The Providence Poetry Slam Team

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The Providence Poetry Slam Team For years the Providence Poetry Slam has sent a team to the competition, the only slam team in Rhode Island to compete and represent the city at the National Poetry Slam. This year is no different. Providence’s team is made up of Marlon Carey, Steve Labri, Devin Samuels and me, Christopher Johnson. We’ll be in Boston from Monday, August 12 through Saturday, August 17. The team’s first bout will be Tuesday, August 13 at Johnny D’s, which is located at 17 Holland St. in Somerville. The start time is 9 pm so if you are going to support the home team, please arrive early. These bouts tend to fill up quickly! The Providence Poetry Slam Team Marlon Carey is a poet who has been a member of both the Boston Poetry Slam and Boston Lizard Lounge Poetry Slam Teams. He is also a proud member of the Providence RI-based poetry troupe, Brother’s Keeper. Steve Labri is a Pawtucket native and the rookie of the team. When asked, “How did you get into poetry slam?” He simply replied, “I was a rapper, I went to my first slam and thought I could do it.” Devin Samuels is a Cranston resident and coach of the Conn youth slam team made from members of his present college, U Conn, and other youth from the surrounding community. Devin represented Providence on multiple youth slam teams and while this is his first adult slam, he is no stranger to the competition. Christopher Johnson is Providence’s present Grand Slam Champion representing Providence not only at National Poetry Slam, but at the Individual World Poetry Slam in Spokane, Washington, in September. For more info and listings check the National Poetry Slam website at http://nps2013.poetryslam.com/about/.

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News Release
News Release Office of Cultural Affairs FOR IMMEDIATE RELEASE Contact Michael Ogilvie, Director of Public Art, City of San José Office of Cultural Affairs (408) 793-4338; [email protected] Elisabeth Handler, Public Information Manager Office of Economic Development (408 535-8168); [email protected] San José Student Poetry Contest Supporting a Creative Response to Litter SAN JOSE, Calif., (Oct. 15, 2018) The City of San José’s Public Art Program and Environmental Service Department are collaborating with Mighty Mike McGee, current Poet Laureate of Santa Clara County, on a new initiative titled “Litter-ature,” a creative response to litter awareness and prevention through a student poetry contest. Outreach support is also being provided by San José Parks, Recreation & Neighborhood Services’ Anti-Litter Program. Middle school and high school students in the City of San José are invited to submit up to five short poems that inspire people to put their trash into public litter cans, protecting nature, wildlife, and our streets. Content may inspire awareness, personal responsibility, connections to community and environmental responsibility. The contest will be juried by professional poets and community members who will select the winning poems that will become permanent artwork affixed to 500 new public litter cans to be installed in San José business districts in 2019. In addition to the winning poems being creatively featured on the litter cans, prizes will be awarded to honorable mentions. Submissions will be accepted on line at the contest website: www.litter-ature.info. Young poets are encouraged to work with short form poetry, such as haiku and/or tanka, a form similar to a haiku, with a 5-7-5-7-7 syllable count.
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A Teacher's Resource Guide for the Mayhem Poets
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Marquis Burton
Marquis Burton 12 Middlebury Lane, Lancaster, NY 14086 | 716.998.2234 | [email protected] Teaching Experience___________________________________________________________________ Teaching Artist Sweet Home High School | Guest Poetry Instructor | November 2006 - Present North Park Academy Afterschool Program | December 2017 – March 2018 PS 197 and Say Yes Buffalo | February 2017 – June 2017 Gloria J. Parks Community Center | January 2017 – April 2017 Community Action Organization | Teaching Artist | October 2010 – May 2011 Lake Shore High School | Instructor | April 2010 · Collaborate with host organizations to develop and implement poetry and performance workshops for elementary, middle & high school students · Provide instruction and development in style; cultivating unique voices and enhancing self-confidence · Equip students with performance skills and tools to present original work for an audience · Give students the tools to host and manage their own final showcase Pure Ink Poetry Slam | Coach | April 2016 - Present · Lead team to their first Semi-finals and the highest ranking of any previous Buffalo spoken word team · Held weekly workshops and practices to improve both content and presentation UB Speaks | Co-Founder / Coach / Instructor | 2014 – 2016 · Provided critiques to small groups of writers; developing style, voice, and performance · Held individual mentoring sessions with poets to master content and style Shea’s Performing Arts Center | Instructor | 2010 · Partnered with Shea’s Education Department and local English
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Art, Identity, and Status in UK Poetry Slam
Oral Tradition, 23/2 (2008): 201-217 (Re)presenting Ourselves: Art, Identity, and Status in U.K. Poetry Slam Helen Gregory Introducing Poetry Slam Poetry slam is a movement, a philosophy, a form, a genre, a game, a community, an educational device, a career path, and a gimmick. It is a multi-faced creature that means many different things to many different people. At its simplest, slam is an oral poetry competition in which poets are expected to perform their own work in front of an audience. They are then scored on the quality of their writing and performance by judges who are typically randomly selected members of the audience. The story of slam reaches across more than two decades and thousands of miles. In 1986, at the helm of “The Chicago Poetry Ensemble,” Marc Smith organized the first official poetry slam at the Green Mill in Chicago under the name of the Uptown Poetry Slam (Heintz 2006; Smith 2004). This weekly event still continues today and the Uptown Poetry Slam has become a place of pilgrimage for slam poets from across the United States and indeed the world. While it parallels poetry in remaining a somewhat marginal activity, slam has arguably become the most successful poetry movement of the late twentieth and early twenty-first centuries. Its popularity is greatest in its home country, where the annual National Poetry Slam (NPS) can attract audiences in the thousands and where it has spawned shows on television and on Broadway. Beyond this, slam has spread across the globe to countries as geographically and culturally diverse as Australia, Singapore, South Africa, Poland, and the U.K.
