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Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
X-Men: Age of Apocalypse Prelude Free
FREE X-MEN: AGE OF APOCALYPSE PRELUDE PDF Scott Lobdell,Jeph Loeb,Mark Waid | 264 pages | 01 Jun 2011 | Marvel Comics | 9780785155089 | English | New York, United States X-Men: Prelude to Age of Apocalypse by Scott Lobdell The lowest-priced brand-new, unused, unopened, undamaged item in its X-Men: Age of Apocalypse Prelude packaging where packaging is applicable. Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See details for additional description. Skip to main content. About this product. New other. Make an offer:. Auction: New Other. Stock photo. Brand new: Lowest price The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. Buy It Now. Add X-Men: Age of Apocalypse Prelude cart. Make Offer. Condition is Brand New. See all 3 brand new listings. About this product Product Information Legion, the supremely powerful son of Charles Xavier, wants to change the world, and he's travelled back in time to kill Magneto to do it Can the X-Men stop him, or will the world as we know it cease to exist? Additional Product Features Dewey Edition. Show X-Men: Age of Apocalypse Prelude Show Less. Add to Cart. Any Condition Any Condition. See all 13 - All listings for this product. Ratings and Reviews Write a review. Most relevant reviews. Thanks Thanks Verified purchase: Yes. Suess Beginners Book Collection by Dr. SuessHardcover 4. -
Anti-Hero, Trickster? Both, Neither? 2019
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Tomáš Lukáč Deadpool – Anti-Hero, Trickster? Both, Neither? Master’s Diploma Thesis Supervisor: Jeffrey Alan Vanderziel, B.A. 2019 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Tomáš Lukáč 2 I would like to thank everyone who helped to bring this thesis to life, mainly to my supervisor, Jeffrey Alan Vanderziel, B.A. for his patience, as well as to my parents, whose patience exceeded all reasonable expectations. 3 Table of Contents Introduction ...…………………………………………………………………………...6 Tricksters across Cultures and How to Find Them ........................................................... 8 Loki and His Role in Norse Mythology .......................................................................... 21 Character of Deadpool .................................................................................................... 34 Comic Book History ................................................................................................... 34 History of the Character .............................................................................................. 35 Comic Book Deadpool ................................................................................................ 36 Films ............................................................................................................................ 43 Deadpool (2016) -
Inside: Will Eisner! J. Michael Straczynski!
IINNSSIIDDEE:: WWIILLLL EEIISSNNEERR!! JJ.. MMIICCHHAAEELL SSTTRRAACCZZYYNNSSKKII!! $ 95 MAGAAZZIINEE August 5 2003 In the USA JJEEPPHH BBOOBB LLOOEEBB && SSCCHHRREECCKK JJIIMM LLEEEE DIANA SCHUTZ DDEENNNNYY OO’’NNEEIILL FFAABBIIAANN NNIICCIIEEZZAA GGEETTTTIINNGG AA NNOOVVEELL PPAAUULL PPUUBBLLIISSHHEEDD DDIINNII Batman, Bruce Wayne TM & ©2003 DC Comics MAGAZINE Issue #5 August 2003 Read Now! Message from the Editor . page 2 The Spirit of Comics Interview with Will Eisner . page 3 He Came From Hollywood Interview with J. Michael Straczynski . page 11 Keeper of the Bat-Mythos Interview with Bob Schreck . page 20 Platinum Reflections Interview with Scott Mitchell Rosenberg . page 30 Ride a Dark Horse Interview with Diana Schutz . page 38 All He Wants To Do Is Change The World Interview with Fabian Nicieza part 2 . page 47 A Man for All Media Interview with Paul Dini part 2 . page 63 Feedback . page 76 Books On Writing Nat Gertler’s Panel Two reviewed . page 77 Conceived by Nuts & Bolts Department DANNY FINGEROTH Script to Pencils to Finished Art: BATMAN #616 Editor in Chief Pages from “Hush,” Chapter 9 by Jeph Loeb, Jim Lee & Scott Williams . page 16 Script to Finished Art: GREEN LANTERN #167 Designer Pages from “The Blind, Part Two” by Benjamin Raab, Rich Burchett and Rodney Ramos . page 26 CHRISTOPHER DAY Script to Thumbnails to Printed Comic: Transcriber SUPERMAN ADVENTURES #40 STEVEN TICE Pages from “Old Wounds,” by Dan Slott, Ty Templeton, Michael Avon Oeming, Neil Vokes, and Terry Austin . page 36 Publisher JOHN MORROW Script to Finished Art: AMERICAN SPLENDOR Pages from “Payback” by Harvey Pekar and Dean Hapiel. page 40 COVER Script to Printed Comic 2: GRENDEL: DEVIL CHILD #1 Penciled by TOMMY CASTILLO Pages from “Full of Sound and Fury” by Diana Schutz, Tim Sale Inked by RODNEY RAMOS and Teddy Kristiansen . -
“I Am the Villain of This Story!”: the Development of the Sympathetic Supervillain
“I Am The Villain of This Story!”: The Development of The Sympathetic Supervillain by Leah Rae Smith, B.A. A Thesis In English Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Approved Dr. Wyatt Phillips Chair of the Committee Dr. Fareed Ben-Youssef Mark Sheridan Dean of the Graduate School May, 2021 Copyright 2021, Leah Rae Smith Texas Tech University, Leah Rae Smith, May 2021 ACKNOWLEDGMENTS I would like to share my gratitude to Dr. Wyatt Phillips and Dr. Fareed Ben- Youssef for their tutelage and insight on this project. Without their dedication and patience, this paper would not have come to fruition. ii Texas Tech University, Leah Rae Smith, May 2021 TABLE OF CONTENTS ACKNOWLEDGMENTS………………………………………………………….ii ABSTRACT………………………………………………………………………...iv I: INTRODUCTION……………………………………………………………….1 II. “IT’S PERSONAL” (THE GOLDEN AGE)………………………………….19 III. “FUELED BY HATE” (THE SILVER AGE)………………………………31 IV. "I KNOW WHAT'S BEST" (THE BRONZE AND DARK AGES) . 42 V. "FORGIVENESS IS DIVINE" (THE MODERN AGE) …………………………………………………………………………..62 CONCLUSION ……………………………………………………………………76 BIBLIOGRAPHY …………………………………………………………………82 iii Texas Tech University, Leah Rae Smith, May 2021 ABSTRACT The superhero genre of comics began in the late 1930s, with the superhero growing to become a pop cultural icon and a multibillion-dollar industry encompassing comics, films, television, and merchandise among other media formats. Superman, Spider-Man, Wonder Woman, and their colleagues have become household names with a fanbase spanning multiple generations. However, while the genre is called “superhero”, these are not the only costume clad characters from this genre that have become a phenomenon. -
Fantastic Four Volume 3: Back in Blue Free
FREE FANTASTIC FOUR VOLUME 3: BACK IN BLUE PDF Leonard Kirk,James Robinson | 120 pages | 05 May 2015 | Marvel Comics | 9780785192206 | English | New York, United States Fantastic Four Vol. 3: Back in Blue (Trade Paperback) | Comic Issues | Comic Books | Marvel Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. Enabling JavaScript in your browser will allow you to Fantastic Four Volume 3: Back in Blue all the features of our site. Learn how to enable JavaScript on your browser. Home 1 Books 2. Add to Wishlist. Sign in to Purchase Instantly. Explore Now. Buy As Gift. Overview Collects Fantastic Four The Fantastic Four must deal with the Council of Dooms, who treat that event as their nativity - and who have trevaled there to witness it! To make matters worse, Mr. Fantastic's sickness spreads to the Fantastic Four Volume 3: Back in Blue - and someone may be behind the illness that's befallen the First Family! The team must mastermind a planetary heist