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Bernsteincelebrating More Sides of the Story
BernsteinCelebrating More Sides of the Story Wednesday 17 October 2018, 7.45pm Holy Trinity Sloane Square, SW1 Chichester Psalms Missa Brevis Choral Suite from West Side Story London Concert Choir Conductor Mark Forkgen Tickets £25 (under-25s £15) to include a programme and interval drink. Box Office (020) 7730 4500, www.cadoganhall.com and at the door A collection will be held in aid of The Royal Marsden Cancer Charity One of the most talented and successful musicians in American history, Leonard Bernstein was not only a composer, but also a conductor, pianist, educator and humanitarian. His versatility as a composer is brilliantly illustrated in this concert to celebrate the centenary of his birth. The Dean of Chichester commissioned the Psalms for the 1965 Southern Cathedrals Festival with the request that the music should contain ‘a hint of West Side Story.’ Bernstein himself described the piece as ‘forthright, songful, rhythmic, youthful.’ Performed in Hebrew and drawing on jazz rhythms and harmonies, the Psalms Music Director: include an exuberant setting of ‘O be joyful In the Lord all Mark Forkgen ye lands’ (Psalm 100) and a gentle Psalm 23, ‘The Lord is my shepherd’, as well as some menacing material cut Nathan Mercieca from the score of the musical. countertenor In 1988 Bernstein revisited the incidental music in Richard Pearce medieval style that he had composed in 1955 for organ The Lark, Anouilh’s play about Joan of Arc, and developed it into the vibrant Missa Brevis for unaccompanied choir, countertenor soloist and percussion. Anneke Hodnett harp After three contrasting solo songs, the concert is rounded off with a selection of favourite numbers from Sacha Johnson and West Side Story, including Tonight, Maria, I Feel Pretty, Alistair Marshallsay America and Somewhere. -
LCOM182 Lent & Eastertide
LITURGICAL CHORAL AND ORGAN MUSIC Lent, Holy Week, and Eastertide 2018 GRACE CATHEDRAL 2 LITURGICAL CHORAL AND ORGAN MUSIC GRACE CATHEDRAL SAN FRANCISCO LENT, HOLY WEEK, AND EASTERTIDE 2018 11 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LÆTARE Introit: Psalm 32:1-6 – Samuel Wesley Service: Collegium Regale – Herbert Howells Psalm 107 – Thomas Attwood Walmisley O pray for the peace of Jerusalem - Howells Drop, drop, slow tears – Robert Graham Hymns: 686, 489, 473 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Benjamin Bachmann Psalm 107 – Lawrence Thain Canticles: Evening Service in A – Herbert Sumsion Anthem: God so loved the world – John Stainer Hymns: 577, 160 15 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: Thomas Tomkins Psalm 126 – George M. Garrett Canticles: Third Service – Philip Moore Anthem: Salvator mundi – John Blow Hymns: 678, 474 18 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LENT 5 Introit: Psalm 126 – George M. Garrett Service: Missa Brevis – Giovanni Pierluigi da Palestrina Psalm 51 – T. Tertius Noble Anthem: Salvator mundi – John Blow Motet: The crown of roses – Pyotr Ilyich Tchaikovsky Hymns: 471, 443, 439 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Thomas Tomkins Psalm 51 – Jeffrey Smith Canticles: Short Service – Orlando Gibbons Anthem: Aus tiefer Not – Felix Mendelssohn Hymns: 141, 151 3 22 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: William Byrd Psalm 103 – H. Walford Davies Canticles: Fauxbourdons – Thomas -
Seasons/08-09/Chichester Translation.Pdf
In 1965, Leonard Bernstein received a commission from the 1965 Southern Cathedral Festival to compose a piece for the cathedral choirs of Chichester, Winchester, and Salisbury. The result was the three-movement Chichester Psalms, a choral setting of a number of Hebrew psalm texts. This is Bernstein's version of church music: rhythmic, dramatic, yet fundamentally spiritual. The piece opens with the choir proclaiming Psalm 108, verse 2 (Awake, psaltery and harp!). This opening figure (particularly the upward leap of a minor seventh) recurs throughout the piece. The introduction leads into Psalm 100 (Make a joyful noise unto the Lord), a 7/4 dance that fits the joyous mood of the text. At times, this movement sounds like