Summer Reading an Introduction to Greek Mythology
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The Golden Age of Athens Bellringer: According to Pericles, What Attributes Made Athens Great?
The Golden Age of Athens Bellringer: According to Pericles, what attributes made Athens great? “...we have not forgotten to provide for our weary spirits many relaxations from toil; we have regular games and sacrifices throughout the year; our homes are beautiful and elegant; and the delight which we daily feel in all these things helps to banish sorrow. Because of the greatness of our city, the fruits of the whole earth flow in upon us; so that we enjoy the goods of other countries as freely as our own...To sum up: I say that Athens is the school of Hellas (Greece)...Such is the city for whose sake these men nobly fought and died…” - Pericles, Funeral Oration, in History of the Peloponnesian Wars by Thucydides Bellringer According to what we learned yesterday, why was the time period we’re studying considered a “Golden Age” for Athens? Bellringer The Greeks had contact with many different cultures throughout the ancient world. How did the Egyptians influence Greek culture? FLASHBACK! Why was the development of AGRICULTURE and DOMESTICATION of animals important? How did it change the way humans lived? Objective I can describe the Golden Age of Athens Bellringer After the events of the Persian Wars, Athens was in a state of destruction and had been ruthlessly destroyed by the armies of Xerxes. However, the years following the wars were a “golden age” for Athens. Why might this have happened? Objective I can analyze secondary sources about Ancient Greece The Greeks: Crucible of Civilization ● Pay attention and be respectful ● As you watch, answer the analysis questions (front side) ● Identify important people mentioned throughout (back side) The Parthenon: Design and Architecture ● Pay attention and be respectful ● As you watch, record contributions of Athenian culture to the US ● Differences of building techniques/Similarities between artisans ● Answer Analysis questions Learning Target Review Guide and Learning Stations ● Get your laptop from the cart. -
Diana (Old Lady) Apollo (Old Man) Mars (Old Man)
Diana (old lady) Dia. (shuddering.) Ugh! How cold the nights are! I don't know how it is, but I seem to feel the night air a great deal more than I used to. But it is time for the sun to be rising. (Calls.) Apollo. Ap. (within.) Hollo! Dia. I've come off duty - it's time for you to be getting up. Enter APOLLO. He is an elderly 'buck' with an air of assumed juvenility, and is dressed in dressing gown and smoking cap. Ap. (yawning.) I shan't go out today. I was out yesterday and the day before and I want a little rest. I don't know how it is, but I seem to feel my work a great deal more than I used to. Dia. I'm sure these short days can't hurt you. Why, you don't rise till six and you're in bed again by five: you should have a turn at my work and just see how you like that - out all night! Apollo (Old man) Dia. (shuddering.) Ugh! How cold the nights are! I don't know how it is, but I seem to feel the night air a great deal more than I used to. But it is time for the sun to be rising. (Calls.) Apollo. Ap. (within.) Hollo! Dia. I've come off duty - it's time for you to be getting up. Enter APOLLO. He is an elderly 'buck' with an air of assumed juvenility, and is dressed in dressing gown and smoking cap. -
The Hercules Story Pdf, Epub, Ebook
THE HERCULES STORY PDF, EPUB, EBOOK Martin W. Bowman | 128 pages | 01 Aug 2009 | The History Press Ltd | 9780752450810 | English | Stroud, United Kingdom The Hercules Story PDF Book More From the Los Angeles Times. The god Apollo. Then she tried to kill the baby by sending snakes into his crib. Hercules was incredibly strong, even as a baby! When the tasks were completed, Apollo said, Hercules would become immortal. Deianira had a magic balm which a centaur had given to her. July 23, Hercules was able to drive the fearful boar into snow where he captured the boar in a net and brought the boar to Eurystheus. Greek Nyx: The Goddess of the Night. Eurystheus ordered Hercules to bring him the wild boar from the mountain of Erymanthos. Like many Greek gods, Poseidon was worshiped under many names that give insight into his importance Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. Athena observed Heracles shrewdness and bravery and thus became an ally for life. The name Herakles means "glorious gift of Hera" in Greek, and that got Hera angrier still. Feb 14, Alexandra Dantzer. History at Home. Hercules was born a demi-god. On Wednesday afternoon, Sorbo retweeted a photo of some of the people who swarmed the U. Hercules could barely hear her, her whisper was that soft, yet somehow, and just as the Oracle had predicted to herself, Hera's spies discovered what the Oracle had told him. As he grew and his strength increased, Hera was evermore furious. -
