DOCSLIB.ORG

1999 Page 19 Artsarts Andand Entertainmententertainment

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1999 Page 19 Artsarts Andand Entertainmententertainment A WATCHUNG COMMUNICATIONS, INC. PUBLICATION The Westfield Leader and THE TIMES of Scotch Plains – Fanwood Thursday, July 15, 1999 Page 19 ArtsArts andand EntertainmentEntertainment nnnnnnnnnn SSTATE OF THE AART The Dining Table nnnnnnnnnn nnnnnnnnnn nnnnnnnnnn nnnnnnnnnn Music Fantasy Discussion Group will con- vene on Thursday, July 22, at 7:30 LA GRIGLIA RESTAURANT Shirley Alston Reeves, original p.m. to discus fantasy novel, “Ship 740 Boulevard, Kenilworth, (908) 241-0031 lead singer of The Shirelles, will of Magic,” by Robin Hobb. perform with Who’s Johnny on Barnes & Noble in Clark will Wednesday, July 21, at 7:30 p.m. at host a Cooking Demonstration and By DR. JOSEPH P. DE ALESSANDRO chicken and veal, headed up with Echo Lake Park. The Vivian Panham Tasting with cookbook authors Specially Written for The Westfield Leader and The Times Chicken Arrabiata (which means an- Quintet will hold a classical concert Marvin and Walter Rosen of “Wel- If it swims, you’ll find it at LaGriglia! gry chicken), boneless breast of chicken on Wednesday, July 21, at 7:30 p.m. come to Juniors” on Thursday, July A great seafood gem in the middle of sauteed with garlic, fresh oregano and at Memorial Park in Berkeley 15, at 7:30 p.m. Teresa of Spiritual Heights. Big Band Music will be COME TO THE CABARET... Jody Karin Applebaum and Marc-André Hamelin Union County, the menu boasts of more balsamic vinegar with a touch of demi- Communications will host a work- will present an evening of cabaret music on Friday, July 16, at 8 p.m. in the than 12 seafood entrees. The restau- glace; Chicken Giambotta, breast of featured on Tuesday, July 20, at 7:15 shop on Angels, Dreams and Intu- Nicholas Music Center, George Street, Douglass Campus in New Brunswick. rant is owned by brothers Chris and chicken with sausage, onions, vinegar, p.m. at the Gazebo in Cranford on ition on Tuesday, July 20, at 7:30 Tickets are $24. For more information or to purchase tickets, please call the John Tocci, aged 31 peppers, mush- Springfield and North Union Avenues. p.m. The Westfield Summer Work- Rutgers Art Center ticket office at (732) 932-7511. and 34 respectively. rooms, artichoke Andy the Clown will offer a children’s shop will perform “Rock the Juke- John is the executive RATING: hearts and pota- show and reggae band, Verdict, will box” on Thursday, July 22, at 10:30 chef. toes. Just think- perform on Thursday, July 15. Satur- a.m. Singular Sensation Slated The partners ing of these day Night Fever, a disco band, will started LaGriglia two dishes makes one hold a concert on Thursday, July 22. Art and a half years ago long to return to Both events will be held at 7:30 p.m. At Paper Mill Playhouse and have made it a this fine restau- on the Municipal Grounds in Scotch Children’s Mini Art Camp- roaring success. They Highest Possible Rating: 4 chef hats rant. Plains. The Music Studio Wind En- Cycle 2 will be held on Tuesdays, MILLBURN – Single theatergoers seph and four members of the Osmonds- previously owned The prices are semble & Jazz Band of The New Wednesdays and Thursdays, July are invited to attend a presentation of 2nd Generation. Toscana Restaurant moderate, far be- Jersey Workshop for the Arts will 20, 21, 22, 27, 28 and 29 from 10 Andrew Lloyd Webber and Tim Rice’s Joseph and The Amazing in Upper Montclair, which was also a low the quality and care that these perform on Thursday, July 22, at 8 a.m. to 3:15 p.m. at The Watchung musical, Joseph and the Amazing Technicolor Dreamcoat will run great success. dishes would call for. The seafood en- Arts Center. Drawing, painting, p.m. in Mindowaskin Park. ceramics, sculpture, watercolor, Technicolor Dreamcoat on Thursday, through Sunday, July 25, at Paper LaGriglia is a very quaint establish- trees range from $15 to $16.50; steaks The Crossroads in Garwood will July 22, at 8 p.m. Mill. For ticket information, please ment with three dining rooms, a main and chops are up to $21; appetizers pastels, multi-media art, indoor welcome Mordechai Dov Adaptor, and outdoor activities will all be A specially-priced ticket will include call (973) 376-4343. dining room on the right, a bar dining from $6 to $7.50 and soups at $3. Spastic Colon, 8 Ohm Driver on Thurs- the performance as well as a post-show area on the left and a large room in the Extremely moderate prices for the great featured. day, July 15; The Voodudes on Friday, American Folk Craft Day will reception. Special A&E Notice: rear. White tablecloths are in place with