DOCSLIB.ORG

Extrait Du Catalogue

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Extrait Du Catalogue Extrait du catalogue Tarif Public 10/10/2021 www.revendeurs.rmngp.fr Document non contractuel Réunion des musées nationaux et du Grand Palais des Champs-Élysées 254-256, rue de Bercy - 75577 Paris cedex 12 - France Tel : +33 (0)1 40 13 48 00 - Fax : +33 (0)1 40 13 44 00 Etablissement public industriel et commercial - APE 9102Z - RCS Paris B692 041 585 - SIRET 69204158500583 - TVA FR11692041585 Sommaire Collections » Petit Palais, Rampe d'escalier ... 1 Collections » Louvre, Pyramide Pei ... 1 Collections » Orsay, Art floral ... 2 Collections » Orsay, Le Parlement ... 2 Collections » Orsay, Les Nymphéas ... 2 Collections » Picasso, Dora Maar ... 3 Collections » Picasso, Taureau ... 4 Collections » Jeunesse, Chauveau ... 4 Collections » Jeunesse, Pompon ... 5 Jeunesse » Arts Plastiques ... 6 Jeunesse » Jeux & Puzzles ... 6 Jeunesse » Un moment de lecture... ... 7 Cadeaux » Décoration Maison ... 9 Cadeaux » Art de la Table ... 9 Cadeaux » Plateaux & Dessous de verre ... 9 Cadeaux » Mugs & Bols ... 9 Cadeaux » Bureau ... 10 Textiles » Habillement ... 10 Textiles » Etoles & foulards ... 10 Textiles » Sacs & Tote Bags ... 11 Textiles » Pochettes ... 11 Textiles » Accessoires ... 11 Bijoux » Colliers ... 12 Bijoux » Broches ... 12 Moulages » Art français ... 12 Estampes » Estampes contemporaines ... 14 Estampes » Estampes modernes XXe ... 18 Estampes » Animaux ... 20 Estampes » Architecture & Ornements ... 21 Estampes » Mythologie ... 21 Estampes » Paris & Alentours ... 21 Estampes » Paysages & Marine ... 23 Estampes » Peinture ... 24 Estampes » Portraits ... 24 Estampes » Scènes de genre ... 25 Estampes » Villes & Monuments ... 25 Affiches » Affiche 50 x 70 cm ... 26 Affiches » Affiche 40 x 60 cm (exposition) ... 27 Affiches » Affiche hors format ... 27 Affiches » Image Luxe 30 x 40 cm ... 27 Affiches » Image Luxe 30 x 80 cm ... 28 Affiches » Reproduction 24 x 30 cm à fond perdu ... 28 Affiches » Reproduction 24 x 30 cm sur papier de création arts graphiques ... 29 Carterie » Carte postale 10,5 x 15 cm ... 29 Carterie » Carte postale 10,5 x 15 cm sous Marie-Louise 20 x 25 cm ... 42 Sommaire Carterie » Carte postale 10,5 x 15 cm sur papier de création arts graphiques (Inuit blanc glacier 400 g) ... 43 Carterie » Carte postale 13,5 x 13,5 cm ... 50 Carterie » Carte postale 13,5 x 13,5 cm sur papier de création arts graphiques (Inuit blanc glacier 400 g) ... 58 Carterie » Carte postale 14 x 20 cm sur papier de création arts graphiques (Inuit blanc glacier 400 g) ... 59 Carterie » Carte postale 14 x 20 cm ... 59 Carterie » Carte panoramique 10,5 x 21,5 cm ... 61 Carterie » Carte panoramique 10,5 x 21,5 cm sur papier de création arts graphiques (Inuit blanc glacier 400 g) ... 61 Carterie » Carte panoramique sous Marie-Louise 24 x 30 cm ... 62 Carterie » Boîtes de cartes postales ... 63 Carterie » Pochettes de cartes doubles & enveloppes ... 63 Carterie » Marque-page 5 x 17 cm ... 64 Carterie » Marque-page 5 x 17 cm sur papier de création arts graphiques (Inuit blanc glacier 400 g) ... 66 Carterie » Pochettes de marque-pages ... 67 Papeterie » Magnets ... 68 Papeterie » Bloc-note Penser à... ... 74 Papeterie » Cahier d’écriture ... 74 Papeterie » Cahiers à élastique ... 77 Papeterie » Cahiers à spirale ... 77 Papeterie » Cahiers pages blanches ... 78 Papeterie » Calepins à élastique ... 79 Papeterie » Carnets à rabat ... 79 Papeterie » Carnets à spirale ... 80 Papeterie » Carnets de croquis ... 80 Papeterie » Carnets d’écriture ... 80 Papeterie » Cartons à dessins ... 83 Papeterie » Chemises cartonnées ... 83 Papeterie » Sous-chemise plastique ... 83 Éditions » Beaux livres ... 85 Éditions » Catalogues d’exposition ... 