Published by the Company of Fifers & Drummers, Inc. October 2005 Issue
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The Next Level Rudimental Snare Drum Techniques
THE NEXT LEVEL RUDIMENTAL SNARE DRUM TECHNIQUES Designed for the intermediate to advanced rudimental drummer, THE NEXT LEVEL is a comprehensive method for any player who desires to take his or her drumming beyond their current abilities. Starting with the fundamental techniques, Jeff Queen describes in detail all aspects of approaching the drum: from how to properly grip the sticks to applying the Moeller and Velocity Strokes to achieve maximum sound quality and endurance. Drawing from his vast drum corps, solo performance and teaching experience, Jeff details the basic techniques that comprise current rudimental styles: TWO HEIGHT CONTROL TIMING CONTROL DIDDLE CONTROL BUZZ CONTROL FLAM CONTROL Jeff Queen has marched in the snare lines of the Canton Bluecoats, Velvet Knights, Santa Clara Vanguard, Blue For the advanced snare drummer, Jeff Queen will take Knights, and the University of North Texas. He was the Drum you to The Next Level with: Corps International Individual and Ensemble Snare Drum Champion in 1994 and 1995 as well as the Percussive Arts HYBRID RUDIMENTS Society Individual Snare Drum Champion in 1994 and 1995. BACKSTICKING AND TRICKS Jeff is an original cast member of the Tony and Emmy award winning Broadway Show BLAST!, where he was a solo ACHIEVING SPEED performer and battery instructor from 1999 – 2003. Jeff has performed on stages across the country and in Europe, SOLO CONSTRUCTION including Broadway and London. In addition, Jeff has appeared on numerous Television shows including: The Late Jeff finishes up the book with his own Championship Show with David Letterman, The Kennedy Center Honors solo, TRIBUTE, which gives us an inside perspective 2000, NBA All-Star Game 2001, BLAST! and The Making into the skills of a true master. -
PASIC 2010 Program
201 PASIC November 10–13 • Indianapolis, IN PROGRAM PAS President’s Welcome 4 Special Thanks 6 Area Map and Restaurant Guide 8 Convention Center Map 10 Exhibitors by Name 12 Exhibit Hall Map 13 Exhibitors by Category 14 Exhibitor Company Descriptions 18 Artist Sponsors 34 Wednesday, November 10 Schedule of Events 42 Thursday, November 11 Schedule of Events 44 Friday, November 12 Schedule of Events 48 Saturday, November 13 Schedule of Events 52 Artists and Clinicians Bios 56 History of the Percussive Arts Society 90 PAS 2010 Awards 94 PASIC 2010 Advertisers 96 PAS President’s Welcome elcome 2010). On Friday (November 12, 2010) at Ten Drum Art Percussion Group from Wback to 1 P.M., Richard Cooke will lead a presen- Taiwan. This short presentation cer- Indianapolis tation on the acquisition and restora- emony provides us with an opportu- and our 35th tion of “Old Granddad,” Lou Harrison’s nity to honor and appreciate the hard Percussive unique gamelan that will include a short working people in our Society. Arts Society performance of this remarkable instru- This year’s PAS Hall of Fame recipi- International ment now on display in the plaza. Then, ents, Stanley Leonard, Walter Rosen- Convention! on Saturday (November 13, 2010) at berger and Jack DeJohnette will be We can now 1 P.M., PAS Historian James Strain will inducted on Friday evening at our Hall call Indy our home as we have dig into the PAS instrument collection of Fame Celebration. How exciting to settled nicely into our museum, office and showcase several rare and special add these great musicians to our very and convention space. -
The Corps of Drums Society Newsletter – July 2019
