Charles Unger Experience Bio, Quotes and Review
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Great American Jazz Series
Great American Jazz Series 1989-1991 2004-2005 • Randy Brecker • Dave Brubeck Quartet • Herbie Mann • Terry Harrington • Branford Marsalis • Medesky, Martin, and Wood • Pat Metheny • Rebecca Parris • Marvin Stamm • Kenny Garrett Quartet: Slide Hampton, Bill Watrous, and Claudio Roditi 1991-1992 • Eddie Daniels 2005-2006 • Eliane Elias • Ed Calle • Jimmy Heath Quartet • Poncho Sanchez Latin Jazz Band • Billy Taylor • Béla Fleck and the Flecktones • Clark Terry • Benny Green and Russell Malone 1992-1993 2006-2007 • John Abercrombie • Diane Schuur • Ramsey Lewis • Christian McBride Band • Jim Pryor • Yellowjackets • Marcus Roberts • Doc Severinsen • Jiggs Whigham • Joe Williams 2007-2008 • Cassandra Wilson • Bunky Green • Kurt Elling 1993-1994 • Eddie Gomez Trio with Jimmy Cobb • Brecker Brothers • Mike Stern Trio with Dave Weckl • Kenny Burrell • Tim Hagans • Paquito D’ Rivera • Arturo Sandoval 2008-2009 • Diane Schuur • Dave Douglas • United States Air Force Airmen of Note • Gary Burton • Maria Schneider 1994-1995 • The Mingus Big Band • Louis and Dee Dee Bellson • Dave Brubeck Quartet 2009-2010 • Bunky Green • Carl Allen/Rodney Whitaker Project • Joe Henderson • Bob Bednar • James Moody • Terence Blanchard • Dianne Reeves • Joe Lovano • Kim Richmond & Clay Jenkins 1995-1996 • Toshiko Akiyoshi and Lew Tabakin 2010-2011 • Carmen Bradford and Mulgrew Miller • Scotty Barnhart • Mercer Ellington • John Clayton, Jeff Clayton, and Jeff Hamilton • Herbie Hancock • John Pizzarelli • Tommy Newsom • Richard Stoltzman 1996-1997 2011-2012 • Buddy DeFranco -
Music Business in Detroit
October 18, 2013 Music Business in Detroit: Estimating the Size of the Music Industry in the Motor City Prepared by: Anderson Economic Group, LLC Colby Spencer Cesaro, Senior Analyst Alex Rosaen, Senior Consultant Lauren Branneman, Senior Analyst Forward by: Patrick L. Anderson, Principal & CEO Anderson Economic Group, LLC 1555 Watertower Place, Suite 100 East Lansing, Michigan 48823 Tel: (517) 333-6984 Fax: (517) 333-7058 www.AndersonEconomicGroup.com © Anderson Economic Group, LLC, 2013 Permission to reproduce in entirety granted with proper citation. All other rights reserved. Foreword I'm pleased to share with readers of Crain's Detroit Business, as well as with others in the Detroit region, this first-of-its-kind study of the business of music in southeast Michigan. Everyone that grew up in this area knows of the "Motown sound," as well as the heritage of jazz, blues, and rock that has steeped into our culture. Many of us are also aware of the more recent innovations of techno and hip-hop, much of which has roots in Detroit. However, until now there has been no systematic analysis of the business of music in our area. Our Anderson Economic Group consultants have combed census and other business records; examined the geographic pattern of nightclubs and perfor- mance venues; scanned demographic patterns for concentrations of heavy enter- tainment consumers; and even conducted primary research into the days/nights of live music available to metro Detroiters at over two hundred specific bars, taverns, and clubs. What we have assembled is a thorough analysis of an indus- try that has always been important to our culture, but can now also be known for its contributions to our employment and earnings. -
Created in Early 1994 When Polish Violinist
Created in early 1994 when Polish violinist Michal Urbaniak In the meantime Lenny has recorded and released his follow brought his jazz and rap concept “Urbanator” to the New York up album “Renderers Of Spirit” as have Urbanator. Tom offices of Silva Screen Records. Michal had been discouraged Browne has recorded for Hip Bop Essence and the rap with by the established jazz labels inability to cope with the rap live musicians approach has been extended on “Hip Strut” content. Likewise the rap people who, despite the genres by Bop City with Brand Nubian Lord Jamar guesting. In the free use of jazz samples, couldn’t fully comprehend the jazz. latter part of 1998 Lenny White went into the studio with The album that resulted was simply called “Urbanator” and Bennie Maupin, Victor Bailey, Patrice Rushen and Foley to proved that jazz and rap could blend seamlessly without record a “group” album. This band had toured with Lenny recourse to samples or loops. and Patrice had accompanied him for dates at the Blue Note Club in Tokyo. The album also featured a special guest Guesting on the album was Tom Browne who, despite being appearance by Dianne Reeves on “It Was A Very Good Year”. semi retired from the music industry, sounded as sharp and enthusiastic as he had during his ascendant years at G.R.P. In 1999 new signing Dave McMurray released his debut Tom was signed to the label and provided the second release album for the label. The album called “Peace Of Mind” (HIBD “Mo’ Jamaica Funk”. -
Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-5-2016 Joe Henderson: A Biographical Study of His Life and Career Joel Geoffrey Harris Follow this and additional works at: http://digscholarship.unco.edu/dissertations © 2016 JOEL GEOFFREY HARRIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School JOE HENDERSON: A BIOGRAPHICAL STUDY OF HIS LIFE AND CAREER A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Joel Geoffrey Harris College of Performing and Visual Arts School of Music Jazz Studies December 2016 This Dissertation by: Joel Geoffrey Harris Entitled: Joe Henderson: A Biographical Study of His Life and Career has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Jazz Studies Accepted by the Doctoral Committee __________________________________________________ H. David Caffey, M.M., Research Advisor __________________________________________________ Jim White, M.M., Committee Member __________________________________________________ Socrates Garcia, D.A., Committee Member __________________________________________________ Stephen Luttmann, M.L.S., M.A., Faculty Representative Date of Dissertation Defense ________________________________________ Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Harris, Joel. Joe Henderson: A Biographical Study of His Life and Career. Published Doctor of Arts dissertation, University of Northern Colorado, December 2016. This study provides an overview of the life and career of Joe Henderson, who was a unique presence within the jazz musical landscape. It provides detailed biographical information, as well as discographical information and the appropriate context for Henderson’s two-hundred sixty-seven recordings. -
Readers Poll
84 READERS POLL DOWNBEAT HALL OF FAME One night in November 1955, a cooperative then known as The Jazz Messengers took the stage of New York’s Cafe Bohemia. Their performance would yield two albums (At The Cafe Bohemia, Volume 1 and Volume 2 on Blue Note) and help spark the rise of hard-bop. By Aaron Cohen t 25 years old, tenor saxophonist Hank Mobley should offer a crucial statement on how jazz was transformed during Aalready have been widely acclaimed for what he that decade. Dissonance, electronic experimentation and more brought to the ensemble: making tricky tempo chang- open-ended collective improvisation were not the only stylis- es sound easy, playing with a big, full sound on ballads and pen- tic advances that marked what became known as “The ’60s.” ning strong compositions. But when his name was introduced Mobley’s warm tone didn’t necessarily coincide with clichés on the first night at Cafe Bohemia, he received just a brief smat- of the tumultuous era, as the saxophonist purposefully placed tering of applause. That contrast between his incredible artistry himself beyond perceived trends. and an audience’s understated reaction encapsulates his career. That individualism came across in one of his rare inter- Critic Leonard Feather described Mobley as “the middle- views, which he gave to writer John Litweiler for “Hank Mobley: weight champion of the tenor saxophone.” Likely not intended The Integrity of the Artist–The Soul of the Man,” which ran in to be disrespectful, the phrase implied that his sound was some- the March 29, 1973, issue of DownBeat. -
Piano Bass (Upright And/Or Electric)
January 2017 VOLUME 84 / NUMBER 1 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin Tolleson; Philadelphia: David Adler, Shaun Brady, Eric Fine; San Francisco: Mars Breslow, Forrest Bryant, Clayton Call, Yoshi Kato; Seattle: Paul de Barros; Tampa Bay: Philip Booth; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Belgium: Jos Knaepen; Canada: Greg Buium, James Hale, Diane Moon; Denmark: Jan Persson; France: Jean Szlamowicz; Germany: Detlev Schilke, Hyou Vielz; Great Britain: Brian Priestley; Japan: Kiyoshi Koyama; Portugal: Antonio Rubio; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Extreme Matt-Itude Holidaygift Guide Ikue • Ivo • Joel • Rarenoise • Event Mori Perelman Press Records Calendar December 2013
