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Adaptation of Veterans to Long-Term Care: the Impact of Military Culture a Dissertation Submitted in Partial Fulfillment Of
ADAPTATION OF VETERANS TO LONG-TERM CARE: THE IMPACT OF MILITARY CULTURE A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE GRADUATE SCHOOL OF THE TEXAS WOMAN’S UNIVERSITY SCHOOL OF OCCUPATIONAL THERAPY COLLEGE OF HEALTH SCIENCES BY TWYLLA KIRCHEN, B.A., M.S. DENTON, TEXAS DECEMBER 2013 Copyright © Twylla Kirchen, 2014 all rights reserved. iii DEDICATION For the amazing veterans who shared their stories and time, we will be forever grateful for your selfless sacrifice. iv ACKNOWLEDGEMENTS I would like to acknowledge the individuals who supported the completion of this dissertation. I especially want to thank Dr. Gayle Hersch for her willingness to share her work on the Occupation-based Cultural Heritage Intervention. Her dedication to improving quality of life for residents in long-term care settings inspired me to pursue this study. The research design was adapted from work by the interdisciplinary team Hersch, Hutchinson, Davidson, and Mastel-Smith which examined older adults’ adaptation to long term care using the Occupation-based Cultural Heritage Intervention (OBCHI) under grant # Grant No. R21NR008932 from the National Institute of Nursing Research. I would also like to thank Rachel Warren, Occupational Therapy Student from UNC, Chapel Hill. Rachel managed the operational aspects of the study. Her superb organizational skills were the reason we were able to initiate and complete the study in a timely manner. I would like to acknowledge my research assistants, Melissa Kurian, Zilfa Ong, Frank and Michelle Dy, Brandon Noel, Jennifer Basurto and Rebekka Wetten- Goldstein. In addition, I would like to thank my research committee members, Dr. -
The Corps of Drums Society Newsletter – July 2019
The Corps of Drums Society - Registered Charity No. 1073106 The Corps of Drums Society Registered Charity No. 1073106 Newsletter – July 2019 Committee Contact Information Listed below are the current positions held within the Society, I have also added the relevant email addresses, so if there are specific Areas of concern or information required it will reach the correct person and therefore can be answered in a timely manner Chairman: Roger Davenport [email protected] Hon. Secretary: David Lear MBE [email protected] Hon. Treasurer: Graham (Jake) Thackery [email protected] Drum Major: John Richardson [email protected] Music & Training: Peter Foss [email protected] Training and Development: Iian Pattinson [email protected] Picture archivist: David Lear MBE [email protected] Other Officers Editor, Drummers Call: Geoff Fairfax MBE [email protected] Northern Ireland Rep William Mullen [email protected] Australian Rep Martin Hartley [email protected] Regular Army Liaison Senior DMaj Simon Towe …………………………………………………………………………………………………………………………………………………………………………………………. ANNOUNCEMENT – LORD MAYORS SHOW I will require numbers and a breakdown of instrument for all those wishing to take part in this years LMS, I will be sending emails and forms which are to be completed so these can be returned to the pageant master’s PA. Current participants are - Cinque Ports RV COD / St Phillips School COD / Syston Scout & Guide Band / Cheshire Drums & Bugles / Staffordshire ACF COD / Chesham All girls Band / ITC Catterick Drums Course and some individual Society members …………………………………………………………………………………………………………………………………………………………………………………………. The Corps of Drums Society - Registered Charity No. 1073106 ANNOUNCEMENT 1 – I have been asked for assistance with s bugler for Remembrance Sunday at St Mary in the Marsh near Dymchurch. -
Issue 121 Continues \\~Th Fife .\ Tarry Samp-,On, Wel.T Cojst Editor in Spnill and Drum in Europe, Part 2