for technology that could save their lives, but spacetime has had enough of their traveling back and forth across it - and they soon find themselves trapped in a universe where the only five things left alive are themselves Product Details About the Author. About the Author. He lives in Portland, OR. Related Searches. The time-displaced young X-Men continue to adjust to a present day that's simultaneously more awe-inspiring The time-displaced young X-Men continue to adjust to a present day that's simultaneously more awe-inspiring and more disturbing than any future the young heroes had ever imagined for themselves. -
DIE RPG Beta Manual V1.Pdf
DIE: A ROLE-PLAYING GAME KIERON GILLEN ©2019 ART BY STEPHANIE HANS COVER DESIGN BY RIAN HUGHES Copyright © 2019 Kieron Gillen Ltd & Stéphanie Hans. All rights reserved. DIE, the Die logos, and the likenesses of all characters herein or hereon are trademarks of Kieron Gillen Ltd & Stéphanie Hans. No part of this publication may be reproduced or transmitted in any form or by any means (except for short excerpts for journalistic or review purposes) without the express written permission of Kieron Gillen Ltd or Stéphanie Hans. All names, characters, events, and places herein are entirely fictional. Any resemblance to actual persons (living or dead), events, or places is coincidental. Representation: Law Offices of Harris M. Miller II, P.C. ([email protected]) CONTENTS 1) INTRODUCTION 2) THE WORLD OF DIE 3) PREPARATION 4) THE FIRST SESSION 5) PREPARING THE SECOND SESSION 6) THE SECOND SESSION 7) THE RULES 8) RUNNING THE ARCHETYPES 9) ADVICE FOR GAMESMASTERS 10) OTHER RESOURCES WELCOME I have a habit of being a little extra around my comics. I fear this is the most extra thing I’ve ever done. Alongside creating the comic DIE with Stephanie Hans, I developed the role-playing game you hold in your hands. Er… figure of speech. “PDF on your hard drive” doesn’t quite have the same ring. This RPG creates, in a miniaturized form, your own version of the first arc of DIE. As such, there’s some possible structural spoilers for the comic. I say “possible” because it really is your own version of the comic. -
Hellboy in the Chapel of Moloch #1 (1 Shot) Blade of the Immortal Vol. 20 (OGN) Savage #1 (4 Issues) Soulfire Shadow Magic #0 (
H M ADVS AVENGERS V.7 DIGEST collects #24-27, $9 H ULT FF V. 11 TPB H SECRET WARS OMNIBUS collects #54-57, $13 collects #1-12 & MORE, $100 H ULT X-MEN V. 19 TPB H MMW ATLAS ERA JIM V.1 HC collects #94-97, $13 collects #1-10, $60 H MARVEL ZOMBIES TPB Hellboy in the Chapel of Moloch #1 (1 shot) H MMW X-MEN V. 7 HC collects #1-5, $16 Mike Mignola (W/A) and Dave Stewart © On the heels of the second Hellboy feature collects #67-80 LOTS MORE, $55 H MIGHTY AVENGERS V. 2 TPB film, legendary artist and Hellboy creator Mike Mignola returns to the drawing table H CIVIL WAR HC collects #7-11, $25 for this standalone adventure of the world’s greatest paranormal detective! Hellboy collects #1-7 & MORE $40 H investigates an ancient chapel in Eastern Europe where an artist compelled by some- SPIDEY BND V. 1 TPB thing more sinister than any muse has sequestered himself to complete his “life’s work.” H HALO UPRISING HC collects #546-551 & MORE, $20 collects #1-4 & SPOTLIGHT, $25 H X-MEN MESSIAH COMP TPB Blade of The Immortal vol. 20 (OGN) H HULK VOL 1 RED HULK HC collects #1-13 &MORE, $30 By Hiroaki Samura. The continuing tales of Manji and Rin. This picks up after the final collects #1-6 & WOLVIE #50, $25 H ANN CONQUEST BK 1 TPB issue #131. This is the only place to get new stories! Several old teams are reunited, a H IMM IRON FIST V.3 HC collects A LOT, $25 mind-blowing battle quickly starts and races us through most of this astonishing volume, and collects #7,15,16 & MORE, $25 H YOUNG AVENGERS PRESENTS TPB an old villain finally sees some pointed retribution at the hands of one of his prisoners! Let H INC HERCULES SI HC collects #1-6, $17 the breakout battle in the "Demon Lair" begin! collects #116-120, $20 H DAREDEVIL CRUEL & UNUSUAL TP H MI ILLIAD HC collects #106-110, $15 Spawn #185 (still on-going) collects #1-8, $25 H AMERCIAN DREAM TPB story TODD McFARLANE & BRIAN HOLGUIN art WHILCE PORTACIO & TODD H MS. -