The Corps of Drums Society - Registered Charity No. 1073106 The Corps of Drums Society Registered Charity No. 1073106 Newsletter – July 2019 Committee Contact Information Listed below are the current positions held within the Society, I have also added the relevant email addresses, so if there are specific Areas of concern or information required it will reach the correct person and therefore can be answered in a timely manner Chairman: Roger Davenport [email protected] Hon. Secretary: David Lear MBE [email protected] Hon. Treasurer: Graham (Jake) Thackery [email protected] Drum Major: John Richardson [email protected] Music & Training: Peter Foss [email protected] Training and Development: Iian Pattinson [email protected] Picture archivist: David Lear MBE [email protected] Other Officers Editor, Drummers Call: Geoff Fairfax MBE [email protected] Northern Ireland Rep William Mullen [email protected] Australian Rep Martin Hartley [email protected] Regular Army Liaison Senior DMaj Simon Towe …………………………………………………………………………………………………………………………………………………………………………………………. ANNOUNCEMENT – LORD MAYORS SHOW I will require numbers and a breakdown of instrument for all those wishing to take part in this years LMS, I will be sending emails and forms which are to be completed so these can be returned to the pageant master’s PA. Current participants are - Cinque Ports RV COD / St Phillips School COD / Syston Scout & Guide Band / Cheshire Drums & Bugles / Staffordshire ACF COD / Chesham All girls Band / ITC Catterick Drums Course and some individual Society members …………………………………………………………………………………………………………………………………………………………………………………………. The Corps of Drums Society - Registered Charity No. 1073106 ANNOUNCEMENT 1 – I have been asked for assistance with s bugler for Remembrance Sunday at St Mary in the Marsh near Dymchurch. -
Issue 133:Layout 1 7/21/2011 10:44 PM Page 1 I Ancienttimes Published by the Company of Fifers & Drummers, Inc
Issue 133:Layout 1 7/21/2011 10:44 PM Page 1 i AncientTimes Published by the company of Fifers & Drummers, Inc. summer 2011 Issue 133 $5.00 In thIs Issue: MusIc & ReenactIng usaRD conventIon the gReat WesteRn MusteR Issue 133:Layout 1 7/21/2011 10:45 PM Page 2 w. Alboum HAt Co. InC. presents Authentic Fife and Drum Corps Hats For the finest quality headwear you can buy. Call or Write: (973)-371-9100 1439 Springfield Ave, Irvington, nJ 07111 C.P. Burdick & Son, Inc. IMPoRtant notIce Four Generations of Warmth When your mailing address changes, Fuel Oil/excavation Services please notify us promptly! 24-Hour Service 860-767-8402 The Post Office does not advise us. Write: Membership Committee Main Street, Ivoryton P.O. Box 227, Ivoryton, CT 06442-0227 Connecticut 06442 or email: membership@companyoffife - anddrum.org HeAly FluTe COMPAny Skip Healy Fife & Flute Maker Featuring hand-crafted instruments of the finest quality. Also specializing in repairs and restoration of modern and wooden Fifes and Flutes On the web: www.skiphealy.com Phone/Fax: (401) 935-9365 email: [email protected] 5 Division Street Box 2 3 east Greenwich, RI 02818 Issue 133:Layout 1 7/21/2011 10:45 PM Page 3 Ancient times 2 Issue 133, Summer 2011 1 Fifes, Drums, & Reen - 5 Published by acting: A Wande ring The Company of Dilettante Looks for Fifers & Drummers Common Ground FRoM the eDItoR http :/ / companyoffifeanddrum.org u editor: Deirdre Sweeney 4 art & Design Director: Deirdre Sweeney Let’s Get the Music advertising Manager: t Deep River this year a Robert Kelsey Right s 14 brief, quiet lull settled in contributing editor: Bill Maling after the jam session Illustrator: Scott Baldwin 5 A Membership/subscriptions: s dispersed, and some musicians For corps, individual, or life membership infor - Book Review: at Taggarts were playing one of mation or institutional subscriptions: Dance to the Fiddle, Attn: Membership The Company of Fifers & those exquisitely grave and un - I Drummers P.O. -
Issue 121 Continues \\~Th Fife .\ Tarry Samp-,On, Wel.T Cojst Editor in Spnill and Drum in Europe, Part 2
PERSONAL • Bus1NESS • TRUST • INVESTMENT SERVICES Offices: Essex, 35 Plains Road. 7o!-2573 • Essex, 9 Main Street, 7o/-&38 Old Saybrook, 15.5 Main Street, 388-3543 • Old Lyme, 101 Halls Road. 434-1646 Member FDIC • Equal Housing Lender www.essexsavings.com 41 EssexFmancialServires Member NA.SD, SIPC Subsidiary of Essex Savings Bank Essex: 176 Westbrook Road (860) 767-4300 • 35 Plains Road (860) 767-2573 Call Toll-Free: 800-900-5972 www.essexfinancialservices.com fNVESTMENTS IN STOCKS. BONDS. MtrT'UAL RJNDS & ANNUITIES: INOT A DEPOSIT INOT FDIC INSURED INOT BANK GUARA,'fl'EED IMAY LOSE VALUE I INOT INSURED BY ANY FEDERAL GOVERNMENT AGENCY I .2 AncientTunes 111t Fifi· rmd Dr11111 l"uc 121 Jul) lXli From the 1 111 Denmark Publt Jied bi Editor The Company of s we're all aware, the 2007 Fifers &Dnmimers 5 muster season is well under http://compan)c1tlifeanddlllm.oii; 111,; Fife n11d tht Dmm A way, fun for all who thrive on Editor: Dan Movbn, Pro Tern in lta(v parades, outdoor music, and fife and Art & ~ign D~ctor. Da,·e Jon~ Advertising Manager: Betty .Moylan drum camaraderie. Please ensure Contributing Editor.Bill .