The Day After Tomorrow
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EVIDENCE from DACA Elira Kuka Na'ama S
NBER WORKING PAPER SERIES DO HUMAN CAPITAL DECISIONS RESPOND TO THE RETURNS TO EDUCATION? EVIDENCE FROM DACA Elira Kuka Na'ama Shenhav Kevin Shih Working Paper 24315 http://www.nber.org/papers/w24315 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 February 2018 We would like to thank Anna Aizer, Catalina Amuedo-Dorantes, Elizabeth Cascio, Aimee Chin, Chloe East, Hilary Hoynes, Chris Karbownik, Melissa Kearney, Ethan Lewis, Dan Millimet, Matt Notowidigdo, Francesc Ortega, Marianne Page, Bruce Sacerdote, Diane Schanzenbach, and Doug Staiger, as well as seminar participants at Northwestern MPES, University of Connecticut, Oklahoma State University, the US Census Bureau, and conference participants at the Barcelona GSE Summer Forum Migration meeting, UC Davis Alumni Conference, WEAI Conference, SEA Conference, SOLE Annual Meeting, and AEA Annual Meeting for helpful suggestions and feedback. We are also grateful to Marcella Alsan for her feedback and for generously sharing data on Secure Communities activation dates with us. The views expressed herein are those of the authors and do not necessarily reflect the views of the National Bureau of Economic Research. NBER working papers are circulated for discussion and comment purposes. They have not been peer- reviewed or been subject to the review by the NBER Board of Directors that accompanies official NBER publications. © 2018 by Elira Kuka, Na'ama Shenhav, and Kevin Shih. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. Do Human Capital Decisions Respond to the Returns to Education? Evidence from DACA Elira Kuka, Na'ama Shenhav, and Kevin Shih NBER Working Paper No. -
World Bank Document
WPS6567 Policy Research Working Paper 6567 Public Disclosure Authorized Is Small Better? A Comparison of the Effect of Large and Small Dams Public Disclosure Authorized on Cropland Productivity in South Africa Elodie Blanc Eric Strobl Public Disclosure Authorized The World Bank Public Disclosure Authorized Development Economics Vice Presidency Partnerships, Capacity Building Unit August 2013 Policy Research Working Paper 6567 Abstract This study estimates and compares the effects of small effect on cropland within the vicinity. However, their and large irrigation dams on cropland productivity in existence can enhance the relatively small positive impact South Africa. To this end, a panel data set of South of local small dams. Although a cost-benefit analysis of African river basins is constructed. The econometric irrigation benefits shows that small dams may be more analysis reveals that although large dams increase viable than large ones, large dams can play a potentially cropland productivity downstream, they have a negative important role within a system of both types of dams. This paper is a product of the Partnerships, Capacity Building Unit, Development Economics Vice Presidency. It is part of a larger effort by the World Bank to provide open access to its research and make a contribution to development policy discussions around the world. Policy Research Working Papers are also posted on the Web at http://econ.worldbank.org. The authors may be contacted at is [email protected]. The Policy Research Working Paper Series disseminates the findings of work in progress to encourage the exchange of ideas about development issues. An objective of the series is to get the findings out quickly, even if the presentations are less than fully polished. -
Promotion, Turnover and Satisfaction in the Army Civilian Workforce