feast available. July 16; The Rocking Horse on Satur- The reception will be held in the Renee fine stemware and a bottle of Colavita There is a shortage in this country of be held at Waterloo Village in day, July 17 and Cup of Joe and One Stanhope on Sunday, July 18, from Foosaner Art Gallery at Paper Mill imme- If you are especially tal- Olive Oil ready for the excellent bread extremely fine seafood restaurants and, Eyed Jack on Thursday, July 22. diately following the performance. that arrives shortly. I repeat, LaGriglia is probably the best 11 a.m. to 5 p.m. The event is free. ented in art, music, dance, Literature Folk craft demonstrations, puppet A complimentary two-week pass to theater or any other form of As a departure from my normal re- kept secret. On an off-night at 7:30 Bally Sports Club in Short Hills will be shows, magic, mountains music art and entertainment, we view, I would like to first announce a p.m., the restaurant was filled to capac- Barnes & Noble in Springfield will given to all singles night theatergoers in most extraordinary dessert – ity with a waiting line outside. hold a Discussion/Signing by co-au- and Early American games will be addition to a sampling of various food would like to feature your tal- Marsciponi Cheesecake. I have to men- The wait staff were courteous and featured. For more information, ent in our section. You must thor of “Thunderhead,” Lincoln Child and drink. tion it first because if you are dining at knowledgeable of the menu and the on Thursday, July 15, at 7:30 p.m. The please call (973) 347-0900. Joseph and the Amazing Technicolor be a resident of Westfield, LaGriglia, reserve your piece of cheese- various dishes. Service was prompt and book was also written by Douglas Dreamcoat is a musical that retells the Scotch Plains, Fanwood or cake in advance. This cheesecake is I am proud to say that there were no Preston. Poetry Out Loud, a forum for Biblical story of Joseph and the coat Mountainside. For more in- without a doubt the most delicious I errors. I truly recommend that you visit up and coming poets, will be held on that his father, Jacob, presents to his formation, please call have ever tasted. It is firm, yet velvety this restaurant and I guarantee you will Sunday, July 18, at 7:30 p.m. A Sci-Fi favorite son, inspiring the wrath of his Michelle H. LePoidevin at smooth and flavored to perfection – be a regular. jealous brothers. (908) 232-4407. something that one should not miss at The production stars Deborah Gibson this restaurant. as The Narrator, Patrick Cassidy as Jo- Onto the regular menu. The restau- Sarah Mugavero rant offers several choices at their raw POPCORN bar, including Oysters on the Half Shell, Marinated Seafood Salad, Named Recipient Summer of Sam Grilled Jumbo Shrimp with Cocktail Sauce, Little Neck Clams and an in- triguing Raw Bar Sampler for two. Of Theatre Award Spikes Mean Streets The clams and oysters are chilled, By Michael S. Goldberger fresh and of top grade quality. You SCOTCH PLAINS One Popcorn, Poor • Two Popcorns, Fair • Three Popcorns, Good • Four Popcorns, Excellent don’t see this too often in New Jersey. Sarah Mugavero, a student at Union 3 popcorns mer Of Sams sexually inarticulate crowd is The appetizer list offers Crab Cake, which I think is the premier dish. This Catholic High School (UCHS) in Overwhelmed by their passions and ruled Adrien Brody as Ritchie, a thoughtful, spike- Scotch Plains, was recently rec- by their prejudices, the bulk of director haired musician. The films oddly salient very ample portion features the best Spike Lees characters in Summer Of Sam choice for a moral center, he is Lees most crab meat, marinated with butter and ognized at the 1999 Paper Mill are humorously clueless, sadly thickheaded sympathetic and least Neanderthal-like male. just enough bread crumbs on the out- Playhouse Rising Star Awards and dangerously provincial. They have Dabbling in what will come to be known side to make it a cake. It was a great with the best Outstanding Perfor- hardly a complete brain among them. as punk rock, he also leads a secret life, a tempting dish that could be an entree. mance by an Actress in a Sup- Yet they are oddly entrancing, an enter- notion which the director upgrades to a One of the signature dishes of La YOUNG THESPIANS…For three months this spring, 32 seventh graders from porting Role. taining source of both amazement and curios- universal theorem and then applies to sev- Griglia is the Cajun Calamari – the Park Middle School in Scotch Plains wrote and rehearsed original plays during, Sarah appeared in the UCHS ity. And how no great harm has befallen them eral members of the cast.
