SIRIUS CHANNEL LINEUP Your Subscription Package Will Determine Actual Channel Lineup
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
16: the Up-And-Coming Metro Phoenix Bands to Watch This Year
1/28/2016 16 Metro Phoenix Bands to Watch in 2016 | Phoenix New Times 16 FOR '16: THE UP-AND-COMING METRO PHOENIX BANDS TO WATCH THIS YEAR BY AMY YOUNG, LAUREN WISE, JARON IKNER, TOM REARDON, JEFF MOSES, ROGER CALAMAIO, GARYN KLASEK, SERENE DOMINIC, JASON KEIL, JASON P. WOODBURY, MITCHELL HILLMAN WEDNESDAY, JANUARY 27, 2016 | 1 DAY AGO Couples Fight Jim Louvau The new year means new beginnings, fresh ideas, and more chances to give birth to new projects. In such a populous area, we are privy to a tremendous amount of ambition and diversity when it comes to the local music scene. The area's creative class constantly churns out new music. The city overflows with talent, from bands with members not old enough to drink to veterans with decades of music experience in the scene. With that in mind, we present to you 16 promising local bands to watch in 2016. These bands span a range of genres, from noisy punk to electro pop to surf-tinged garage rock, but they all share a common drive to create great music and share it with the world. Don't be surprised to see these bands popping up on lineups at venues around town and filling out the local slots once festival season hits. Give these bands a listen. We don't think you'll be disappointed. http://www.phoenixnewtimes.com/music/16for16theupandcomingmetrophoenixbandstowatchthisyear8001905 1/10 1/28/2016 16 Metro Phoenix Bands to Watch in 2016 | Phoenix New Times Molly and the Molluscs Dani Perez Molly and the Molluscs These band members are having a better time than you. -
Is Rock Music in Decline? a Business Perspective
Jose Dailos Cabrera Laasanen Is Rock Music in Decline? A Business Perspective Helsinki Metropolia University of Applied Sciences Bachelor of Business Administration International Business and Logistics 1405484 22nd March 2018 Abstract Author(s) Jose Dailos Cabrera Laasanen Title Is Rock Music in Decline? A Business Perspective Number of Pages 45 Date 22.03.2018 Degree Bachelor of Business Administration Degree Programme International Business and Logistics Instructor(s) Michael Keaney, Senior Lecturer Rock music has great importance in the recent history of human kind, and it is interesting to understand the reasons of its de- cline, if it actually exists. Its legacy will never disappear, and it will always be a great influence for new artists but is important to find out the reasons why it has become what it is in now, and what is the expected future for the genre. This project is going to be focused on the analysis of some im- portant business aspects related with rock music and its de- cline, if exists. The collapse of Gibson guitars will be analyzed, because if rock music is in decline, then the collapse of Gibson is a good evidence of this. Also, the performance of independ- ent and major record labels through history will be analyzed to understand better the health state of the genre. The same with music festivals that today seem to be increasing their popularity at the expense of smaller types of live-music events. Keywords Rock, music, legacy, influence, artists, reasons, expected, fu- ture, genre, analysis, business, collapse, -
Creativities, Innovation, and Networks in Garage Punk Rock : a Case Study of the Eruptörs
