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Een Greep Uit De Cd-Releases 2012
Een greep uit de cd-releases 2012 Artiest/groep Titel 1 Aborted Global flatline 2 Allah -las Allah -las 3 Absynthe Minded As it ever was 4 Accept Stalingrad 5 Adrenaline Mob (Russel Allen & Mike Portnoy) Omerta 6 After All Dawn of the enforcer 7 Aimee Mann Charmer 8 Air La voyage dans la lune 9 Alabama Shakes Boys & girls 10 Alanis Morissette Havoc and bright lights 11 Alberta Cross Songs of Patience 12 Alicia Keys Girl on fire 13 Alt J An AwsoME Wave 14 Amadou & Mariam Folila 15 Amenra Mass V 16 Amos Lee As the crow flies -6 track EP- 17 Amy MacDonald Life in a beautiful light 18 Anathema Weather systems 19 Andrei Lugovski Incanto 20 Andy Burrows (Razorlight) Company 21 Angus Stone Broken brights 22 Animal Collective Centipede Hz 23 Anneke Van Giersbergen Everything is changing 24 Antony & The Johnsons Cut the world 25 Architects Daybreaker 26 Ariel Pink Haunted Graffitti 27 Arjen Anthony Lucassen Lost in the new real (2cd) 28 Arno Future vintage 29 Aroma Di Amore Samizdat 30 As I Lay Dying Awakened 31 Balthazar Rats 32 Band Of Horses Mirage rock 33 Band Of Skulls Sweet sour 34 Baroness Yellow & green 35 Bat For Lashes Haunted man 36 Beach Boys That's why god made the radio 37 Beach House Bloom 38 Believo ! Hard to Find 39 Ben Harper By my side 40 Berlaen De loatste man 41 Billy Talent Dead silence 42 Biohazard Reborn in defiance 43 Black Country Communion Afterglow 44 Blaudzun Heavy Flowers 45 Bloc Party Four 46 Blood Red Shoes In time to voices 47 Bob Dylan Tempest (cd/cd deluxe+book) 48 Bob Mould Silver age 49 Bobby Womack The Bravest -
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ｾＭ ...............................____________________ ,._ ______ ______________ ｾ ｾ ｾＭ MARCH 2, 2012 ARCADE B4 Getting to know the Gentlemen of Verona BY DERRICK TOUPS DT: How was it working specifically on "Two SENIOR STAFF WRITER Gents;' a lesser-known Shakespeare play? It's one of his earliest, so it's not as strong as his lat- er works. With a colorful cast of vampires, skate- SE: It is a pretty clumsy play. There's a horrible boarders, potheads and preps, the department ending where Pr9teus has an attempted rape, of theatre and dance opened its "Clerks"-style then Valentine discovers him, rescues Sylvia, rendition of Shakespeare's "Two Gentlemen of and decides, "Oh, you can have her because Verona," directed by Gary Rucker, Tuesday in our friendship's more important." It's definite- conjunction with The Shakespeare Festival at ly a play of problems, but it's cool to see ear- Tulane. The Arcade sat down with the two gen- ly things that Shakespeare later develops like tlemen themselves, sophomore Jesse Friedman cross-dressing, the weird attraction to those in (Valentine) and senior Stephen Eckert (Prote- drag and the sympathetic servants. us), to discuss the process of putting on the de- JF: Something that I think is attractive about partment's first Shakespeare play since "Cym- a lot of Shakespearean comedies - this may beline" in 2004. sound weird - is the naivete of his protago- nists. I think it's pretty endearing and attracts Derrick Toups: You've both worked with the audience to the characters. Shakespeare before, through monologues and scenes. -
Bertus in Stock 7-4-2014
No. # Art.Id Artist Title Units Media Price €. Origin Label Genre Release Eancode 1 G98139 A DAY TO REMEMBER 7-ATTACK OF THE KILLER.. 1 12in 6,72 NLD VIC.R PUN 21-6-2010 0746105057012 2 P10046 A DAY TO REMEMBER COMMON COURTESY 2 LP 24,23 NLD CAROL PUN 13-2-2014 0602537638949 FOR THOSE WHO HAVE 3 E87059 A DAY TO REMEMBER 1 LP 16,92 NLD VIC.R PUN 14-11-2008 0746105033719 HEART 4 K78846 A DAY TO REMEMBER OLD RECORD 1 LP 16,92 NLD VIC.R PUN 31-10-2011 0746105049413 5 M42387 A FLOCK OF SEAGULLS A FLOCK OF SEAGULLS 1 LP 20,23 NLD MOV POP 13-6-2013 8718469532964 6 L49081 A FOREST OF STARS A SHADOWPLAY FOR.. 2 LP 38,68 NLD PROPH HM. 20-7-2012 0884388405011 7 J16442 A FRAMES 333 3 LP 38,73 USA S-S ROC 3-8-2010 9991702074424 8 M41807 A GREAT BIG PILE OF LEAVE YOU'RE ALWAYS ON MY MIND 1 LP 24,06 NLD PHD POP 10-6-2013 0616892111641 9 K81313 A HOPE FOR HOME IN ABSTRACTION 1 LP 18,53 NLD PHD HM. 5-1-2012 0803847111119 10 L77989 A LIFE ONCE LOST ECSTATIC TRANCE -LTD- 1 LP 32,47 NLD SEASO HC. 15-11-2012 0822603124316 11 P33696 A NEW LINE A NEW LINE 2 LP 29,92 EU HOMEA ELE 28-2-2014 5060195515593 12 K09100 A PALE HORSE NAMED DEATH AND HELL WILL.. -LP+CD- 3 LP 30,43 NLD SPV HM. 16-6-2011 0693723093819 13 M32962 A PALE HORSE NAMED DEATH LAY MY SOUL TO. -