Dissertation Promotion, Turnover, and Satisfaction in the Army Civilian Workforce An Analysis of Features of Occupation Ladders and Employee Perspectives of the Work Environment Christina E. Steiner This document was submitted as a dissertation in December 2018 in partial fulfillment of the requirements of the doctoral degree in public policy analysis at the Pardee RAND Graduate School. The faculty committee that supervised and approved the dissertation consisted of of Lawrence M. Hanser (Chair), Shanthi Nataraj, Gery Ryan, and Curt Gilroy (outside reader). PARDEE RAND GRADUATE SCHOOL For more information on this publication, visit http://www.rand.org/pubs/rgs_dissertations/RGSD434.html Published 2019 by the RAND Corporation, Santa Monica, Calif. R® is a registered trademark Limited Print and Electronic Distribution Rights This document and trademark(s) contained herein are protected by law. This representation of RAND intellectual property is provided for noncommercial use only. Unauthorized posting of this publication online is prohibited. Permission is given to duplicate this document for personal use only, as long as it is unaltered and complete. Permission is required from RAND to reproduce, or reuse in another form, any of its research documents for commercial use. For information on reprint and linking permissions, please visit www.rand.org/pubs/permissions.html. The RAND Corporation is a research organization that develops solutions to public policy challenges to help make communities throughout the world safer and more secure, healthier and more prosperous. RAND is nonprofit, nonpartisan, and committed to the public interest. RAND’s publications do not necessarily reflect the opinions of its research clients and sponsors. -
Independence Day: Resurgence
INDEPENDENCE DAY: RESURGENCE (2016) ● Rated PG 13 for sequences of sci fi action and destruction, and for some language ● $165,000,000 budget ● 2 hrs ● Directed by Roland Emmerich ● Produced by Lynn Harris, Matti Leshem, Douglas C. Merrifield ● The film was produced by Columbia Pictures, Sony Pictures QUICK THOUGHTS ● Phil Svitek ● Marisa Serafini ● Demetri Panos ● Sara Stretton DEVELOPMENT ● The possibility of a sequel to Independence Day had long been discussed, and the film's producer and writer, Dean Devlin, once stated that the world's reaction to the September 11 attacks influenced him to strongly consider making a sequel to the film ● Soon after the success of the first film, 20th Century Fox paid Dean Devlin a large sum of money to write a script for a sequel. However, after completing the script, Devlin didn't turn in the script and instead gave the money back to the studio, as he felt the story didn't live up to the first film. It was only approximately 15 years later, that Devlin met up with Roland Emmerich to try again, having felt that they had "cracked" a story for a sequel ● Devlin began writing an outline for a script with Emmerich, but in May 2004, Emmerich said he and Devlin had attempted to "figure out a way how to continue the story", but that this ultimately did not work, and the pair abandoned the idea ● In October 2009, Emmerich said he once again had plans for a sequel, and had since considered the idea of making two sequels to form a trilogy ● On June 24, 2011, Devlin confirmed that he and Emmerich had found an idea for the sequels and had written a treatment for it ● In October 2011, however, discussions for Will Smith returning were halted, due to Fox's refusal to provide the $50 million salary demanded by Smith for the two sequels ● Emmerich, however, made assurances that the films would be shot backtoback, regardless of Smith's involvement ○ Resurgence filmmakers were reported to be preparing versions of the film both with and without Will Smith. -
The Day After Tomorrow: Public Opinion on Climate Change
The Day After Tomorrow: Public Opinion on Climate Change by Andrew Norton and John Leaman May 2004 MORI Social Research Institute The Day After Tomorrow. Public Opinion on Climate Change Introduction This report presents the findings of recent research conducted by MORI Social Research Institute assessing public opinion on, and attitudes towards, climate change and global warming. In recent months, there has been an upsurge of interest in global warming, as highlighted by the publication of satellite evidence confirming stratospheric warming,! debate about the impact of global warming on wildlife," and dire predictions of the impacts of sea