90 Éditions » Découvertes Gallimard-RmnGp ... 100 Éditions » Essais ... 101 Éditions » Guides - Aide à la visite ... 101 Éditions » Publication scientifique ... 104 Éditions » Revue ... 105 DVDs » Artistes & Monographies ... 105 DVDs » Courants & Périodes artistiques ... 107 DVDs » Histoire ... 107 DVDs » Les Visites ... 107 Document non contractuel Collections » Petit Palais, Rampe d'escalier Torchon "rampe d'escalier" Petit Palais Dimensions: 48 x 72 cm - Conditionnement: Cellophane CA700071 X 3 12,00 € TTC - Musée: Paris - Musée des Beaux-Arts de la Ville de Paris - Petit Palais - Matière: Coton - Artiste: Charles Girault (1851-1932) Trousse "rampe d'escalier" Petit Palais Dimensions: 20 x 10 cm - Conditionnement: Cellophane CH900740 X 4 12,00 € TTC - Musée: Paris - Musée des Beaux-Arts de la Ville de Paris - Petit Palais - Matière: Coton - Artiste: Charles Girault (1851-1932) Tote bag "rampe d'escalier" Petit Palais Dimensions: 35 x 41 cm - Conditionnement: Cellophane CH900741 X 2 25,00 € TTC - Musée: Paris - Musée des Beaux-Arts de la Ville de Paris - Petit Palais - Matière: Coton - Artiste: Charles Girault (1851-1932) Mug "rampe d'escalier" Petit Palais Dimensions: Ø 7 cm ; H. 10,5 cm - Musée: Paris - Musée CU300358 X 4 11,00 € TTC des Beaux-Arts de la Ville de Paris - Petit Palais - Matière: Porcelaine - Artiste: Charles Girault (1851-1932) Carte postale carrée "Rampe d'escalier de la tourelle nord (détail)" Musée: Paris - Musée des Beaux-Arts de la Ville de Paris - IC401067 X 50 1,20 € TTC Petit Palais Carte postale panoramique "Rampe d'escalier de la tourelle nord" Musée: Paris - Musée des Beaux-Arts de la Ville de Paris - IC600331 X 50 1,70 € TTC Petit Palais Cahier à spirale "Escalier du Petit Palais" Cahier à spirale 164 pages blanches - 15 x 22 cm - Papier IP221003 X 3 12,90 € TTC vélin Distinction Douceur 90g/m2, de la manufacture Lana, maître papetier depuis 1590 - Fabriqué à partir de pâte sans chlore. - Couverture imprimée dans les ateliers parisiens Créanog, spécialisés en gaufrage et marquage à chaud sur papier de création Curious Skin teinté masse, noir 300 g/m2 d'Arjowiggins - Musée: Paris - Musée des Beaux-Arts de la Ville de Paris - Petit Palais - Artiste: Charles Girault (1851-1932) 1 Document non contractuel Collections » Louvre, Pyramide Pei Collections » Louvre, Pyramide Pei Trousse "Pyramide du Louvre / Archivia" Dimensions : 26 cm x 6 cm - Musée: Paris - Musée du CH901078 X 3 9,00 € TTC Louvre - Artiste: Yan-Pei Ming (né en 1960) Collections » Orsay, Art floral Bloc-notes To do list Vase Bleu Dimensions: 6 x 9,5 cm - Musée: Paris - Musée d'Orsay IP101045 X 10 3,90 € TTC Collections » Orsay, Le Parlement Micro-puzzle Monet "Le Parlement" Dimensions: L. 16 cm; D. 2 cm - Fabriqué en: Espagne - CJ900100 X 3 11,50 € TTC Œuvre originale: Le Parlement de Londres, effet du soleil dans le brouillard (détails) - 1904 - 81,5 x 92,5 cm - Huile sur toile: Musée: Paris - Musée d'Orsay - Matière: Carton - Artiste: Claude Monet (1840-1926) Mug Monet "Le Parlement" Dimensions: H. 10,40 cm; D. 7,30 cm - Dessiné en: CU300406 X 1 5,00 € TTC France - Fabriqué en: Allemagne - Œuvre originale: Le Parlement de Londres, effet du soleil dans le brouillard (détails) - 1904 - 81,5 x 92,5 cm - Huile sur toile: Musée: Paris - Musée d'Orsay - Matière: Porcelaine - Artiste: Claude Monet (1840-1926) Sous-chemise A4 Monet "Le Parlement" Dimensions: L. 31 cm; l. 21 cm - Format: A4 - Œuvre IO100116 X 10 4,90 € TTC originale: Le Parlement de Londres, effet du soleil dans le brouillard (détails) - 1904 - 81,5 x 92,5 cm - Huile sur toile: Musée: Paris - Musée d'Orsay - Matière: Polypropylène - Artiste: Claude Monet (1840-1926) Magnet carré "Monet - Le Parlement" Dimensions: L. 6,50 cm; l. 6,50 cm - Œuvre originale: Le