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Megui) Recommended Fix: Download Here
Join Forum | Login | Today's Posts | Tutorials | Windows 10 Forum | Windows 8 Forum Windows 7 Help Forums Windows 7 help and support Tutorials » Windows 7: Video Encoding x264 (MeGUI) Recommended Fix: Download Here Page 1 of 3 1 2 3 > Video Encoding (Using MeGUI x264 Encoder) MeGUI x264 Video Encoding Published by Wishmaster 15 Aug 2010 --How to Setup & Encode Content with MeGUI x264 Published by Encoder-- This tutorial will show you how to use MeGUI to create a MP4 or MKV file for your Media Center collection, from your legally owned DVD collection. Wishmaster I will not cover how to decrypt. This tutorial will be in 2 parts: Part 1: Installing,setting up,and configuring everything needed as well as the configuring the encoder itself. Part 2: The actual encoding process. Theres alot of info. to cover so lets get started. Step 1: The Essential Tools & Utilities 1) Shark007's Codec pack (optional) If you plan on using WMC for playback, and wish to use FFDshow as the decoder, you will need the 64bit add on as well. However, for the purposes of MeGUI, only the 32bit package is needed. [Please Note] You do not actually need any 3rd party Codecs such as FFDShow or Sharks codec pack. Both DVD and BluRay can be indexed and encoded with built in codecs. Extracting BluRay video streams to MKV format is the easiest way to work with them. You will need Haali splitter for these MKVs but if using Shark007s package, it is included.. You will need it only if you decide not to use this codec package. -
Downloads PC Christophe Fantoni Downloads PC Tous Les Fichiers
Downloads PC Christophe Fantoni Downloads PC Tous les fichiers DirectX 8.1 pour Windows 9X/Me Indispensable au bon fonctionnement de certain programme. Il vaut mieux que DirectX soit installé sur votre machine. Voici la version française destinée au Windows 95, 98 et Millenium. Existe aussi pour Windows NT et Windows 2000. http://www.christophefantoni.com/fichier_pc.php?id=46 DirectX 8.1 pour Windows NT/2000 Indispensable au bon fonctionnement de certain programme. Il vaut mieux que DirectX soit installé sur votre machine. Voici la version française destinée à Windows Nt et Windows 2000. Existe aussi pour Windows 95, 98 et Millenium. http://www.christophefantoni.com/fichier_pc.php?id=47 Aspi Check Permet de connaitre la présence d'unc couche ASPI ainsi que le numéro de version de cette couche éventuellement présente sur votre système. Indispensable. http://www.christophefantoni.com/fichier_pc.php?id=49 Aspi 4.60 Ce logiciel freeware permet d'installer une couche ASPI (la 4.60) sur votre système d'exploitation. Attention, en cas de problème d'installation de cette version originale, une autre version de cette couche logiciel est également présente sur le site. De plus, Windows XP possede sa propre version de cette couche Aspi, version que vous trouverez également en télécharegement sur le site. Absolument indispensable. http://www.christophefantoni.com/fichier_pc.php?id=50 DVD2AVI 1.76 Fr Voici la toute première version du meilleur serveur d'image existant sur PC. Version auto-installable, en français, livré avec son manuel, également en français. Le tout à été traduit ou rédigé par mes soins.. -
Perceived Audio Quality of Realistic FM and DAB+ Radio Broadcasting Systems
PAPERS Perceived Audio Quality of Realistic FM and DAB+ Radio Broadcasting Systems JAN BERG,1 AES Member, CHRISTOFER BUSTAD2, ([email protected],) ([email protected],) LARS JONSSON,2 AES Member, LARS MOSSBERG2, AND DAN NYBERG,1,3 AES Member ([email protected],) ([email protected]) ([email protected]) 1Lulea˚ University of Technology, Pitea,˚ Sweden 2Swedish Radio, Stockholm, Sweden 3Swedish National Laboratory of Forensic Science – SKL, Linkoping,¨ Sweden The perceived audio quality of a digital broadcasting system such as DAB+ is dependent on what type of coding and bit rates are applied. Due to bandwidth constraints, audio quality is prone to be in conflict with other service demands such as the number of channels and the transfer of ancillary data. Compared to DAB+, several other audio services have superior bit rates that challenge the audio quality of DAB+. This paper reviews audio-quality criteria and investigates how the perceived audio quality of different broadcasting systems complies with the criteria. Two studies were conducted: Test 1 where DAB+ codecs were tested at bit rates between 96 and 192 kbit/s and Test 2 where DAB+ systems between 48 and 192 kbit/s as well as FM systems were tested. The systems in Test 2 were designed to as far as possible model a realistic broadcasting signal chain including commonly used dynamic processors. The studies were realized through two listening experiments using the ITU-R recommendations BS.1116 and BS.1534 (MUSHRA) followed by a closing interview. The results showed that the currently highest available subchannel bit rate for DAB+ (192 kbit/s) was insufficient for attaining perceptually transparent quality for critical items, whereas it enabled a quality comparable to or in some instances better than a modern FM system. -