The Art and Artifacts Associated with the Cult of Dionysus
Alana Koontz The Art and Artifacts Associated with the Cult of Dionysus Alana Koontz is a student at University of Wisconsin-Milwaukee graduating with a degree in Art History and a certificate in Ancient Mediterranean Studies. The main focus of her studies has been ancient art, with specific attention to ancient architecture, statuary, and erotic symbolism in ancient art. Through various internships, volunteering and presentations, Alana has deepened her understanding of the art world, and hopes to do so more in the future. Alana hopes to continue to grad school and earn her Master’s Degree in Art History and Museum Studies, and eventually earn her PhD. Her goal is to work in a large museum as a curator of the ancient collections. Alana would like to thank the Religious Studies Student Organization for this fantastic experience, and appreciates them for letting her participate. Dionysus was the god of wine, art, vegetation and also widely worshipped as a fertility god. The cult of Dionysus worshipped him fondly with cultural festivities, wine-induced ritualistic dances, 1 intense and violent orgies, and secretive various depictions of drunken revelry. 2 He embodies the intoxicating portion of nature. Dionysus, in myth, was the last god to be accepted at Mt Olympus, and was known for having a mortal mother. He spent his adulthood teaching the cultivation of grapes, and wine-making. The worship began as a celebration of culture, with plays and processions, and progressed into a cult that was shrouded in mystery. Later in history, worshippers would perform their rituals in the cover of darkness, limiting the cult-practitioners to women, and were surrounded by myth that is sometimes interpreted as fact. -
Forward and Backward Private Searchable Encryption from Constrained Cryptographic Primitives
Forward and Backward Private Searchable Encryption from Constrained Cryptographic Primitives Raphael Bost∗ Brice Minaudy Olga Ohrimenkoz Abstract Using dynamic Searchable Symmetric Encryption, a user with limited storage resources can securely outsource a database to an untrusted server, in such a way that the database can still be searched and updated efficiently. For these schemes, it would be desirable that updates do not reveal any information a priori about the modifications they carry out, and that deleted results remain inaccessible to the server a posteriori. If the first property, called forward privacy, has been the main motivation of recent works, the second one, backward privacy, has been overlooked. In this paper, we study for the first time the notion of backward privacy for searchable encryption. After giving formal definitions for different flavors of backward privacy, we present several schemes achieving both forward and backward privacy, with various efficiency trade-offs. Our constructions crucially rely on primitives such as constrained pseudo-random functions and punc- turable encryption schemes. Using these advanced cryptographic primitives allows for a fine-grained control of the power of the adversary, preventing her from evaluating functions on selected inputs, or de- crypting specific ciphertexts. In turn, this high degree of control allows our SSE constructions to achieve the stronger forms of privacy outlined above. As an example, we present a framework to construct forward-private schemes from range-constrained pseudo-random functions. Finally, we provide experimental results for implementations of our schemes, and study their practical efficiency. 1 Introduction Symmetric Searchable Encryption (SSE) enables a client to outsource the storage of private data to an untrusted server, while retaining the ability to issue search queries over the outsourced data. -
Two Cases of the Golden Age: the Hesiodic Utopia and the Platonic Ideal State
