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A Constraint-Based Analysis of Obligatory Contour Principle in Anaang Morphological Constructions
ISSN 1798-4769 Journal of Language Teaching and Research, Vol. 12, No. 3, pp. 466-476, May 2021 DOI: http://dx.doi.org/10.17507/jltr.1203.17 A Constraint-based Analysis of Obligatory Contour Principle in Anaang Morphological Constructions Unwana Akpabio Department of Linguistics, Igbo and Other Nigerian Languages, University of Nigeria, Nsukka, Nigeria Olusanmi Babarinde Department of Linguistics, Igbo and Other Nigerian Languages, University of Nigeria, Nsukka, Nigeria George Iloene Department of Linguistics, Igbo and Other Nigerian Languages, University of Nigeria, Nsukka, Nigeria Abstract—The obligatory contour principle forbids identical consecutive features in the underlying representation. This work undertakes a description of the Anaang tonal structure, the tonal behaviour of compounds and reduplicates in the language, bearing in mind their sensitivity to the OCP and the environments that trigger the adherence. An adapted Ibadan wordlist of 400 Basic Items (Trial) English version was used via interview for data collection from six men and six women within Abak Local Government Area in Akwa Ibom State. The data were analysed using optimality theoretical framework. The analysis shows that Anaang compounds as well as reduplicates exhibit cases of tonal modifications in line with OCP. For compounds, the tone of the second noun changes depending on the tonal sequence. In the HH noun base, the second-high tone of the second noun changes to a low tone, in the LH noun base, the tone of the second noun is raised to a down-stepped high tone, the LL noun base sees the tone of the second noun being raised to a high tone. -
5 Phonology Florian Lionnet and Larry M
5 Phonology Florian Lionnet and Larry M. Hyman 5.1. Introduction The historical relation between African and general phonology has been a mutu- ally beneficial one: the languages of the African continent provide some of the most interesting and, at times, unusual phonological phenomena, which have con- tributed to the development of phonology in quite central ways. This has been made possible by the careful descriptive work that has been done on African lan- guages, by linguists and non-linguists, and by Africanists and non-Africanists who have peeked in from time to time. Except for the click consonants of the Khoisan languages (which spill over onto some neighboring Bantu languages that have “borrowed” them), the phonological phenomena found in African languages are usually duplicated elsewhere on the globe, though not always in as concen- trated a fashion. The vast majority of African languages are tonal, and many also have vowel harmony (especially vowel height harmony and advanced tongue root [ATR] harmony). Not surprisingly, then, African languages have figured dispro- portionately in theoretical treatments of these two phenomena. On the other hand, if there is a phonological property where African languages are underrepresented, it would have to be stress systems – which rarely, if ever, achieve the complexity found in other (mostly non-tonal) languages. However, it should be noted that the languages of Africa have contributed significantly to virtually every other aspect of general phonology, and that the various developments of phonological theory have in turn often greatly contributed to a better understanding of the phonologies of African languages. Given the considerable diversity of the properties found in different parts of the continent, as well as in different genetic groups or areas, it will not be possible to provide a complete account of the phonological phenomena typically found in African languages, overviews of which are available in such works as Creissels (1994) and Clements (2000). -
Part 1: Introduction to The
PREVIEW OF THE IPA HANDBOOK Handbook of the International Phonetic Association: A guide to the use of the International Phonetic Alphabet PARTI Introduction to the IPA 1. What is the International Phonetic Alphabet? The aim of the International Phonetic Association is to promote the scientific study of phonetics and the various practical applications of that science. For both these it is necessary to have a consistent way of representing the sounds of language in written form. From its foundation in 1886 the Association has been concerned to develop a system of notation which would be convenient to use, but comprehensive enough to cope with the wide variety of sounds found in the languages of the world; and to encourage the use of thjs notation as widely as possible among those concerned with language. The system is generally known as the International Phonetic Alphabet. Both the Association and its Alphabet are widely referred to by the abbreviation IPA, but here 'IPA' will be used only for the Alphabet. The IPA is based on the Roman alphabet, which has the advantage of being widely familiar, but also includes letters and additional symbols from a variety of other sources. These additions are necessary because the variety of sounds in languages is much greater than the number of letters in the Roman alphabet. The use of sequences of phonetic symbols to represent speech is known as transcription. The IPA can be used for many different purposes. For instance, it can be used as a way to show pronunciation in a dictionary, to record a language in linguistic fieldwork, to form the basis of a writing system for a language, or to annotate acoustic and other displays in the analysis of speech. -
