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ROBERT GERAINT GRUFFYDD Robert Geraint Gruffydd 1928–2015
ROBERT GERAINT GRUFFYDD Robert Geraint Gruffydd 1928–2015 GERAINT GRUFFYDD RESEARCHED IN EVERY PERIOD—the whole gamut—of Welsh literature, and he published important contributions on its com- plete panorama from the sixth to the twentieth century. He himself spe- cialised in two periods in particular—the medieval ‘Poets of the Princes’ and the Renaissance. But in tandem with that concentration, he was renowned for his unique mastery of detail in all other parts of the spec- trum. This, for many acquainted with his work, was his paramount excel- lence, and reflected the uniqueness of his career. Geraint Gruffydd was born on 9 June 1928 on a farm named Egryn in Tal-y-bont, Meirionnydd, the second child of Moses and Ceridwen Griffith. According to Peter Smith’sHouses of the Welsh Countryside (London, 1975), Egryn dated back to the fifteenth century. But its founda- tions were dated in David Williams’s Atlas of Cistercian Lands in Wales (Cardiff, 1990) as early as 1391. In the eighteenth century, the house had been something of a centre of culture in Meirionnydd where ‘the sound of harp music and interludes were played’, with ‘the drinking of mead and the singing of ancient song’, according to the scholar William Owen-Pughe who lived there. Owen- Pughe’s name in his time was among the most famous in Welsh culture. An important lexicographer, his dictionary left its influence heavily, even notoriously, on the development of nineteenth-century literature. And it is strangely coincidental that in the twentieth century, in his home, was born and bred for a while a major Welsh literary scholar, superior to him by far in his achievement, who too, for his first professional activity, had started his career as a lexicographer. -
The Fates of the Princes of Dyfed Cenydd Morus (Kenneth Morris) Illustrations by Reginald Machell
Theosophical University Press Online Edition The Fates of the Princes of Dyfed Cenydd Morus (Kenneth Morris) Illustrations by Reginald Machell Copyright © 1914 by Katherine Tingley; originally published at Point Loma, California. Electronic edition 2000 by Theosophical University Press ISBN 1- 55700-157-x. This edition may be downloaded for off-line viewing without charge. For ease of searching, no diacritical marks appear in the electronic version of the text. To Katherine Tingley: Leader and Official Head of the Universal Brotherhood and Theosophical Society, whose whole life has been devoted to the cause of Peace and Universal Brotherhood, this book is respectfully dedicated Contents Preface The Three Branches of the Bringing-in of it, namely: The Sovereignty of Annwn I. The Council of the Immortals II. The Hunt in Glyn Cuch III. The Slaying of Hafgan The Story of Pwyll and Rhianon, or The Book of the Three Trials The First Branch of it, called: The Coming of Rhianon Ren Ferch Hefeydd I. The Making-known of Gorsedd Arberth, and the Wonderful Riding of Rhianon II. The First of the Wedding-Feasts at the Court of Hefeydd, and the Coming of Gwawl ab Clud The Second Branch of it, namely: The Basket of Gwaeddfyd Newynog, and Gwaeddfyd Newynog Himself I. The Anger of Pendaran Dyfed, and the Putting of Firing in the Basket II. The Over-Eagerness of Ceredig Cwmteifi after Knowledge, and the Putting of Bulrush-Heads in the Basket III. The Circumspection of Pwyll Pen Annwn, and the Filling of the Basket at Last The First Branch of it again: III. -
The Meaning of the Idylls of the King
T H E ME A N IN G O F TH E IDYLLS OF TH E KING A N E SSA Y IN I NTE RP RETATION O DE B O ST A N N P N LL D . C E I LLE , ” " A U TH R T H E P H IL O P H Y LIT R AT UR P OC H S O OF OS OF E E . E ” " ” LIT RAT UR T H E A T T H A LAR C H U S OF E E . FE S OF , " ” T H E D AT H S IR LA U N C L T E T C . E OF E O , NEW YORK CI N CIN NATI CHICAGO A M E R I C A N B O O K C O M P A N Y P Rs se OP YRI GHT 1904 B Y C , , CONDE B E N OIST P A LLE N ’ E nte re d at Statione rs H all , London TH E MEANING O F‘ T H E IDYLLS OF T H E K ING W P . I . FO R E W O R D T H E L d T e n n son a i i letter of or y , the f cs m le of which a a o n a was i n in ppe rs the first p ge , wr tte commendation of a bri ef ma ga zin e article on T he in Idylls o f the K ing published in 1 885 . -
A Welsh Classical Dictionary
