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D) V October 29, 1977 $1.75 ART AND RECORDINGS DEPqRTM,EN I Greg Errico -anya Tucker Jimmy Witherspoon Ronnie Laws LOS . Linda Creed Jerry Goldstein/Steve Gold Jinmy Ford Ike White EBBONE Aalon Redbone Eloise Laws 71J:4 132,111 121 ìJ]if www.americanradiohistory.com Dave Loggins has arrived. "Please Come To Boston" introduced America to a very special writer and performer. It has taken him more than a year to lovingly craft the songs for his new album. Now on "One Way Ticket To Paradise;' Dave Loggins has continued to develop his lyric and melodic gifts. The result is a warm and perceptive celebration of love and life that confirms his position as one of the most important new artists around. Dave Loggins' "One Way Ticket To Paradise;' PE 34713 ß"EPIC MARCR REG.C 1977 CBS INC - it's a trip you won't want to miss. On Epic Records and Tapes. www.americanradiohistory.com THE INTERNATIONAL MUSIC RECORD WEEKLY ASHVOLUME XXXIX - NUMBERDLL 24 - October 29, 1977 box editorial GEORGE ALBERT cash President and Publisher MEL ALBERT General Manager GARY COHEN Editor In Chief J. B. CARMICLE General Manager, East Coast Buyer East Coast Editorial Misleading The Record KEN TERRY, Assistant Editor PHIL DIMAURO CHARLES PAIKERT The Oct. 17 airing of "Consumer Buyline" with David Horowitz on KNBC-TV in MARK MEHLER West Coast Editorial Los Angeles, featured a segment on purchasing records and some of the quality DAVE FULTON, Assistant Editor CHUCK COMSTOCK problems that consumers may find with today's records. This weekly consumer ALAN SUTTON RANDY LEWIS protection program gave a fair accounting of inherent problems in the JEFF CROSSAN JEFFREY WEBER manufacturing of records and the decreasing quality of the physical product CARITA SPENCER over the past few years. Research MARK ALDERMAN Cash Box is well aware of pressing quality problems and utilized this space on TIM WILLIAMS KEN KIRKWOOD June 11, 1977 to explain our feelings on the subject. SCOTT ANDERSON JEFF RAY But, the "Consumer Buyline" program ended on a less than objective note, LARRY CARLAT BILL FEASTER and in fact, misled the public concerning the profitability of records. Utilizing LEN CHODOSH STEVE HULEN interviews with a pressing plant chief and a retail store manager, the show Coin Machine plant the Chicago unfairly edited two answers together. They asked the pressing official CAMILLE COMPASIO, Manager cost of manufacturing an album, to which he responded "about 354." Art Director LINDSAY BOLYARD Immediately following, they queried the retailer as to the average retail cost of an Circulation album, to which he responded, "about $4.50." THERESA TORTOSA Manager Both of these answers are correct, but in the context of the editing, they PUBLICATION OFFICES NEW YORK unfortunately sought to correlate the two figures. What happened, we asked 119 West 571'1. N.Y., N.Y. 10019 Phone: (212) 586-2640 Horowitz, to the expenses of promotion, sales, artist royalties, publishing, Cable Address: Cash Box N.Y. CALIFORNIA marketing, merchandising, freight and the many other cost factors that add up to 6363 Sunset Blvd. (Suite 930) Hollywood, Ca. 90028 the overall price of a record? Phone: (213) 464-8241 NASHVILLE When contacted by Cash Box on the issue of misleading the public, both JIM SHARP LOLA SCOBEY Horowitz and producer Lloyd Thaxton admitted to the biased editing and 21 Music Circle East, Nashville, Tenn. 37203 Phone: (615) 244-2898 described the segment as a "teaser." They added that a second show about CHICAGO CAMILLE COMPASIO records was but no date was set. In addition, they noted that the 29 E. Madison St.. Chicago, III. 