The Fourth Industrial Revolution
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New Vocaloid in the Making?
Competition New Vocaloid in the Starting to Rise for Vocaloid making? page 12 page 1 New Faces Meet Anon & Kanon page 5 Facts About Vocaloid By Bill Treadway 5. VOCALOID CAN RAISE THE DEAD... SORT OF 10. MEET MIKU HATSUNE Vocaloid techniques have been handy for concert promoters, using the Voiced by actress Saki Fujita, Miku Hatsune is the most popular Vocaloid technology to bring back such dead entertainers as 2Pac, Michael Jackson to date. Crypton took Fujita’s voice and ran it through Vocaloid 2 software and Elvis Presley. Vocaloid software has even produced a posthumous to create Miku’s unique sound. Miku is often treated as a real person by singer in tribute of the late singer Hitoshi Ueki, although so far only his fans, especially men who actually fall for the Vocaloid as if she was flesh family has exclusive use of Ueki-loid. Just think, that Beatles reunion and blood. Not since Betty Boop has a virtual idol taken such a hold. could be possible after all! 9. VOCALOID USES DVD-ROM TECHNOLOGY 4. THE AVERAGE VOCALOID CONCERT-GOER IS MALE Yamaha and Crypton produced three software DVDs each containing While Vocaloid appeals to almost everybody, the average concert ticket the Vocaloid 2 and 3 programs. These DVDs allow you to manipulate her buyers in Japan are males aged 18-42. I’m not surprised, considering video voice and make her “sing”. Her voice banks are known as Hatsune Miku, store rental statistics in the 1990s stated that anime videos were largely Miku English, Dark Append, Light Append, Soft Append, Sweet Append, rented by males. -
Towards the Implementation of an Intelligent Software Agent for the Elderly Amir Hossein Faghih Dinevari
Towards the Implementation of an Intelligent Software Agent for the Elderly by Amir Hossein Faghih Dinevari A thesis submitted in partial fulfillment of the requirements for the degree of Master of Science Department of Computing Science University of Alberta c Amir Hossein Faghih Dinevari, 2017 Abstract With the growing population of the elderly and the decline of population growth rate, developed countries are facing problems in taking care of their elderly. One of the issues that is becoming more severe is the issue of compan- ionship for the aged people, particularly those who chose to live independently. In order to assist the elderly, we suggest the idea of a software conversational intelligent agent as a companion and assistant. In this work, we look into the different components that are necessary for creating a personal conversational agent. We have a preliminary implementa- tion of each component. Among them, we have a personalized knowledge base which is populated by the extracted information from the conversations be- tween the user and the agent. We believe that having a personalized knowledge base helps the agent in having better, more fluent and contextual conversa- tions. We created a prototype system and conducted a preliminary evaluation to assess by users conversations of an agent with and without a personalized knowledge base. ii Table of Contents 1 Introduction 1 1.1 Motivation . 1 1.1.1 Population Trends . 1 1.1.2 Living Options for the Elderly . 2 1.1.3 Companionship . 3 1.1.4 Current Technologies . 4 1.2 Proposed System . 5 1.2.1 Personal Assistant Functionalities . -
Intellibot: a Domain-Specific Chatbot for the Insurance Industry
IntelliBot: A Domain-specific Chatbot for the Insurance Industry MOHAMMAD NURUZZAMAN A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy UNSW Canberra at Australia Defence Force Academy (ADFA) School of Business 20 October 2020 ORIGINALITY STATEMENT ‘I hereby declare that this submission is my own work and to the best of my knowledge it contains no materials previously published or written by another person, or substantial proportions of material which have been accepted for the award of any other degree or diploma at UNSW or any other educational institute, except where due acknowledgement is made in the thesis. Any contribution made to the research by others, with whom I have worked at UNSW or elsewhere, is explicitly acknowledged in the thesis. I also declare that the intellectual content of this thesis is the product of my own work, except to the extent that assistance from others in the project’s design and conception or in style, presentation and linguistic expression is acknowledged.’ Signed Date To my beloved parents Acknowledgement Writing a thesis is a great process to review not only my academic work but also the journey I took as a PhD student. I have spent four lovely years at UNSW Canberra in the Australian Defence Force Academy (ADFA). Throughout my journey in graduate school, I have been fortunate to come across so many brilliant researchers and genuine friends. It is the people who I met shaped who I am today. This thesis would not have been possible without them. My gratitude goes out to all of them. -
The Race of Sound: Listening, Timbre, and Vocality in African American Music
UCLA Recent Work Title The Race of Sound: Listening, Timbre, and Vocality in African American Music Permalink https://escholarship.org/uc/item/9sn4k8dr ISBN 9780822372646 Author Eidsheim, Nina Sun Publication Date 2018-01-11 License https://creativecommons.org/licenses/by-nc-nd/4.0/ 4.0 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The Race of Sound Refiguring American Music A series edited by Ronald Radano, Josh Kun, and Nina Sun Eidsheim Charles McGovern, contributing editor The Race of Sound Listening, Timbre, and Vocality in African American Music Nina Sun Eidsheim Duke University Press Durham and London 2019 © 2019 Nina Sun Eidsheim All rights reserved Printed in the United States of America on acid-free paper ∞ Designed by Courtney Leigh Baker and typeset in Garamond Premier Pro by Copperline Book Services Library of Congress Cataloging-in-Publication Data Title: The race of sound : listening, timbre, and vocality in African American music / Nina Sun Eidsheim. Description: Durham : Duke University Press, 2018. | Series: Refiguring American music | Includes bibliographical references and index. Identifiers:lccn 2018022952 (print) | lccn 2018035119 (ebook) | isbn 9780822372646 (ebook) | isbn 9780822368564 (hardcover : alk. paper) | isbn 9780822368687 (pbk. : alk. paper) Subjects: lcsh: African Americans—Music—Social aspects. | Music and race—United States. | Voice culture—Social aspects— United States. | Tone color (Music)—Social aspects—United States. | Music—Social aspects—United States. | Singing—Social aspects— United States. | Anderson, Marian, 1897–1993. | Holiday, Billie, 1915–1959. | Scott, Jimmy, 1925–2014. | Vocaloid (Computer file) Classification:lcc ml3917.u6 (ebook) | lcc ml3917.u6 e35 2018 (print) | ddc 781.2/308996073—dc23 lc record available at https://lccn.loc.gov/2018022952 Cover art: Nick Cave, Soundsuit, 2017. -
An Analysis on the Present and Future of Chatbots
JASC: Journal of Applied Science and Computations ISSN NO: 1076-5131 An Analysis on the Present and Future of Chatbots Saveeth R1, Sowmya R2 , Varshini M2 1Assistant Professor, Department of Computer Science and Engineering, Coimbatore Institute of Technology, Coimbatore 2U.G Student, Department of Computer Science and Engineering, Coimbatore Institute of Technology, Coimbatore [email protected] [email protected], [email protected] Abstract - With the increase in messaging applications in the modern world, the evolution of chatbots, also referred to as chatter robots seem to have revolutionized not only the industrial sectors but also the lives of common people to a great extent. A chatbot is a computer program which performs all the tasks required by humans by applying Artificial Intelligence techniques like Natural Language Processing (NLP), Natural Language Understanding (NLU) and Natural Language Generation (NLG). For the chatbot to understand the query/request posted by the user, a technique called pattern-matching is employed. Structured Query Language (SQL) is used for pattern matching. The data to respond to the user request is made available through the chatbots databases. Artificial Intelligence Markup Language (AIML) [9] is used to build a bot which communicates with humans. This paper gives an overview of conversational chatbots in the new era of technological advancements. Keywords – Chatter robots, AIML, Artificial Intelligence, Pattern-matching, Neural networks I. INTRODUCTION A chatbot [1] is a conversational agent which communicates with humans to respond with the best possible result from its knowledge database. [11] The response to a particular request is made by matching the user input with the stored data in the database through pattern matching technique. -