![HOW BLACK IS BLACK METAL [JOURNALISMUS] Nachrichten Von Heute](https://docslib.b-cdn.net/cover/8672/how-black-is-black-metal-journalismus-nachrichten-von-heute-488672.webp)
HOW BLACK IS BLACK METAL [JOURNALISMUS] Nachrichten Von Heute
HOW BLACK IS BLACK METAL [JOURNALISMUS] nachrichten von heute Kevin Coogan - Lords of Chaos (LOC), a recent book-length examination of the “Satanic” black metal music scene, is less concerned with sound than fury. Authors Michael Moynihan and Didrik Sederlind zero in on Norway, where a tiny clique of black metal musicians torched some churches in 1992. The church burners’ own place of worship was a small Oslo record store called Helvete (Hell). Helvete was run by the godfather of Norwegian black metal, 0ystein Aarseth (“Euronymous”, or “Prince of Death”), who first brought black metal to Norway with his group Mayhem and his Deathlike Silence record label. One early member of the movement, “Frost” from the band Satyricon, recalled his first visit to Helvete: I felt like this was the place I had always dreamed about being in. It was a kick in the back. The black painted walls, the bizarre fitted out with inverted crosses, weapons, candelabra etc. And then just the downright evil atmosphere...it was just perfect. Frost was also impressed at how talented Euronymous was in “bringing forth the evil in people – and bringing the right people together” and then dominating them. “With a scene ruled by the firm hand of Euronymous,” Frost reminisced, “one could not avoid a certain herd-mentality. There were strict codes for what was accept- ed.” Euronymous may have honed his dictatorial skills while a member of Red Ungdom (Red Youth), the youth wing of the Marxist/Leninist Communist Workers Party, a Stalinist/Maoist outfit that idolized Pol Pot. All who wanted to be part of black metal’s inner core “had to please the leader in one way or the other.” Yet to Frost, Euronymous’s control over the scene was precisely “what made it so special and obscure, creating a center of dark, evil energies and inspiration.” Lords of Chaos, however, is far less interested in Euronymous than in the man who killed him, Varg Vikemes from the one-man group Burzum. -
Darkthrone Is Absolutely Not a Political Band and We Never Were
THE ‘FAILURE’ OF YOUTH CULTURE: REFLEXIVITY, MUSIC AND POLITICS IN THE BLACK METAL SCENE Dr Keith Kahn-Harris, Independent social researcher 57 Goring Road London N11 2BT Tel: 0208 881 5742 E-mail: [email protected] Dr Keith Kahn-Harris (né Harris) received his PhD on the sociology of the global Extreme Metal music scene from Goldsmiths College in 2001. Since then he has been a fellow at the Mandel School for Advanced Jewish Educational Leadership, Jerusalem and a visiting fellow at the Monash University Centre for Jewish Civilization, Melbourne. He is currently working on a variety of projects as an independent social researcher in the British Jewish community. THE ‘FAILURE’ OF YOUTH CULTURE: REFLEXIVITY, MUSIC AND POLITICS IN THE BLACK METAL SCENE Abstract: This paper examines an enduring question raised by subcultural studies – how youth culture can be challenging and transgressive yet ‘fail’ to produce wider social change. This question is addressed through the case study of the Black Metal music scene. The Black Metal scene flirts with violent racism yet has resisted embracing outright fascism. The paper argues that this is due to the way in which music is ‘reflexively anti-reflexively’ constructed as a depoliticising category. It is argued that an investigation of such forms of reflexivity might explain the enduring ‘failure’ of youth cultures to change more than their immediate surroundings. Keywords: Subculture, reflexivity, politics, Black Metal, racism, youth culture, scenes. 1 Introduction: Subcultural theory and the ‘failure’ of youth culture It is hardly necessary to point out that cultural studies, and in particular the study of youth culture, owes a massive debt to subcultural theory, as developed by members of and those allied to the Birmingham Centre for Contemporary Cultural Studies in the 1970s (e.g. -