60602 buying planned, Phone: (312) 346-7272 second show would possibly begin with the misleading editing, but would be WASHINGTON, D.C. JOANNE OSTROW 4201 Massachusetts Ave., NW clarified within the context of the show by explaining the in-between costs. Washington, D.C. 20016 We at Cash Box do not object to programs examining the problems of buying ENGLAND - ROB THORNE 97 Uxbridge Rd., London W.12 Phone: 01-749-6724 records. "Consumer Buyline" was objective enough to point out that the return ARGENTINA - MIGUEL SMIRNOFF Belgrano 3252, Piso 4 "B" policies of retailers rarely cost the consumer money when they purchase a Buenos Aires, Argentina Phone: 89-6796 defective record. BRAZIL - H. GANDELMAN Av. Rio Branco, 156 Sala 627 But we at Cash Box do object to anyone knowingly misleading the public, Rio de Janeiro RJ CANADA - KIRK LaPOINTE especially on a program which prides itself on protecting the consumer from 56 Brown's Lane Toronto, Ontario, Canada M8W 359 frauds. A clarification of record industry costs is definitely in order to rectify a Phone: (416) 251-1283 HOLLAND - PAUL ACKET glaring inaccuracy. P.O. Box 11621 (Prinsessegracht 3). The Hague Phone: (70) 624621, Telex: 33083 ITALY - GABRIELE G. ABBATE Viale A. Doria 10, 20124 Milano BELGIUM - ETIENNE SMET Postbus 56, B-2700 Sint-Niklaas Phone: (03) 76-54-39 AUSTRALIA - PETER SMITH 6 Murillo Crt., Doncaster Victoria, Australia 3108 Phone: 848-7878 JAPAN - Adv. Mgr., SACHIO SAITO 1-11-2-Chome Shinbashi, Minato -Ku, Tokyo Phone: 504-1651 NUMBER ONE Editorial Mgr., FUMIYO TACHIBANA SINGLE OF THE WEEK 1 -11 -2 -Choree Shinbashi, Minato -Ku, Tokyo Phone: 504-1651 YOU LIGHT UP MY LIFE FRANCE - CLAUDE EM MONNET DEBBY BOONE 262 bis Rue des Pyrenees Paris, France 75020 Curb/WB 8446 Phone: 797-4261 Writer: Joe Brooks SUBSCRIPTION RATES $70 per year anywhere in the U.S.A. Published weekly by CASH BOX, 119 West 57th St.. New York, N.Y. 10019. Printed in the U.S.A. Second class postage paid at New York, N.Y., and ad- ditional mailing offices. Copyright ' 1977 by the Cash Box Publishing Co., Inc. All rights reserved, Copyright under Universal Copyright Convention. POSTMASTER: Send form 3579 to CASH BOX. NUMBER ONE 119 West 57th St., New York, N.Y. 10019. ALBUM OF THE WEEK RUMOUIRS FLEETWOOD MAC Warner Brothers BSK 3010 www.americanradiohistory.com I CASH BIJX TO3100 SI\GEES October 29, 1977 Weeks Weeks Weeks On On On 10/2210/15 Chart 10/2210/15 Chart 10/22 10/15 Chart 1 YOU LIGHT UP MY LIFE 36 IT'S SO EASY 71 YOU'RE IN MY HEART LINDA RONSTADT (Elektra 45438) B-3 45 60 4 DEBBY BOONE (Curb/WB 8455) CPP 1 1 10 ROD STEWART (WBS 8475) WB 79 2 37 TELEPHONE LINE 2 NOBODY DOES IT BETTER 72 I BELIEVE YOU CARLY SIMON (Elektra 45413) B-3 2 3 15 ELECTRIC LIGHT ORCHESTRA (United Artists/Jet 1000) B-3 30 21 20 DOROTHY MOORE (Mataco/TK 1042) ALM 28 28 18 3 STAR WARS THEME MECO (Millennium/Casablanca 604) CPP 3 4 14 38 DUSIC 73 DO YOUR DANCE BRICK (Bang 734) WB 46 52 9 ROSE ROYCE (WB WHI 4 4 BOOGIE NIGHTS 8440) WB 81 85 HEATWAVE (Epic 8-50370) ALM 6 8 17 39 I WOULDN'T WANT TO BE 74 RED HOT 5 ROCK 'N' ROLL LIKE YOU ROBERT GORDON WITH LINK WRAY THAT'S (Private Stock 156) CPP 77 81 7 SHAUN CASSIDY (WB/Curb 8423) WB 4 5 14 ALAN PARSONS (Arista AS 0260) ALM 31 27 11 6 I FEEL LOVE 40 YOU MAKE LOVIN' FUN 75 MONEY, MONEY, MONEY DONNA SUMMER (Casablanca NB 884) ALM 7 9 13 FLEETWOOD MAC (WBS 8480) WB 51 64 3 ABBA (Atlantic 3434) CPP/IMM 78 88 3 7 BRICK HOUSE 41 GONE TOO FAR FOP 76 DON'T STOP COMMODORES (Motown M 1425) CPP 9 11 10 ENGLAND DAN & JOHN COLEY FLEETWOOD MAC (WB WBS 8413) CPP 35 19 17 Tree 13T-16102) WB 48 55 5 8 KEEP IT COMIN' LOVE (Big KC & THE SUNSHINE BAND (TK 1023) CPP 5 2 14 42 1 