A WELSH CLASSICAL DICTIONARY DACHUN, saint of Bodmin. See s.n. Credan. He has been wrongly identified with an Irish saint Dagan in LBS II.281, 285. G.H.Doble seems to have been misled in the same way (The Saints of Cornwall, IV. 156). DAGAN or DANOG, abbot of Llancarfan. He appears as Danoc in one of the ‘Llancarfan Charters’ appended to the Life of St.Cadog (§62 in VSB p.130). Here he is a clerical witness with Sulien (presumably abbot) and king Morgan [ab Athrwys]. He appears as abbot of Llancarfan in five charters in the Book of Llandaf, where he is called Danoc abbas Carbani Uallis (BLD 179c), and Dagan(us) abbas Carbani Uallis (BLD 158, 175, 186b, 195). In these five charters he is contemporary with bishop Berthwyn and Ithel ap Morgan, king of Glywysing. He succeeded Sulien as abbot and was succeeded by Paul. See Trans.Cym., 1948 pp.291-2, (but ignore the dates), and compare Wendy Davies, LlCh p.55 where Danog and Dagan are distinguished. Wendy Davies dates the BLD charters c.A.D.722 to 740 (ibid., pp.102 - 114). DALLDAF ail CUNIN COF. (Legendary). He is included in the tale of ‘Culhwch and Olwen’ as one of the warriors of Arthur's Court: Dalldaf eil Kimin Cof (WM 460, RM 106). In a triad (TYP no.73) he is called Dalldaf eil Cunyn Cof, one of the ‘Three Peers’ of Arthur's Court. In another triad (TYP no.41) we are told that Fferlas (Grey Fetlock), the horse of Dalldaf eil Cunin Cof, was one of the ‘Three Lovers' Horses’ (or perhaps ‘Beloved Horses’). -
Mordred, a Tragedy
MORDRED, A TRAGEDY HENRY NEWBOLT MORDRED, A TRAGEDY Table of Contents MORDRED, A TRAGEDY......................................................................................................................................1 HENRY NEWBOLT.....................................................................................................................................1 ACT I..........................................................................................................................................................................2 SCENE I.........................................................................................................................................................2 SCENE II.......................................................................................................................................................6 ACT II.......................................................................................................................................................................11 SCENE I.......................................................................................................................................................11 SCENE II.....................................................................................................................................................15 SCENE III....................................................................................................................................................18 SCENE IV....................................................................................................................................................22 -
THE STORY of KING ARTHUR and HIS KNIGHTS by Howard Pyle
THE STORY OF KING ARTHUR AND HIS KNIGHTS By Howard Pyle HOW KING ARTHUR HELD A ROYAL WEDDING, AND ESTABLISHED THE ROUND TABLE. AND now was come the early fall of the year; that pleasant season when meadowland and wold were still green with the summer that had only just passed; when the sky, likewise, was as of summertime-extraordinarily blue and full of large floating clouds; when a bird might sing here and another there a short song in memory of springtime (as the smaller fowl doth when the year draweth to its ending); when all the air was tempered with, warmth and yet the leaves were everywhere turning brown and red and gold, so that when the sun shone through them it was as though a cloth of gold, broidered with brown and crimson and green, hung above the head. Now was come the early autumn season of the year, when it is exceedingly pleasant to be afield among the nut-trees with hawk and hound, or to travel abroad in the yellow world, whether it be ahorse or afoot. Such was the time of year in which had been set the marriage of King Arthur and the Lady Guinevere at Camelot, and at that place was extraordinary pomp and glory of circumstance. All the world was astir and in a great ferment of joy, for all folk were exceedingly glad that King Arthur was to have a queen. In preparation for that great occasion the town of Camelot was entirely bedight with magnificence, for the stony street along which the Lady Guinevere must come to the royal castle of the king was strewn thick with fresh-cut rushes, smoothly laid. -
A Paradise Fading
Master’s Thesis A PARADISE FADING Perceptions of Wild Nature in Alfred, Lord Tennyson’s Idylls of the King and Howard Pyle’s Story of King Arthur and His Knights Author: Li Hedenmalm Supervisor: Per Sivefors Examiner: Johan Höglund Term: Spring 2018 Subject: English Level: Advanced Level, 30 Credits Course code: 5EN01E ABSTRACT This thesis explores representations of wild nature in two Arthurian texts – one British and one American – produced in an age characterised by rapid social transformation: Alfred, Lord Tennyson’s Idylls of the King (1859-1885) and Howard Pyle’s Story of King Arthur and His Knights (1903). By investigation of the textual descriptions of wilderness and the portrayals of characters living there, the study aims to investigate what attitudes towards unkempt nature are displayed in the two texts. While both narratives give evidence of a powerful nostalgia for a vanishing paradise, the yearning