PERSONAL • Bus1NESS • TRUST • INVESTMENT SERVICES Offices: Essex, 35 Plains Road. 7o!-2573 • Essex, 9 Main Street, 7o/-&38 Old Saybrook, 15.5 Main Street, 388-3543 • Old Lyme, 101 Halls Road. 434-1646 Member FDIC • Equal Housing Lender www.essexsavings.com 41 EssexFmancialServires Member NA.SD, SIPC Subsidiary of Essex Savings Bank Essex: 176 Westbrook Road (860) 767-4300 • 35 Plains Road (860) 767-2573 Call Toll-Free: 800-900-5972 www.essexfinancialservices.com fNVESTMENTS IN STOCKS. BONDS. MtrT'UAL RJNDS & ANNUITIES: INOT A DEPOSIT INOT FDIC INSURED INOT BANK GUARA,'fl'EED IMAY LOSE VALUE I INOT INSURED BY ANY FEDERAL GOVERNMENT AGENCY I .2 AncientTunes 111t Fifi· rmd Dr11111 l"uc 121 Jul) lXli From the 1 111 Denmark Publt Jied bi Editor The Company of s we're all aware, the 2007 Fifers &Dnmimers 5 muster season is well under http://compan)c1tlifeanddlllm.oii; 111,; Fife n11d tht Dmm A way, fun for all who thrive on Editor: Dan Movbn, Pro Tern in lta(v parades, outdoor music, and fife and Art & ~ign D~ctor. Da,·e Jon~ Advertising Manager: Betty .Moylan drum camaraderie. Please ensure Contributing Editor.Bill .\Wing 7 that there is someone to write up Associate Edi tors: your corps' muster, and that there is Dominkk Cu'-ia, Music Editor Chuck Rik)", Website and Cylx~acc Edimr someone with picrures and captions, .-\m.111dJ Goodheart, Junior XC\1s Editor hoc co submit them co the Ancient ,\I.irk Log.-.don, .\lid,mt Editor Times. Da,c !\ocll, Online Chat Intmicw~ 8 Ed Olsen, .\lo Schoo~. -
Vol-21-Issue-3-Fall-1994.Pdf
... Vol. XXI, No. 3 Fall 1994 $2.50 The Ancient Times P.O. Box 525. Nonprofit Organization U.S. Postage Ivoryton, CT 06442-0525 PAID lvoryton, CT 06442-9998 Permit No. 16 Corps of · chi an on the r uster Field · DATED MATERIAL i mes Fall, 1994 Published by The Company of Fifers & Drummers, Inc. Fort Ticonderoga Musical Weeked by Dan Moylan FORT TICONDEROGA, NY - The Fort Ticonderoga Corps of Drums hosted its third annual "Martial Music Weekend" on July 23rd and 24th. The French built Fort Ticonderoga at the southern end of Lake Champlain in the days of the French and Indian War and called it Fort Carillon. Later taken over by the British, it was captured in May ·or 1775 by Ethan Allen and his Green Mountain Boys and Benedict Arnold leading members of the Connecticut Militia. General Washington sent General Knox to bring the captured artillery pieces by ox train 300 miles to Boston, where they were emplaced on Dorchester Heights and after a short bombardment persuaded the Fifers of the Swiss Colonials of Switzerland and the Kentish Guards of Rhode Island British to evacuate Boston. Though The Ancient Times join in musical .friendship to conclude the Museum's first concert program of the in South Boston the Irish celebrate season on July 5 in Ivoryton, Cf. the 17th of March as St. Patrick's Earns Graphic.Award Day, the local Yankees still celebrate DEEP RIVER, CT - "For Evacuation Day. outstanding achievement in the The Tittabawasse Valley Fife and graphic arts" The Ancient Times has Fusileers May Muster Success Drum Corps of Midland, Michigan won its first professional recognition interludes as passers-by tripped. -
Collection P18 Princess Patricia's Canadian Light Infantry Band Photograph Collection
Collection P18 Princess Patricia’s Canadian Light Infantry Band photograph collection. – 1914-[ca. 1990]. – Ca. 120 photographs. P18.1(5)-1 PPCLI Pipe Band at Bruay, France, prior to Battle of Vimy Ridge. Princess Patricia’s Canadian Light Infantry had two bands during the First World War. The Edmonton Pipe Band joined as a unit in August 1914. Pipers played men over the top and then followed as stretcher-bearers. The core of the PPCLI Brass and Reed Band was formed when eligible members of The St. Mary’s Boys Brigade Band joined the 140th New Brunswick Battalion in January 1916. When the 140th was broken up in November 1917, the entire Band joined PPCLI in the field. Bandmaster (Lance Sergeant) Charles H. Williams was wounded in the front lines near Tilloy, France 28 September 1918 and later died. His brother, Sergeant Harold H. (Pete) Williams took over as Bandmaster for the duration of the war. Both bands provided music