Load more

Recommended publications
  • “From the Cracks in the Sidewalks of NYC”: The
    “From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Urban Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 by Elizabeth Healy Matassa B.A. in Italian and French Studies, May 2003, University of Delaware M.A. in Geography, May 2006, Louisiana State University A Dissertation submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy January 31, 2014 Dissertation directed by Suleiman Osman Associate Professor of American Studies The Columbian College of Arts and Sciences of the George Washington University certifies that Elizabeth Healy Matassa has passed the Final Examination for the degree of Doctor of Philosophy as of August 21, 2013. This is the final and approved form of the dissertation. “From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 Elizabeth Healy Matassa Dissertation Research Committee: Suleiman Osman, Associate Professor of American Studies, Dissertation Director Elaine Peña, Associate Professor of American Studies, Committee Member Elizabeth Chacko, Associate Professor of Geography and International Affairs, Committee Member ii ©Copyright 2013 by Elizabeth Healy Matassa All rights reserved iii Dedication The author wishes to dedicate this dissertation to the five boroughs. From Woodlawn to the Rockaways: this one’s for you. iv Abstract of Dissertation “From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Urban Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 This dissertation argues that New York City’s 1970s fiscal crisis was not only an economic crisis, but was also a spatial and embodied one.
    [Show full text]
  • Shakespeare on Film, Video & Stage
    William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.
    [Show full text]
  • Download Download
    FALL 2002 29 Laughter and Ethnicity in John Leguizamo's One-Man Worlds Miriam M. Chirico John Leguizamo's life is the substance of his art. His unflinching and uncompromising look at his own life and the lives of those closest to him provides the basis for his one-man shows, Mambo Mouth, Spic-O-Rama, the Tony-nominated play Freak and Sexaholix...A Love Story. Leguizamo has stamped his stand-up comic style as a playwright and his energetic characterizations as an actor onto the Broadway stage and the Hollywood screen. As the first Latino performer ever to produce a one-man show on Broadway, he is a spokesperson for a minority culture that vies to be heard within a dominant Anglo-Saxon one, and his dramatic sketches are tinged with a political undercurrent that questions the status quo of race relations in America. Leguizamo never allows his content to become too cerebral or heavy, but instead manipulates the comic impulse to bring his characters to life, providing the audience a means of empathizing with these characters and understanding the social and political issues at stake. Nor are his characters stereotypical representations of race and gender, as sometimes occurs in comedy. Rather, as each character confides his or her story to the audience, the facade they have brazenly put forth begins to erode under their frank admissions of fears and doubts. His characters are earnest and quirky, and derive their appeal not only from the stories they tell but also from the vocal and physical skills Leguizamo brings to each character.
    [Show full text]
  • Much Ado About Nothing… / Summer of Sam De Spike Lee]
    Document generated on 09/30/2021 1:10 a.m. 24 images Much Ado About Nothing… Summer of Sam de Spike Lee Gilles Marsolais Quand la culture devient marchandise Number 98-99, Fall 1999 URI: https://id.erudit.org/iderudit/25046ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this review Marsolais, G. (1999). Review of [Much Ado About Nothing… / Summer of Sam de Spike Lee]. 24 images, (98-99), 88–88. Tous droits réservés © 24 images, 1999 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Summer of Sam de Spike Lee MUCH ADO ABOUT NOTHING PAR GILLES MARSOLAIS pike Lee s'est imposé avec Do déluge d'effers visuels et sonores, il S the Right Thing (1989) et procède à la description d'un groupe Jungle Fever (1991) qui se dis­ social d'une façon qui, même à travers tinguent par leur style enfiévré et le sa cocasserie, peut ressembler à un radicalisme de leur contenu, à une règlement de comptes tribal (imaginez époque où le militantisme semblait la réaction si Forcier se permettait de relégué aux oubliettes.