IS210225 X 10 3,90 € TTC Parlement de Londres, effet du soleil dans le brouillard (détails) - 1904 - 81,5 x 92,5 cm - Huile sur toile: Musée: Paris - Musée d'Orsay - Matières: Aimant, Carton - Artiste: Claude Monet (1840-1926) Collections » Orsay, Les Nymphéas 2 Document non contractuel Collections » Orsay, Les Nymphéas Boucles d'oreilles Nymphéas Dimensions: 2,8 x 1,9 cm - 4,6 g - Conditionnement: BW400412 X 2 49,00 € TTC Suédine - Musée: Paris - Musée de l’Orangerie - Matières: Laiton, Résine, Perle - Artiste: Claude Monet (1840-1926) Boucles d'oreilles 3 Nymphéas Dimensions: 4 x 1,5 cm - 6,4 g - Conditionnement: BW400413 X 1 50,00 € TTC Suédine - Musée: Paris - Musée de l’Orangerie - Matières: Laiton, Résine, Perle - Artiste: Claude Monet (1840-1926) Pendentif sur chaîne Nymphéas Dimensions: 2 x 1,9 cm - 3,9 g - Longueur de la chaîne : BZ400086 X 2 49,00 € TTC 47,5 cm - Conditionnement: Suédine - Musée: Paris - Musée de l’Orangerie - Matières: Laiton, Résine, Perle - Artiste: Claude Monet (1840-1926) Collier Nymphéas Dimensions: 52,5 x 1,5 cm - 50,4 g - Conditionnement: BZ400087 X 1 150,00 € TTC Suédine - Musée: Paris - Musée de l’Orangerie - Matières: Laiton, Résine, Perle - Artiste: Claude Monet (1840-1926) Puzzle Monet "Nymphéas" Nombre de pièces: 1000 - Dimensions du puzzle: L. 68 CJ900093 X 1 22,00 € TTC cm; l. 49 cm - Dimensions de la boîte: L. 37,30 cm; l. 27,30; H. 5,50 cm - Fabriqué en: France - Œuvre originale: Série des Nymphéas; Matin - v. 1914-1926 - Musée: Paris - Musée de l’Orangerie - Matière: Carton - Artiste: Claude Monet (1840-1926) Collections » Picasso, Dora Maar Affiche "Portrait de Dora Maar assise" Musée: Paris - Musée Picasso - Artiste: Pablo Ruiz IA200287 X 5 9,90 € TTC Picasso (1881-1973) Carte postale grand format "Portrait de Dora Maar assise" Musée: Paris - Musée Picasso - Artiste: Pablo Ruiz IC610476 X 50 1,70 € TTC Picasso (1881-1973) 3 Document non contractuel Collections » Picasso, Dora Maar Marque Page "Portrait de Dora Maar assise (détail)" Musée: Paris - Musée Picasso - Artiste: Pablo Ruiz IM000058 X 50 1,00 € TTC Picasso (1881-1973) Sous-chemise : "Dora Maar assise" Musée:
Load more

Recommended publications
  • Impressionist Adventures
    impressionist adventures THE NORMANDY & PARIS REGION GUIDE 2020 IMPRESSIONIST ADVENTURES, INSPIRING MOMENTS! elcome to Normandy and Paris Region! It is in these regions and nowhere else that you can admire marvellous Impressionist paintings W while also enjoying the instantaneous emotions that inspired their artists. It was here that the art movement that revolutionised the history of art came into being and blossomed. Enamoured of nature and the advances in modern life, the Impressionists set up their easels in forests and gardens along the rivers Seine and Oise, on the Norman coasts, and in the heart of Paris’s districts where modernity was at its height. These settings and landscapes, which for the most part remain unspoilt, still bear the stamp of the greatest Impressionist artists, their precursors and their heirs: Daubigny, Boudin, Monet, Renoir, Degas, Morisot, Pissarro, Caillebotte, Sisley, Van Gogh, Luce and many others. Today these regions invite you on a series of Impressionist journeys on which to experience many joyous moments. Admire the changing sky and light as you gaze out to sea and recharge your batteries in the cool of a garden. Relive the artistic excitement of Paris and Montmartre and the authenticity of the period’s bohemian culture. Enjoy a certain Impressionist joie de vivre in company: a “déjeuner sur l’herbe” with family, or a glass of wine with friends on the banks of the Oise or at an open-air café on the Seine. Be moved by the beauty of the paintings that fill the museums and enter the private lives of the artists, exploring their gardens and homes-cum-studios.