Compound AABA Form and Style Distinction in Heavy Metal *
Compound AABA Form and Style Distinction in Heavy Metal * Stephen S. Hudson NOTE: The examples for the (text-only) PDF version of this item are available online at: hps://www.mtosmt.org/issues/mto.21.27.1/mto.21.27.1.hudson.php KEYWORDS: Heavy Metal, Formenlehre, Form Perception, Embodied Cognition, Corpus Study, Musical Meaning, Genre ABSTRACT: This article presents a new framework for analyzing compound AABA form in heavy metal music, inspired by normative theories of form in the Formenlehre tradition. A corpus study shows that a particular riff-based version of compound AABA, with a specific style of buildup intro (Aas 2015) and other characteristic features, is normative in mainstream styles of the metal genre. Within this norm, individual artists have their own strategies (Meyer 1989) for manifesting compound AABA form. These strategies afford stylistic distinctions between bands, so that differences in form can be said to signify aesthetic posing or social positioning—a different kind of signification than the programmatic or semantic communication that has been the focus of most existing music theory research in areas like topic theory or musical semiotics. This article concludes with an exploration of how these different formal strategies embody different qualities of physical movement or feelings of motion, arguing that in making stylistic distinctions and identifying with a particular subgenre or style, we imagine that these distinct ways of moving correlate with (sub)genre rhetoric and the physical stances of imagined communities of fans (Anderson 1983, Hill 2016). Received January 2020 Volume 27, Number 1, March 2021 Copyright © 2021 Society for Music Theory “Your favorite songs all sound the same — and that’s okay . -
DARKWOODS MAILORDER CATALOGUE March 2018
DARKWOODS MAILORDER CATALOGUE March 2018 DARKWOODS PAGAN BLACK METAL DI STRO / LABEL [email protected] www.darkwoods.eu Next you will find a full list with all available items in our mailorder catalogue alphabetically ordered... With the exception of the respective cover, we have included all relevant information about each item, even the format, the releasing label and the reference comment... This catalogue is updated every month, so it could not reflect the latest received products or the most recent sold-out items... please use it more as a reference than an updated list of our products... CDS / MCDS / SGCDS 1349 - Beyond the Apocalypse [CD] 11.95 EUR Second smash hit of the Norwegians 1349, nine outstanding tracks of intense, very fast and absolutely brutal black metal is what they offer us with “Beyond the Apocalypse”, with Frost even more a beast behind the drum set here than in Satyricon, excellent! [Released by Candlelight] 1349 - Demonoir [CD] 11.95 EUR Fifth full-length album of this Norwegian legion, recovering in one hand the intensity and brutality of the fantastic “Hellfire” but, at the same time, continuing with the experimental and sinister side of their music introduced in their previous work, “Revelations of the Black Flame”... [Released by Indie Recordings] 1349 - Liberation [CD] 11.95 EUR Fantastic debut full-length album of the Nordic hordes 1349 leaded by Frost (Satyricon), ten tracks of furious, violent and merciless black metal is what they show us in "Liberation", ten straightforward tracks of pure Norwegian black metal, superb! [Released by Candlelight] 1349 - Massive Cauldron of Chaos [CD] 11.95 EUR Sixth full-length album of the Norwegians 1349, with which they continue this returning path to their most brutal roots that they started with the previous “Demonoir”, perhaps not as chaotic as the title might suggested, but we could place it in the intermediate era of “Hellfire”.. -
Hipster Black Metal?