This is a repository copy of CREATIVITIES, INNOVATION, AND NETWORKS IN GARAGE PUNK ROCK : A CASE STUDY OF THE ERUPTÖRS. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/94929/ Version: Published Version Article: Gillett, Alex Giles orcid.org/0000-0001-7965-2404 and Smith, Gareth (2015) CREATIVITIES, INNOVATION, AND NETWORKS IN GARAGE PUNK ROCK : A CASE STUDY OF THE ERUPTÖRS. Artivate: A Journal of Entrepreneurship in the Arts. pp. 9-24. ISSN 2164-7747 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Artivate: A Journal of Entrepreneurship in the Arts Volume 4, Issue 1 http://artivate.org pp. 9-24 ______________________________________________________________________________________________________________________ CREATIVITIES, INNOVATION, AND NETWORKS IN GARAGE PUNK ROCK: A CASE STUDY OF THE ERUPTÖRS Gareth Dylan Smith, Institute of Contemporary Music Performance Alex Gillett, The York Management School, University of York Abstract The two authors are members of punk rock trio the Eruptörs. -
Everett Rock Band/Musician List "GH"
Everett Rock Band/Musician List "G-H" Last Update: 6/28/2020 "G-H" List for Bands/Musicians Genre* From & Genre a Gamble in the Litter F I Mukilteo Minimalist / Folk / Indie G2 RB S H IL R&B/Soul / rap / hip hop Gabe Mintz I R A Seattle Indie / Rock / Acoustic Gabe Rozzell/Decency F C Gabe Rozzell and The Decency Portland Folk / Country Gabriel Kahane P Brooklyn, NY Pop Gabriel Mintz I Seattle Indie Gabriel Teodros H Rp S S Seattle/Brooklyn NY Hip Hop / Rap / Soul Gabriel The marine I Long Island Indie Gabriel WolfChild SS F A Olympia Singer Songwriter / folk / Acoustic Gaby Moreno Al S A North Hollywood, CA Alternative / Soul / Acoustic Gackstatter R Fk Seattle Rock / Funk Gadjo Gypsies J Sw A Bellingham Jazz / Swing / Acoustic GadZooks P Pk Seattle Pop Pk Gaelic Storm W Ce A R Nashville, TN World / Celtic / Acoustic Rock Gail Pettis J Sw Seattle Jazz / Swing Galapagos Band Pr R Ex Bellingham progressive/experimental rock Galaxy R Seattle Rock Gallery of Souls CR Lake Stevens Rock / Powerpop / Classic Rock Gallowglass Ce F A Bellingham traditional folk and Irish tunes Gallowmaker DM Pk Bellingham Deathrock/Surf Punk Gallows Hymn Pr F M Bellingham Progressive Folk Metal Gallus Brothers C B Bellingham's Country / Blues / Death Metal Galperin R New York City bossa nova rock GAMBLERS MARK Sf Ry El Monte CA Psychobilly / Rockabilly / Surf Games Of Slaughter M Shelton Death Metal / Metal GammaJet Al R Seattle Alternative / Rock gannGGreen H RB Kent Hip Hop / R&B Garage Heroes B G R Poulsbo Blues / Garage / Rock Garage Voice I R Seattle's Indie -
Everett Rock Band/Musician List "T" Last Update: 6/28/2020
Everett Rock Band/Musician List "T" Last Update: 6/28/2020 "T" List for Bands/Musicians Genre* From & Genre 311 R Los Angeles, CA Rock 322 J Seattle Jazz 322 J Seattle Jazz 10 Cent Monkey Pk R Clinton Punk / Rock / Alternative 10 Killing Hands E P R Bellingham's Electro / Pop / Rock 12 Gauge Pump H Everett Hip Hop 12 Stones R Al Mandeville, LA Rock / Alternative 12th Fret Band CR Snohomish Classic Rock 13 MAG M R Spokane Metal / Hard Rock 13 Scars R Pk Tacoma Rock / Punk 13th & Nowhere R Everett Rock 2 Big 2 Spank CR Carnation Classic Rock / Rock / Rockabilly 2 Guys And A Broad B R C Everett Blues / Rock / Country 2 Libras E R Seattle Electronic Rock 20 Riverside H J Fk Everett Jazz / Hip Hop / Funk 20 Sting Band F Bellingham's Folk / Bluegrass / Roots Music 20/20 A Cappella Ac Ellensburg A Cappella 206 A$$A$$IN H Rp Seattle Hip Hop / Rap 20sicem H Seattle Hip Hop 21 Guns: Seattle's Tribute to Green Day Al R Seattle Alternative Rock 2112 (Rush Tribute) Pr CR R Lakewood Progressive / Classic Rock / Rock 21feet R Seattle Rock 21st & Broadway R Pk Sk Ra Everett/Seattle Rock / Punk / Ska / Reggae 22 Kings Am F R San Diego, CA Americana / Folk-Rock 24 Madison Fk B RB Local Rock, Funk, Blues, Motown, Jazz, Soul, RnB, Folk 25th & State R Everett Rock 29A R Seattle Rock 2KLIX Hc South Seattle Hardcore 3 Doors Down R Escatawpa, Mississippi Rock 3 INCH MAX Al R Pk Seattle's Alternative / Rock / Punk 3 Miles High R P CR Everett Rock / Pop / Classic Rock 3 Play Ricochet BG B C J Seattle bluegrass, ragtime, old-time, blues, country, jazz 3 PM TRIO -