    [Show full text]
  • Realism Impressionism Post Impressionism Week Five Background/Context the École Des Beaux-Arts
    Realism Impressionism Post Impressionism week five Background/context The École des Beaux-Arts • The École des Beaux-Arts (est. 1648) was a government controlled art school originally meant to guarantee a pool of artists available to decorate the palaces of Louis XIV Artistic training at The École des Beaux-Arts • Students at the École des Beaux Arts were required to pass exams which proved they could imitate classical art. • An École education had three essential parts: learning to copy engravings of Classical art, drawing from casts of Classical statues and finally drawing from the nude model The Academy, Académie des Beaux-Arts • The École des Beaux-Arts was an adjunct to the French Académie des beaux-arts • The Academy held a virtual monopoly on artistic styles and tastes until the late 1800s • The Academy favored classical subjects painted in a highly polished classical style • Academic art was at its most influential phase during the periods of Neoclassicism and Romanticism • The Academy ranked subject matter in order of importance -History and classical subjects were the most important types of painting -Landscape was near the bottom -Still life and genre painting were unworthy subjects for art The Salons • The Salons were annual art shows sponsored by the Academy • If an artist was to have any success or recognition, it was essential achieve success in the Salons Realism What is Realism? Courbet rebelled against the strictures of the Academy, exhibiting in his own shows. Other groups of painters followed his example and began to rebel against the Academy as well. • Subjects attempt to make the ordinary into something beautiful • Subjects often include peasants and workers • Subjects attempt to show the undisguised truth of life • Realism deliberately violates the standards of the Academy.
    [Show full text]
  • Extrait Du Catalogue
    Extrait du catalogue Tarif Public 24/09/2021 www.revendeurs.rmngp.fr Document non contractuel Réunion des musées nationaux et du Grand Palais des Champs-Élysées 254-256, rue de Bercy - 75577 Paris cedex 12 - France Tel : +33 (0)1 40 13 48 00 - Fax : +33 (0)1 40 13 44 00 Etablissement public industriel et commercial - APE 9102Z - RCS Paris B692 041 585 - SIRET 69204158500583 - TVA FR11692041585 Sommaire Collections » Louvre, Gangzai Design ... 1 Collections » Louvre, Joconde Céladon ... 2 Collections » Louvre, Liberté guidant le peuple ... 3 Collections » Orsay, Le Parlement ... 6 Collections » Orsay, Les Nymphéas ... 7 Collections » Picasso, Dora Maar ... 7 Collections » Versailles, Dames de la Cour ... 8 Collections » Versailles, Gravure de mode ... 9 Collections » Versailles, Napoléon ... 9 Jeunesse » Arts Plastiques ... 11 Jeunesse » Planches de stickers ... 12 Jeunesse » Jeux & Puzzles ... 12 Jeunesse » Un moment de lecture... ... 12 Cadeaux » Alimentaire ... 15 Cadeaux » Plateaux & Dessous de verre ... 15 Textiles » Pochettes ... 15 Affiches » Affiche 50 x 70 cm ... 16 Affiches » Affiche hors format ... 17 Affiches » Image Luxe 30 x 40 cm ... 17 Affiches » Reproduction 24 x 30 cm à fond perdu ... 18 Carterie » Carte postale 10,5 x 15 cm ... 19 Carterie » Carte postale 10,5 x 15 cm sous Marie-Louise 20 x 25 cm ... 54 Carterie » Carte postale 10,5 x 15 cm sur papier de création arts graphiques (Inuit blanc glacier 400 g) ... 54 Carterie » Carte postale 13,5 x 13,5 cm ... 60 Carterie » Carte postale 13,5 x 13,5 cm sur papier de création arts graphiques (Inuit blanc glacier 400 g) ... 66 Carterie » Carte postale 14 x 20 cm sur papier de création arts graphiques (Inuit blanc glacier 400 g) ..