TWO CASES OF THE GOLDEN AGE: THE HESIODIC UTOPIA AND THE PLATONIC IDEAL STATE A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY GÜNEŞ VEZİR IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN THE DEPARTMENT OF PHILOSOPHY SEPTEMBER 2019 Approval of the Graduate School of Social Sciences Assoc. Prof. Dr. Sadettin Kirazcı Director (Acting) I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Arts. Prof. Dr. Halil Turan Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Master of Arts. Prof. Dr. Halil Turan Supervisor Examining Committee Members Assoc. Prof. Dr. Barış Parkan (METU, PHIL) Prof. Dr. Halil Turan (METU, PHIL) Assist. Prof. Dr. Refik Güremen (Mimar Sinan Fine Arts Uni., PHIL) I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last Name: Güneş Vezir Signature : iii ABSTRACT TWO CASES OF THE GOLDEN AGE: THE HESIODIC UTOPIA AND THE PLATONIC IDEAL STATE Vezir, Güneş MA, Department of Philosophy Supervisor: Prof. Dr. Halil Turan September 2019, 119 pages This study was prepared to give information about the Golden Age myth, and in this regard, to illustrate for what purposes and in which ways the myth is used by Hesiod and Plato and the interaction and similarities between these thinkers. -
Greek God Quiz Answer Sheet
Greek God Answer Key 1 - How would your friends describe you? A – Generous – point for Hepheastus B – Determined – point for Artemis, Hera C – Creative – point for Apollo, Demeter D – Stubborn – point for Zeus, Ares E - Go with the flow – point for Aphrodite, Poseidon F - Smarty Pants – point for Athena G - Silly – point for Dionysus, Hermes 2 - What colour are your eyes? A – Blue – point for Hermes, Poseidon B - Dark Brown – point for Dionysus, Ares C - Light Brown – point for Hepaestus, Apollo D – Hazel – point for Zeus, Artemis E – Gray – point for Athena, Aphrodite F – Green – point for Demeter, Hera 3 - What object would you most likely be found with? A - The latest gadget – point for Hermes, Hephaestus B - A video game – point for Artemis, Hera, Ares C - A musical instrument – point for Apollo, Aphrodite D - A book – point for Athena, Zeus E - A snack – point for Dionysus, Demeter F - Swimming or boating gear – point for Poseidon 4 - What’s your ideal vacation spot? A - The forest – point for Hermes, Artemis B - The beach – point for Poseidon, Aphrodite C - The mountains – point for Zeus, Hera D - An amusement park – point for Dionysus, Ares E - The big city - point for Hephaestus, Apollo F - The countryside – point for Athena, Demeter 5 - Which of these animals is your favourite? A – Eagle - point for Hermes, Zeus B – Pig – point for Demeter C – Owl – point for Hephaestus D – Peacock – point for Hera E – Deer – point for Artemis F – Dolphin – point for Poseidon G – Cow – point for Dionysus H – Horse – point for Athena, Apollo I -
The Mythological Image of the Prince in the Comedia of the Spanish Golden Age
University of Kentucky UKnowledge Theses and Dissertations--Hispanic Studies Hispanic Studies 2014 STAGING THESEUS: THE MYTHOLOGICAL IMAGE OF THE PRINCE IN THE COMEDIA OF THE SPANISH GOLDEN AGE Whitaker R. Jordan University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Jordan, Whitaker R., "STAGING THESEUS: THE MYTHOLOGICAL IMAGE OF THE PRINCE IN THE COMEDIA OF THE SPANISH GOLDEN AGE" (2014). Theses and Dissertations--Hispanic Studies. 15. https://uknowledge.uky.edu/hisp_etds/15 This Doctoral Dissertation is brought to you for free and open access by the Hispanic Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Hispanic Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Greek Myths Student Sample
CONTENTS Why Study Greek Mythology? ......................................................................................................................................5 How to Use This Guide ...................................................................................................................................................6 Lesson 1: Olden Times, Gaea, The Titans, Cronus (pp. 9-15) ....................................................................................8 Lesson 2: Zeus and his Family (pp. 16-21) .................................................................................................................10 Lesson 3: Twelve Golden Thrones (pp. 22-23) ...........................................................................................................12 Lesson 4: Hera, Hephaestus (pp. 24-29) .....................................................................................................................14 Lesson 5: Aphrodite, Ares, Athena (pp. 30-37) ..........................................................................................................16 Review Lesson: Lessons 1-5 ........................................................................................................................................18 Lesson 6: Poseidon, Apollo (pp. 38-43) .......................................................................................................................26 Lesson 7: Artemis, Hermes (pp. 44-55) .......................................................................................................................28 -