    [Show full text]
  • Emmy Award Winners
    CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp.
    [Show full text]
  • The Philosophy of the Coen Brothers
    University of Kentucky UKnowledge American Popular Culture American Studies 12-12-2008 The Philosophy of the Coen Brothers Mark T. Conard Marymount College Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Conard, Mark T., "The Philosophy of the Coen Brothers" (2008). American Popular Culture. 5. https://uknowledge.uky.edu/upk_american_popular_culture/5 conard_coen_dj2:Layout 1 9/29/08 6:18 PM Page 1 CONARD (continued from front flap) FILM/PHILOSOPHY THE PHILOSOPHY OF systems. The tale of love, marriage, betrayal, and divorce THE PHILOSOPHY OF in Intolerable Cruelty transcends the plight of the charac- “The Philosophy of the Coen Brothers offers a very ters to illuminate competing theories of justice. Even in smart, provocative, and stylishly written set of lighter fare, such as Raising Arizona and The Big Lebowski, essays on the films of the Coen brothers. The THE COEN the comedy emerges from characters’ journeys to the volume makes a convincing case for reading their brink of an amoral abyss. However, the Coens often films within a wide array of philosophical contexts knowingly and gleefully subvert conventions and occa- and persuasively demonstrates that the films of sionally offer symbolic rebirths and other hopeful out- BROTHERS the Coen brothers often implicitly and sometimes comes.
    [Show full text]
  • A Spike Lee Joints Retrospective, Jun 29—Jul 10
    BAMcinématek and the Academy present By Any Means Necessary: A Spike Lee Joints Retrospective, Jun 29—Jul 10 Kicks off with a 25th anniversary screening of Spike Lee’s Do the Right Thing for Closing Night of BAMcinemaFest with Lee and cast in attendance 15 films in 35mm plus a rare 16mm print of Lee’s debut, Joe’s Bed-Stuy Barbershop: We Cut Heads The Wall Street Journal is the title sponsor for BAMcinemaFest, BAMcinématek, and BAM Rose Cinemas. Brooklyn, NY/May 22, 2014—From Sunday, June 29 through Thursday, July 10, BAMcinématek and the Academy of Motion Picture Arts and Sciences present By Any Means Necessary: A Spike Lee Joints Retrospective, a 12-day series spanning three decades and commemorating the 15th anniversary of BAMcinématek, which launched in 1999 with a survey of Lee’s career. The writer-director-actor’s consistently surprising work displays a boundless visual imagination, some of the most fearlessly intelligent discourse on race relations in American cinema, and an ability to infuse independent projects and big-budget blockbusters alike with his edgy, energetic style. From June 27—July 27, the Academy will also present a west coast retrospective of Lee’s work at the Academy’s Linwood Dunn Theater and the Bing Theater on the Los Angeles County Museum of Art campus. Kicking off the New York retrospective and closing BAMcinemaFest on June 29 is a 25th anniversary celebration of Lee’s Oscar®-nominated Do the Right Thing. The streets of Bed-Stuy boil in Lee’s tale of tensions run high on Brooklyn’s hottest day of the year.
