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HUMANIORA BOOK REVIEW the Spy Author: Paulo Coelho Publisher HUMANIORA VOLUME 30 Number 2 June 2018 Page 215–218 BOOK REVIEW The Spy Author: Paulo Coelho Publisher: Penguin Random House LLC. Year of Publication: © 2016 ISBN 978-1524732073 Benedicta Neysa Nathania Universitas Gadjah Mada, Indonesia Email: [email protected] There remains a burning question surrounding the In just a year after he spawned his tour de force, life of Margaretha Zelle: was she a double-agent spy, The Alchemist, Brazilian author Paulo Coelho, one of or was she a mere victim of injustice? Through his the most celebrated authors of this era - also known latest published novel The Spy, Coelho spun out a for Brida, Aleph, and The Fifth Mountain – introduced biographical fiction based on the tale of the life of us to the life of Mata Hari, a look into her life seen Margaretha Zelle, therefore known by her self-chosen mostly from the Mata Hari’s own point-of-view. nom de guerre Mata Hari, told through the eyes of On the surface, we can see its representative Mata Hari herself as she awaits her fate behind prison cover page, presenting what Monsieur Clunet, Mata bars in Vincennes, France. Hari’s lawyer, claimed as Mata Hari’s most memorable Zelle, or Mata Hari, was a Dutch courtesan, picture. The picture – a legacy from her prime years famed dancer, and alleged emissary during the as a dancer – that of her donned in costume and snake tumultuous period of World War II. Born into a headdress, draws our attention straight away to its financially-sounding Dutch family in Leeuwarden, titular character – the ultimate focal point of this novel as Coelho noted, money was never a problem for her – who is none other than Mata Hari herself. Also found – the affluent status of her parents was able to afford in the cover was certainly the title of the book,“The her formal education and her training as a dancer. Her Spy”, imprinted below her photograph, a label which tale of ups-and-downs began when she was sexually- is tied to the mystery of her supposed involvement assaulted by her principal while in Leiden at the with espionage. age of sixteen, and later accepted a marriage offer , Instead of presenting an account of her life written in a newspaper advertisement, from a young in a chronological order, e.g. starting from her Dutch soldier stationed in Indonesia who is looking childhood, Coelho opens up his tale with a kaboom! for a partner. Afterwards, she married the soldier – a – an impactful scene of Mata Hari’s death sentencing. decision which ensnared her within a loveless, abusive A nurse was sent to fetch Mata Hari from her cell, union, - a “living hell” contrastive to the paradisiacal, before she was paraded along with her jail mates to “exotic” islands of the Dutch Indies, where she stayed the ruthless firing squad. Coelho immediately closed with her husband and daughter for a few years. A his chapter with“Mata Hari was dead”, piquing the major turning point of event landed her back to readers’ interest of what might have happened to this Europe, precisely in Paris, in which she marked her woman at the time of her life. This opening scene also debut as a dancer by performing a“religious” dance gives its readers an immediate alarm – making the she supposedly learned back in Java. Little did she readers aware of direness of her situation from early know, her artistic fame and the on-going wars would in the beginning. eventually entangle her in the web of espionage, with The novel continued to follow Mata Hari her sentenced to death for being a double-agent for through her journey as a famed dancer in the bustling France and Germany. city of Paris - one very much well-loved by many, but doi.org/102216/jh.v29i3.35196 jurnal.ugm.ac.id/jurnal-humaniora Humaniora, Vol. 30, Number 2 June 2018 “never respected” (Coelho, 2016, p. 155). We watched in the end – to him, Mata Hari was a scapegoat, as Mata Hari propels to stardom as the Parisian sentenced for a mere fault of being “an independent audiences were simply enraptured by her exotic, sultry woman”(Coelho, 2016, p. 13) among the clutches of dances, inspired by the dances of Java and Egypt, men. All of these are told in a concise manner while albeit with profound inaccuracies regarding the true still maintaining the simplicity, the fluidity, and the essences of the dances. Then the tale withstand the nice flow of words as the random pieces of the tale storm as she tries to steady her grip of popularity, started coming together to portray her story. despite the emergence of those less-gifted newcomers However, apart from its fluidity