something out of West Side Story - it is percussive, with driving dance rhythms. The second movement starts with Psalm 23, with only a solo boy soprano and harp (suggesting David); the sopranos of the choir enter, repeating the solo melody. Suddenly and forcefully, the men interrupt in the middle of the Psalm 23 text (just after "Thy rod and thy staff, they comfort me") with Psalm 2. The setting of this text differs greatly from the flowing melodic feel of Psalm 23; it is evocative of the conflict in the text, with the men at times almost shouting. The men's voices gradually fade, and the initial peaceful melody returns (along with the rest of the Psalm 23 text), with the men continuing underneath. Movement 3 begins with an instrumental introduction based on the opening figure of the piece. The choir then enters with Psalm 131, set in a fluid 10/4 meter. -
Composition Catalog
1 LEONARD BERNSTEIN AT 100 New York Content & Review Boosey & Hawkes, Inc. Marie Carter Table of Contents 229 West 28th St, 11th Floor Trudy Chan New York, NY 10001 Patrick Gullo 2 A Welcoming USA Steven Lankenau +1 (212) 358-5300 4 Introduction (English) [email protected] Introduction 8 Introduction (Español) www.boosey.com Carol J. Oja 11 Introduction (Deutsch) The Leonard Bernstein Office, Inc. Translations 14 A Leonard Bernstein Timeline 121 West 27th St, Suite 1104 Straker Translations New York, NY 10001 Jens Luckwaldt 16 Orchestras Conducted by Bernstein USA Dr. Kerstin Schüssler-Bach 18 Abbreviations +1 (212) 315-0640 Sebastián Zubieta [email protected] 21 Works www.leonardbernstein.com Art Direction & Design 22 Stage Kristin Spix Design 36 Ballet London Iris A. Brown Design Boosey & Hawkes Music Publishers Limited 36 Full Orchestra Aldwych House Printing & Packaging 38 Solo Instrument(s) & Orchestra 71-91 Aldwych UNIMAC Graphics London, WC2B 4HN 40 Voice(s) & Orchestra UK Cover Photograph 42 Ensemble & Chamber without Voice(s) +44 (20) 7054 7200 Alfred Eisenstaedt [email protected] 43 Ensemble & Chamber with Voice(s) www.boosey.com Special thanks to The Leonard Bernstein 45 Chorus & Orchestra Office, The Craig Urquhart Office, and the Berlin Library of Congress 46 Piano(s) Boosey & Hawkes • Bote & Bock GmbH 46 Band Lützowufer 26 The “g-clef in letter B” logo is a trademark of 47 Songs in a Theatrical Style 10787 Berlin Amberson Holdings LLC. Deutschland 47 Songs Written for Shows +49 (30) 2500 13-0 2015 & © Boosey & Hawkes, Inc. 48 Vocal [email protected] www.boosey.de 48 Choral 49 Instrumental 50 Chronological List of Compositions 52 CD Track Listing LEONARD BERNSTEIN AT 100 2 3 LEONARD BERNSTEIN AT 100 A Welcoming Leonard Bernstein’s essential approach to music was one of celebration; it was about making the most of all that was beautiful in sound. -
Leonard Bernstein
chamber music with a modernist edge. His Piano Sonata (1938) reflected his Leonard Bernstein ties to Copland, with links also to the music of Hindemith and Stravinsky, and his Sonata for Clarinet and Piano (1942) was similarly grounded in a neoclassical aesthetic. The composer Paul Bowles praised the clarinet sonata as having a "tender, sharp, singing quality," as being "alive, tough, integrated." It was a prescient assessment, which ultimately applied to Bernstein’s music in all genres. Bernstein’s professional breakthrough came with exceptional force and visibility, establishing him as a stunning new talent. In 1943, at age twenty-five, he made his debut with the New York Philharmonic, replacing Bruno Walter at the last minute and inspiring a front-page story in the New York Times. In rapid succession, Bernstein Leonard Bernstein photo © Susech Batah, Berlin (DG) produced a major series of compositions, some drawing on his own Jewish heritage, as in his Symphony No. 1, "Jeremiah," which had its first Leonard Bernstein—celebrated as one of the most influential musicians of the performance with the composer conducting the Pittsburgh Symphony in 20th century—ushered in an era of major cultural and technological transition. January 1944. "Lamentation," its final movement, features a mezzo-soprano He led the way in advocating an open attitude about what constituted "good" delivering Hebrew texts from the Book of Lamentations. In April of that year, music, actively bridging the gap between classical music, Broadway musicals, Bernstein’s Fancy Free was unveiled by Ballet Theatre, with choreography by jazz, and rock, and he seized new media for its potential to reach diverse the young Jerome Robbins. -