\Wing 7 that there is someone to write up Associate Edi tors: your corps' muster, and that there is Dominkk Cu'-ia, Music Editor Chuck Rik)", Website and Cylx~acc Edimr someone with picrures and captions, .-\m.111dJ Goodheart, Junior XC\1s Editor hoc co submit them co the Ancient ,\I.irk Log.-.don, .\lid,mt Editor Times. Da,c !\ocll, Online Chat Intmicw~ 8 Ed Olsen, .\lo Schoo~. -
40 Drum Rudiments with Video Examples
Drum rudiment 1 Drum rudiment In percussion music, a rudiment is one of the basic patterns used in rudimental drumming. These patterns of drum strokes can be combined in many ways to create music. History The origin of snare rudiments can be traced back to Swiss mercenaries armed with long polearms. The use of pikes in close formation required a great deal of coordination. The sound of the tabor was used to set the tempo and communicate commands with distinct drumming patterns. These drumming patterns became the basis of the snare drum rudiments. The first written rudiment goes back to the year 1612 in Basel, Switzerland.[1] The cradle of rudimental drumming is said to be France, where professional drummers became part of the King's honour guard in the 17th and 18th centuries. The craft was perfected during the reign of Napoleon I. Le Rigodon is one of the cornerstones of modern rudimental drumming.[1] There have been many attempts to formalize a standard list of snare drum rudiments. The National Association of Rudimental Drummers, an organization established to promote rudimental drumming, put forward a list of 13 essential rudiments, and later a second set of 13 to form the original 26. The Percussive Arts Society reorganized the first 26 and added another 14 to form the current 40 International Drum Rudiments. Currently, the International Association of Traditional Drummers is working to once again promote the original 26 rudiments. Today there are four main Rudimental Drumming cultures: Swiss Basler Trommeln, Scottish Pipe Drumming, American Ancient Drumming, and American Modern Drumming. -
056-065, Chapter 6.Pdf
Chapter 6 parts played in units. To illustrate how serious the unison, and for competition had become, prizes for best g e g e d by Rick Beckham d the technological individual drummer included gold-tipped advancement of drum sticks, a set of dueling pistols, a safety v v n The rudiments and styles of n the instruments bike, a rocking chair and a set of silver loving n n i 3 i drum and bugle corps field i and implements of cups, none of which were cheap items. percussion may never have been i field music The growth of competitions continued a t a invented if not for the drum’s t competition. and, in 1885, the Connecticut Fifers and functional use in war. Drill moves i Martial music Drummers Association was established to i that armies developed -- such as m foster expansion and improvement. Annual m competition began t the phalanx (box), echelon and t less than a decade field day musters for this association h front -- were done to the beat of h following the Civil continue to this day and the individual snare the drum, which could carry up to War, birthed in and bass drum winners have been recorded e t e t m a quarter mile. m Less than 10 years after the p Civil War, fife and drum corps p u u w organized and held competitions. w These hard-fought comparisons r brought standardization and r o o m growth, to the point that, half a m century later, the technical and d d r arrangement achievements of the r o o “standstill” corps would shape the g l g drum and bugle corps percussion l c c foundation as they traded players , a and instructors. -
Vol-21-Issue-3-Fall-1994.Pdf