The Role of Morphology in Generative Phonology, Autosegmental Phonology and Prosodic Morphology
Chapter 20: The role of morphology in Generative Phonology, Autosegmental Phonology and Prosodic Morphology 1 Introduction The role of morphology in the rule-based phonology of the 1970’s and 1980’s, from classic GENERATIVE PHONOLOGY (Chomsky and Halle 1968) through AUTOSEGMENTAL PHONOLOGY (e.g., Goldsmith 1976) and PROSODIC MORPHOLOGY (e.g., McCarthy & Prince 1999, Steriade 1988), is that it produces the inputs on which phonology operates. Classic Generative, Autosegmental, and Prosodic Morphology approaches to phonology differ in the nature of the phonological rules and representations they posit, but converge in one key assumption: all implicitly or explicitly assume an item-based morphological approach to word formation, in which root and affix morphemes exist as lexical entries with underlying phonological representations. The morphological component of grammar selects the morphemes whose underlying phonological representations constitute the inputs on which phonological rules operate. On this view of morphology, the phonologist is assigned the task of identifying a set of general rules for a given language that operate correctly on the inputs provided by the morphology of that language to produce grammatical outputs. This assignment is challenging for a variety of reasons, sketched below; as a group, these reasons helped prompt the evolution from classic Generative Phonology to its Autosegmental and Prosodic descendants, and have since led to even more dramatic modifications in the way that morphology and phonology interact (see Chapter XXX). First, not all phonological rules apply uniformly across all morphological contexts. For example, Turkish palatal vowel harmony requires suffix vowels to agree with the preceding stem vowels (paşa ‘pasha’, paşa-lar ‘pasha-PL’; meze ‘appetizer’, meze-ler ‘appetizer-PL’) but does not apply within roots (elma ‘apple’, anne ‘mother’). -
An Autosegmental/Metrical Analysis of Serbo-Croatian Intonation *
AN AUTOSEGMENTAL/METRICAL ANALYSIS OF SERBO-CROATIAN INTONATION * Svetlana Godjevac Abstract Based on the qualitative analysis of the Fo contours of wide range ofutterances (broad focus declaratives, broad focus questions, nar row focus declaratives, narrow focus questions, vocative chant, and prompting intonation) utterred by nine native speakers, an autoseg mental/metrical analysis of Standard Selbo-Croatian intonation is pro posed. This analysis argues for sparse specification of tones, contra Inkelas and Zee (1988), and two levels of prosodic phrasing: the phonological word and the intonational phrase. The phonological word is defined in te!lDS of a lexical pitch accent and an initial word boundary tone, whereas the intonational phrase is a domain defined by pitch range manipulations (expansion, compression, reset, downstep) and final intonational phrase boundary_ tones. 1 Introduction Standard Serbo-Croatian (SC) is a pitch-accent language. All analyses (Browne & Mccawley 1965 (B&M), Inkelas & Zee 1988 (l&Z), Kostic 1983, Lehiste & Ivie 1963, •r would like to express my gratitude to Mary Beckman, Chris Barker, Allison Blodgett, Rebecca Her man, Molly Homer, Tsan Huang, Ilse Lehiste, Gina Taranto, and Pauline Welby. I also wish to thank my informants: Dragana Aleksic, Ljubomir Bjelica, Ana Devic, Ksenija Djuranovic, Svetislav Jovanovic, Jasna Kragalott, Svetlana Li.kic, and Branislav Unkovic for their patience and kindness in providing the data. All errors are mine. 79 . SVETLANA GODJEVAC 1986 (L&I), Nikolic 1970, Stevanovic 1989, Gvozdanovic (1980), inter alia) recognize four different types of accents: short falling, long falling, short rising, and long rising. In this paper I present an analysis of surface tones of these accent types in different sentential environments, including broad-focus and narrow-focu.s utterances, citation form, vocative chant, prompting intonation, and questions. -
The Phonology of Tone and Intonation
This page intentionally left blank The Phonology of Tone and Intonation Tone and Intonation are two types of pitch variation, which are used by speak- ers of many languages in order to give shape to utterances. More specifically, tone encodes morphemes, and intonation gives utterances a further discoursal meaning that is independent of the meanings of the words themselves. In this comprehensive survey, Carlos Gussenhoven provides an up-to-date overview of research into tone and intonation, discussing why speakers vary their pitch, what pitch variations mean, and how they are integrated into our grammars. He also explains why intonation in part appears to be universally understood, while at other times it is language-specific and can lead to misunderstandings. The first eight chapters concern general topics: phonetic aspects of pitch mod- ulation; typological notions (stress, accent, tone, and intonation); the distinction between phonetic implementation and phonological representation; the paralin- guistic meaning of pitch variation; the phonology and phonetics of downtrends; developments from the Pierrehumbert–Beckman model; and tone and intona- tion in Optimality Theory. In chapters 9–15, the book’s central arguments are illustrated with comprehensive phonological descriptions – partly in OT – of the tonal and intonational systems of six languages, including Japanese, French, and English. Accompanying sound files can be found on the author’s web site: http://www.let.kun.nl/pti Carlos Gussenhoven is Professor and Chair of General and Experimental Phonology at the University of Nijmegen. He has previously published On the Grammar and Semantics of Sentence Accents (1994), English Pronunciation for Student Teachers (co-authored with A. -