Krautrock and the West German Counterculture
“Macht das Ohr auf” Krautrock and the West German Counterculture Ryan Iseppi A thesis submitted in partial fulfillment of the requirements for the degree of BACHELOR OF ARTS WITH HONORS DEPARTMENT OF GERMANIC LANGUAGES & LITERATURES UNIVERSITY OF MICHIGAN April 17, 2012 Advised by Professor Vanessa Agnew 2 Contents I. Introduction 5 Electric Junk: Krautrock’s Identity Crisis II. Chapter 1 23 Future Days: Krautrock Roots and Synthesis III. Chapter 2 33 The Collaborative Ethos and the Spirit of ‘68 IV: Chapter 3 47 Macht kaputt, was euch kaputt macht: Krautrock in Opposition V: Chapter 4 61 Ethnological Forgeries and Agit-Rock VI: Chapter 5 73 The Man-Machines: Krautrock and Electronic Music VII: Conclusion 85 Ultima Thule: Krautrock and the Modern World VIII: Bibliography 95 IX: Discography 103 3 4 I. Introduction Electric Junk: Krautrock’s Identity Crisis If there is any musical subculture to which this modern age of online music consumption has been particularly kind, it is certainly the obscure, groundbreaking, and oft misunderstood German pop music phenomenon known as “krautrock”. That krautrock’s appeal to new generations of musicians and fans both in Germany and abroad continues to grow with each passing year is a testament to the implicitly iconoclastic nature of the style; krautrock still sounds odd, eccentric, and even confrontational approximately twenty-five years after the movement is generally considered to have ended.1 In fact, it is difficult nowadays to even page through a recent issue of major periodicals like Rolling Stone or Spin without chancing upon some kind of passing reference to the genre. -
The Sound of the Suburbs: a Case Study of Three Garage Bands in San Jose, California During the 1960S
San Jose State University SJSU ScholarWorks Faculty and Staff ubP lications Library October 2006 The oundS of the Suburbs: A Case Study of Three Garage Bands in San Jose, California during the 1960s Paul Kauppila San Jose State University, [email protected] Follow this and additional works at: https://scholarworks.sjsu.edu/lib_pub Part of the Music Commons, and the Social and Behavioral Sciences Commons Recommended Citation Paul Kauppila. "The oundS of the Suburbs: A Case Study of Three Garage Bands in San Jose, California during the 1960s" Popular Music and Society (2006): 391-405. This Article is brought to you for free and open access by the Library at SJSU ScholarWorks. It has been accepted for inclusion in Faculty and Staff Publications by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. The Sound of the Suburbs: A Case Study of Three Garage Bands in San Jose, California During the 1960s by Paul Kauppila INTRODUCTION/THE BEATLES The recent spate of articles, television specials, radio shows, and other observations of the fortieth anniversary of the Beatles' appearance on the Ed Sullivan show attest to that moment's lasting significance in the history of popular music and popular culture. In an increasingly fragmented era of media consumption through multiple technological avenues, most prominently cable and pay television and the Internet, it is sometimes difficult to imagine the profound effect that a single television program could have in the year 1964. The tremendous popularity of the Beatles, coupled with an expanding and increasingly affluent middle class, led to an explosion of bands playing music in a style that eventually came to be known as "garage rock", although that term did not come into common usage until several years later. -
BISCUIT MEMORABILIA LP+MP3 / CD / DIGITAL Release Date: November 28Th, 2011 Distributed by CARROT TOP LTD