Shakespeare and His Age in Comic Books BBN-ANG17-312/13
Instructor: Kling Ádám Márton Office hours: by appointment E-mail: [email protected] Shakespeare and His Age in Comic Books BBN-ANG17-312/13 Course Description This course offers its participants analyses of contemporary English comic books compared to early modern literary texts and relevant academic sources. The primary goal is to introduce the modern reader to the Shakespearean Myth and early modern popular culture from the viewpoint of graphic narratives. Throughout the semester we will be focusing on comic books written by Neil Gaiman (The Sandman, Marvel 1602), Peter David (1602 – Fantastick Four) and Kieron Gillen & Marguerite Bennett (1602 Witch Hunter Angela). Requirements Regular attendance (you are allowed to miss 3 classes) and in-class participation are essential in order to pass. Besides submitting an end-term essay (5-6 pages), students will also be asked to bring three questions (accompanied by short, 1-3 sentence answers) for every class, based on the weekly texts. The questions will be collected at the end of each class (You can either print them or write them down on a small piece of paper, but please make sure that your handwriting is legible enough and they have a date and your name on it!). Suggested Secondary Readings: Campbell, Joseph. The Hero with a Thousand Faces. Princeton, N.J: Princeton University Press, 2004. Print. Eisner, Will. Comics & Sequential Art. Tamarac, Fla: Poorhouse Press, 1985. Print. McCloud, Scott. Understanding Comics: [the Invisible Art]. New York: Harper Perennial, 1994. Print. Perret, Marion D. “Not Just Condensation: How Comic Books Interpret Shakespeare.” College Literature, vol. 31, no. -
142 APPENDIX 1: American and Australian Comics (Historical And
‘Page 1, Panel 1…” Creating an Australian Comic Book Series Author Mason, Paul James Published 2015 Thesis Type Thesis (Professional Doctorate) School Queensland College of Art DOI https://doi.org/10.25904/1912/3741 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367413 Griffith Research Online https://research-repository.griffith.edu.au APPENDIX 1: American and Australian Comics (historical and process examples). All images and characters © Their respective copyright holders, and included as examples of concepts and ideas discussed within the body of thesis. For educational purposes only. Figure 1.01: The original comic page depiction of The Batman (circa 1940) by Bill Finger and Bob Kane. 142 Figure 1.02: One of the earliest pages from Superman (circa 1938) by Jerry Siegel and Joe Shuster. 143 Figure 1.03: Simon & Kirby’s Captain America (#3, May 1941). Note the dynamic figures that “explode” out of the panels. 144 1.04 Figure 1.04 & 1.05: Steve Ditko and Stan Lee’s The Amazing Spider-man (circa 1.05 1962-63). The 1960s Marvel Comics era ushered in a new take on the superhero: “Heroes with feet of clay”. 145 1.06 1.07 1.08 1.09146 1.11 1.10 1.12 1.13 147 1.14 1.15 Figures 1.06 – 1.16: Examples of Australian Action /Superhero comics over the years, including (but not limited to): 1.06: Captain Atom (circa 1948) 1.07: Phantom Commando (circa 1959) 1.08: Cyclone! Comics (Superhero anthology book circa 1985) 1.09: The Southern Squadron (circa 1987) 1.10: Captain Atom and Ghost Rider (circa 1947) 1.11: The Panther (circa 1958) 1.12: The Crimson Comet (circa 1953) 1.13: Captain Justice (circa 1955) 1.14: Silver Starr (circa 1949) 1.15: The Lone Avenger (circa 1949) 1.16: Phantom Commando (circa 1960) 1.16 148 Figure 1.17: Iron Outlaw – a parody Australian Superhero newspaper strip by Graeme Rutherford and Gregor MacAlpine (1971). -