Japan 3-D Pop Avatar a Real-World Hit 12 June 2011, by Frank Zeller
Japan 3-D pop avatar a real-world hit 12 June 2011, by Frank Zeller Japanese teenage pop sensation Miku Hatsune with their instruments. has millions of smitten fans, a string of top hits and an image entirely unblemished by drug use, An excited roar rippled through the crowd when she scandals or celebrity meltdowns. burst onto the stage as a cloud of pixels that morphed into the shape of a petite galactic manga She doesn't demand six-figure recording contracts, vixen with thigh-high boots and an impossibly short always shows up on time, never throws tantrums miniskirt. and won't break a sweat during a two-hour live show in a concert hall packed with thousands of The programmers who created Miku are vague adoring followers. about her persona, but very specific about her stats -- the teenage pop queen is 158 centimetres (five Too good to be true? Yes and no. feet two) tall and weighs a dainty 42 kilogrammes (93 pounds). Miku Hatsune is a 3-D computer animation. What followed was an energy-packed, pixel-perfect The collaborative brainchild of software show with all the usual elements of a rock concert developers, a manga comic artist and a vast digital -- light banter between star and audience, strobe fan community, the virtual singer from outer space lights, bursts of dry ice, and a series of well- has become one of the hottest stars on the J-pop received encores. scene. Unlike her flesh-and-blood pop sisters, Miku Next month she's giving her debut US concert, the changed costumes at the speed of a mouse-click -- "Mikunopolis" show on July 2 at the Anime Expo wearing a sailor-girl school uniform one moment 2011 in Los Angeles. -
From Eliza to Xiaoice: Challenges and Opportunities with Social Chatbots
10 Shum et al. / Front Inform Technol Electron Eng 2018 19(1):10-26 Frontiers of Information Technology & Electronic Engineering www.jzus.zju.edu.cn; engineering.cae.cn; www.springerlink.com ISSN 2095-9184 (print); ISSN 2095-9230 (online) E-mail: [email protected] Review: From Eliza to XiaoIce: challenges and opportunities with social chatbots Heung-yeung SHUM‡, Xiao-dong HE, Di LI Microsoft Corporation, Redmond, WA 98052, USA E-mail: [email protected]; [email protected]; [email protected] Received Dec. 10, 2017; Revision accepted Jan. 8, 2018; Crosschecked Jan. 8, 2018 Abstract: Conversational systems have come a long way since their inception in the 1960s. After decades of research and de- velopment, we have seen progress from Eliza and Parry in the 1960s and 1970s, to task-completion systems as in the Defense Advanced Research Projects Agency (DARPA) communicator program in the 2000s, to intelligent personal assistants such as Siri, in the 2010s, to today’s social chatbots like XiaoIce. Social chatbots’ appeal lies not only in their ability to respond to users’ diverse requests, but also in being able to establish an emotional connection with users. The latter is done by satisfying users’ need for communication, affection, as well as social belonging. To further the advancement and adoption of social chatbots, their design must focus on user engagement and take both intellectual quotient (IQ) and emotional quotient (EQ) into account. Users should want to engage with a social chatbot; as such, we define the success metric for social chatbots as conversation-turns per session (CPS). Using XiaoIce as an illustrative example, we discuss key technologies in building social chatbots from core chat to visual awareness to skills. -
Pdfs/115041 Speaking Sa Mple Task - Part 1.Ashx?La=En Kanda, T., T