Forcepoint DLP Supported File Formats and Size Limits
Forcepoint DLP Supported File Formats and Size Limits Supported File Formats and Size Limits | Forcepoint DLP | v8.8.1 This article provides a list of the file formats that can be analyzed by Forcepoint DLP, file formats from which content and meta data can be extracted, and the file size limits for network, endpoint, and discovery functions. See: ● Supported File Formats ● File Size Limits © 2021 Forcepoint LLC Supported File Formats Supported File Formats and Size Limits | Forcepoint DLP | v8.8.1 The following tables lists the file formats supported by Forcepoint DLP. File formats are in alphabetical order by format group. ● Archive For mats, page 3 ● Backup Formats, page 7 ● Business Intelligence (BI) and Analysis Formats, page 8 ● Computer-Aided Design Formats, page 9 ● Cryptography Formats, page 12 ● Database Formats, page 14 ● Desktop publishing formats, page 16 ● eBook/Audio book formats, page 17 ● Executable formats, page 18 ● Font formats, page 20 ● Graphics formats - general, page 21 ● Graphics formats - vector graphics, page 26 ● Library formats, page 29 ● Log formats, page 30 ● Mail formats, page 31 ● Multimedia formats, page 32 ● Object formats, page 37 ● Presentation formats, page 38 ● Project management formats, page 40 ● Spreadsheet formats, page 41 ● Text and markup formats, page 43 ● Word processing formats, page 45 ● Miscellaneous formats, page 53 Supported file formats are added and updated frequently. Key to support tables Symbol Description Y The format is supported N The format is not supported P Partial metadata -
Volume 2 – Vidéo Sous Linux
Volume 2 – Vidéo sous linux Installation des outils vidéo V6.3 du 20 mars 2020 Par Olivier Hoarau ([email protected]) Vidéo sous linux Volume 1 - Installation des outils vidéo Volume 2 - Tutoriel Kdenlive Volume 3 - Tutoriel cinelerra Volume 4 - Tutoriel OpenShot Video Editor Volume 5 - Tutoriel LiVES Table des matières 1 HISTORIQUE DU DOCUMENT................................................................................................................................4 2 PRÉAMBULE ET LICENCE......................................................................................................................................4 3 PRÉSENTATION ET AVERTISSEMENT................................................................................................................5 4 DÉFINITIONS ET AUTRES NOTIONS VIDÉO......................................................................................................6 4.1 CONTENEUR................................................................................................................................................................6 4.2 CODEC.......................................................................................................................................................................6 5 LES OUTILS DE BASE POUR LA VIDÉO...............................................................................................................7 5.1 PRÉSENTATION.............................................................................................................................................................7 -
Pipenightdreams Osgcal-Doc Mumudvb Mpg123-Alsa Tbb
pipenightdreams osgcal-doc mumudvb mpg123-alsa tbb-examples libgammu4-dbg gcc-4.1-doc snort-rules-default davical cutmp3 libevolution5.0-cil aspell-am python-gobject-doc openoffice.org-l10n-mn libc6-xen xserver-xorg trophy-data t38modem pioneers-console libnb-platform10-java libgtkglext1-ruby libboost-wave1.39-dev drgenius bfbtester libchromexvmcpro1 isdnutils-xtools ubuntuone-client openoffice.org2-math openoffice.org-l10n-lt lsb-cxx-ia32 kdeartwork-emoticons-kde4 wmpuzzle trafshow python-plplot lx-gdb link-monitor-applet libscm-dev liblog-agent-logger-perl libccrtp-doc libclass-throwable-perl kde-i18n-csb jack-jconv hamradio-menus coinor-libvol-doc msx-emulator bitbake nabi language-pack-gnome-zh libpaperg popularity-contest xracer-tools xfont-nexus opendrim-lmp-baseserver libvorbisfile-ruby liblinebreak-doc libgfcui-2.0-0c2a-dbg libblacs-mpi-dev dict-freedict-spa-eng blender-ogrexml aspell-da x11-apps openoffice.org-l10n-lv openoffice.org-l10n-nl pnmtopng libodbcinstq1 libhsqldb-java-doc libmono-addins-gui0.2-cil sg3-utils linux-backports-modules-alsa-2.6.31-19-generic yorick-yeti-gsl python-pymssql plasma-widget-cpuload mcpp gpsim-lcd cl-csv libhtml-clean-perl asterisk-dbg apt-dater-dbg libgnome-mag1-dev language-pack-gnome-yo python-crypto svn-autoreleasedeb sugar-terminal-activity mii-diag maria-doc libplexus-component-api-java-doc libhugs-hgl-bundled libchipcard-libgwenhywfar47-plugins libghc6-random-dev freefem3d ezmlm cakephp-scripts aspell-ar ara-byte not+sparc openoffice.org-l10n-nn linux-backports-modules-karmic-generic-pae -
Présentation De Quelques Outils D'édition Audio & Vidéo Libres Et Des