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Poetry in July @ the Cantab Lounge Bostonpoetryslam On: Facebook * Yahoo! * Tumblr
Poetry in July @ the Cantab Lounge bostonpoetryslam on: Facebook * Yahoo! * tumblr. http://www.bostonpoetryslam.com Wednesday, July 2 — Boston Poetry Slam co-founder, winningest slam competitor ever, and honest-to-metaphor firework Patricia Smith will return to the Cantab tonight for a special summer holiday feature. Lauded by critics as “a testament to the power of words to change lives,” Patricia is the author of six acclaimed poetry volumes and the winner of a near-ridiculous amount of poetry awards. Get your life right and show up early to get in for this feature. No poetry slam tonight. Wednesday, July 9 — Nathan Comstock has been writing for years, but didn’t discover spoken word poetry until he moved to Boston from his hometown of Indianapolis. He is now a fixture at the Cantab’s open mic and the Untitled Open Mic in Lowell, which he represented at the National Poetry Slam in 2013. Nathan offers up poetry that’s upbeat, funny, often geeky and often in formal verse, including what may well be the Cantab’s favorite-ever villanelles. Sixth open poetry slam in the 8x8 series. Wednesday, July 16 — Right in the heart of our summer of slam falls our second NorthBEAST Regional Team Slam, featuring Urbana-NYC, Port Veritas, Slam Free or Die, and the Lizard Lounge! With just a few weeks left until the National Poetry Slam in Oakland, California, local teams will be putting the final touches on their A- game. Come get a look-see at what the NorthBEAST is bringing to NPS 2014. $5 cover tonight to fundraise for the home team’s trip to NPS.
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CARVENS LISSAINT [email protected] 917- 754-5197
CARVENS LISSAINT [email protected] 917- 754-5197 www.carvenslissaint.com EDUCATION New York University, Tisch School of the Arts, New York, NY Master of Fine Arts in Acting, 2017 St. John’s University, New York, NY Bachelor of Sciences in Dramatic Arts for Film and Television, 2014 The American Academy for Dramatic Arts, New York, NY Associates Degree in Acting, 2012 PUBLIC LECTURES & PERFORMANCES “The Blind Servant” Guest Speaker at Reconcile Brooklyn Church- Brooklyn, NY 2020 “Target Practice” Starred in a Solo Concert Book Release at Joes Pub at The Public Theater- New York, NY 2019 Hamilton Angelica Tour performed as George Washington at the Fabulous Fox Theater- St. Louis, MO 2018 “The Captive Next Door” Guest Speaker at Bridge Church NYC- Brooklyn, NY 2018 Hamilton Angelica Tour performed as George Washington at the Hobby Center for Performing Arts- Houston, TX 2018 Hamilton Angelica Tour performed as George Washington at the Fox Theater- Atlanta, GA 2018 Hamilton on Broadway performed as George Washington at the Richard Rodgers Theater- New York NY, 2017 “Storytellers” Featured performer at Legacy Conference- Chicago, IL 2017 Invited by Harvard Black Law Students Association to perform at Annual Conference- Cambridge, MA 2017 “Get Up We Need You” Guest Speaker at The Mark Conference- Rutgers University New Brunswick, NJ 2016 “Worship in America” Invited by Chris Tomlin to sing at Madison Square Garden- New York, NY 2016 “Leverage” Guest Speaker at The Bridge Church NYC- Brooklyn, NY 2015 “Birth of A Hip-Hop Nation” Featured performer
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Jose Guerrero
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Southern Soul, Southern Slam: the Jambalaya Soul Slam and Bull City Slam Team
SOUTHERN SOUL, SOUTHERN SLAM: THE JAMBALAYA SOUL SLAM AND BULL CITY SLAM TEAM Jackson Meyers Hall A thesis submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in Folklore in the American Studies Department in the College of Arts and Sciences. Chapel Hill 2018 Approved by: Glenn Hinson Gabrielle Berlinger Della Pollock Christopher Massenburg © 2018 Jackson Meyers Hall ALL RIGHTS RESERVED ii ABSTRACT Jackson Hall: Southern Soul, Southern Slam: The Jambalaya Soul Slam and Bull City Slam Team (Under the directions of Dr. Glenn Hinson, Dr. Gabrielle Berlinger, Dr. Della Pollock, and Christopher Massenburg) This thesis is an ethnography of the Jambalaya Soul Slam and Bull City Slam Team based in Durham, North Carolina. Specifically, incorporating elements of thick description and documentary photography, this ethnography investigates how the poets of the Jambalaya Soul Slam community and