Renewed Membership and Support in 2010 Is Crucial to Our Continued Success
November 2009 Vol. 29, No.2 JOURNAL OF THE HISTORY GUILD OF DALYCITY/COLMA Greetings from President Mark We had an absolutely phenomenal reenactment of the Broderick-Terry Duel of 1859. [fthis had been an indoor event, we would have broken out all four walls. It was gangbusters! There was a crowd of upwards of 350, who joined us on an overcast Sunday afternoon when we were competing with professional football. Folks from near and far joined us; we had history groups come from Fremont, San Lorenzo, Santa Clara, and one fellow came all the way from Los Angeles just for our event. Talk about your die-hard history buffs, as well as WEDNESDAY, NOV. 18 the Guild's reputation preceding us! Everyone we heard 7:30 PM from was beaming and complimentary, expressing what 101 Lake Merced Blvd., Daly City a wonderful period event this was. San Francisco even Doelger Center Multi-purpose Room sent out a vintage fire engine (in honor of David Broderick who had been a fireman) which came and left Father Joseph Gordon in a hurry--perhaps an emergency call? A live band 75th Anniversary of played Civil War era music, we had a surprise visit from Our Lady of Perpetual Help School Emperor Norton, and Bruce David Terry (a relative of original duelist David Terry) tossed the coin for the FREE - EVERYONE WELCOME choice of pistols (authentic period pistols loaned by the Gunfighters of the Old West in Fremont.) In the near future we expect to post both still photos and video of November History Night to Commemorate the event to our new web site that is still under 75th Anniversary of OLPH School development. -
Songs of the Mormons and Songs of the West AFS L 30
Recording Laboratory AFS L30 Songs of the Mormons and Songs of the West From the Archive of Folk Song Edited by Duncan Emrich Library of Congress Washington 1952 PREFACE SONGS OF THE MORMONS (A side) The traditional Mormon songs on the A side of the length and breadth of Utah , gathering a large this record are secular and historical, and should be collection of songs of which those on this record are considered wholly in that light. They go back in representative. In addition to their work in Utah, time seventy-five and a hundred years to the very they also retraced the entire Mormon route from earliest days of settlement and pioneering, and are upper New York State across the country to Nau· for the opening of Utah and the West extraordi voo and thence to Utah itself, and , beyond that , narily unique documents. As items of general visited and travelled in the western Mormon areas Americana alone they are extremely rare, but when we also consider that they relate to a single group of adjacent to Utah. On all these trips, their chief pur people and to the final establishment of a single pose was the collection of traditional material relat· State, their importance is still further enhanced_ The ing to the early life and history of the Mormons, reason for this lies, not alone in their intrinsic worth including not only songs, but legends, tales, anec as historical documents for Utah, but also because dotes, customs, and early practices of the Mormons songs of this nature, dealing with ea rly pioneering as well. -
Introduction James Polk Is Known As the First Dark Horse Candidate for The
“The Dark Horse” Introduction James Polk is known as the first dark horse candidate for the US presidency. Though it is a stretch to call a former seven term US congressman, Speaker of the House, and governor unknown, many people were surprised by his nomination. Political campaigns were a lot different when Polk was alive. As a dark horse candidate, James Polk and the Democrats had to come up with a way to beat Henry Clay and the Whigs. In this lesson plan, your students will explore what the presidential campaign of 1844 looked and sounded like through the analysis of primary and secondary sources then plan, develop, and execute their own campaign. Objectives A. Research and analyze primary and secondary sources to explore how political conventions worked in 1844. B. Examine primary source excerpts from newspapers, personal accounts, and political documents to identify differences between the two major political parties during James Polk’s candidacy. C. Analyze political cartoons, ribbons, and songs to understand how political messages were spread during the 1844 campaign. D. Demonstrate understanding of the complex issues facing the United States during the 1844 campaign through the creation of political cartoons, songs, and speeches. TN State Standards 5.4 Identify the impact of important Tennesseans prior to the Civil War, including: President James K. Polk (Manifest Destiny) 8.53 Identify the major events and impact of James K. Polk’s presidency, including the annexation of Texas and the settlement of the Oregon boundary. TN.22 Describe the contributions of President James K. Polk to Tennessee and American history.