GO CRAZY THE HAPPY GIRLS PAUL DAVIS (Bang B-733) WB 44 46 10 HELEN REDDY (Capitol 4487) ALM 85 - 2 9 IT MAKE MY DON'T 43 THUNDER IN MY HEART 78 FLOAT ON BROWN EYES BLUE LEO SAYER (Warner Bros. WBS 8465) ALM 49 58 5 THE FLOATERS (ABC 12284) CPP 36 30 19 CRYSTAL GAYLE (United Artists UA XW 1016) B-3 10 12 11 44 DO YOU WANNA GET 79 GREATEST LOVE OF 10 SWAYIN' TO THE MUSIC FUNKY WITH ME ALLTHE Tree/All. 16094) WB 8 6 19 PETER BROWN (Drive 6258) CPP 47 50 8 JOHNNY RIVERS (Big GEORGE BENSON (Arista 251) CPP 41 36 14 11 IT WAS ALMOST LIKE A 45 A PLACE IN THE SUN 1976) 59 6 80 YOU CAN'T TURN ME OFF SONG PABLO CRUISE (A&M CPP 50 RONNIE MILSAP (RCA PB 10976) ALM/CPP 12 14 17 46 BEST OF MY LOVE (IN THE MIDDLE OF EMOTIONS (Columbia 3-10544) ALM 43 45 20 TURNING ME ON) 12 HEAVEN ON THE SEVENTH HIGH INERGY (Gordy/Motown 47 COME SAIL AWAY G-7155) CPP 88 - 2 FLOOR STYX (A&M 1977) ALM 52 61 8 PAUL NICHOLAS (RSO RS 878) CH 14 17 12 81 STAR WARS 48 BABY COME BACK LONDON SYMPHONY ORCHESTRA I 13 JUST REMEMBER LOVE PLAYER (RSO 879) CPP 54 65 5 (20th Century TC 2345) CPP 68 53 27 YOU 49 (EVERY TIME I TURN FIREBALL (Atlantic 3420) WB 16 20 12 82 TEN TO EIGHT AROUND) BACK IN LOVE DAVID CASTLE 14 IT'S ECSTASY WHEN YOU AGAIN (Parachute/Casablanca 501) B-3 84 87 5 LAY DOWN NEXT TO ME L.T.D. (A&M 1974) WB 60 69 7 83 BE MY LADY BARRY WHITE (20th Century 2350) B-3 17 22 12 50 SWINGTOWN METERS (Warner Brothers WBS 8434) WB 83 86 7 15 SHE DID IT STEVE MILLER (Capitol P4496) WB 62 77 3 ERIC CARMEN (Arista AS0266) WB 15 16 10 84 ECHOES OF LOVE 51 SHE'S NOT THERE DOOBIE BROTHERS (WBS 8471) WB 86 90 3 16 BABY, WHAT A BIG (Columbia 3-10616) CPP 57 67 5 SANTANA 85 GETTING READY FOR SURPRISE 52 DRAW THE LINE CHICAGO (Columbia 3-10620) CPP 19 26 6 AEROSMITH (CBS 3-10637) WB 58 66 3 LOVE 17 COLD AS ICE 53 WAY DOWN DIANA ROSS (Motown 1427) CPP FOREIGNER (Atlantic 3410) WB 18 10 15 ELVIS PRESLEY (RCA 10998) ALM 39 33 19 86 BABY LOVE 18 WE'RE ALL ALONE 54 CALLING OCCUPANTS OF MOTHER'S FINEST (Epic 8-50407) CPP 87 89 6 RITA COOLIDGE (A&M 1965) WB 20 24 8 INTERPLANETARY CRAFT 87 HEAVEN'S JUST A SIN 19 HELP IS ON THE WAY CARPENTERS (A&M 1978) ALM 59 62 6 LITTLE RIVER BAND (Capitol 4428) WB 21 25 14 AWAY 55 JUNGLE LOVE THE KENDALLS (Ovation OV 1103) B-3 95 99 3 20 ON AND ON STEVE MILLER BAND (Capitol 4466)
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  • Smash Hits Volume 57

    Smash Hits Volume 57

    H' II i.C'^Wf'«^i^i'>SSH"WS'^~'^'-"' 0!!^ Feb 5-18 1981 Vol.3 No 3 g^g^<nFG^gJJ^ Another issue already? I'd rather watch paint dry. Let's see what drivel they're trying to palm off on us this time. Features on Madness and Phil Collins? 1 mean, honestly, i don't suppose it's even occurred to them to interview The Strang ... oh, they have. But as for the rest of it, who really wants a colour poster of Adam or the chance to win the new Gen X album? What happened to the Sky pin-up they promised us? What about the feature on pencil sharpeners, the win a string bag competition, the paper clip giveaway? No sign of any of it. 1 mean, honestly. I'd write a letter if 1 were you . VIENNA Ultravox 2 ROMEO AND JULIET Dire Straits 8 ROCK THIS TOWN Stray Cats 10 TAKE MY TIME Sheena Easton 13 IN THE AIR TONIGHT Phil Collins 16 ZEROX Adam And The Ants 20 THE BEST OF TIMES Styx 21 GANGSTERS OF THE GROOVE Heatwave 22 MESSAGE OF LOVE Pretenders 26 TURN ME ON TURN ME OFF Honey Bane 26 BORN TO RUN Bruce Springsteen 33 TWILIGHT CAFE Susan Fassbender 36 1.0. U. Jane Kennaway 36 LONELY HEART U.F.O 43 1 SURRENDER Rainbow 43 MADNESS: Feature 4/5/6 PHIL COLLINS: Feature 14/15/16 ADAM AND THE ANTS: Colour Poster 24/25 THE STRANGLERS: Feature 34/35 DEBBIE HARRY: Colour Poster 44 DISC JOCKEYS 9 CARTOON 9 BITZ 11/12 CROSSWORD 18 INDEPENDENT BITZ 19 DISCO 22 REVIEWS 28/29 STAR TEASER 30 SOUNDAROUND/GEN X COMPETITION 31 BIRO BUDDIES 32 COMPETITION WINNERS ...! 37 LEHERS .„..39/40 GIGZ • 42 This magazine is published by EMAP Nationaf Publications Ltd, Peterborough, and is printed by East Midland Utbo Printers, Peterborough.
