Bell's View of Stax '73: ABC/Dunhill's New Shape
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BOBBY CHARLES LYRICS Compiled by Robin Dunn & Chrissie Van Varik
BOBBY CHARLES LYRICS Compiled by Robin Dunn & Chrissie van Varik. Bobby Charles was born Robert Charles Guidry on 21st February 1938 in Abbeville, Louisiana. A native Cajun himself, he recalled that his life “changed for ever” when he re-tuned his parents’ radio set from a local Cajun station to one playing records by Fats Domino. Most successful as a songwriter, he is regarded as one of the founding fathers of swamp pop. His own vocal style was laidback and drawling. His biggest successes were songs other artists covered, such as ‘See You Later Alligator’ by Bill Haley & His Comets; ‘Walking To New Orleans’ by Fats Domino - with whom he recorded a duet of the same song in the 1990s - and ‘(I Don’t Know Why) But I Do’ by Clarence “Frogman” Henry. It allowed him to live off the song-writing royalties for the rest of his life! No albums were by him released in this period. Two other well-known compositions are ‘The Jealous Kind’, recorded by Joe Cocker, and ‘Tennessee Blues’ by Kris. Disenchanted with the music business, Bobby disappeared from the music scene in the mid-1960s but returned in 1972 with a self-titled album on the Bearsville label on which he was accompanied by Rick Danko and several other members of the Band and Dr John. Bobby later made a rare live appearance as a guest singer on stage at The Last Waltz, the 1976 farewell concert of the Band, although his contribution was cut from Martin Scorsese’s film of the event. Bobby Charles returned to the studio in later years, recording a European-only album called Clean Water in 1987. -
Modern Records Began with the Exclusive Signing of Stevie Nicks in the Fall of 1978
ft I RflMHbBRI HES8RBS TITLE. Modern 0 2 W. 45 St., New York, New York 10036 (212) 840-6011 SUBJECT: oo if>^Q* t 1438 N. Gower, #9, L.A., Ca. 90028 (213) 465-5144 Records UJ t • Modern Records began with the exclusive signing of Stevie Nicks in the fall of 1978. Modern then signed its distribution deal with Atlantic in June of 1979. While Stevie was com- pleting her recording and touring obligations to Fleetwood Mac, two other acts were signed to the label, Joey Wilson and Jah Malla. When their albums proved not to be successful, in Danny's words, "We changed our game plan. We looked at our bottom line and tried to project our future bottom line and decided that, for the time being, what we had to do was concentrate solely on Stevie. I mean the difference between selling 1 million or 2 million albums on a superstar makes a good deal more sense than 20,000 or 60,000 on a new act. While we both love the creative as- pects of breaking new acts, we want to stay in business first." Based on this philosophy, Paul and Danny decided to put all their efforts into maximizing the career of their only artist, Stevie Nicks. They were intimately involved in everything from introducing her to her producer, Jimmy lovine, imput on arrangements and material, introducing her to Tom Petty etc. The "Bella Donna" album was released in the summer of '81 with the single "Stop Draggin' My Heart Around" out about two weeks prior ro the LP. -
Brookhaven to Host Benefit Concert for Veterans of Iraq & Afghanistan
Farmingville, NY 11738 631-451-8696 (TOWN) Monday - Friday, 9:00 a.m. to 4:30 p.m. The Press Room is an efficient way to keep informed about Town government activities, legislation and special events. Brookhaven To Host Benefit Concert for Veterans of Iraq & Afghanistan pos ted on 9/2/2009 10:58:39 AM FA RMINGVILLE, NY - Supervisor Mark Lesko, Councilwoman Kathleen Walsh and members of the Town Council today announced that the Town of Brookhaven will hosting a fundraising concert for Iraq and Afghanistan war veterans during a press conference. The Vets Rock!, will be held on Sunday, October 4, 2009 at the Brookhaven Amphitheater in Farmingville, and will be a concert and family event, with vendors, children's entertainment, and video tributes to fallen soldiers. Featured performers include John Kay & Steppenwolf, Foghat and Molly Hatchet. Tickets for the concert will go on sale Tuesday, September 8. "We felt it was important in the Town of Brookhaven to honor our veterans, particularly our newer veterans who served and sacrificed for our country in Iraq and Afghanistan," said Supervisor Lesko. "The 'Vets Rock!' concert will not only be a tribute to these heroes, but also be a benefit concert for some local veterans organizations who work everyday to assist veterans and their families. We hope you will join us in honoring our vets and enjoy some great music!" The Town is underwriting all costs to the concert, and the organizations will keep all profits. Proceeds from the Vets Rock! Concert will benefit three local veterans organizations: the Suffolk County Police Veterans Association; Suffolk County Homefront, Inc.; and 9-1-1 Veterans. -