LP: 8435015512927 CD: 8435015512835 8 435015 512927 BISCUIT MEMORABILIA LP+MP3 / CD / DIGITAL Release date: November 28th, 2011 Distributed by CARROT TOP LTD RECOMMENDED SONGS One. “The light that burns twice as bright, burns half as long.”, “The flame burns forever, until 2. I Was Right 5. Winnebago Man the end of adolescence”, “I hope I die before I get old”, “You ain’t got a fucking clue!”. The quotes 14. Plain Love Song from Blade Runner, Joyce Carol Oate’s novel Foxfire: Confessions of a Girl Gang and the famous Who anthem are cancelled by Armand Cardona’s (guitar player in Biscuit) lash. He might have TRACK LIST 1. Gone spat it out a few days ago at a gig, backed by his The Sopranos “Bada Bing” T-shirt, or back in 2. I Was Right his pre-teen years, with his Spanish guitar at the ready, half Wayne Kramer, half Charlie Rivel, a 3. Set the Record Straight Saturday morning in his parents’ flat with the Downliners Sect music playing in the background. 4. Can’t Pity You 5. Winnebago Man Either way, as a reply he is bound to get a look –either approving, condescending or indicative 6. I’ll Be Late that a brotherly quarrel is about to begin– from his brother Xavi, who handles, high in his Cuban 7. Rainbow Haze heeled Chelsea boots, his electric guitar: before, now and forever. 8. Now I Know 9. The Rose Two. People are low on role models, but Biscuit are the head honchos of the Catalan garage 10. -
© 2021 Andrew Gregory Page 1 of 13 RECORDINGS Hard Rock / Metal
Report covers the period of January 1st to Penny Knight Band - "Cost of Love" March 31st, 2021. The inadvertently (single) [fusion hard rock] Albany missed few before that time period, which were brought to my attention by fans, Remains Of Rage - "Remains Of Rage" bands & others, are listed at the [hardcore metal] Troy end,along with an End Note. Senior Living - "The Paintbox Lace" (2- track) [alternative grunge rock shoegaze] Albany Scavengers - "Anthropocene" [hardcore metal crust punk] Albany Thank you to Nippertown.com for being a partner with WEXT Radio in getting this report out to the people! Scum Couch - "Scum Couch | Tree Walker Split" [experimental noise rock] Albany RECORDINGS Somewhere In The Dark - "Headstone" (single track) Hard Rock / Metal / Punk [hard rock] Glenville BattleaXXX - "ADEQUATE" [clitter rock post-punk sasscore] Albany The Frozen Heads - "III" [psychedelic black doom metal post-punk] Albany Bendt - "January" (single) [alternative modern hard rock] Albany The Hauntings - "Reptile Dysfunction" [punk rock] Glens Falls Captain Vampire - "February Demos" [acoustic alternative metalcore emo post-hardcore punk] Albany The One They Fear - "Perservere" - "Metamorphosis" - "Is This Who We Are?" - "Ignite" (single tracks) Christopher Peifer - "Meet Me at the Bar" - "Something [hardcore metalcore hard rock] Albany to Believe In" (singles) [garage power pop punk rock] Albany/NYC The VaVa Voodoos - "Smash The Sun" (single track) [garage punk rock] Albany Dave Graham & The Disaster Plan - "Make A Scene" (single) [garage -
Faouda Wa Ruina: a History of Moroccan Punk Rock and Heavy Metal Brian Kenneth Trott University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2018 Faouda Wa Ruina: A History of Moroccan Punk Rock and Heavy Metal Brian Kenneth Trott University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Islamic World and Near East History Commons, and the Social and Cultural Anthropology Commons Recommended Citation Trott, Brian Kenneth, "Faouda Wa Ruina: A History of Moroccan Punk Rock and Heavy Metal" (2018). Theses and Dissertations. 