the Bull City Slam Team engage with the politics of southernness and Blackness in the ways they write, perform, discuss aesthetics, and hold space during local slams, regional competitions, and national competitions. Discourses of communitas and subjectivity are critical to poetry slam scholarship: How do poetry slams channel individual performances and crowd participation to become zones of communitas? How do poets, particularly the Black southern poets of the Jambalaya community, adapt the generative potential of communitas to re- write the scripts that white hegemony has imposed on their identities and their work? For the poets of the Jambalaya and the Bull City Slam Team, southernness becomes a means through which poets define how they engender communitas in the rooms they enter and how they discover alternate possibilities for what southern spoken aesthetics and identities, especially as the intersection of Blackness, can represent.
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Slam Poetry: Ambivalence, Gender, and Black Authenticity in Slam
Text, Practice, Performance III (2001): 37-63 37 Slam Poetry: Ambivalence, Gender, and Black Authenticity in‘Slam1 Susan B.A. Somers-Willett One of the things that struck me when I came out of the construction worker mode into the poetry scene was the falseness of a lot of the work because it had nothing to do with what everyday people do. — Marc Smith, originator of the poetry slam, Slamnation You will not hear highbrow poetic structure over here I do not proscribe to nor do I give a fuck about iambic pentameter I laugh at the alphabetical order of the Shakespearean sonnet A sestina? Is a bitch I used to date I write what I feel and I spit what I know I am the rose bloomed fresh in the midst of ghetto con- fusion I am ghetto angst personified I am a street poet — from “Street Poet” by GNO Poetry slams, competitive versions of local poetry readings, have emerged in the late 20th century as a literary-performative genre of protest and celebration. Although its roots are traced by poets from troubadours, griots, and the “dozens” (Algarín 1994:16), its 20th-century predecessors and most immediate influences include the Beat Movement, the Black Arts Movement, jazz, early rap, and hip- hop. The poetry slam as we know it today originated in the mid- 1980’s as the brainchild of Marc Smith, a Chicago poet and ex- 38 Text, Practice, Performance construction worker who wanted to liven up local poetry readings. Today, poetry slams are held not only in urban centers like New York, Chicago, and Los Angeles, but also in areas as distant as Sweden and the U.K.
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Media Advisory
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Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry
Claremont Colleges Scholarship @ Claremont CGU Theses & Dissertations CGU Student Scholarship Fall 2019 A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry Anthony Blacksher Follow this and additional works at: https://scholarship.claremont.edu/cgu_etd Part of the African American Studies Commons, Africana Studies Commons, American Literature Commons, American Popular Culture Commons, Critical and Cultural Studies Commons, Ethnic Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, Inequality and Stratification Commons, Poetry Commons, Race and Ethnicity Commons, Social History Commons, Sociology of Culture Commons, Television Commons, and the United States History Commons Recommended Citation Blacksher, Anthony. (2019). A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry. CGU Theses & Dissertations, 148. https://scholarship.claremont.edu/cgu_etd/148. doi: 10.5642/cguetd/148 This Open Access Dissertation is brought to you for free and open access by the CGU Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in CGU Theses & Dissertations by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry By Anthony Blacksher Claremont Graduate University 2019 i Copyright Anthony Blacksher, 2019 All rights reserved ii Approval of the Dissertation Committee This dissertation has been duly read, reviewed, and critiqued by the Committee listed below, which hereby approves the manuscript of Anthony Blacksher as fulfilling the scope and quality requirements for meriting the degree of doctorate of philosophy in Cultural Studies with a certificate in Africana Studies.
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