DECEMBER 2013 - ISSUE 140 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM MATT WILSON EXTREME MATT-ITUDE HOLIDAYGIFT GUIDE IKUE • IVO • JOEL • RARENOISE • EVENT MORI PERELMAN PRESS RECORDS CALENDAR DECEMBER 2013 DAVID SANBORN FOURPLAY CLAUDIO RODITI QUARTET SUNDAY BRUNCH RESIDENCY DEC 3 - 8 DEC 10 - 15 TRIBUTE TO DIZZY GILLESPIE DEC 1, 8, 15, 22, & 29 CHRIS BOTTI ANNUAL HOLIDAY RESIDENCY INCLUDING NEW YEAR’S EVE! DEC 16 - JAN 5 JERMAINE PAUL KENDRA ROSS WINNER OF “THE VOICE” CD RELEASE DEC 2 DEC 9 LATE NIGHT GROOVE SERIES RITMOSIS DEC 6 • CAMILLE GANIER JONES DEC 7 • SIMONA MOLINARI DEC 13 • GIULIA VALLE DEC 14 VICKIE NATALE DEC 20 • RACHEL BROTMAN DEC 21 • BABA ISRAEL & DUV DEC 28 TELECHARGE.COM TERMS, CONDITIONS AND RESTRICTIONS APPLY “BEST JAZZ CLUBS OF THE YEAR 2012” SMOKE JAZZ & SUPPER CLUB • HARLEM, NEW YORK CITY FEATURED ARTISTS / 7:00, 9:00 & 10:30pm HOLIDAY EVENTS / 7:00, 9:00 & 10:30pm Fri & Sat, Dec 6 & 7 Sun, Dec 15 SMOKE JAVON JACKSON BAND GEORGE BURTON’S CHRISTMAS YULELOG Winter / Spring 2014 Javon Jackson (tenor saxophone) • Orrin Evans (piano) Thu, Dec 19 Santi DeBriano (bass) • Jason Tiemann (drums) “A NAT ‘KING’ COLE CHRISTMAS” SESSIONS Fri & Sat, Dec 13 & 14 ALAN HARRIS QUARTET BILL CHARLAP TRIO COMPACT DISC AND DOWNLOAD TITLES Bill Charlap (piano) • Peter Washington (bass) COLTRANE FESTIVAL / 7:00, 9:00 & 10:30pm Kenny Washington (drums) Mon, Dec 23 - Wed, Dec 25 Fri, Sat & Sun, Dec 20, 21 & 22 ERIC ALEXANDER QUARTET RENEE ROSNES QUARTET FEATURING LOUIS HAYES Steve Nelson (vibraphone) • Renee Rosnes (piano) Eric Alexander (tenor saxophone) • Harold Mabern (piano) Peter Washington (bass) • Lewis Nash (drums) John Webber (bass) • Louis Hayes (drums) Thu, Dec 26 - Wed, Jan 1 ERIC ALEXANDER SEXTET ONE NIGHT ONLY / 7:00, 9:00 & 10:30pm FEAT. -
“Where the Mix Is Perfect”: Voices
“WHERE THE MIX IS PERFECT”: VOICES FROM THE POST-MOTOWN SOUNDSCAPE by Carleton S. Gholz B.A., Macalester College, 1999 M.A., University of Pittsburgh, 2007 Submitted to the Graduate Faculty of The Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2011 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Carleton S. Gholz It was defended on April 11, 2011 and approved by Professor Brent Malin, Department of Communication Professor Andrew Weintraub, Department of Music Professor William Fusfield, Department of Communication Professor Shanara Reid-Brinkley, Department of Communication Dissertation Advisor: Professor Ronald J. Zboray, Department of Communication ii Copyright © by Carleton S. Gholz 2011 iii “WHERE THE MIX IS PERFECT”: VOICES FROM THE POST-MOTOWN SOUNDSCAPE Carleton S. Gholz, PhD University of Pittsburgh, 2011 In recent years, the city of Detroit’s economic struggles, including its cultural expressions, have become focal points for discussing the health of the American dream. However, this discussion has rarely strayed from the use of hackneyed factory metaphors, worn-out success-and-failure stories, and an ever-narrowing cast of characters. The result is that the common sense understanding of Detroit’s musical and cultural legacy tends to end in 1972 with the departure of Motown Records from the city to Los Angeles, if not even earlier in the aftermath of the riot / uprising of 1967. In “‘Where The Mix Is Perfect’: Voices From The Post-Motown Soundscape,” I provide an oral history of Detroit’s post-Motown aural history and in the process make available a new urban imaginary for judging the city’s wellbeing. -
Program Reeves Quartet 2021
presents The Nat Reeves Quartet Nat Reeves, bass Rick Germanson, piano Eric McPherson, drums Tony Davis, guitar Friday, May 14, 2021 7:30 p.m. We welcome your donations in the basket at the center of the hall or at www.reddoormusic.org/donate. Please give generously to help us continue presenting needed musical refreshment. A suggested donation of $20 would be appreciated. Not on our email reminder list? Sign up today at www.reddoormusic.org/signup. For COVID-19 safety, the following protocols are in place for those attending in person: • Wear a mask over your mouth and nose at all times. Masks are required regardless of vaccine status. We have disposable masks should you need one. • Practice social distancing at all times. Observe signs and the directions of ushers about where to sit. Greet one another from a distance, do not linger in the building after the ushers have dismissed you. • If you might need to get up during the concert, please sit on the right side of the nave. The first-floor restrooms are available should you need them. Please refrain from going into other areas of the building. • Children must stay with their accompanying adult(s). • Entry is through the main red doors only, so park accordingly. • Please do not leave your seat until directed by an usher; exiting will happen row-by-row starting from the rear of the hall. • Exit is through the red doors or the side door into the cloister, as directed by an usher. • There will not be a meet-the-artist reception. -