    [Show full text]
  • THE ADVENTURES of ELMO in GROUCHLAND Mandy Patinkin
    THE ADVENTURES OF ELMO IN GROUCHLAND Mandy Patinkin. Vanessa Williams. Sonia Manzano. Roscoe Orman. Alison Bartlett-O'Reilly. Ruth Buzzi. Emilio Delgado. Loretta Long. Bob McGrath. VOICEOVERS. Kevin Clash. Fran Brill. Stephanie D'Abruzzo. Dave Goelz. Joseph Mazzarino. Jerry Nelson. Carmen Osbahr. Martin P. Robinson. David Rudman. Caroll Spinney. Steve Whitmire. Frank Oz. THE ADVENTURES OF SEBASTIAN COLE Margaret Colin. Clark Gregg. Aleksa Palladino. John Shea. Adrian Grenier. Joan Copeland. Tom Lacy. Marni Lustig. Rory Cochrane. Gabriel Macht. Levon Helm. Russel Harper. Greg Haberny. Peter McRobbie. Merrit Wever. Marisol Padilla Sanchez. Famke Janssen. Tennison Hightower. Nicole Ari Parker. Graeme Malcolm. Dan Tedlie. Miguel Najera. Jane Jensen. C.S. O'Brien. Nikki Uberti. Joe Lisi. Kip Williams. AFTER LIFE Arata. Erika Oda. Susumu Terajima. Taketoshi Naito. Kyoko Kagawa. Kei Tani. Takashi Naito. Sadao Abe. Kisuke Shoda. Kazuko Shirakawa. Yusuke Iseya. Hisako Hara. Sayaka Yoshino. Kotaro Shiga. Natsuo Ishidou. Akio Yokoyama. Tomomi Hiraiwa. Yasuhiro Kasamatsu. AGNES BROWNE Anjelica Huston. Marion O'Dwyer. Ray Winstone. Arno Chevrier. Gerard McSorley. Niall O'Shea. Ciaran Owens. Roxanna Williams. Carl Power. Mark Power. Gareth O'Connor. James Lappin. Tom Jones. June Rodgers. Jennifer Gibney. Eamonn Hunt. Richie Walker. Sean Fox. Steve Blount. Gavin Kelty. Arthur Lappin. Brendan O'Carroll. Katriona Boland. Bernadette Lattimore. Terry Byrne. Joe Hanley. Paddy McCarney. Clodagh Long. Fionnuala Murphy. Frank Melia. Virginia Cole. Olivia Tracey. Joe Pigott. Cristen Kauffman. Frank McCusker. Cecil Bell. Peter Dix. Anna Megan. Joe Gallagher. Maria Hayden. Aedin Moloney. Malachy Connolly. Pauline McCreery. Chrissie McCreery. Noirín Ni Riain. Joanne Sloane. Keith Murtagh. Jim Smith. Tara Van Zyl. Anne Bushnell.
    [Show full text]
  • Blues, Violence, and the Male Body in the Films of Spike Lee
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2005 Beating Songs: Blues, Violence, and the Male Body in the Films of Spike Lee. Mikal J. Gaines College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the Film and Media Studies Commons Recommended Citation Gaines, Mikal J., "Beating Songs: Blues, Violence, and the Male Body in the Films of Spike Lee." (2005). Dissertations, Theses, and Masters Projects. Paper 1593092170. https://dx.doi.org/doi:10.21220/m2-xm07-1r65 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. BEATING SONGS: BLUES, VIOLENCE, AND THE MALE BODY IN THE FILMS OF SPIKE LEE A Thesis Presented to The Faculty of the American Studies Program The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts By Mikal J. Gaines 2005 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Approved/by thejCommittee, June 2005 Arthur Knight, Chair Christy Bums Kimberls> L. Phillips To all my family, friends, and colleagues for their support throughout this process. iii TABLE OF CONTENTS Page Acknowledgements v Abstract vi Introduction 2 Chapter I. An Auteur’s Paradigm for Blues 5 Chapter II. A Song for Richie 10 Chapter III.
    [Show full text]
  • In My Sleep Press Notes
    PRESENTS RELEASE DATE: Opens in Atlanta January 21st at Movies ATL RUNNING TIME: 105 minutes RATING: PG-13 for sexual content, violence and bloody images OFFICIAL WEBSITE: www.InMySleep.com Press & Theatrical Contact: Morning Star Pictures Chris King (310) 314-5598 [email protected] “In My Sleep” Press Kit, p 1 of 13 SYNOPSIS: In this taut psychological thriller, Marcus struggles with parasomnia, a rare sleepwalking disorder. After Marcus wakes up with blood on his hands and a knife at his side, he is startled to hear that a close friend has been found stabbed to death. Marcus frantically tries to put the pieces together – could he have murdered his friend in his sleep to hide a dark secret between them? The police close in as Marcus investigates his own nocturnal activities, desperate to figure out what happens after he goes to sleep. His journey to uncover the truth leads him to a shocking revelation. ABOUT THE MOVIE: In My Sleep debuted April 23, 2010, and was the #1 new independent movie in its opening weekend. The movie has played in Los Angeles and New York City to sold out crowds and is now playing theaters across the United States. The movie has also been sold to over 70 countries around the world and has been translated into German, Spanish and French. AWARDS: Best Feature at Omaha Film Festival, Audience Award at Fort Lauderdale Film Festival, Best Narrative/Special Jury Prize at Vegas Film Festival, Audience Award and Best Feature Finalist & Audience Award at Kansas International Film Festival, Best Feature Finalist at Orlando Film Festival and Gold Kahuna for Excellence in Filmmaking at Honolulu Film Festival.