Genius Brands International, Inc. Issues Shareholder Letter
June 15, 2020 Genius Brands International, Inc. Issues Shareholder Letter BEVERLY HILLS, Calif., June 15, 2020 (GLOBE NEWSWIRE) -- Genius Brands International, Inc. "Genius Brands" (NASDAQ: GNUS), the global brand management company that creates and licenses multimedia entertainment content for children, released a letter to shareholders from Chairman & CEO Andy Heyward. The complete letter follows: Dear Friends and Shareholders: This morning we announced that ARNOLD SCHWARZENEGGER has entered into an agreement to become a significant investor in Genius Brands International. I want to share with you the importance of this event. Our upcoming tentpole series STAN LEE’S SUPERHERO KINDERGARTEN not only stars Arnold, but he is also Co-Executive Producer. Governor Schwarzenegger will lend his signature voice, his likeness in animation, and his cache and standing to launch and promote the series. The Governor has elected to take his compensation, not in cash, but in warrants to purchase shares of Genius Brands common stock (Nasdaq: GNUS). His tens of millions of followers across Facebook, Instagram, and Twitter will bring not only a devoted following to the series, but to Genius Brands overall. This, added to the millions of Stan Lee followers, puts rocket fuel in our Genius Brands’ tanks, and it would be impossible to overstate the importance of this event. Governor Schwarzenegger and Stan Lee had been friends for years and sought to develop an animated children’s property together. STAN LEE’S SUPERHERO KINDERGARTEN is now the result of this collaboration. The development was begun by Fabian Nicieza, one of Stan’s longtime collaborators, and himself, creator of Deadpool and writer of over 1,000 Marvel and DC Comic books, including Spider-Man, Batman, and the Avengers, among others. -
Roger Ebert This Message Came to Me from a Reader Named Peter Sv Ensland
In Memoriam 1942 – 2013 | ROGEREBERT..COM Choose a Section REVIEWS DEADPOOL | Brian Tallerico February 12, 2016 | “Deadpool” is the cinematic equivalent of that kid in school who would always say how much he didn’t care what people thought of him, but just loud enough so everybody could hear him. It is the teenager who pretends to be too cool to care, but wants you Print Page to like him so badly it hurts. Of course, this is partially a byproduct of being a cog in the machine of the superhero movie Like 197 marketing system—you unavoidably have to hit a few of the beats of the genre in order to satisfy the audience. However, 6 “Deadpool” fails to live up to the potential of its beloved source material, subverting its own agenda by becoming a remarkably generic, by-the-numbers man-in-tights flick. “Deadpool” is about a guy who constantly pushes back against the expectations of Tweet the superhero, but the movie about him fails to match his rebellious personality. It’s a remarkably straightforward origin flick, lacking in true satire of its genre, carried almost entirely by its lead. Deadpool is a fun character, but he’s still in search of a fun movie to match his larger-than-life personality. After years in development limbo, Ryan Reynolds finally gets a role that he was WATCH NOW undeniably built for in this adaptation of Fabian Nicieza and Rob Liefeld’s Marvel creation. A lot of pushback against reviews of comic book films tends to come from those who believe the critic unaware of the source material’s inherent strengths, so it seems fair to note that I read Deadpool back in the ‘90s.