level rise#$%%% The film The Day After Tomorrow – released on 28 May – will only serve to increase media interest in this issue. This end-of-the-world disaster film provides an ecological horror story about climate change, where Los Angeles is destroyed by tornados, New York is drowned by a tidal wave and Europe freezes with the onset of a new ice age. The film will have a potential audience of 500 million people, and is set to put climate change on the “mainstream” agenda. Environmentalists hope that the Hollywood blockbuster will change people’s perceptions about climate change, while others have warned that the film is a manipulation of science to serve a political agenda. In line with international efforts to gain agreement on curbing carbon emissions – the gases that contribute towards the global warming – the Government has long been committed to moving the UK to a ‘low carbon economy’. This commitment can be traced to the climate change convention that was agreed at the Earth Summit in Rio de Janeiro in 1992.& The ratification of the Kyoto Agreement in 2002 committed the UK to reducing carbon emissions by 12.5% below 1990 levels by 2008-2012. -
March 25—Minutes
VIRTUAL MEETING OF THE BOARD OF DIRECTORS March 25, 2021 at 4:00 pm MINUTES Directors Present: Basil Seggos, Chair Vicki Been Leslie Wright for Director Kulleseid Michael Kuh Rose Harvey Sarah Nielson for Director Silver Aloysee Heredia Jarmoszuk Jeffrey Kaplan Purnima Kapur Lowell Kern Pamela Frederick Lawrence Goldberg Appearances: Hudson River Park Trust: Noreen Doyle, Acting President and CEO Daniel Kurtz, CFO and Executive Vice President, Finance & Real Estate Christine Fazio, General Counsel Also Present: Connie Fishman, Hudson River Park Friends Jeffrey LeFrancois, Advisory Council Chair 1 With a quorum being present, Chair Seggos called to order the March 25, 2021 meeting of the Hudson River Park Trust Board of Directors. He explained that due to the coronavirus pandemic and consistent with Governor Cuomo’s Executive Order 202.1 issued on March 12, 2020, this meeting is being held remotely via a Zoom teleconference enabling participation of the Directors and the general public. Chair Seggos then noted that all Directors have received the Agenda materials in advance of this meeting and are free to ask questions or comment at any time on the action items submitted for approval today. Chair Seggos further noted that questions or comments from the audience will not be entertained at this meeting. I note that the Board memos and resolutions on today’s agenda have been posted on the Trust website in the link entitled Board Meetings, Bylaws and Other Materials under Board Agendas and Minutes and thus are available to the public. Chair -
A Film That Could Warm up the Debate on Global Warming
The New York Times > Opinion > Editorial Observer: A Film That Could Warm Up the Debate on G... May 27, 2004 EDITORIAL OBSERVER A Film That Could Warm Up the Debate on Global Warming By ROBERT B. SEMPLE. Jr. ven as a summer disaster film, "The Day After Tomorrow" does not rank with the greats of yesteryear. Its dialogue is overwrought, its symbolism sophomoric, its subplots annoyingly irrelevant and its relationship to scientific reality tenuous at best. But the special effects are terrific, and the timing couldn't be better. Scientists, environmentalists and a few lonely politicians have been trying without great success to get the public and the Bush administration to take global warming seriously, and to inject the issue into a presidential campaign that so far seems determined to ignore it. Whatever its flaws, "The Day After Tomorrow"' could do more to elevate the issue than any number of Congressional hearings or high-minded tracts. That's one reason the American Museum of Natural History in Manhattan was happy to present the premiere in a theater not far from its Hall of Biodiversity, biodiversity being one of global warming's most likely victims. It's also a reason why mainstream environmental groups have rushed to offer sage commentary on what, after all, is just a mindless summer blockbuster. One group, the Worldwatch Institute, goes so far as to offer on its Web site energy-saving tips on how to ensure "a better day after tomorrow." It exhorts the 20 million Americans the producers hope to draw to the movie to install more efficient shower heads to cut down on hot water use, and to ride bikes to the theater instead of driving. -