Segmental Phonology Darin Howe University of Calgary
SEGMENTAL PHONOLOGY DARIN HOWE HOWED UCALGARY.CA UNIVERSITY OF CALGARY DARIN HOWE, 2003 ii Table of contents ACKNOWLEDGMENTS .............................................................................................................................................IV INTERNATIONAL PHONETIC ALPHABET CHART.................................................................................................. V 1. INTRODUCTION ...............................................................................................................................................1 2. INTRASEGMENTAL PHONOLOGY ..................................................................................................................4 2.1. PHONEME INVENTORIES AND FEATURES.......................................................................................................... 4 2.2. ARTICULATOR-FREE FEATURES .....................................................................................................................12 2.2.1. Major class features .................................................................................................................................................12 2.2.1.1. [±consonantal]...........................................................................................................................................12 2.2.1.2. [±sonorant].................................................................................................................................................22 2.2.2. Other articulator-free features..............................................................................................................................27 -
Co-Occurrence Restrictions in the Vocalic Patterns of Afroasiatic Plurals Mohamed Lahrouchi
Co-occurrence restrictions in the vocalic patterns of Afroasiatic plurals Mohamed Lahrouchi To cite this version: Mohamed Lahrouchi. Co-occurrence restrictions in the vocalic patterns of Afroasiatic plurals. Folia Orientalia, Zaklad Narodowy im. Ossolińskich, Oddzial w Krakowie, 2011, 47 (2), pp.89-102. halshs- 00633022 HAL Id: halshs-00633022 https://halshs.archives-ouvertes.fr/halshs-00633022 Submitted on 17 Oct 2011 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Co-occurrence restrictions in the vocalic patterns of Afroasiatic plurals This paper examines the vocalic patterns in the plural forms of four languages in Afroasiatic. Focus is made on the co-occurrence restrictions that the vowels obey in these forms; particularly it is shown that plurals in which high vowels co-occur are excluded. This restriction is argued to follow form the active role of the well-known Obligatory Contour Principle, which prohibits identical elements in the same domain. Then it is proposed that the same principle underlies the organization of the apophonic path à la Guerssel & Lowenstamm (1996). It is a well-known fact in Semitic morphophonology that items undergo a set of structural and distributional restrictions which prohibit the co-occurrence of identical elements within the same domain (cf. -
Implications of Autosegmental Analysis in the Exploration of Prosodic Phonology in Mandarin Chinese
Running head: AN AUTOSEGMENTAL ANALYSIS OF MANDARIN CHINESE 1 Implications of Autosegmental Analysis in the Exploration of Prosodic Phonology in Mandarin Chinese Kristen Frazier A Senior Thesis submitted in partial fulfillment of the requirements for graduation in the Honors Program Liberty University Spring 2014 AN AUTOSEGMENTAL ANAYLSIS OF MANDARIN CHINESE 2 Acceptance of Senior Honors Thesis This Senior Honors Thesis is accepted in partial fulfillment of the requirements for graduation from the Honors Program of Liberty University. _____________________________ Jaeshil Kim, Ph.D. Thesis Chair ______________________________ Paul Müller, Ph.D. Committee Member _______________________________ Michael Babcock, Ph.D. Committee Member ______________________________ James H. Nutter, D.A. Honors Director ______________________________ Date AN AUTOSEGMENTAL ANAYLSIS OF MANDARIN CHINESE 3 Abstract Autosegmental Phonology (Goldsmith, 1979) is a theoretical framework for understanding the phonological effects of suprasegmentals such as tone, stress, etc. Using data taken from an experiment in which Mandarin Chinese tone sandhi (the acknowledged rules governing specific tone shifts across segments) is explored, a number of phonologists, specifically Kenstowicz (2003), have shown that the relationship between the segment and the tone is autonomous. In the experiment, non-sense words with a potential tone sandhi rule are presented to the Mandarin speakers. The speakers automatically apply the tone sandhi rule which is then analyzed using an autosegmental framework. The speakers consciously separate the tones from the non-sense words and apply tone sandhi rules; the application of the tone sandhi rule is independent of semantic meaning. This research is expanded to include the exploration of loanword phonology (the phonological changes that occur when a tonal language borrows non-tonal language words) to further understand the autonomous relationship between tones and segments. -