during route marches, burials and rest periods. The PPCLI Band performed one of its last official duties on 27 February 1919 when it played at Princess Patricia’s wedding. When the Permanent Force was established in 1919, the PPCLI Military Band was reformed. Under the guidance of Captain Tommy James, it was stationed at Fort Osborne Barracks in Winnipeg during the 1920s and 1930s. It played as many as 50 free concerts a year and was broadcast across Canada. Around 1935 the PPCLI Bugle Band was formed and then a Dance Band was formed ca.1937. When James retired in 1939, Warrant Officer I Al Streeter took over as Director of Music. -
The Historical and Cultural Meanings of American Music Lyrics from the Vietnam War
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 5-2013 The historical and cultural meanings of American music lyrics from the Vietnam War. Erin Ruth McCoy University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation McCoy, Erin Ruth, "The historical and cultural meanings of American music lyrics from the Vietnam War." (2013). Electronic Theses and Dissertations. Paper 940. https://doi.org/10.18297/etd/940 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE HISTORICAL AND CULTURAL MEANINGS OF AMERICAN MUSIC LYRICS FROM THE VIETNAM WAR By Erin Ruth McCoy B.A., Wingate University, 2003 M.A., Clemson University, 2007 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville In Partial Fulfillment of the Requirements For the degree of Doctor of Philosophy Department of Humanities University of Louisville Louisville, KY May 2013 Copyright 2013 by Erin R. McCoy All Rights Reserved THE HISTORICAL AND CULTURAL MEANINGS OF AMERICAN MUSIC LYRICS FROM THE VIENTAM WAR By Erin Ruth McCoy B.A., Wingate University, 2003 M.A., Clemson University, 2007 A Dissertation Approved on April 5, 2013 by the following Dissertation Committee: _______________________________________________________ Dr. -
006-013, Chapter 1
trumpeteers or buglers, were never called bandsmen. They had the military rank, uniform and insignia of a fifer, a drummer, a d trumpeteer or a bugler. d Collectively, they could be called the fifes l l & drums, the trumpets & drums, the drum & bugle corps, the corps of drums, the drum e e corps, or they could be referred to simply as i the drums in regiments of foot or the i trumpets in mounted units. f f Since the 19th century, the United States military has termed these soldier musicians e the “Field Music.” This was to distinguish e them from the non-combatant professional l l musicians of the Band of Music. The Field Music’s primary purpose was t t one of communication and command, t whether on the battlefield, in camp, in t garrison or on the march. To honor the combat importance of the Field Music, or a a drum corps, many armies would place their regimental insignia and battle honors on the b drums, drum banners and sashes of their b drum majors. The roots of martial field music go back to ancient times. The Greeks were known to e have used long, straight trumpets for calling e Chapter 1 commands (Fig. 1) and groups of flute players by Ronald Da Silva when marching into battle. h h The Romans (Fig. 2 -- note the soldier When one sees a field performance by a with cornu or buccina horn) used various t t modern drum and bugle corps, even a unit as metal horns for different commands and military as the United States Marine Drum & duties. -
An Introduction to the Study of American Military Marching Cadences