OFESSIONAL AUDIO: the State of the Art Now Getting the Hot Story Live Is As Easy As Calling Home
NOV. DEC. 1983 $1.95 Sixteen Yeats La Premiere Issue PROFESSIONAL AUDIO: The State of the Art Now getting the hot story live is as easy as calling home. The SM82. Sometimes a story breaks so fast there's practically no time to variety of temperature, humidity and wind conditions. set up lines of communication. Knowing that, Shure has de- Its built -in limiter kicks in at 100 dB SPL, pre- veloped a microphone to keep both you and the story well venting overload of the microphone's internal line covered. amplifiers. The Shure SM82 Cardioid Condenser Microphone. It's the The SM82 utilizes an internal battery or it can be only line -level microphone tough enough for the rigors of day externally powered by an optional PSI power to day remote ENG broadcast assignments. And all your crew supply or equivalent. For added security, it auto- has to do is just patch it straight into the transmitter connec- matically switches to battery power if its simplex tion of the nearest telephone... call your station, and they're source should ever fail. home free. Or, it can be connected directly across a dialed -up' If you're in the broadcast operations ENG/ phone line. No separate amplifiers, limiters, or line -level EFP business, you know there are lots of ways adapters are necessary. to get a live story -even more ways to miss lust as important, the SM82 is ideal for assignments involv- one. Now, with the SM82 on the scene, it is ing very long cable runs (up to one mile without equalization) simply a matter of calling home. -
A Wizard , a True Star: Todd Rundgren in the Studio Ebook
A WIZARD , A TRUE STAR: TODD RUNDGREN IN THE STUDIO PDF, EPUB, EBOOK Paul Myers | 336 pages | 15 Oct 2010 | Outline Press Ltd | 9781906002336 | English | London, United Kingdom A Wizard , a True Star: Todd Rundgren in the Studio PDF Book July Music is the way I understand how to communicate now Rating details. Encyclopedia of Popular Music. March 17, It was fairly early on in my psychedelic explorations, so everything at that point is just pretty colors and this world of new discoveries. As a Patti Smith fan, I learned that she and Rundgren met in , back before both of them were making their best music. Mar 01, Ellen rated it it was amazing. September 14, Jan 21, Lee Pfahler rated it really liked it Shelves: biography. He's one of the few that have been able to carv It was great to take stock on Rundgren's body of work both as producer and musician. You learn things about Todd Rundgren that I always suspected, that he is a bit of a recluse, despite all the collaboration he has done throughout his career. The Guardian. But aside from the many technical and studio The self-titled debut album was released in as a trio, consisting of Todd Rundgren guitars, keyboards, vocals , Hunt Sales drums , and Tony Fox Sales bass. The result was a complete loss of about half of my audience at that point. This book is not yet featured on Listopia. Todd tells him to sit down, it's not that type of record. Jan 14, Gary Shindler rated it really liked it. -
Jean-Yves Labat De Rossi
Jean-Yves Labat de Rossi Grandson of Raphaël de Rossi (composer of “Strangers in The Night”), Jean-Yves Labat de Rossi was born 20th March 1947, at Clermont-Ferrand (France). During his primary and secondary education at Catholic Seminary school, he fell completely in love with organ music and the organ, which he played secretly at the age of seven. Higher education in Paris : Met-de-Penningen (Arts Décoratifs) studio, Académie Charpentier and Ecole Nationale Supérieure des Beaux Arts. 1967 : Began his career as a musician in France. First single with CBS. 1969 : Decided to emigrate to the USA. Settled in Woodstock. 1971 : Albert Grossmann (manager of Bob Dylan, Peter, Paul & Mary, Janis Joplin…) offered him a contract as a musician at the heart of his company, “Bearsville Records”. Solo album, « Mister Frog », created with some of the greatest musicians of the time : Rick Danko and Garth Hudson (musicians with Bob Dylan), John Simon, Todd Rundgren, Paul Butterfield... Sound Engineer and Producer, he participated in the conception of the first quadraphonic recording studio for Bearsville Records at Woodstock where in 1973 together with John Holbrook he recorded for Warner Brothers the first quadraphonic disc (discreet quad, the true origin of the « Home Cinema ») as well as creating the first orchestral synthesiser « interface ». He then got together with Todd Rundgren and became the « synthesiser » of the group UTOPIA. For those in the know, he is considered a legend of American rock and one of the pioneers of electro-acoustic music. The group UTOPIA was one of the first to use quadraphony for their concerts, as well as appearing at Carnegie Hall (New York city). -
DIRTY LITTLE SECRETS of the RECORD BUSINESS