Looking Into Segments Sharon Inkelas and Stephanie S Shih University of California, Berkeley & University of California, Merced
Looking into Segments Sharon Inkelas and Stephanie S Shih University of California, Berkeley & University of California, Merced 1 Introduction It is well-known that the phonological ‘segment’ (consonant, vowel) is internally dynamic. Complex segments, such as affricates or prenasalized stops, have sequenced internal phases; coarticulation induces change over time even within apparently uniform segments. Autosegmental Phonology (e.g., Goldsmith 1976, Sagey 1986) captured the internal phasing of complex segments using feature values ordered sequentially on a given tier and ‘linked’ to the same timing unit. Articulatory Phonology (e.g., Browman & Goldstein 1992, Gafos 2002, Goldstein et al. 2009) captures internal phases through the use of coordinated gestures, which overlap in time with one another but are aligned to temporal landmarks. Segments can be internally dynamic in a contrastive way. Affricates differ from plain stops or plain fricatives in being sequentially complex; the same difference obtains between prenasalized vs. plain stops, between contour and level tones, and so forth. Segments can also be dynamic in a noncontrastive way, due to coarticulation with surrounding segments. To the extent that phonological patterns are sensitive to contrastive or noncontrastive segment-internal phasing, the phasing needs to be represented in a manner that is legible to phonological grammar. However, contemporary phonological analysis couched in Optimality Theory, Harmonic Grammar and similar approaches is very highly segment-oriented. For example, Agreement by Correspondence theory, or ABC (Hansson 2001, 2010; Rose & Walker 2004; Bennett 2013; inter alia) and other surface correspondence theories of harmony and disharmony are theories of segmental correspondence. The constraints in these theories refer to segments as featurally uniform units, and do not have a way of referencing their internal phases. -
The Interplay of Morphology and Phonology OXFORD SURVEYS in SYNTAX and MORPHOLOGY
The Interplay of Morphology and Phonology OXFORD SURVEYS IN SYNTAX AND MORPHOLOGY GENERAL EDITOR: Robert D Van Valin, Jr, Heinrich-Heine University and the University at Buffalo, State University of New York ADVISORY EDITORS: Guglielmo Cinque, University of Venice; Daniel Everett, Illinois State University; Adele Goldberg, Princeton University; Kees Hengeveld, University of Amsterdam; Caroline Heycock, University of Edinburgh; David Pesetsky, MIT; Ian Roberts, University of Cambridge; Masayoshi Shibatani, Rice University; Andrew Spencer, University of Essex; Tom Wasow, Stanford University PUBLISHED Grammatical Relations Patrick Farrell Morphosyntactic Change Olga Fischer Information Structure: The Syntax–Discourse Interface Nomi Erteschik-Shir Computational Approaches to Syntax and Morphology Brian Roark and Richard Sproat Constituent Structure (Second edition) Andrew Carnie Processing Syntax and Morphology: A Neurocognitive Perspective Ina Bornkessel-Schlesewsky and Matthias Schlesewsky Syntactic Categories: Their Identification and Description in Linguistic Theories Gisa Rauh The Interplay of Morphology and Phonology Sharon Inkelas IN PREPARATION Complex Sentences Toshio Ohori Word Meaning and Syntax: Approaches to the Interface Stephen Wechsler The Interplay of Morphology and Phonology SHARON INKELAS 1 3 Great Clarendon Street, Oxford, OXDP, United Kingdom Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing -
Generative Phonology: Its Origins, Its Principles, and Its Successors John Goldsmith and Bernard Laks
Generative phonology: its origins, its principles, and its successors John Goldsmith and Bernard Laks Introduction The story of the rise of generative phonology, both in the United 1 States and abroad, is one of continuity and of rupture. That there 1 A lightly edited version of this paper has been rupture has been emphasized by commentators and histo- will appear in the Cambridge History of Linguistics, edited by Linda Waugh, rians alike, as also by the originators of generative phonology; the John Joseph and Monique Monville- continuity has been less clearly treated in the recorded history of this Burston. period. It will be our task in this chapter to sketch both of these sides of the story. But it is not an easy task even to decide where this story should begin, nor where it ends. The simple answer to the question as to where it begins is with Noam Chomsky’s efforts to describe the mor- 2 phophonemics of modern Hebrew , but the historical roots of gen- 2 Chomsky,Noam, 1951. Morphophone- erative phonology lie deeper and earlier, as we shall see. Where gen- mics of Modern Hebrew. Master’s thesis, Philadelphia: University of erative phonology ends is a much harder question to answer: should Pennsylvania the theories of phonological representations studied in the 1980s be considered generative phonology?—most phonologists would agree that they should: certainly from a methodological, epistemologi- cal or theoretical point of view, they share the flavor, the spirit, the mood of generative phonology; but many of the core questions asked in the 1980s had stronger historical roots in pre-generative than in generative phonology.