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses Dissertations and Theses July 2015 Sound-off! An Introduction to the Study of American Military Marching Cadences Travis G. Salley University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/masters_theses_2 Part of the Musicology Commons Recommended Citation Salley, Travis G., "Sound-off! An Introduction to the Study of American Military Marching Cadences" (2015). Masters Theses. 243. https://doi.org/10.7275/6949713 https://scholarworks.umass.edu/masters_theses_2/243 This Open Access Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. SOUND-OFF! AN INTRODUCTION TO THE STUDY OF AMERICAN MILITARY MARCHING CADENCES A Thesis Presented by TRAVIS G. SALLEY Submitted to the Graduate School of the University of Massachusetts-Amherst in partial fulfillment Of the requirements for the degree of MASTER OF MUSIC May 2015 Department of Music and Dance © Copyright by Travis G. Salley 2015 All Rights Reserved SOUND-OFF! AN INTRODUCTION TO THE STUDY OF AMERICAN MILITARY MARCHING CADENCES A Thesis Presented by TRAVIS G. SALLEY Approved as to style and content by: _____________________________________ Marianna Ritchey, Chair _______________________________________ Ernie May, Member _______________________________ Jeff Cox, Department Head Department of Music & Dance DEDICATION To Rachel. ACKNOWLEDGEMENTS I would first like to thank my advisor, Dr. Marianna Ritchey. I will be forever grateful for her kindness, guidance, and patience in helping me create this project. -
The Corps of Drums Society Newsletter – June 2019
The Corps of Drums Society - Registered Charity No. 1073106 The Corps of Drums Society Registered Charity No. 1073106 Newsletter – June 2019 Committee Contact Information Listed below are the current positions held within the Society, I have also added the relevant email addresses, so if there are specific Areas of concern or information required it will reach the correct person and therefore can be answered in a timely manner Chairman: Roger Davenport [email protected] Hon. Secretary: David Lear MBE [email protected] Hon. Treasurer: Graham (Jake) Thackery [email protected] Drum Major: John Richardson [email protected] Music & Training: Peter Foss [email protected] Training and Development: Iian Pattinson [email protected] Picture archivist: David Lear MBE [email protected] Other Officers Editor, Drummers Call: Geoff Fairfax MBE [email protected] Northern Ireland Rep William Mullen [email protected] Australian Rep Martin Hartley [email protected] Regular Army Liaison Senior DMaj Simon Towe …………………………………………………………………………………………………………………………………………………………………………………………. ANNOUNCMENT - 10th Leicester (1st SYSTON) Scout & Guide Band COD Received from Pam Hales - I write with great sadness to say we have lost a 'brother', Scout Leader, and Bugle Instructor in excess of 25yrs for 10th Leicester, (1st Syston) Scout & Guide Band, Group, and always as part of our yearly contingent of members who have proudly taken part with the massed band of the 'Corps of Drums Society' every year, for 20 years, in the annual London, Lord Mayors Parade. David Andrew Lucas aged 39yrs passed away on Saturday 25th May 2019. The Corps of Drums Society - Registered Charity No. 1073106 David progressed through all units of Syston Scouts, attaining the 'Queens Scout Award' and eventually trained to become a Beaver Scout Leader, teaching the youngest boys and girls to 'join up' and learn all the best 'lessons in life', by a volunteered, time served, loyal Scout Leader. -
Conflict and Meaning in Carl Nielsen’S Concerto for Clarinet and Orchestra, Op
CONFLICT AND MEANING IN CARL NIELSEN’S CONCERTO FOR CLARINET AND ORCHESTRA, OP. 57 (1928) DMA DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Douglas Monroe, B.M., M.M. ***** The Ohio State University 2008 D.M.A. Document Committee: Approved by: Professor James Pyne, co-Advisor _______________________ Professor Danielle Fosler-Lussier, co-Advisor Co-Advisor Professor Richard Blatti _______________________ Professor Robert Sorton Co-Advisor Music Graduate Program ABSTRACT Carl Nielsen wrote his Concerto for Clarinet, Op. 57 in 1928 for Danish clarinetist Aage Oxenvad. In ascribing meaning to the piece, most Nielsen authorities describe it as a caricature of Oxenvad. Certainly Oxenvad had substantial influence on Nielsen, and many aspects of Oxenvad’s moody and tempestuous personality are captured in the Concerto. Nonetheless, the music has more to do with Nielsen’s life than with Aage Oxenvad’s personality. In 