    [Show full text]
  • Impressionist Still Life 2001
    Impressionist Still Life 2001- 2002 Finding Aid The Phillips Collection Library and Archives 1600 21st Street NW Washington D.C. 20009 www.phillipscollection.org CURATORIAL RECORDS IN THE PHILLIPS COLLECTION ARCHIVES INTRODUCTORY INFORMATION Collection Title: Impressionist Still Life; exhibition records Author/Creator: The Phillips Collection Curatorial Department. Eliza E. Rathbone, Chief Curator Size: 8 linear feet; 19 document boxes Bulk Dates: 1950-2001 Inclusive Dates: 1888-2002 (portions are photocopies) Repository: The Phillips Collection Archives INFORMATION FOR USERS OF THE COLLECTION Restrictions: The collection contains restricted materials. Please contact Karen Schneider, Librarian, with any questions regarding access. Handling Requirements: Preferred Citation: The Phillips Collection Archives, Washington, D.C. Publication and Reproduction Rights: See Karen Schneider, Librarian, for further information and to obtain required forms. ABSTRACT Impressionist Still Life (2001 - 2002) exhibition records contain materials created and collected by the Curatorial Department, The Phillips Collection, during the course of organizing the exhibition. Included are research, catalogue, and exhibition planning files. HISTORICAL NOTE In May 1992, the Trustees of The Phillips Collection named noted curator and art historian Charles S. Moffett to the directorship of the museum. Moffett, a specialist in the field of painting of late-nineteenth-century France, was directly involved with the presentation of a series of exhibitions during his tenure as director (1992-98). Impressionist Still Life (2001-2002) became the third in an extraordinary series of Impressionist exhibitions organized by Moffett at The Phillips Collection, originating with Impressionists on the Seine: A Celebration of Renoir‟s Luncheon of the Boating Party in 1996, followed by the nationally touring Impressionists in Winter: Effets de Neige, on view at the Phillips in 1998.