Calendar of Roman Events
Introduction Steve Worboys and I began this calendar in 1980 or 1981 when we discovered that the exact dates of many events survive from Roman antiquity, the most famous being the ides of March murder of Caesar. Flipping through a few books on Roman history revealed a handful of dates, and we believed that to fill every day of the year would certainly be impossible. From 1981 until 1989 I kept the calendar, adding dates as I ran across them. In 1989 I typed the list into the computer and we began again to plunder books and journals for dates, this time recording sources. Since then I have worked and reworked the Calendar, revising old entries and adding many, many more. The Roman Calendar The calendar was reformed twice, once by Caesar in 46 BC and later by Augustus in 8 BC. Each of these reforms is described in A. K. Michels’ book The Calendar of the Roman Republic. In an ordinary pre-Julian year, the number of days in each month was as follows: 29 January 31 May 29 September 28 February 29 June 31 October 31 March 31 Quintilis (July) 29 November 29 April 29 Sextilis (August) 29 December. The Romans did not number the days of the months consecutively. They reckoned backwards from three fixed points: The kalends, the nones, and the ides. The kalends is the first day of the month. For months with 31 days the nones fall on the 7th and the ides the 15th. For other months the nones fall on the 5th and the ides on the 13th. -
Title: Midas, the Golden Age Trope, and Hellenistic Kingship in Ovid's
Title: Midas, the Golden Age trope, and Hellenistic Kingship in Ovid’s Metamorphoses Abstract: This article proposes a sustained politicized reading of the myth of Midas in Ovid’s Metamorphoses. It argues that Midas stands, first, as the embodiment of failed, Hellenistic kingship, with its ostentatious display of wealth and heralding of a new Golden Age, and, second, as a warning against the infectious “love of gold”, to which Roman politicians are far from immune. While the capture of Silenus and the golden touch episode link Midas with the tropes of Hellenistic kingship, his involvement in the competition between Pan and Apollo raises questions about the tropes of Roman imperial power itself. 0 Midas, the Golden Age trope, and Hellenistic Kingship in Ovid’s Metamorphoses It might be heaven, this static Plenitude: apples gold on the bough, Goldfinch, goldfish, golden tiger cat stock - Still in one gigantic tapestry – Sylvia Plath, In Midas' Country Ovid provides the fullest and most elaborate account of the myth of Midas that has come down to us from Classical Antiquity. His version conflates what must have been three different myths involving the legendary Phrygian king: first, his encounter with or capture of Silenus, second, the gift of the golden touch, which turned into a curse, and third, his acquisition of ass’s ears –– in Ovid’s version as a punishment by Apollo for his musical preferences. Throughout the narrative (11.85-193) Midas emerges as a figure of ridicule, a man unable to learn from his mistakes1. Despite the amount of criticism that has focused on the Metamorphoses, this episode has attracted remarkably little attention. -
Myth Made Fact Lesson 7: Perseus with Dr
Myth Made Fact Lesson 7: Perseus with Dr. Louis Markos Outline: The four greatest heroes of Greek mythology: Perseus Jason Theseus Hercules Setting Hesiod was a contemporary of Homer, late 8th century. Hesiod lived in Greece as a farmer. The four ages of man: o Golden Age: Live close to nature, close to the gods, and close to ourselves, a world before greed, before man cut open the earth for rare metals to kill each other o Silver Age: long youth that was happy, but they became violent and foolish and they were hidden under the earth o Bronze Age: men were warlike and fierce o Iron Age: this is the current age, far away from the Golden Age, we’ve lost a sense of shame and piety, we’ve lost our center and our balance o This concept is ubiquitous, that we are falling away. Hesiod adds a fifth age between the Bronze and Iron, and he calls it the age of heroes. There is almost a rebirth of the Golden Age with soldiers who fight for honor. This is when basically all of Greek mythology takes place (1500 BC – 1150 BC). o The Trojan War is the end of the Golden Age. o Every Greek tragedy takes place during that Golden Age, except a play about the Persian War, which is written as though the Persian war is taken place in a mythic Golden Age. Perseus Perseus is the son of Zeus. Acrisios heard a prophecy that Danae will give birth to a child who will kill him, so he locks Danae in a tower.