Korean Journal of English Language and Linguistics, Vol 21, April 2021, pp. 375-391 DOI: 10.15738/kjell.21..202104.375 KOREAN JOURNAL OF ENGLISH LANGUAGE AND LINGUISTICS ISSN: 1598-1398 / e-ISSN 2586-7474 http://journal.kasell.or.kr Exploring the Use of An Artificial Intelligence Chatbot as Second Language Conversation Partners* Dongkwang Shin (Gwangju National University of Education) Heyoung Kim (Chung-Ang University) Jang Ho Lee (Chung-Ang University) Hyejin Yang (Chung-Ang University) ABSTRACT This is an open-access article Shin, Dongkwang, Heyoung Kim, Jang Ho Lee and Hyejin Yang. 2021. distributed under the terms of the Exploring the use of an artificial intelligence chatbot as second language Creative Commons License, which conversation partners. Korean Journal of English Language and Linguistics permits unrestricted non-commercial 21, 375-391. use, distribution, and reproduction in any medium, provided the This study investigated the appropriateness of using artificially intelligent original work is properly cited. chatbots as conversation partners for second language (L2) learners. 27 Korean high school and 26 college students had a task-oriented conversation Received: March 23, 2021 with a text-based chatbot, Mitsuku, for 20 minutes. Chat log data were Revised: April 20, 2021 collected and analyzed quantitatively and qualitatively in terms of the Accepted: April 25, 2021 quantity of students’ utterances and their vocabulary levels, along with the Dongkwang Shin (1st author) degree of conversation task success between the chatbot and its users. Both Professor, Gwangju National groups finished their tasks, successfully developing conversations with the Univ. of Education chatbot and producing double the expected minimum quantity of utterances, [email protected] although their performances varied individually. -
Beauty Is in the Eye of the “Produser”: Japan's Virtual Idol Hatsune Miku from Software, to Network, to Stage
BEAUTY IS IN THE EYE OF THE “PRODUSER”: JAPAN'S VIRTUAL IDOL HATSUNE MIKU FROM SOFTWARE, TO NETWORK, Intermittence + Interference POST-SCREEN: TO STAGE ANA MATILDE SOUSA ANA MATILDE SOUSA 117 INTRODUCTION The “virtual idol” dream is not new, but Hatsune Miku — a cybercelebrity origi- nating from Japan who is steadily becoming a worldwide phenomenon — con- stitutes a paradigm shift in this lineage initiated in 1958 by the novelty group of anthropomorphic squirrels Alvin and the Chipmunks. Since then many have followed, from The Archies to Gorillaz and 2.0Pac. In Japan, HoriPro’s “digital kid”, Date Kyoko, pioneered the cyber frontier with her hit single “Love Commu- nication” in 1996 (Wolff, n.d.). While in 2011, the idol supergroup AKB48 pulled an infamous publicity stunt by revealing their new girl, Aimi Eguchi, was a com- puter-generated combination of other group members (Chen, 2011). So what does Miku have that they do not? Despite her apparent similar- ity to fictional characters such as Rei Toei from William Gibson’s Idoru, Miku’s phenomenon has less to do with futuristic prospects of technological singu- larity than with present-day renegotiations of the roles of author, work and fan in Web 2.0 media cultures. By addressing her softwarennetworknstage transformations, this study draws on a rapidly growing scholarship (Hama- saki, Takeda, & Nishimura, 2008; Le, 2013; Conner, 2014; Guga, 2014; Annett, 2015; Leavitt, Knight, & Yoshiba, 2016) to investigate how Miku’s appearance on screen(s) has shaped her construction as a virtual idol through grassroots- corporate “produsage” (Bruns, 2008). MIKU, FROM THE BEGINNING With a visionary name announcing the “First Sound of Future”, Hatsune POST-SCREEN: Intermittence + Interference POST-SCREEN: Miku, created in August 2007 by Sapporo-based company Crypton Future Me- dia, is the most popular avatar of Yamaha’s cutting-edge voice synthesizer VO- CALOID. -
Auswirkungen Von Big Data Auf Den Markt Der Onlinemedien
AUSWIRKUNGEN VON BIG DATA AUF DEN MARKT DER ONLINE MEDIEN IM RAHMEN DES ABIDA - FORSCHUNGSPROJEKTES D E S B M B F FÖRDERKENNZEICHEN 01 | S 1 5 0 1 6 A ‐ F 01IS15016A- F Goldmedia GmbH Strategy Consulting Autoren: Prof. Dr. Klaus Goldhammer, Dr. André Wiegand, Tim Prien M.A., Ina Wylenga M.A. Unter Mitarbeit von: Franziska Busse, Sophie Seyffert und Andrea Hamm Oranienburger Str. 27, 10117 Berlin-Mitte, Germany Tel. +49 30-246 266-0, Fax +49 30-246 266-66 [email protected] Datum: 28.02.2018 ABIDA - ASSESSING BIG DATA PROJEKTLAUFZEIT 01.0 3 . 2 0 1 5 - 2 8 . 0 2 . 