Séance publique d’Infothema du 12 janvier 2013 à Belle-Isle-en-Terre Présentation de quelques outils d’édition audio & vidéo libres et des codecs, formats & Présentation de quelques outils d’édition audio conteneurs libres & vidéo libres et des codecs, formats & Julien Henry conteneurs libres Présentation de quelques outils d’édition audio & vidéo Julien Henry libres Présentation des codecs Infothema libres, formats et conteneurs libres 12 janvier 2013 Sources Sommaire Présentation de quelques outils d’édition audio & vidéo libres et des codecs, formats & 1 Présentation de quelques outils d’édition audio & vidéo conteneurs libres libres Julien Henry Présentation de quelques 2 Présentation des codecs libres, formats et conteneurs libres outils d’édition audio & vidéo libres Présentation des codecs 3 Sources libres, formats et conteneurs libres Sources Outils d’édition vidéo libres Présentation de quelques outils d’édition audio & vidéo libres et des Kino codecs, formats & PiTiVi conteneurs libres OpenShot Julien Henry LiVES Présentation de quelques Kdenlive outils d’édition audio & vidéo Lumiera libres Présentation Avidemux des codecs libres, formats EKD et conteneurs libres Jahshaka Sources Outils d’édition audio libres Présentation de quelques outils d’édition audio & vidéo libres et des Audacity codecs, formats & Ardour conteneurs libres Qtractor Julien Henry Traverso Présentation de quelques Ecasound outils d’édition audio & vidéo Snd libres Présentation Kwave des codecs libres, formats Mhwaveedit et conteneurs libres Non-DAW Sources -
MJPEG HOWTO − an Introduction to the MJPEG−Tools MJPEG HOWTO − an Introduction to the MJPEG−Tools Table of Contents
MJPEG HOWTO − An introduction to the MJPEG−tools MJPEG HOWTO − An introduction to the MJPEG−tools Table of Contents MJPEG HOWTO − An introduction to the MJPEG−tools............................................................................1 Praschinger Bernhard...............................................................................................................................1 1. Introduction..........................................................................................................................................1 2. Unsorted list of useful Hints................................................................................................................2 2.1 Some books we found usefull............................................................................................................4 3. Recording videos.................................................................................................................................4 3.1 lavrec examples..................................................................................................................................4 3.2 Other recording hints.........................................................................................................................6 3.3 Some information about the typical lavrec output while recording...................................................6 3.4 Notes about "interlace field order − what can go wrong and how to fix it"......................................7 There are three bad things that can happen -
Das Encodingwissen 2008-02-02.Pdf
Brother John Das Encodingwissen DVD-Backup nach MPEG-4 Revision 220 vom 2. Februar 2008 http://encodingwissen.de Revision 220 Inhalt Inhalt Vorwort und Wegweiser ..................................................................................... VI Philosophie des Encodingwissens ..................................................................... VIII Teil A Hintergrundwissen ...................................................................... 1 A.1 Grundlagen ....................................................................................... 3 A.1.1 Der Nutzen der Kompression .............................................................. 3 A.1.2 Die Videokompression ......................................................................... 6 A.1.2.1 Intraframe-Kompression .............................................................................. 6 A.1.2.2 Interframe-Kompression .............................................................................. 10 A.1.3 Die Audiokompression ......................................................................... 13 A.1.4 Bestandteile eines Films ....................................................................... 16 A.1.5 Der Ablauf eines Encodings Schritt für Schritt ..................................... 19 A.2 Der Formatedschungel .................................................................. 22 A.2.1 Video- und Audioformate ..................................................................... 22 A.2.2 Das Format der DVD ........................................................................... -
Rozprawa Doktorska