  • BOBBY CHARLES LYRICS Compiled by Robin Dunn & Chrissie Van Varik

    BOBBY CHARLES LYRICS Compiled by Robin Dunn & Chrissie Van Varik

    BOBBY CHARLES LYRICS Compiled by Robin Dunn & Chrissie van Varik. Bobby Charles was born Robert Charles Guidry on 21st February 1938 in Abbeville, Louisiana. A native Cajun himself, he recalled that his life “changed for ever” when he re-tuned his parents’ radio set from a local Cajun station to one playing records by Fats Domino. Most successful as a songwriter, he is regarded as one of the founding fathers of swamp pop. His own vocal style was laidback and drawling. His biggest successes were songs other artists covered, such as ‘See You Later Alligator’ by Bill Haley & His Comets; ‘Walking To New Orleans’ by Fats Domino - with whom he recorded a duet of the same song in the 1990s - and ‘(I Don’t Know Why) But I Do’ by Clarence “Frogman” Henry. It allowed him to live off the song-writing royalties for the rest of his life! No albums were by him released in this period. Two other well-known compositions are ‘The Jealous Kind’, recorded by Joe Cocker, and ‘Tennessee Blues’ by Kris. Disenchanted with the music business, Bobby disappeared from the music scene in the mid-1960s but returned in 1972 with a self-titled album on the Bearsville label on which he was accompanied by Rick Danko and several other members of the Band and Dr John. Bobby later made a rare live appearance as a guest singer on stage at The Last Waltz, the 1976 farewell concert of the Band, although his contribution was cut from Martin Scorsese’s film of the event. Bobby Charles returned to the studio in later years, recording a European-only album called Clean Water in 1987.
  • Modern Records Began with the Exclusive Signing of Stevie Nicks in the Fall of 1978

    Modern Records Began with the Exclusive Signing of Stevie Nicks in the Fall of 1978

    ft I RflMHbBRI HES8RBS TITLE. Modern 0 2 W. 45 St., New York, New York 10036 (212) 840-6011 SUBJECT: oo if>^Q* t 1438 N. Gower, #9, L.A., Ca. 90028 (213) 465-5144 Records UJ t • Modern Records began with the exclusive signing of Stevie Nicks in the fall of 1978. Modern then signed its distribution deal with Atlantic in June of 1979. While Stevie was com- pleting her recording and touring obligations to Fleetwood Mac, two other acts were signed to the label, Joey Wilson and Jah Malla. When their albums proved not to be successful, in Danny's words, "We changed our game plan. We looked at our bottom line and tried to project our future bottom line and decided that, for the time being, what we had to do was concentrate solely on Stevie. I mean the difference between selling 1 million or 2 million albums on a superstar makes a good deal more sense than 20,000 or 60,000 on a new act. While we both love the creative as- pects of breaking new acts, we want to stay in business first." Based on this philosophy, Paul and Danny decided to put all their efforts into maximizing the career of their only artist, Stevie Nicks. They were intimately involved in everything from introducing her to her producer, Jimmy lovine, imput on arrangements and material, introducing her to Tom Petty etc. The "Bella Donna" album was released in the summer of '81 with the single "Stop Draggin' My Heart Around" out about two weeks prior ro the LP.