DIRTY BUSINESS/MUSIC DIRTY $24.95 (CAN $33.95) “An accurate and well-researched exposé of the surreptitious, undisclosed, W hat happened to the record business? and covert activities of the music industry. Hank Bordowitz spares no It used to be wildly successful, selling LI one while exposing every aspect of the business.” LI outstanding music that showcased the T producer of Talking Heads, T performer’s creativity and individuality. TLE SE —Tony Bongiovi, TLE Aerosmith, and the Ramones Now it’s in rapid decline, and the best music lies buried under the swill. “This is the book that any one of us who once did time in the music SE business for more than fifteen minutes and are now out of the life wish This unprecedented book answers this CR we had written. We who lie awake at nights mentally washing our hands CR question with a detailed examination LITTLE of how the record business fouled its as assiduously yet with as much success as Lady Macbeth have a voice DIRTYLITTLE ET DIRTY in Hank Bordowitz. Now I have a big book that I can throw at the ET own livelihood—through shortsighted- S liars, the cheats, and the bastards who have fooled me twice.” S ness, stubbornness, power plays, sloth, and outright greed. Dirty Little Secrets o —Hugo Burnham, drummer for Gang of Four, o f of the Record Business takes you on a former manager and major-label A&R executive f the the hard-headed tour through the corridors ofof thethe of the major labels and rides the waves “Nobody should ever even think about signing any kind of music industry SECRSECRETSETS contract without reading this book. -
September 1987 Anne Waldman and Andrei Codrcscu Tuesday, Sept
BU~TE""'" •. •• u. S. POSTAGE ..... PAID • ~it No. 2419 '. ~nd.pty, MO .0 ·: Willia. S. Burroughs and Allen Ginsberg, Tangier, 1961. DAVE ALVIN INSIDERS ROMEO'S ESCAPE GHOST ON THE BEACH including: r.;§"n. including: Fourth Of July ;::P=/ Ghost On The Beach/35,OOO Every Night About This Time Love Uke candy/Sad Songs ~ Romeo's Escape/Border Radio Price Of Love ;::P=' New Tattoo Including: Waterfall/Honeymoon Express/Stay Blues Away/Song About [. ! 1"'-1 Compact Discs $11.99 as available. Hear the BEST NEW BEATS at LIVING IN A BOX . Iud' ~ -..,..,~ I'-_.-..r..'~dr/ ,.,. ~I' -- .-,1' ·r inC Ing: Chrylal". Living In A Box/So The Story Goes Generate The Wave/Scales Of Justice MODERN MUSIC MONDAYS BRIAN McDONALD GROUP DESPERATE BUSINESS '-1 including: L__ J Life Is A Desperate Business This Lonely Heart These Are The Good Times Just lmaglinati;on FROM CBS RECORDS On the loose JACK CASH ILL pool. For whatever reason, the Fairway pool is as spontaneous as the Prairie Village pool is uptight. No unnecessary rule mongering A tale of two cities' from a cultural memory of Quantrill's raiders here, the only rules being traditional ones like or a more contemporary anxiety about you "No diving in the baby pool" and that sort of pools know-who's, I can not rightfully say. But thing. As a result, people sit in deck chairs at whatever the justification, the result is that the poolside and yell at their kids who are in t the zoo, not too long ago, my Missourians who do sneak in across the variably throwing balls around or jumping daughter asked me which were borders (usually under aliases as carefully happily on each other's heads. -
Who's Who in A&R at Bearsville
WHO'S WHO IN A&R AT BEARSVILLE INTRODUCTION Bearsville Records developed as a viable record company as Albert Grossman gradually made the transition from a management operation to a record company. Originally, Albert managed such acts as Bob Dylan, The Band, Janis Joplin, Peter, Paul & Mary, Gordon Lightfoot, Ian and Sylvia, The Paul Butterfield Band, James Cotton, The Electric Flag and others. As Vince Fusco explains it, "When Albert really started to live up here in Bearsville more, his focus became more into develop- ing a recording situation. After the band did "Big Pink" the feasibility of recording in the country became more realistic. The Band was living here and other artists were starting to move up. Then the accountants moved up and the focus of the company began to move toward the record business ... as a successful manager, many people were after Albert to form a record com- pany. He originally formed a company with Ampex. Jesse Winchester and Todd Rundgren were two of the important acts that were signed to the label at that time. When the Ampex situation didn't work out, at that point a deal was reached with Warner Brothers ... Bearsville is now into its second five-year agreement with Warners." Bearsville recently closed its New York City offices and moved its promotion operation to the West Coast. Fusco explains that this was done to better co-ordinate with the existing Warner Brothers promotion team. Something is obviously being done right as Bearsville Records is now enjoying considerable chart success. The record company's main offices, however, are in the small town of Bearsville, N.Y., right next to Woodstock. -