Quarter Notes JIM HOGAN, EDITOR MARCH 2020
(ped. simile) Edward Weiss CALIFORNIA YOUTH SYMPHONY CALIFORNIA YOUTH SYMPHONY AddressAddress Service Service Requested Requested Forest Piano Quarter Notes JIM HOGAN, EDITOR MARCH 2020 Quarter Notes MARCH (CONCERT) MADNESS www.newagepianolessons.com Copyright © 2011 Edward Weiss The first three weekends of March offer music lovers some fabulous opportunities to enjoy California Youth Symphony music – concerts in San Mateo, Redwood City and the Sierra Foothills involving four of our stellar ensembles. Check out the details in this issue and be sure to join us for what is sure to be a marvelous musical month. Moderato con rubato MUSIC IN THE MOUNTAINS AND IN THE BAY After our widely acclaimed concert in Grass Valley, CA last season, in conjunction with Music in the Mountains, we are delighted to have been invited to perform there once CALIFORNICALIFORNIA YOUTHA YOUTH SYMPHONY SYMPHONY again. This year’s concert on Sunday, March 8, which will be repeated the following 6 Sunday, March 15 at the San Mateo Performing Arts Center, will mark an historic first LeoLeo Eyla Eylar, Conductorr, Conductor for CYS: for the first time in Maestro Leo Eylar’s 30-year tenure11 as Music Director the orchestra will join forces with a full chorus to perform Leonard Bernstein’s deeply 16 moving and profoundly beautiful choral masterpiece Chichester Psalms. The Music PresentingPresenting the theWorld World Premiere Premiere of of in the Mountains Chorus of over 100 members, under the direction of Maestro Ryan Murray, will collaborate with CYS on both March 8 and 15 as we perform this choral/ CALIFORNIA YOUTH SYMPHONY orchestral gem. -
Summer Chorus Summer Philharmonic
Summer Music 2018 Summer Chorus Summer Philharmonic Dominick DiOrio, Conductor Sam Ritter, Assistant Conductor “Set the Wild Echoes Flying” Psalms and Songs for Voices and Orchestra Joseph Ittoop, Tenor Jennie Moser, Soprano David Smolokoff, Tenor Nathanael Udell, Horn Michael Walker, Countertenor Auer Concert Hall Saturday, July 7, 2018 8:00 p.m. BLANK PAGE Thirty-Sixth Program of the 2018-19 Season _______________________ Summer Music 2018 Summer Chorus Summer Philharmonic Dominick DiOrio, Conductor Sam Ritter, Assistant Conductor “Set the Wild Echoes Flying” Psalms and Songs for Voices and Orchestra Joseph Ittoop, Tenor Jennie Moser, Soprano David Smolokoff, Tenor Nathanael Udell, Horn Michael Walker, Countertenor _________________ Auer Concert Hall Saturday Evening July Seventh Eight O’Clock music.indiana.edu “Set the Wild Echoes Flying” Psalms and Songs for Voices and Orchestra Chichester Psalms (1965) ..................... Leonard Bernstein (1918-1990) Michael Walker, Countertenor Denique Isaac, Soprano Elise Anderson, Mezzo-Soprano Rodney Long, Tenor Grant Farmer, Baritone I Psalm 108, vs. 2 Urah, hanevel, v’chinor! Awake, psaltery and harp: A-irah shachar I will rouse the dawn! Psalm 100 Hariu l’Adonai kol haarets Make a joyful noise unto the Lord all ye lands. Iv’du et Adonai b’simcha. Serve the Lord with gladness. Bo-u l’fanav bir’nanah. Come before His presence with singing. D’u ki Adonai Hu Elohim. Know ye that the Lord, He is God. Hu asanu, v’lo anachnu. It is He that hath made us, and not we ourselves. Amo v’tson mar’ito. We are His people and the sheep of His pasture. Bo-u sh’arav b’todah, Enter into His gates with thanksgiving, Chatseirotav bit’hilah, And into His courts with praise. -
Delve Deeper Discover More About the Cathedral’S 900 Year History, and the Shared Heritage Between Sussex and the US