    [Show full text]
  • Impressionism and Post-Impressionism National Gallery of Art Teacher Institute 2014
    Impressionism and Post-Impressionism National Gallery of Art Teacher Institute 2014 Painters of Modern Life in the City Of Light: Manet and the Impressionists Elizabeth Tebow Haussmann and the Second Empire’s New City Edouard Manet, Concert in the Tuilleries, 1862, oil on canvas, National Gallery, London Edouard Manet, The Railway, 1873, oil on canvas, National Gallery of Art Photographs of Baron Haussmann and Napoleon III a)Napoleon Receives Rulers and Illustrious Visitors To the Exposition Universelle, 1867, b)Poster for the Exposition Universelle Félix Thorigny, Paris Improvements (3 prints of drawings), ca. 1867 Place de l’Etoile and the Champs-Elysées Claude Monet, Boulevard des Capucines, Paris, 1873, oil on canvas, Nelson-Atkins Museum of Art, Kansas City, Mo. Pierre-Auguste Renoir, The Great Boulevards, 1875, oil on canvas, Philadelphia Museum of Art Pierre-Auguste Renoir, The Pont Neuf, 1872, National Gallery of Art, Ailsa Mellon Bruce Collection Hippolyte Jouvin, The Pont Neuf, Paris, 1860-65, albumen stereograph Gustave Caillebotte, a) Paris: A Rainy Day, 1877, oil on canvas, Art Institute of Chicago, b) Un Balcon, 1880, Musée D’Orsay, Paris Edouard Manet, Le Balcon, 1868-69, oil on canvas, Musée D’Orsay, Paris Edouard Manet, The World’s Fair of 1867, 1867, oil on canvas, Nasjonalgalleriet, Oslo (insert: Daumier, Nadar in a Hot Air Balloon, 1863, lithograph) Baudelaire, Zola, Manet and the Modern Outlook a) Nadar, Charles Baudelaire, 1855, b) Contantin Guys, Two Grisettes, pen and brown ink, graphite and watercolor, Metropolitan
    [Show full text]
  • Gustave Caillebotte
    2 TABLE OF CONTENTS Preparing students in advance p. 4 Pronunciation guide p. 5 About the exhibition pp. 6–12 Featured artworks pp. 13–28 The Floor Scrapers, 1875 Paris Street, Rainy Day, 1877 A Boating Party, 1877–78 The Rue Halévy, Seen from the Sixth Floor, 1878 At a Café, 1880 Interior, a Woman Reading, 1880 Fruit Displayed on a Stand, c. 1881–82 Sunflowers, Garden at Petit Gennevilliers, c. 1885 3 PREPARING STUDENTS IN ADVANCE We look forward to welcoming your school group to the Museum. Here are a few suggestions for teachers to help to ensure a successful, productive learning experience at the Museum. LOOK, DISCUSS, CREATE Use this resource to lead classroom discussions and related activities prior to the visit. (Suggested activities may also be used after the visit.) REVIEW MUSEUM GUIDELINES For students: • Touch the works of art only with your eyes, never with your hands. • Walk in the museum—do not run. • Use a quiet voice when sharing your ideas. • No photography is permitted in special exhibitions. • Write and draw only with pencils—no pens or markers, please. Additional information for teachers: • Backpacks, umbrellas, or other bulky items are not allowed in the galleries. Free parcel check is available. • Seeing-eye dogs and other service animals assisting people with disabilities are the only animals allowed in the Museum. • Unscheduled lecturing to groups is not permitted. • No food, drinks, or water bottles are allowed in any galleries. • Cell phones should be turned to silent mode while in the Museum. • Tobacco use, including cigarettes, cigars, pipes, electronic cigarettes, snuff, and chewing tobacco, is not permitted in the Museum or anywhere on the Museum's grounds.
    [Show full text]
  • Foreword and Acknowledgements
    Foreword and Acknowledgements Today Gustave Caillebotte is one of the least known of the decided in 1876 would go to the French State. The donation Impressionist painters, but Impressionism would not have came to consist of no fewer than 60 paintings by his friends: been the same without his works and without his great com - Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Camille mitment to the movement. During the years when this Pissarro, and Paul Cézanne. These paintings were the first group of painters disregarded their differences in order to works by the Impressionists in a French museum. Today define a modern style of painting, Caillebotte was on the ab - they are among the most prized masterpieces in the Parisian solute front line. He contributed not only his art, but also Musée d’Orsay. his passionate efforts to promote the group. He was an im - However, there may be several reasons for the oblivion. portant force in the organization of the group’s exhibitions At the time Émile Zola defined Impressionist painting as and generously supported a number of its most significant “nature seen through a temperament.” But very different artists economically. Yet his works were later forgotten, re - temperaments met in the movement—and Caillebotte maining in private collections, and it was only in exhibitions made a great contribution to its breadth. In the catalogue he in our own time that he had his international break - is called an “irritating” and “difficult” painter because, even through—first in France, the USA, and England, and later in to the modern eye, he is not an artist who simply fits in.