Nov 2019-Jan 2020 Grand
THE OFFICIAL MAGAZINE OF GRAND CINEMAS GRANDFREE NOV 2019-JAN 2020 20202020 MUSTMUST LISTLIST ONE ON ONEi with thei massivei A-list castiMIDWAY THETHE BATTLEBATTLE THATTHAT TURNEDTURNED THETHE TIDESTIDES OFOF WARWAR Movie_Guide_16.5x23.5.pdf 1 10/11/19 10:54 AM C M Y CM MY CY CMY K GOGRAND #alwaysentertaining SOCIALISE TALK MOVIES, WIN PRIZES @GCLEBANON CL BOOK NEVER MISS A MOVIE WITH E/TICKET, E/KIOSK AND THE GC MOBILE APP. EXPERIENCE FIRSTWORD ISSUE 126 FEAT. DOLBY ATMOS A nation makes a stand As we approach the end of an eventful 2019, we are once again LOCATIONS reminded of the power of film to inspire and move us, and to commemorate those pivotal moments in history that define nations. LEBANON KUWAIT We salute the Lebanese people, and wish one and all a prosperous GRAND CINEMAS GRAND AL HAMRA ABC VERDUN LUXURY CENTER new year that lives up to our promise and expectations for a brighter 01 795 697 +965 222 70 334 future. Here’s to the beginning of a new era in 2020. MX4D featuring MX4D ATMOS DOLBY ATMOS Our SPOTLIGHT feature is a fitting tribute to historical moments. GRAND CLASS GRAND GATE MALL Acclaimed director Roland Emmerich gathers an army of stars — +965 220 56 464 GRAND CINEMAS among them Ed Skrein, Patrick Wilson, Mandy Moore and Nick Jonas ABC ACHRAFIEH 01 209 109 — to tell the epic true story of Midway, the battle that turned the tides 70 415 200 NEW of war. FAMILY FIESTA rounds up the kids’ favourites, including Frozen GRAND GRAND CINEMAS CINEMAS II and Norm of the North 3. -
A Content Analysis of Liberals' and Conservatives' Respective
Georgia State University ScholarWorks @ Georgia State University Sociology Theses Department of Sociology 1-6-2017 Red Show, Blue Show: A Content Analysis of Liberals’ and Conservatives’ Respective Television Favorites Nicholas Rogers Follow this and additional works at: https://scholarworks.gsu.edu/sociology_theses Recommended Citation Rogers, Nicholas, "Red Show, Blue Show: A Content Analysis of Liberals’ and Conservatives’ Respective Television Favorites." Thesis, Georgia State University, 2017. https://scholarworks.gsu.edu/sociology_theses/63 This Thesis is brought to you for free and open access by the Department of Sociology at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Sociology Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. RED SHOW, BLUE SHOW: A CONTENT ANALYSIS OF LIBERALS’ AND CONSERVATIVES’ RESPECTIVE TELEVISION FAVORITES by NICK ROGERS Under the Direction of Ben L. Kail, PhD ABSTRACT Ideological partisans in the United States are increasingly “sorting” themselves along cultural lines, from the cable news stations they watch to the chain restaurants they prefer. How do partisans seem to “know” how to sort themselves along ideological lines in cultural realms that offer no obvious political cues? To investigate this question, I look to the realm of narrative television, where conservatives and liberals have certain unique favorite programs despite the programs lacking any overt political content. I employ a quantitative content analysis to demonstrate that the substance of these polarizing shows relate to the social traits of curiosity, conformity, relativism, dogmatism, tribalism, vigilance, and chastity, which have previously been demonstrated to correspond to political ideology. -
Tim Burgard IATSE 800 & 839 Film Credits Caesar: Rise of the Apes