Delve Deeper Discover more about the Cathedral’s 900 year history, and the shared heritage between Sussex and the US. chichestercathedral.org.uk/american-patrons Explore Chichester Cathedral We hope that we can welcome you to the Cathedral in person, but until then here are some tasters to enjoy from your own home. Complete an online pilgrimage Make an online pilgrimage to The Shrine of St Richard, our own Saint and 13th century Bishop. The Shrine was one of the most important for pilgrims during Medeival times and thousands continue to visit and pray here each year. Click here to make your pilgrimage >> 1 Image: The Shrine of Saint Richard, with the anglo-german tapestry by artist Ursula Benker-Schirmer Page 1 Image: The Cathedral’s Organist & Master of the Choristers Charles Harrison Join us online for Evensong Join us for Evensong and enjoy the exceptional beauty of our Cathedral choir whose 2 singing has a global reputation. We encourage you to find a comfortable position that helps you to pray. Click here to join the service from 3rd March (5.00pm EST) >> Page 2 Did you know? ? Here are just a few of the many historical American links to East and West Sussex for you to explore. Revolution The father of the American Revolution Thomas Paine came from Lewes, East Sussex. Thomas Paine was introduced to Benjamin Franklin by the third Duke of Richmond, whose Goodwood Estate lies just outside of Chichester. The Duke gained the title of the ‘Radical Duke’ reflecting his support for the American Revolution. The Sussex Declaration, a rare copy of the American Declaration of Independence, is held at the West Sussex Archives. -
Celebrating Bernstein Flyer.Pdf
BernsteinCelebrating More Sides of the Story Wednesday 17 October 2018, 7.45pm Holy Trinity Sloane Square, SW1 Chichester Psalms Missa Brevis Choral Suite from West Side Story London Concert Choir Conductor Mark Forkgen Tickets £25 (under-25s £15) to include a programme and interval drink. Box Office (020) 7730 4500, www.cadoganhall.com and at the door One of the most talented and successful musicians in American history, Leonard Bernstein was not only a composer, but also a conductor, pianist, educator and humanitarian. His versatility as a composer is brilliantly illustrated in this concert to celebrate the centenary of his birth. The Dean of Chichester commissioned the Psalms for the 1965 Southern Cathedrals Festival with the request that the music should contain ‘a hint of West Side Story.’ Bernstein himself described the piece as ‘forthright, songful, rhythmic, youthful.’ Performed in Hebrew and Music Director: drawing on jazz rhythms and harmonies, the Psalms Mark Forkgen include an exuberant setting of ‘O be joyful In the Lord all ye lands’ (Psalm 100) and a gentle Psalm 23, ‘The Lord Nathan Mercieca is my shepherd’, as well as some menacing material cut countertenor from the score of the musical. Richard Pearce In 1988 Bernstein revisited the incidental music in organ medieval style that he had composed in 1955 for The Lark, Anouilh’s play about Joan of Arc, and developed Daniel de-Fry it into the vibrant Missa Brevis for unaccompanied choir, harp countertenor soloist and percussion. After three contrasting solo songs, the concert is Sacha Johnson and rounded off with a selection of favourite numbers from Alistair Marshallsay West Side Story, including Tonight, Maria, I Feel Pretty, percussion America and Somewhere. -
2018 SCI National Conference
SOCIETY OF COMPOSERS, INC. 2018 SCI National Conference JOEL PUCKETT, guest composer Featuring performances by Symphony Orchestra, Anna Wittstruck, conductor JAKE RUNESTAD, guest composer Wind Ensemble, Gerard Morris, conductor HEARTLAND MARIMBA QUARTET, guest ensemble Adelphian Concert Choir, Steven Zopfi, conductor ROB HUTCHINSON, host Dorian Singers, Kathryn Lehmann, conductor Clarinet Choir, Jennifer Nelson, conductor Flute Choir, Wendy Wilhelmi, conductor MARCH 1–3, 2018 Faculty performers: Catherine Case, Tim Christie, Tracy Knoop, University of Puget Sound Dawn Padula, Alistair MacRae, Maria Sampen, Tacoma, Washington and Tanya Stambuk PRESENTED BY UNIVERSITY OF PUGET SOUND SCHOOL OF MUSIC Additional funding provided by Matthew Norton Clapp Visiting Artist Endowment SCHOOL OF MUSIC presents 2018 SCI NATIONAL CONFERENCE March 1–3, 2018 University of Puget Sound Tacoma, Washington Rob Hutchinson, host Joel Puckett, guest composer Jake Runestad, guest composer featuring performances by Puget Sound Symphony Orchestra Puget Sound Wind Ensemble Adelphian Concert Choir