Acoustic Sounds Catalog Update
Analogue Productions and Quality Record Pressings are proud to announce the newest incarnation of titles to be pressed at 45 RPM on 200-gram vinyl. Ladies and gentlemen: The Doors! Additionally, these will also be available on Multichannel Hybrid SACD. The Doors Strange Days Waiting For The Sun Soft Parade Morrison Hotel L.A. Woman AAPP 74007-45 AAPP 74014-45 AAPP 74024-45 AAPP 75005-45 AAPP 75007-45 AAPP 75011-45 $50.00 $50.00 $50.00 $50.00 $50.00 $50.00 (two 45-RPM LPs) (two 45-RPM LPs) (two 45-RPM LPs) (two 45-RPM LPs) (two 45-RPM LPs) (two 45-RPM LPs) Multichannel Hybrid Multichannel Hybrid Multichannel Hybrid No SACD available No SACD available Multichannel Hybrid SACD SACD SACD for this title for this title SACD CAPP 74007 SA CAPP 74014 SA CAPP 74024 SA CAPP 75011 SA $30.00 $30.00 $30.00 $30.00 Cut from the original analog masters by Doug Sax, with the exception of The Doors, which was made from the best tape copy. Sax and Doors producer/engineer Bruce Botnick went through a meticulous setup to guarantee a positively stunning reissue series. This is an all-tubes process. These masters were recorded on tube equipment and the tape machine used for transfer for these releases is a tube machine, as is the cutting system. Tubes, baby! A truly authentic reissue project. Also available: Mr. Mojo Risin’: The Doors By The Doors The Story Of L.A. Woman The Doors by The Doors – a Featuring exclusive interviews with Ray huge, gorgeous volume in which Manzarek, John Densmore, Robby Krieger the band tells its own story – is colleagues and collaborators, exclusive per- now available. -
NRBQ: the History and Discography Frank Goodman (Puremusic 12/2000)
NRBQ: The History and Discography Frank Goodman (Puremusic 12/2000) Thirty years. That’s a long, long time. It’s a long time to be married, a long time to be partners, a long time, even, to be friends. But to any that have tried, it’s an unthinkably long time to be a band. NRBQ has not only stayed together for thirty years, they have been on the road steadily, and have arguably played more dates than anyone in the history of popular music. And that’s basically what their repertoire is: the history of popular music. They are the crown princes and the court jesters of rock and roll. They are multiple musical personalities, and will throw every style of music in the book at you in an hour show, and shred them all faster than Oliver North. They make you laugh your ass off, dance your ass off, make you want to fall in love, and pull you right out of your bag. NRBQ is the ultimate refuge for grownups that want a living rock and roll outlet and young people who are looking for a roots band that’s more than their peers imitating old records. NRBQ might laugh at the phrase, but they are living legends. Unlike imaged bands, they don’t do their hair and clothes to reflect the style of music they play. They’d literally have to wear wigs and change outfits for every song. Some say their repertoire is 500 songs, others even more. Sometimes they have a “magic box” on stage where fans try to stump the band and they’ll attempt to play whatever they draw. -
Musician's Tape Notes. 3.4MB
E MOD •-11111- LAR!v!usic: sysTE Musician's Tape Notes Page *1 The original intention in presenting this cassette tape mas to allow those mho had no access to a Serge synthesizer the opportanitc to hear its qualities f flit* I fit MIMI- qualities that just cannot be described by words in the * THE MUSICIAN'S TAPES Data Sheets. Since all of our sales are direct (me SIDE I (36:451 don't sell our instruments throagh local retail PI* ffilifilitiliftWitifl stores), it sosetimes is difficult for a person to evaluate the serits of such a sophisticated susical znstrusent. Since 1974 the Serge Synthesizer System You want, maybe, something a little intense diatonic? has presented a certain appeal to the artist and - 5?-11aFferBurt. musician because it has featares like no other (September 25, 1982), section from electronic instrasent. In the tradition of the "STUDIES (1982) for Synthesizer'. classical studio synthesizer found in *any electronic Scarlet Aardvark Tapes. (2:04) susic studios, recording studios and universities, the Serge synthesizer uses patchcords to connect the *15 step sequence tuned to Ptolosy's Intense Diatonic.- various modules to produce the electronic sounds, but a just intonation C Major scale. Changing rhythsic it ases sanf unique designs for signal processing and sampling routines result in harmonies. Tigre: controlling patterns of sound (susic, when the traditional VCO-VCA-VCF patches. pattern's right). Keyboard controlled synthesizers are nom 'This piece is aide up of 17 sections, each 2 tinutes everywhere. These instrusents borrowed a few standard long. Each section was made on a combined 'patches' frog the sodular synthesizer and built them Serge-Driscoll-Aardvark synthesizer, and each uses around an organ-type keyboard.