    [Show full text]
  • The Collections of the Nelson-Atkins Museum of Art
    French Paintings and Pastels, 1600–1945 The Collections of The Nelson-Atkins Museum of Art Aimee Marcereau DeGalan, Editor 4525 Oak Street, Kansas City, Missouri 64111 | nelson-atkins.org Edouard Manet | The Croquet Party, 1871 The Nelson-Atkins Museum of Art | French Paintings and Pastels, 1600–1945 Edouard Manet, The Croquet Party, 1871 Artist Edouard Manet, French, 1832–1883 Title The Croquet Party Object Date 1871 Alternate and Variant The Croquet Party at Boulogne-sur-Mer; La partie de croquet Titles Medium Oil on canvas Dimensions 18 x 28 3/4 in. (45.7 x 73 cm) (Unframed) Signature Signed lower right: Manet Credit Line The Nelson-Atkins Museum of Art. Gift of Marion and Henry Bloch, 2015.13.11 doi: 10.37764/78973.5.522 the croquet lawn outside the casino at Boulogne-sur- Catalogue Entry Mer, in northern France. On the far left is Paul Roudier, the artist’s childhood friend and a central member of Manet’s social circle; he is the only figure in the scene to Citation address the spectator directly.1 Alongside him is Jeanne Gonzalès (1852–1924), a talented young painter who Chicago: would enjoy recognition at the Paris Salon from the late 1870s (Fig. 1).2 Jeanne was the younger sister of the Simon Kelly, “Edouard Manet, The Croquet Party, painter Eva (1849–1883), who was Manet’s favorite 1871,” catalogue entry in Aimee Marcereau DeGalan, female pupil. Jeanne, too, received artistic lessons from ed., French Paintings, 1600–1945: The Collections of the Manet and frequented his studio.3 She looks toward Nelson-Atkins Museum of Art (Kansas City: The Léon Leenhoff, Manet’s stepson (and, possibly, his Nelson-Atkins Museum of Art, 2021), biological son) and a favorite model for the artist.4 To the https://doi.org/10.37764/78973.5.522.5407 right is Léon’s mother—Manet’s wife, Suzanne Leenhoff MLA: —who raises her mallet to hit a croquet ball alongside an unknown partner.
    [Show full text]
  • Bodacc Bulletin Officiel Des Annonces Civiles Et Commerciales Annexé Au
    o Quarante-quatrième année. – N 5 A ISSN 0298-296X Vendredi 8 janvier 2010 BODACCBULLETIN OFFICIEL DES ANNONCES CIVILES ET COMMERCIALES ANNEXÉ AU JOURNAL OFFICIEL DE LA RÉPUBLIQUE FRANÇAISE Standard......................................... 01-40-58-75-00 DIRECTION DES JOURNAUX OFFICIELS Annonces....................................... 01-40-58-77-56 Renseignements documentaires 01-40-58-79-79 26, rue Desaix, 75727 PARIS CEDEX 15 Abonnements................................. 01-40-15-67-77 www.journal-officiel.gouv.fr (8h30à 12h30) www.bodacc.fr Télécopie........................................ 01-40-15-72-75 BODACC “A” Ventes et cessions - Créations d’établissements Procédures collectives Procédures de rétablissement personnel Avis relatifs aux successions Avis aux lecteurs Les autres catégories d’insertions sont publiées dans deux autres éditions séparées selon la répartition suivante Modifications diverses..................................... $ BODACC “B” Radiations ......................................................... # Avis de dépôt des comptes des sociétés .... BODACC “C” Banque de données BODACC servie par les sociétés : Altares-D&B, EDD, Extelia, Questel, Tessi Informatique, Jurismedia, Pouey International, Scores et Décisions, Les Echos, Creditsafe, Coface services, Cartegie, La Base Marketing, Infolegale, France Telecom Orange, Telino et Maxisoft. Conformément à l’article 4 de l’arrêté du 17 mai 1984 relatif à la constitution et à la commercialisation d’une banque de données télématique des informations contenues dans le BODACC, le droit d’accès prévu par la loi no 78-17 du 6 janvier 1978 s’exerce auprès de la Direction des Journaux officiels. Le numéro : 2,80 € Abonnement. − Un an (arrêté du 19 novembre 2009 publié au Journal officiel du 21 novembre 2009) : France : 398,60 €. Pour l’expédition par voie aérienne (outre-mer) ou pour l’étranger : paiement d’un supplément modulé selon la zone de destination ; tarif sur demande Paiement à réception de facture.