... Vol. XXI, No. 3 Fall 1994 $2.50 The Ancient Times P.O. Box 525. Nonprofit Organization U.S. Postage Ivoryton, CT 06442-0525 PAID lvoryton, CT 06442-9998 Permit No. 16 Corps of · chi an on the r uster Field · DATED MATERIAL i mes Fall, 1994 Published by The Company of Fifers & Drummers, Inc. Fort Ticonderoga Musical Weeked by Dan Moylan FORT TICONDEROGA, NY - The Fort Ticonderoga Corps of Drums hosted its third annual "Martial Music Weekend" on July 23rd and 24th. The French built Fort Ticonderoga at the southern end of Lake Champlain in the days of the French and Indian War and called it Fort Carillon. Later taken over by the British, it was captured in May ·or 1775 by Ethan Allen and his Green Mountain Boys and Benedict Arnold leading members of the Connecticut Militia. General Washington sent General Knox to bring the captured artillery pieces by ox train 300 miles to Boston, where they were emplaced on Dorchester Heights and after a short bombardment persuaded the Fifers of the Swiss Colonials of Switzerland and the Kentish Guards of Rhode Island British to evacuate Boston. Though The Ancient Times join in musical .friendship to conclude the Museum's first concert program of the in South Boston the Irish celebrate season on July 5 in Ivoryton, Cf. the 17th of March as St. Patrick's Earns Graphic.Award Day, the local Yankees still celebrate DEEP RIVER, CT - "For Evacuation Day. outstanding achievement in the The Tittabawasse Valley Fife and graphic arts" The Ancient Times has Fusileers May Muster Success Drum Corps of Midland, Michigan won its first professional recognition interludes as passers-by tripped. -
The Ancient Times
' The Ancient Times < +WIBHM Published by The Company of Filers & Drummers! Inc. Mi 1- Vol. XII No. One Dollar and Twenty-Five Cents Summer/985 Frank Orsini Installed As Sixth President Frank Orsini of Rahway, New Jersey, noly, The Windsor Fife and Drum Art Auction To Benefit Ancients Fund a member of the New Jersey Colonial Corps of Windsor, CT directed by Fran Militia Fife and Drum Corps, was Dillon, formerly with the Sgt. Bissell A Success elected and installed as the sixth Presi- Corps, The Connecticut Colonials of dent of The Company of Fifers and Hebron under the direction of Bill The Art Auction for the benefit o( of Richmond Hill, New York and Gus Drummers at the Annual Meeting held Ryan, and the 8th CT Volunteers of Ancients' Fund, held at The Company's Cuccia of the Young Colonials of in The Company's headquarters in Manchester. Headquarters on May 4, was termed a Carmel, New York travelled the greatest Ivoryton, April 13. Before relinquishing the Chair, outgo- success by both Marlin Art, Inc. who of- distance to attend. The ladies of the Jr. Other Administrative Officers elected ing President Eldrick Arsenault, on feredthepiecesofart,andtheCommit- ·colonialsofWestbrookdidyeomandu- are Roger Clark of the Deep River behalf of The Company, presented a tee from The Company of Fifers and ty handling "the bank" and serving the Drum Corps, First Vice President; Moe plaque with a clock to Registrar Drummers who did all the necessary wine and cheese all evening. The door Schoos of the Kentish Guards Fife and Emeritus Foxee Carlson in appreciation work before, during and after the auc- prize, a winter farm scene was won by Drum Corps, Second Vice President; of his twenty year term as the Registrar Phil Truitt of the New Jersey Colonial of The Company. -
50 Years of PAS, Chapter 1: the First Decade
50 Years of PAS Chapter 1: The First Decade By Rick Mattingly “We are living in the Golden Age of Percussion,” wrote PAS Executive Sec- retary Neal Fluegel in 1970. “Historically, percussion instruments represent the old- est instrumental family, but they have been the last to approach having their potential sounds fully realized. They are no longer in the background of musical development, but in the center of musical activity. The ‘Golden Age of Percussion’ has arrived.” PERCUSSIVE NOTES 6 JANUARY 2011 t that point, the PAS could cer- participated in many of those meetings and tainly be credited with contrib- discussions. “Remo Belli was always asking, uting to percussion’s enhanced ‘Isn’t there a possibility we could have an or- status. Although only ten years ganization through which we could discuss ev- old, the society had already erything involved in our craft: how to teach it, Amade gains in raising standards for percus- how to play, and so on?’ Frank Arsenault was sion education and evaluation, and through its also very involved, because he was traveling to publications had created a valuable resource all those events for the Ludwig Drum Compa- of scholarly research devoted to the percussive ny, and he would always make sure there was arts. a place we could meet. We also had educators Most importantly, it had brought people at every level wanting an organization in which together who shared a common devotion to they could discuss their craft.” all things percussion—be they performers, Sewery wasn’t at the December 1960 teachers, students, composers, publishers, Midwest Clinic in Chicago, but afterward he or manufacturers. -
Collection P18 Princess Patricia's Canadian Light Infantry Band Photograph Collection
Collection P18 Princess Patricia’s Canadian Light Infantry Band photograph collection. – 1914-[ca. 1990]. – Ca. 120 photographs. P18.1(5)-1 PPCLI Pipe Band at Bruay, France, prior to Battle of Vimy Ridge. Princess Patricia’s Canadian Light Infantry had two bands during the First World War. The Edmonton Pipe Band joined as a unit in August 1914. Pipers played men over the top and then followed as stretcher-bearers. The core of the PPCLI Brass and Reed Band was formed when eligible members of The St. Mary’s Boys Brigade Band joined the 140th New Brunswick Battalion in January 1916. When the 140th was broken up in November 1917, the entire Band joined PPCLI in the field. Bandmaster (Lance Sergeant) Charles H. Williams was wounded in the front lines near Tilloy, France 28 September 1918 and later died. His brother, Sergeant Harold H. (Pete) Williams took over as Bandmaster for the duration of the war. Both bands provided music during route marches, burials and rest periods. The PPCLI Band performed one of its last official duties on 27 February 1919 when it played at Princess Patricia’s wedding. When the Permanent Force was established in 1919, the PPCLI Military Band was reformed. Under the guidance of Captain Tommy James, it was stationed at Fort Osborne Barracks in Winnipeg during the 1920s and 1930s. It played as many as 50 free concerts a year and was broadcast across Canada. Around 1935 the PPCLI Bugle Band was formed and then a Dance Band was formed ca.1937. When James retired in 1939, Warrant Officer I Al Streeter took over as Director of Music. -
Alfred 2008-2009
Alfred 2008-2009 Percussion Catalog • 2008-2009 PERCUSSION learn•teach•play music CATALOG Alfred Publishing Co., Inc. USA/Canada: P.O. Box 10003, Van Nuys, CA 91410-0003 Asia: 15 Queen St. #04-08, Tan Chong Tower, Singapore 188537 30% total recycled fi ber Australia: P.O. Box 2355, Taren Point NSW 2229 Printed in USA Germany: Hansestraße 99, 51149 Köln U.K.: Burnt Mill, Elizabeth Way, Harlow, Essex CM20 2HX U(a38081*MRTMRp(u alfred.com 00-104085 / wo 82110 Alfred Publishing Co., Inc. P.O. Box 10003 Van Nuys, CA 91410-0003 alfred.com 08 percussion catalog cover 2_kp.indd 1 4/11/08 8:48:58 AM CONTENTS 1 DW DVDs ...............................................................................................................................2 Personality Titles A—Z .........................................................................................................4 Drumset Methods, Collections, Duets/Solos .................................................................19 Drum & Snare Drum Methods, Collections, Duets/Solos .................................................................................................32 Keyboard Percussion Methods, Collections, Solos, Duets/Trios, Ensembles ........................................................................................38 Percussion Ensemble Collections ...................................................................................43 Individual Percussion Ensembles ...................................................................................44 Multiple Percussion Solos