1926, Nielsen suffered a massive heart attack. Until the time of his death in 1931, he suffered many more cardiac incidents. By 1928, Nielsen was facing the last few years of his life without promise of a successful remedy for his heart disease. Nielsen’s Concerto for Clarinet and its inherent conflict have more to do with his internal struggles than with any external influence. The Concerto is the only large-scale work Nielsen composed during the last five years of his life and it is filled with conflict that never resolves. After the introductory chapter, the five chapters that follow document five elements of conflict within the Concerto. -
E Household Division Presents E Sword & E Crown a Military Musical
!e Household Division Presents !e Sword & !e Crown A Military Musical Spectacular Horse Guards Parade London 20!ff - 22#$ July 2021 Foreword Major General C J Ghika CBE %e Sword & %e Crown is a musical spectacular, showcasing some of the most talented military musicians in the British Army. We are extremely pleased to welcome back the Bands of the Grenadier, Coldstream, Scots, Irish & Welsh Guards with the Corps of Drums of the 1st Battalion Grenadier Guards to Horse Guards for the &rst time since %e Queen’s Birthday Parade in 2019. %e Massed Bands of the Household Division are also joined by the Band of the Honourable Artillery Company, the Band of %e Royal Yeomanry, %e Pipes & Drums of the London Scottish Regiment, the Corps of Drums of the Honourable Artillery Company and the Combined Universities’ O'cer Training Corps Pipes and Drums. We hope %e Sword & %e Crown will bring a much-needed lift to the country’s spirits after a challenging year and a half, endured by all. %ose that you see on parade today not only represent the musician talent of the British Army but also the breadth of roles the military provides; in the last sixteen months the British Army has been focused on supporting the National Health Service in the &ght against COVID-19 and some of those on parade today will have been involved in that &ght. We have all learnt to adapt recently to changing rules and regulations, and the British Army is no di(erent, in particular when it comes to State Ceremonial events. -
1 Army Policy & Secretariat Army Headquarters IDL 24 Blenheim
Army Policy & Secretariat Army Headquarters IDL 24 Blenheim Building Marlborough Lines Andover Hampshire, SP11 8HJ United Kingdom E-mail: [email protected] Ref: Army/Sec/Infra/FOI2021/03746 Website: www.army.mod.uk Mr J Zacchi request-744978- 28 April 2021 [email protected] Dear Mr Zacchi, Thank you for your email of 07 April 2021 in which you requested the following: Could you provide: A) List of the current Army Reserve bands. B) Role of Army Reserve bands (if available to release) C) Do the Army Reserve bands report to CAMUS for administration, or do they only report to the RHQ/Battalion HQ? I am treating your correspondence as a request for information under the Freedom of Information Act 2000 (the Act). I have addressed each of your three requests individually, below: A) List of current Army Reserve bands The Band of 150 Regiment Royal Logistics Corps The Band of The Duke of Lancaster’s Regiment Army Medical Services Band The Band of The Royal Yeomanry (Inns of Court & City Yeomanry) The Honourable Artillery Company Regimental Band The Lancashire Artillery Band The Band of the Mercian Regiment Nottinghamshire Band of the Royal Engineers The Band of The Princess of Wales’s Royal Regiment The Band of the Royal Anglian Regiment The Band of the Royal Irish Regiment The Royal Signals (Northern) Band The Regimental Band & Corps of Drums of The Royal Welsh The Salamanca Band and Bugles of The Rifles The Waterloo Band and Bugles of The Rifles The Band of the Royal Regiment of Fusiliers The Highland Band of The Royal Regiment of Scotland The Lowland Band of The Royal Regiment of Scotland The Band of the Yorkshire Regiment B) Role of the Army Reserve bands Army Reserve Bands provide musical support to Defence tasks.