    [Show full text]
  • Eatery Renovations Bring New Meal Options 'Erase the Tape' Of
    FRIDAY TODAY SEPTEMBER 10,1999 What do our.film and 97th Year • Number 10 theater students do for projects? Learn about the projects TCU students can do, High 90 have done and how Low 74 they do it. Partly cr See insert cloudy Fort Worth, Texas Serving Texas Christian University since 1902 www.skiff.tcu.edu Eatery renovations bring new meal options New eats Pizza Hut area to be completed by Oct. 4 Deli replaces 'all-you-can-eat' Several additional food ven- By Jessica Schembach dors will be located in the area By Jessica Schambach STAFF REPORTER STAFF REPORTER formerly occupied by Pizza The $250,000 Pizza Hut renovation will satisfy student's late-night Hut. When the eatery re-opens A brightly colored sign reading "a gourmet deli with a cravings, lessen traffic in the Main and provide additional office space in early October, the following decoralive delight" hangs above ihe glass dcxirs on the north for management, dining services representatives said. dining options will be available: side of Reed Hal! leading toward the former Eden's North Construction should be completed by Oct. 4, said David Ripple, gen- ■ Pizza Hut location. eral manager of Sodexho Marriott. ■ Pretzel Logic Deco Deli caters mostly to health-conscious students, said The eatery will include Pizza Hut, Pretzel Logic, Freshen's yogurt. ■ Freshen's yogurt David Ripple, general manager of Sodexho Marriott. Low- The Grind, Stems and Staples, a nacho and hot dog stand and a display ■ The Grind fat sandw iches. soups and salads compose the cafeleria-slyle cooking area.
    [Show full text]
  • An Interactive Study Guide to Toms, Coons, Mulattos, Mammies, and Bucks: an Interpretive History of Blacks in American Film by Donald Bogle Dominique M
    Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 4-11-2011 An Interactive Study Guide to Toms, Coons, Mulattos, Mammies, and Bucks: An Interpretive History of Blacks in American Film By Donald Bogle Dominique M. Hardiman Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp Recommended Citation Hardiman, Dominique M., "An Interactive Study Guide to Toms, Coons, Mulattos, Mammies, and Bucks: An Interpretive History of Blacks in American Film By Donald Bogle" (2011). Research Papers. Paper 66. http://opensiuc.lib.siu.edu/gs_rp/66 This Article is brought to you for free and open access by the Graduate School at OpenSIUC. It has been accepted for inclusion in Research Papers by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. 1 AN INTERACTIVE STUDY GUIDE TOMS, COONS, MULATTOS, MAMMIES, AND BUCKS: AN INTERPRETIVE HISTORY OF BLACKS IN AMERICAN FILM BY DONALD BOGLE Written by Dominique M. Hardiman B.S., Southern Illinois University, 2011 A Research Paper Submitted in Partial Fulfillment of the Requirements for the Masters of Science Degree Department of Mass Communications & Media Arts Southern Illinois University April 2011 ii RESEARCH APPROVAL AN INTERACTIVE STUDY GUIDE TOMS, COONS, MULATTOS, MAMMIES, AND BUCKS: AN INTERPRETIVE HISTORY OF BLACKS IN AMERICAN FILM By Dominique M. Hardiman A Research Submitted in Partial Fulfillment of the Requirements for the Degree of Masters of Science in the field of Professional Media & Media Management Approved by: Dr. John Hochheimer, Chair Graduate School Southern Illinois University Carbondale April 11, 2011 1 ACKNOWLEDGEMENTS This Research would not have been possible without the initial guidance of Dr.
    [Show full text]