Hipster Black Metal? Deafheaven’s Sunbather and the Evolution of an (Un) popular Genre Paola Ferrero A couple of months ago a guy walks into a bar in Brooklyn and strikes up a conversation with the bartenders about heavy metal. The guy happens to mention that Deafheaven, an up-and-coming American black metal (BM) band, is going to perform at Saint Vitus, the local metal concert venue, in a couple of weeks. The bartenders immediately become confrontational, denying Deafheaven the BM ‘label of authenticity’: the band, according to them, plays ‘hipster metal’ and their singer, George Clarke, clearly sports a hipster hairstyle. Good thing they probably did not know who they were talking to: the ‘guy’ in our story is, in fact, Jonah Bayer, a contributor to Noisey, the music magazine of Vice, considered to be one of the bastions of hipster online culture. The product of that conversation, a piece entitled ‘Why are black metal fans such elitist assholes?’ was almost certainly intended as a humorous nod to the ongoing debate, generated mainly by music webzines and their readers, over Deafheaven’s inclusion in the BM canon. The article features a promo picture of the band, two young, clean- shaven guys, wearing indistinct clothing, with short haircuts and mild, neutral facial expressions, their faces made to look like they were ironically wearing black and white make up, the typical ‘corpse-paint’ of traditional, early BM. It certainly did not help that Bayer also included a picture of Inquisition, a historical BM band from Colombia formed in the early 1990s, and ridiculed their corpse-paint and black cloaks attire with the following caption: ‘Here’s what you’re defending, black metal purists. -
Masterarbeit / Master's Thesis
d o n e i t . MASTERARBEIT / MASTER’S THESIS R Tit e l der M a s t erarbei t / Titl e of the Ma s t er‘ s Thes i s e „What Never Was": a Lis t eni ng to th e Genesis of B lack Met al d M o v erf a ss t v on / s ubm itted by r Florian Walch, B A e : anges t rebt e r a k adem is c her Grad / i n par ti al f ul fi l men t o f t he requ i re men t s for the deg ree of I Ma s ter o f Art s ( MA ) n t e Wien , 2016 / V i enna 2016 r v i Studien k enn z ahl l t. Studienbla t t / A 066 836 e deg r ee p rogramm e c ode as i t appea r s o n t he st ude nt r eco rd s hee t: w Studien r i c h tu ng l t. Studienbla tt / Mas t er s t udi um Mu s i k w is s ens c ha ft U G 2002 : deg r ee p r o g r amme as i t appea r s o n t he s tud e nt r eco r d s h eet : B et r eut v on / S uper v i s or: U ni v .-Pr o f. Dr . Mi c hele C a l ella F e n t i z |l 2 3 4 Table of Contents 1. -
Lords of Chaos
LORDS OF CHAOS US actor Rory Culkin portrays Euronymous 66 METALHAMMER.COM MHR316.lordsofchaos.indd 66 10/24/18 4:32 PM LORDS OF CHAOS WORDS: JONATHAN SELZER Exploring the rise of the notorious Norwegian black metal scene, Lords Of Chaos has divided fans and artists alike. We talk to director Jonas Åkerlund and Mayhem’s Necrobutcher on the eve of its release he story was never going to go away. Twenty-fi ve years after the death of Mayhem co-founder Øystein ‘Euronymous’ Aarseth at the hands of his friend, brief bandmate and Burzum founder Varg Vikernes in Oslo, the accompanying tale Tof suicide, betrayal, church burnings and “IF THERE’S AN murder has remained a source of mystery, lore and rampant speculation, aided by the AFTERLIFE, DEAD AND fact that the black metal movement Mayhem founded – and the band themselves – are still EURONYMOUS WILL BE going strong. In an act of fate worthy of the tale at VERY FUCKING HAPPY” their heart, two very diff erent, but often JØrn ‘neCroBuTCHer’ sTuBBerud complementary histories of Mayhem have METALHAMMER.COM 67 MHR316.lordsofchaos.indd 67 10/24/18 4:32 PM LORDS OF CHAOS The lords of chaos are also regents of tomfoolery emerged. The first is the long-awaited, and Photos of the True feared, movie, Lords Of Chaos, directed by Mayhem were “I WANTED recreated for the one-time drummer for proto-black metallers movie (below) Bathory and celebrated video director, Jonas TO MAKE Åkerlund. The second, The Death Archives, by Mayhem’s other founder, bassist Jørn A MOVIE THAT ‘Necrobutcher’ Stubberud, is a personal recounting of Mayhem’s first 10 years, along HUMANISES with reams of photographic documentation. -