1934. https://dc.uwm.edu/etd/1934 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. FAOUDA WA RUINA: A HISTORY OF MOROCCAN PUNK ROCK AND HEAVY METAL by Brian Trott A Thesis Submitted in Partial Fulfillment of the Requirements of a Degree of Master of Arts In History at The University of Wisconsin - Milwaukee May 2018 ABSTRACT FAOUDA WA RUINA: A HISTORY OF MOROCCAN PUNK ROCK AND HEAVY METAL by Brian Trott The University of Wisconsin-Milwaukee, 2018 Under the Supervision of Professor Gregory Carter While the punk rock and heavy metal subcultures have spread through much of the world since the 1980s, a heavy metal scene did not take shape in Morocco until the mid-1990s. There had yet to be a punk rock band there until the mid-2000s. In the following paper, I detail the rise of heavy metal in Morocco. Beginning with the early metal scene, I trace through critical moments in its growth, building up to the origins of the Moroccan punk scene and the state of those subcultures in recent years. -
The History of Rock Music: the 2000S
The History of Rock Music: The 2000s History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2006 Piero Scaruffi) Rockers (These are excerpts from my book "A History of Rock and Dance Music") Eastern rockers TM, ®, Copyright © 2008 Piero Scaruffi All rights reserved. Jon Spencer Blues Explosion's influence (loud and sloppy garage-blues) was still felt throughout the country, as proven by the Immortal Lee County Killers in Alabama with The Essential Fuck-Up Blues (2001); the Black Keys in Ohio with The Big Come Up (2002); and by the Kills in Florida, playing the version popularized by the White Stripes on No Wow (2005). The Fiery Furnaces (4), formed by Matthew Friedberger and Eleanor Friedberger, siblings from Chicago who relocated to New York, exhibited a versatile and multi-faceted style on Gallowsbird's Bark (2003). Anti- crooning vocals and spiked guitar riffs as well as wildly unstable dynamics evoked the Rolling Stones at their most drunken/deranged, or Captain Beefheart's Magic Band fronted by Janis Joplin. At the same time the exuberant neglect of their arrangements was reminiscent of Pere Ubu. Blueberry Boat (2004) stretched out into longer and more ambitious songs, collages of genres and tours de force of arrangement (including electronic keyboards) that were meant to create a new form of musical theater. That form came to life on Rehearsing My Choir (2005), a work structured as a dialogue between an older woman and a younger one over a substratum of eccentric and cacophonous sounds. -
The Forty Nineteens Rebooted
New From Rock Ranch Records: The Forty Nineteens Rebooted US Release Date The Forty Nineteens' newest LP “Rebooted” takes a April 7, 2016 psychedelic garage rock trip down 1960’s Sunset Strip with the top down and the radio on. The door’s open, climb on in. Sirius/XM named Contact: Little Steven’s Underground Garage “I’m Free” as the “Coolest Song in the World” June 3, 2016. Nick Z The previous weeks “Coolest Song” was The Monkees [email protected] ‘Birth of an Accidental Hipster” A prestigious honor indeed. 1. I’m Free Dr Jiljoy: WNCD Youngstown 2. Best Days ‘Rebooted’ is way different than their previous efforts. 3. Wasn’t It You Influenced by mid 60’s Surf, Garage, Freakbeat and Neo 4. Disguise Psychedelia Paisley Underground, it reminds me of early 5. 383 Dodge Charger Doors and The Who.” 6. Get Myself a Selfie 7. Head Up Head High Rebooted is the third collaboration between 8. Stranger On the Shore the band and producer/engineer 9. True True True David Newton. The Mighty Lemon Drops 10. I Walked With a Zombie alum brings his style and knowledge of 11. Dance With Me the era to pull it all into focus. Returning on 12. Moonlight Drive keyboards is former Stevie Wonder sideman Kevin McCourt. Theremin sounds were handled by Jason ‘Mongoose’ Eoff of Los Straitjackets contemporaries The Outta Sites. Temecula California based, Detroit-born John Pozza (vocals/ bass), Chuck Gorian (guitar), Pittsburgh native Nick Zeigler (ex Mary’s Danish) on drums/vocals. They have been opening for such bands as The Fleshtones, Gin Blossoms, Robin Zander, and The Fixx.