    [Show full text]
  • Ladynastiecaillebotte.Pdf
    Sommaire SOMMAIRE .............................................................................................................................................................................................................................2 AVANT PROPOS .....................................................................................................................................................................................................................3 DOMFRONT ............................................................................................................................................................................................................................4 MARTIAL CAILLEBOTTE, LE PERE DE GUSTAVE ......................................................................................................................................................7 LA PROPRIETE YERROISE ...............................................................................................................................................................................................10 ALFRED CAILLEBOTTE, PRETRE ..................................................................................................................................................................................13 GUSTAVE CAILLEBOTTE .................................................................................................................................................................................................16 LE LYCEE MICHELET .......................................................................................................................................................................................................21
    [Show full text]
  • Santiagosmallprocessportfolio-Min
    Artist reference: Painting based on Gustave Caillebotte was a impressionism artist in the Paris’ architecture 1800s. He’s my inspiration for my painting because of his style. Most of his paintings are in Paris, and they depict the architecture and nature of Paris. He uses oil on canvas, but his paintings only fully detail the buildings. The people, leaves are more like smudges Why Caillebotte? I picked Caillebotte as my main artist reference because These are some edited pieces of one his ideas match of my photos that I made, and I will with mine very have to pick one to paint. much. Sources: This is my finished painting. I “A Balcony in Paris.” A Balcony in Paris by Gustave Caillebotte, named it Blue Sky in Paris 2019, www.gustavecaillebotte.org/balcony-in-paris/. because this painting is based Caillebotte, Gustave. “Rue Halevy, Balcony View, 1878 - Gustave on a picture I took of the blue Caillebotte.” Www.wikiart.org, 1 Jan. 1878, sky of Paris. www.wikiart.org/en/gustave-caillebotte/rue-halevy-balcony-view. Blue Sky in Paris Gustave Caillebotte and Pierre-Auguste Renoir Why did I pick this artwork and how does it relate to my work? Artist: Gustave Caillebotte - This artwork has a lot of similarities Name of painting: Un Balcon, Boulevard Haussmann to the piece of work I am currently Size of painting: 69cm Height, 62cm producing right now, which is a Length painting. Caillebotte, in general, is Year of production: 1880 my main source of inspiration for Materials: Oil on Canvas Investigation this year’s works and what I have in them.
    [Show full text]
  • « Les Impressionnistes En Privé » Cent Chefs-D’Œuvre De Collections Particulières Musée Marmottan-Monet, Paris
    LYCÉE JULES FERRY, VERSAILLES « Les impressionnistes en privé » Cent chefs-d’œuvre de collections particulières Musée Marmottan-Monet, Paris Histoire des collections et du musée Le Musée Marmottan Monet, ancien pavillon de Giverny et sa collection de tableaux Marmottan Monet dans le respect du de chasse de Christophe Edmond Kellermann, héritée de son père pour le Musée souhait de sa bienfaitrice. Le Musée enri- duc de Valmy, est acquis en 1882 par Jules Marmottan. Il dote ainsi le Musée de la chit alors ses collections d’œuvres presti- Marmottan. Son fils Paul en fait sa demeure et plus importante collection au monde gieuses de Berthe Morisot, Edouard Ma- l’agrandit d’un pavillon de chasse destiné à d’œuvres de Claude Monet. L’archi- net, Edgar Degas, Auguste Renoir ou en- recevoir sa collection d’objets d’art et de ta- tecte académicien et conservateur du core Henri Rouart. bleaux Premier Empire. Musée Jacques Carlu construit alors Daniel Wildenstein offre l’exceptionnelle A sa mort, en 1932, il lègue à l’Académie des une salle inspirée de celle des grandes collection d’enluminures de son père au Beaux-Arts l’ensemble de ses collections ainsi décorations de l’Orangerie des Tuile- Musée Marmottan en 1980. que son hôtel particulier qui devient le musée ries pour y recevoir la collection. Depuis lors de nombreux autres legs, tout Marmottan en 1934 ainsi que la bibliothèque Les œuvres réunies par Henri Duhem aussi importants, sont venus compléter de Boulogne riche en documents historiques. et son épouse Mary Sergeant viennent les collections du musée tels que ceux En 1957, le Musée Marmottan Monet reçoit en admirablement compléter ce fonds en d’Emile Bastien Lepage, de Vincens Bou- donation la collection de Victorine Donop de 1987 grâce à la générosité de leur fille guereau, d’Henri Le Riche, de Jean Paul Monchy, héritée de son père le Docteur Nelly Duhem.
    [Show full text]