Unpopular Culture and Explore Its Critical Possibilities and Ramifications from a Large Variety of Perspectives
15 mm front 153 mm 8 mm 19,9 mm 8 mm front 153 mm 15 mm 15 mm TELEVISUAL CULTURE TELEVISUAL CULTURE This collection includes eighteen essays that introduce the concept of Lüthe and Pöhlmann (eds) unpopular culture and explore its critical possibilities and ramifications from a large variety of perspectives. Proposing a third term that operates beyond the dichotomy of high culture and mass culture and yet offers a fresh approach to both, these essays address a multitude of different topics that can all be classified as unpopular culture. From David Foster Wallace and Ernest Hemingway to Zane Grey, from Christian rock and country to clack cetal, from Steven Seagal to Genesis (Breyer) P-Orridge, from K-pop to The Real Housewives, from natural disasters to 9/11, from thesis hatements to professional sports, these essays find the unpopular across media and genres, and they analyze the politics and the aesthetics of an unpopular culture (and the unpopular in culture) that has not been duly recognized as such by the theories and methods of cultural studies. Martin Lüthe is an associate professor in North American Cultural Studies at the John F. Kennedy-Institute at Freie Universität Berlin. Unpopular Culture Sascha Pöhlmann is an associate professor in American Literary History at Ludwig-Maximilians-Universität Munich. 240 mm Martin Lüthe and Sascha Pöhlmann (eds) Unpopular Culture ISBN: 978-90-8964-966-9 AUP.nl 9 789089 649669 15 mm Unpopular Culture Televisual Culture The ‘televisual’ names a media culture generally in which television’s multiple dimensions have shaped and continue to alter the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture. -
Norse Myth and Identity in Swedish Viking Metal: Imagining Heritage and a Leisure Community
Sociology and Anthropology 4(2): 82-91, 2016 http://www.hrpub.org DOI: 10.13189/sa.2016.040205 Norse Myth and Identity in Swedish Viking Metal: Imagining Heritage and a Leisure Community Irina-Maria Manea Faculty of History, University of Bucharest, Romania Copyright©2016 by authors, all rights reserved. Authors agree that this article remains permanently open access under the terms of the Creative Commons Attribution License 4.0 International License Abstract This paper will be exploring how a specific the cultural codes were preserved: Black metal artists rejoice category of popular music known as Viking Metal in war imagery, fantastic stories and landscapes and above thematically reconstructs heritage and what meanings we can all anti-Christian. The Norwegian scene at the beginning of decode from images generally dealing with an idealized past the ’90 (e.g. Mayhem Burzum, Darkthrone) had a major more than often symbolically equated with Norse myth and impact on defining the genre and setting its aesthetics, antiquity. On the whole we are investigating how song texts however, Sweden’s Bathory played no lesser role, both and furthermore visual elements contribute to the formation through the tone and atmosphere sustained musically by lo-fi of a cultural identity and memory which not only expresses production and lyrically by flirtating with darkness and evil. attachment for a particular time and space, but also serves as More importantly, Bathory marked the shift towards Nordic a leisure experience with the cultural proposal of an alternate mythology and heathen legacy in his Asatru trilogy (Blood selfhood residing in the reproduction of a mystical heroic Fire Death 1988, Hammerheart 1990, Twilight of the Gods populace.