Kenny Garrett
This pdf was last updated: Apr/23/2010. Kenny Garrett Kenny Garrett plays with the kind of clarity, strength and personality that bespeaks experience mated with wisdom - the masterful saxophonists heads for a European tour. Line-up Kenny Garrett - saxophone Shedrick Mitchell - piano Charnett Moffitt - double bass Christopher Dave - drums On Stage: 4 Travel Party: 5 Website www.kennygarrett.com Biography Kenny Garrett was born in Detroit in 1960. His musical education began virtually at birth. His father was a tenor saxophonist and therefore, young Garrett constantly heard jazz around the house. He discovered jazz greats Charlie Parker and John Coltrane while in high school, and studied sax with Bill Wiggins. Planning on attending university, Garrett changed his mind when, in 1978, he was given the opportunity to join The Duke Ellington Orchestra, led by Duke's son, Mercer. He stayed with the band for three-and-a-half years. Moving to New York in 1982, Garrett worked with The Mel Lewis Orchestra, playing the music of Thad Jones, and with Dannie Richmond's quintet, which performed the music of Charles Mingus. 1985 was Kenny's watershed year; he performed and recorded with Blakey (Feeling Good on Delos and Hard Champion on Pro Jazz), and also with Shaw, Hubbard and OTB (for Blue Note). A year later, Garrett heard that Miles Davis was looking for an alto player. He sent the trumpeter a tape, and after only a few phone calls, Kenny was hired. He played with Miles about five years and played on four Warner Bros. Records albums with the jazz giant: Amandla, Dingo (Michel Legrand), Live Around The World and Miles Davis and Quincy Jones: Live at Montreux, the latter being Miles' final recording (he died in September, 1992). -
Cass Corridor Documentation Project Oral History Project
SPANGLER, INTERVIEW 1 Cass Corridor Documentation Project Oral History Project Interviewee: Bud Spangler Relationship to Cass Corridor: Jazz Musician, Radio Program Host and Director Interviewer: Robin Darling Date of the interview: April 7, 2011 Location: Wayne State University, Detroit, Mi (telephone) Darling: Hello Bud, how are you doing? Spangler: I’m fine, Robin. Darling: Wonderful, wonderful. So, if you’d like let’s start with some biographical information. If you could tell me— Spangler: You got it. Darling: [If you could tell me] where you were born and raised. SPANGLER, INTERVIEW 2 Spangler: I was born in Norwalk, Ohio, which is in the northern part of the state not far from Sandusky and Cedar Point and all that. And the high school in our town was about two blocks from our house, but the football field where they marched and practiced was across the street from our house. So, everyday they would come marching down the street and go into the football field across the street. So from as early as I can remember the marching band was across the street and the drum majorette was my babysitter so, it was ok with her and it was ok with my mom. I would go and march up and down the sidelines along with the band. And the drums always thrilled me. The drums just thrilled me! So I got to hear music live in that manner. And then we moved to Detroit. My dad got a job in Detroit and actually lived in Wyandotte. And we used to go back to Norwalk to visit relatives. -
Blanchard 46 ‘We Are All Humans’ by AARON COHEN Trumpeter Terence Blanchard’S New Release Is a Concert Disc That Chronicles His Dynamic Band, the E-Collective
JULY 2018 VOLUME 85 / NUMBER 7 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Hawkins ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Sales Kevin R. Maher 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin Tolleson; Philadelphia: David Adler, Shaun Brady, Eric Fine; San Francisco: Mars Breslow, Forrest Bryant, Clayton Call, Yoshi Kato; Seattle: Paul de Barros; Tampa Bay: Philip Booth; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: Greg Buium, James Hale, Diane Moon; Denmark: Jan Persson; France: Jean Szlamowicz; Germany: Detlev Schilke, Hyou Vielz; Great Britain: Brian Priestley; Japan: Kiyoshi Koyama; Portugal: Antonio Rubio; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.