POLITECHNIKA WARSZAWSKA Wydział Elektroniki i Technik Informacyjnych ROZPRAWA DOKTORSKA mgr inz.˙ Grzegorz Brzuchalski Optymalizacja algorytmów kwantyzacji w kodowaniu d´zwi˛eku Promotor prof. dr hab. inz.˙ Władysław Skarbek Warszawa 2015 Pobrano z http://repo.pw.edu.pl / Downloaded from Repository of Warsaw University of Technology 2021-10-07 Pobrano z http://repo.pw.edu.pl / Downloaded from Repository of Warsaw University of Technology 2021-10-07 Serdecznie dzi˛ekuj˛e: Bogu, memu Panu i Zbawicielowi za zycie˙ i mozliwo˙ s´c´ napisanie tej pracy Zonie˙ Karolinie Dzieciom: Pawełkowi i Asi oraz Rodzicom za cierpliwos´c´ i wsparcie Profesorowi Władysławowi Skarbkowi za pomoc i wskazówki, którymi mnie wspomógł Grzegorzowi Pastuszakowi za inspiracj˛e,motywacj˛ei wszelk ˛aniezb˛edn˛apomoc kolegom z Zakładu Telewizji za wszelk ˛apomoc jakiej udzielili Przyjaciołom za pomoc w odsłuchach Pracownikom Zakładu Elektroakustyki za mozliwo˙ s´c´ przeprowadzenia testów odsłuchowych Fundacji Wspierania Rozwoju Radiokomunikacji i Technik Multimedialnych za przyznane stypendium doktoranckie, które przyspieszyło finalizacj˛eniniejszej rozprawy iii Pobrano z http://repo.pw.edu.pl / Downloaded from Repository of Warsaw University of Technology 2021-10-07 Pobrano z http://repo.pw.edu.pl / Downloaded from Repository of Warsaw University of Technology 2021-10-07 Streszczenie W niniejszej rozprawie przeanalizowano szereg algorytmów modelu psychoakustycznego oraz algorytmów alokacji bitów w koderze audio. Wprowadzono modyfikacje niektórych algorytmów oraz zaproponowano algorytm równych współczynników kwantyzacji (ESF) nie wykorzystuj ˛acy modelu psychoakustycznego. Porównano zaimplementowane algorytmy oraz wykazano, ze˙ ESF uzyskuje podobne wyniki do algorytmów korzystaj ˛acych z modelu psychoakustycznego. Zaproponowano takze˙ algorytm wyrównywania poziomów energii w pasmach cz˛estotliwosciowych´ w kilku odmianach. Dwa warianty – modyfikacji współczynników kwantyzacji i modyfikacji offsetów – pozwalaj ˛ana polepszenie jakosci´ kodowanych sekwencji. -
Audio Signal Representations for Indexing in the Transform Domain Emmanuel Ravelli, Gael Richard, Laurent Daudet
Audio signal representations for indexing in the transform domain Emmanuel Ravelli, Gael Richard, Laurent Daudet To cite this version: Emmanuel Ravelli, Gael Richard, Laurent Daudet. Audio signal representations for indexing in the transform domain. IEEE Transactions on Audio, Speech and Language Processing, Institute of Elec- trical and Electronics Engineers, 2010. hal-02652798 HAL Id: hal-02652798 https://hal.archives-ouvertes.fr/hal-02652798 Submitted on 29 May 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. 1 Audio signal representations for indexing in the transform domain Emmanuel Ravelli, Ga¨el Richard, Senior Member, IEEE, and Laurent Daudet, Member, IEEE Abstract—Indexing audio signals directly in the transform called Advanced Audio Coding (AAC), was first introduced in domain can potentially save a significant amount of computation the MPEG-2 standard [2] in 1997 and included in the MPEG- when working on a large database of signals stored in a 4 standard [3] in 1999. AAC is based on a pure MDCT lossy compression format, without having to fully decode the signals. Here, we show that the representations used in standard (without PQF filterbank), an improved encoding algorithm, transform-based audio codecs (e.g. -
IDOL Keyview Filter SDK 12.1 Java Programming Guide
KeyView Software Version 12.1 Filter SDK Java Programming Guide Document Release Date: October 2018 Software Release Date: October 2018 Filter SDK Java Programming Guide Legal notices Copyright notice © Copyright 2016-2018 Micro Focus or one of its affiliates. The only warranties for products and services of Micro Focus and its affiliates and licensors (“Micro Focus”) are set forth in the express warranty statements accompanying such products and services. Nothing herein should be construed as constituting an additional warranty. Micro Focus shall not be liable for technical or editorial errors or omissions contained herein. The information contained herein is subject to change without notice. Documentation updates The title page of this document contains the following identifying information: l Software Version number, which indicates the software version. l Document Release Date, which changes each time the document is updated. l Software Release Date, which indicates the release date of this version of the software. You can check for more recent versions of a document through the MySupport portal. Many areas of the portal, including the one for documentation, require you to sign in with a Software Passport. If you need a Passport, you can create one when prompted to sign in. Additionally, if you subscribe to the appropriate product support service, you will receive new or updated editions of documentation. Contact your Micro Focus sales representative for details. Support Visit the MySupport portal to access contact information and details about the products, services, and support that Micro Focus offers. This portal also provides customer self-solve capabilities. It gives you a fast and efficient way to access interactive technical support tools needed to manage your business.