Dorian Singers Puget Sound Clarinet Choir Puget Sound Flute Choir 2018 Society of Composers, Inc., National Conference, p. 2 Contents Welcome from Rob Hutchinson, Conference Host p. 3 Welcome from Keith Ward, Director, School of Music p. 4 Biographical summary of Joel Puckett, guest composer p. 5 Biographical summary of Jake Runestad, guest composer p. 6 Concert programs p. 7 Biographical information for composers and guest performers p. 28 Conference Schedule Thursday, March 1 6:30 – 7:30 p.m. Registration MUSIC BUILDING FOYER 7:30 p.m. Concert 1: Heartland Marimba Quartet SCHNEEBECK CONCERT HALL Friday, March 2 9–10 a.m. Registration and Coffee MUSIC BUILDING FOYER 10 a.m. Concert 2: Chamber Music 1 SCHNEEBECK CONCERT HALL Noon–2 p.m. -
Old Dominion University New Music Ensemble
OLD DOMINION UNIVERSITY Department of Music Old Dominion University New Music Ensemble Andrey Kasparov, Director Bits and Pieces F. Ludwig Diehn Center for the Performing Arts Chandler Recital Hall Tuesday, April 25, 2017 7:30 PM Program Dr. Andrey Kasparov was born in the former Soviet Union to a family of Armenian descent. At fifteen, he moved to Moscow, where he later entered the Moscow State Conservatory, graduating with honors in Music Composition and Piano in 1989 and 1990, respectively. He also holds a Doctor of Music degree in Music Composition from the Indiana University School of Music in Bloomington. Presently, Kasparov is Chants, Espaces (1985-1991) Lucien Guérinel Professor of Music at Old Dominion University in Norfolk, Virginia. He is also Artistic Co-Director of the I. Avec souplesse (b. 1930) Norfolk Chamber Consort and, together with Oksana Lutsyshyn, a founding member of the award-winning II. Invencia Piano Duo. III. Con moto In addition to the New Music Ensemble, that he founded, Kasparov teaches undergraduate and graduate Nichole Dorobanov, piano Music Composition, Piano, and all levels of undergraduate Music Theory. He also coordinates the Marie Erichsen, piano departments of Composition, Piano and Music Theory. Kasparov’s works have been performed at Moscow Autumn; International Forum of Composers in Kiev, Four Bagatelles for Oboe and Clarinet in A (2009) Allan Blank Ukraine; Internationale Ferienkurse für Neue Musik in Darmstadt, Germany; the Encuentros festival in (1925-2013) Buenos Aires, Argentina, and many other festivals and venues in Moscow, New York, Paris, Yerevan, Andrew Leoboldt, oboe Ottawa, Chicago, Cleveland, San Francisco, and other cities in the world. -
2015 Guest Artists' Programs Xun Pan, Piano
2015 Guest Artists’ Programs __________________________________________________________________ Saturday, July 18, 2015, 7:30 p.m. Simon Maurer, Violin & Viola Xun Pan, Piano Sonata in A Minor, D.821 “Arpeggione” for Viola & Piano Franz Schubert (1797-1828) Allegro moderato Adagio Allegretto Sonata No.5 in F, Op.24 “Spring” for Piano & Violin Ludwig v. Beethoven (1770-1827) Allegro Adagio molto espressivo Scherzo - Allegro molto Rondo - Allegro ma non troppo Tzigane for Violin & Piano Maurice Ravel (1875-1937) ** This concert is dedicated to Dr. Richard Olds, a music lover, performer, and supporter. Sunday, July 19, 2015, 7:30 p.m. The Invencia Piano Duo Andrey Kasparov & Oksana Lutsyshyn Lied et scherzo, Op. 54 (1910)* Florent Schmitt (1870-1958) Selections from Iberia (1905-1909) Isaac Albéniz (1860-1909) Evocación (Book I) Fête-dieu à Seville (Book I) Triana (Book II) Arr. for piano duo by Andrey Kasparov* Intermission Three Pieces Paul Bowles (1910-1999) Night Waltz (1949) Nocturne (1935)* Cross Country (1976)* Cadenza for LvB (2010-2011) Andrey Kasparov (b. 1966) Version for two pianos (2015)** Totentanz (1839-1865) Franz Liszt (1811-1886) Arr. for piano duo by Andrey Kasparov* * Pennsylvania premiere **World premiere Monday, July 20, 2015, 7:30 p.m. John O’Conor Sonata No.5 in C Minor, Op.10 No.1 Ludwig v. Beethoven (1770-1827) Allegro molto e con brio Adagio molto Finale: Prestissimo Six Bagatelles Op. 126 Ludwig v. Beethoven (1770-1827) Andante con moto, Cantabile e compiacevole Allegro Andante, Cantabile e grazioso Presto Quasi allegretto Presto - Andante amabile e con moto Intermission Diabelli Variations Op. 120 Ludwig v.