2 0 1 9 FÖRDERKENNZEICHEN 01 | S 1 5 0 1 6 A ‐ F Westfälische Wilhelms-Universität Münster, Institut für Informations-, Telekommunikations- und Medienrecht (ITM), Zivilrechtliche Abteilung Karlsruher Institut für Technologie, Institut für Technikfolgenabschätzung und Systemanalyse (ITAS) Leibniz Universität Hannover Institut für Rechtsinformatik (IRI) Technische Universität Dortmund, Wirtschafts- und Sozialwissenschaftliche Fakultät (WiSo) Techniksoziologie Ludwig-Maximilians-Universität München, Forschungsstelle für Information, Organisation und Management (IOM) Wissenschaftszentrum Berlin für Sozialforschung www.abida.de ABIDA - Assessing Big Data Über das Gutachten Das Gutachten wurde im Rahmen des ABIDA-Projekts mit Mitteln des Bundesministeriums für Bildung und Forschung erstellt. Der Inhalt des Gutachtens gibt ausschließlich die Auffassungen der Autoren wieder. Diese decken sich nicht automatisch mit denen des Ministeriums und/oder der einzelnen Projektpartner. ABIDA lotet -
Because Sustainability
Change Making Simplified Addressing technology- business transformation in the COVID-era Contents Foreword 03 Thriving on Data 36 Applying TechnoVision 73 Leveraging data and algorithms as an asset to Introduction 04 increase the "Corporate IQ". A Few More Things 84 TechnoVision and COVID-19 06 Process on the Fly 43 TechnoVision 2020 Team 88 Building, managing, and running processes that Simplify 11 match the dynamics of the digital outside world. About Capgemini 90 You Experience 50 Being Architects of Positive Futures 15 Creating seamless user experiences for decisive, Overview of TechnoVision 18 magical moments. We Collaborate 57 Invisible Infostructure 22 Tapping into the power of the connected and Evolving the IT Infrastructure into the simple, collaborative "everything". pluggable utility it was always supposed to be. Design for Digital 64 Applications Unleashed 29 Overarching design principles to be followed and Liberating the legacy application landscape and checked throughout the journey of becoming a unleashing the next generation of powerful, agile, Technology Business. cloud-based apps. Invisible Infostructure Applications Unleashed Thriving on Data Process on the Fly You Experience We Collaborate Design for Digital Applying TechnoVision Special Foreword Patrick Nicolet Group Executive Board Member and Group CTO “Future Thinking, Change Making” businesses to operate, retailers to sell and companies to deliver. While The theme of this edition is ‘Simplify’ because, in a world where data the value of traditional ‘safe’ commodities has dropped exponentially, seems to overwhelm us all, we recognize that technology should It’s a sobering thought that, only a few months ago, when we were the popularity of technology and technological companies has soared aim to make the lives of consumers, colleagues and citizens easier. -
Room a Wednesday, September 16 Invited Lectures T. Inoue, Presiding
Room A Wednesday, September 16 Invited Lectures T. Inoue, presiding 11:15 1A-06IL Optical Characteristics of Fluorene Moieties Containing Cardo Structure Mitsuaki Yamada .............................................................................. 2177 J. Kadokawa, presiding 12:55 1A-08IL Nanoporous Polymeric Materials by Phase Separation Hiroshi Uyama .................................................................................. 2180 A. Maruyama, presiding 13:45 1A-10IL Desing of bio-interfaces using self-organization Masaru Tanaka,Sadaaki Yamamoto,Masatsugu Shimomura ............. 2183 T. Aoyagi, presiding 14:35 1A-12IL Polymeric micelles for drug and contrast agent carriers Masayuki Yokoyama.......................................................................... 2186 Award Lectures M. Watanabe, presiding 15:25 1A-14IL** Development of Microporous PE Film which Contributed to Innovation of Lithium Ion Battery Mitsuo Kohno,Yoshinao Doi,Masahiko Fukuda,Haruyuki Yoneda,Yoshifumi Nishimura T. Takata, presiding 16:15 1A-16IL** Development and Industrialization of Biaxial Oriented Nano-alloyed Film Tetsuya Tsunekawa,Takuji Higashioji,Hirofumi Hosokawa,Akira Kubota,Ichiro Ishizuka Y. Matsushita, presiding 17:05 1A-18IL** Development and the applications of polyolefin and rubber clay nanocomposites Arimitsu Usuki,Makoto Kato,Naoki Hasegawa,Hirotaka Okamoto,Masaya Kawasumi Thursday, September 17 Award Lectures F. Shimizu, presiding 9:10 2A-01IL** Structural Control and Functionalization of Polymer Thin Films Tomokazu Iyoda T. Yokozawa,