in language, claiming to be “the successor of Mata Hari”(Coelho, the weakest point of The Spy lies within its meagre 2016, p. 75). Still following Mata Hari’s point of character development – none of the character in his view, we witnessed the beginning of the downfall of novel truly has depth, even its titular character Mata her life with her encounter with Franz and Kramer, Hari. Much later in his Author’s Note, Coelho claimed two different figures from two distinct countries to have read four books on Mata Hari’s life, one of who unbeknownst to her, had eventually made her a which written with an exclusive access to unpublished double-agent and made her suspected, jailed, and put materials as its author is a direct descendant of a into trial unjustly. character in the novel. Yet Coelho could not manage Surprisingly, a shift of its point-of-view to delve deeper into the characterization of his main occurred in the last part of the story, moving from character and instead delivered a shallow depiction the incarcerated Mata Hari to her lawyer, Monsieur on the real Mata Hari. One thing we know for certain Clunet, whom she initially described as her is that Mata Hari was a real person – therefore, alike “incompetent” lawyer. From this shift in point-of- every other human being, she should have come with view to Monsieur Clunet in his letters for Mata Hari, quirks, habits, or basically anything else which could the readers are able to get the grasp of the story from possibly enrich Mata Hari as a character. That being outside of Mata Hari’s standpoint, which had taken said, several biographies and accounts have been the readers for more than two thirds of the entire story, made about her, some of which Coelho employed as and how another saw Mata Hari as a person. Most his sources of reference. Therefore, in my opinion, importantly, we are given the details regarding the Coelho should have used his extensive collection injustices surrounding her allegation of espionage, of references to spice up his story in terms of the and how she, although not entirely guiltless, was a characterization of Mata Hari. This lack of depth mere victim of injustice. in Coelho’s Mata Hari makes the reader unable to First of all, Coelho deserves a mention for thoroughly understand her as a character, much less bringing to light the life of a woman often exempt to capture the complexity of the real Mata Hari in from history books or major historical accounts, but his novel. with a life story certainly worthy of the interest of Also, although we know that throughout the his readers. Through the Coelho-esque success in story Mata Hari had withstood various obstacles, even employing metaphors and fluidity in his words, he the ones which allowed her dignity to be shamefully reminded us once again of a peculiar female figure degraded – I somehow found it hard to sympathize named Mata Hari who once lived during the years of with the character Mata Hari. The Mata Hari in World War along with the conundrum surrounding Coelho’s novel, in my view, was a shallow, overtly her life, and provided his own take on the life of this naive, self-obsessed, clueless, and reckless woman alleged undercover. who unknowingly thrust herself into an entangled, Coelho set just the right pace for this story, each jumbled mess, with practically no way out in which pages flowing in a pleasant rhythm, making his novel no arguments from her lawyer could possibly spare a page-turning tale which transports its readers to its her from the gun firing squad. Added up with her final stop. Along with that, the desire to obtain the delay in realizing the direness of the situation she was complete explanation regarding how Mata Hari ended in, along with her propensity to simply rely and wait up in such a miserable fate in the opening chapter for her powerful connections to pull her out from her made it less likely for the readers to drop the book misery, contributed to conceive a not-so-sympathetic in the middle until Mata Hari, and later her lawyer, depiction of Mata Hari. Not much is to be said on successfully concludes her tale. Upon that question, Coelho’s original intention in creating his version of Coelho tries to provide his own answer for his readers portrayal of Mata Hari, but I definitely did not see, or 216 Benedicta Neysa Nathania - The Spy barely found, any attempt in making her sympathetic and make her a double-agent, was pulled out from for his readers, despite his view that Mata Hari was the story right after his purpose is done. However, a mere pawn who was put to death out of injustice.
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