Tim Burgard IATSE 800 & 839 Film Credits Feature Director Caesar: Rise of the Apes Rupert Wyatt The Help Tate Taylor 20,000 Leagues Under the Sea: Mc G Captain Nemo Thor Kenneth Branagh Percy Jackson: The Lightning Thief Chris Columbus Salt Phillip Noyce 2012 Roland Emmerich The Ruins Carter Smith Wolverine Gavin Hood Blood the Last Vampire Chris Nahon Norbit Brian Robbins Next Lee Tamahori Garfield 2 Tim Hill The Incredible Hulk Louis Leterrier Evan Almighty Tom Shadyac X-Men: The Last Stand Brett Ratner Fun with Dick and Jane Dean Parisot Bewitched Robert Stadd Son of the Mask Larry Guterman Me Again Dean Parisot Cursed Wes Craven The Day After Tomorrow Roland Emmerich Domestic Disturbance Harold Becker Scorpion King Chuck Russell Mothman Prophecies Mark Pellington Ali Michael Mann Rush Hour 2 Brent Ratner Diablo F. Gary Gray Swordfish Dominic Sena The New Guy Ed Decter Pluto Nash Ron Underwood Down and Under David McNally The Patriot Roland Emmerich The Red Planet Anthony Hoffman Mission to Mars Brian dePalma Dungeons & Dragons Cory Solomon Stuart Little Rob Minkoff Inspector Gadget David Kellogg Small Soldiers Joe Dante Supernova Walter Hill 20 Billion Michael Tolkin Mighty Joe Young Ron Underwood Superman Returns John Sheehy Virus John Bruno Batman and Robin Joel Schumacher Chain Reaction Andrew Davis Mars Attacks! Tim Burton The Borrowers Michael McAlister The Phantom Joe Dante Jumanji Joe Johnston Tank Girl Rachel Talalay Cutthroat Island Renny Harlin Terminal Velocity Deran Sarafian Holy Matrimony Leonard Nimoy Stargate Roland -
Midway Production Notes
MIDWAY PRODUCTION NOTES https://www.lionsgatepublicity.com/theatrical/midway For more information, please contact: Meghann Burns Lionsgate 2700 Colorado Avenue Santa Monica, CA 90404 P: 310-255-3999 E: [email protected] MIDWAY LIONSGATE ENTERTAINMENT Official Site: Publicity Materials: http://www.lionsgatepublicity.com/theatrical/midway/ Facebook: @MidwayMovie Twitter: @MidwayMovie Instagram: @MidwayMovie Hashtag: #MidwayMovie Genre: Action, Drama Rating: PG-13 For sequences of war violence and related images, language and smoking. U.S. Release Date: November 8, 2019 Running Time: 138 minutes Cast: Ed Skrein, Patrick Wilson, Luke Evans, Aaron Eckhart, Nick Jonas, Etsushi Toyokawa, Tadanobu Asano, Luke Kleintank, Jun Kunimura, Darren Criss, Keean Johnson, Alexander Ludwig, with Mandy Moore, Dennis Quaid and Woody Harrelson Directed by: Roland Emmerich Written by: Wes Tooke Produced by: Harald Kloser Credits not contractual SYNOPSIS: MIDWAY centers on the Battle of Midway, a clash between the American fleet and the Imperial Japanese Navy which marked a pivotal turning point in the Pacific Theater during WWII. The film, based on the real-life events of this heroic feat, tells the story of the leaders and sailors who used their instincts, fortitude and bravery to overcome the odds. ONE-LINE: The story of the Battle of Midway, told through the experiences of the WWII leaders and sailors who fought it. 2 MIDWAY “You could ask, how could I fly against these odds, knowing that I probably wasn’t going to come back. Those men were my brothers. I would have flown with them straight into hell. - Dick Best MIDWAY centers on the Battle of Midway, a clash between the American fleet and Imperial Japanese Navy, which marked a turning point in the Pacific Theater during World War II. -
Hollywood and Climate Change
Ecocinema-00-c.qxd 23/7/12 12:00 Page iii ECOCINEMA THEORY AND PRACTICE EDITED BY STEPHEN RUST, SALMA MONANI, AND SEAN CUBITT Ecocinema-00-c.qxd 23/7/12 12:00 Page iv First published 2013 by Routledge 711 Third Avenue, New York, NY 10017 Simultaneously published in the UK by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Routledge is an imprint of the Taylor & Francis Group, an informa business © 2013 Taylor & Francis The right of the editors to be identified as the author of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging in Publication Data Ecocinema theory and practice / edited by Stephen Rust, Salma Monani, and Sean Cubitt. p. cm. — (AFI film readers) Includes bibliographical references and index. 1. Environmental protection and motion pictures. 2. Environmentalism in motion pictures. 3. Ecology in motion pictures. 4. Documentary films—History and criticism. 5. Motion pictures—United