for Eden is expressed quite differently. Pyle’s text fuses the concepts of wilderness and paradise together by depicting the unkempt landscape as a place of splendour and spiritual enjoyment. Such a celebration of nature might well be seen a reaction against the rapid loss of wild spaces across America (and Britain) during the life-time of the author. In the Idylls, paradise is represented in the domesticated yet green landscape of the faraway fairy island of Avilion. Wilderness, on the other hand, is depicted as a harmful disease progressively spreading across the realm, arguably bringing about a moral degeneration among the human characters. In the end, however, it is not wilderness, but the corruption of the supposedly civilised characters that causes the collapse of Arthur’s empire. -
Arthurian Personal Names in Medieval Welsh Poetry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Aberystwyth Research Portal ʹͲͳͷ Summary The aim of this work is to provide an extensive survey of the Arthurian personal names in the works of Beirdd y Tywysogion (the Poets of the Princes) and Beirdd yr Uchelwyr (the Poets of the Nobility) from c.1100 to c.1525. This work explores how the images of Arthur and other Arthurian characters (Gwenhwyfar, Llachau, Uthr, Eigr, Cai, Bedwyr, Gwalchmai, Melwas, Medrawd, Peredur, Owain, Luned, Geraint, Enid, and finally, Twrch Trwyth) depicted mainly in medieval Welsh prose tales are reflected in the works of poets during that period, traces their developments and changes over time, and, occasionally, has a peep into reminiscences of possible Arthurian tales that are now lost to us, so that readers will see the interaction between the two aspects of middle Welsh literary tradition. Table of Contents Acknowledgements ...................................................................................................... 3 Bibliographical Abbreviations and Short Titles ....................................................... 4 Introduction .................................................................................................................. 9 Chapter 1: Possible Sources in Welsh and Latin for the References to Arthur in Medieval Welsh Poetry .............................................................................................. 17 1.1. Arthur in the White Book of Rhydderch and the -
John Cowper Powys's Porius: a Reader's Companion
John Cowper Powys: Porius A Reader’s Companion Updated and Expanded Edition W. J. Keith April 2009 “Reader’s Companions” by Prof. W.J. Keith to other Powys works are available at: https://www.powys-society.org/Articles.html Preface The aim of this “Companion” is to provide background information that will enrich a reading of Powys’s novel/romance. It glosses Welsh, classical, biblical, and other allusions, identifies quotations, explains geographical and historical references, and offers any commentary that may throw light on the more complex aspects of the text. (When a quotation is involved, the passage is listed under the first word even if it is “a” or “the.”) It was first made available on the Internet and in booklet form in 2004, and has subsequently been updated and revised from time to time. The present version has been thoroughly reset and expanded. Numerous errors discovered in the intervening years have been corrected. All page-references are to Judith Bond and Morine Krissdóttir’s edition published by Overlook Duckworth in 2007, with those to Wilbur T. Albrecht’s 1994 edition from Colgate University Press following in square brackets. Since the latter contained many errors and inconsistencies, the words listed often appear there in somewhat different form. Moreover, because the editions are based on different copy-texts, some references appear only in one of the editions; when those occurring in only one version require separate annotation, they have been identified and glossed. References to other JCP books published during his lifetime will be either to the first editions or to reprints that reproduce the original pagination, with the following exceptions: Wolf Solent (London: Macdonald, 1961), Weymouth Sands (London: Macdonald, 1963), Maiden Castle (ed. -
King Arthur and His Knights of the Round Table Then Sir Bedivere Carried the Helpless King, Walking Ruled in the Land
Conditions and Terms of Use Copyright © Heritage History 2009 Some rights reserved This text was produced and distributed by Heritage History, an organization dedicated to the preservation of classical juvenile history books, and to the promotion of the works of traditional history authors. The books which Heritage History republishes are in the public domain and PREFACE are no longer protected by the original copyright. They may therefore be reproduced within the United States without paying a royalty to the author. This reading-book is designed primarily for pupils of the The text and pictures used to produce this version of the work, however, are fifth and sixth grades, although it is believed that those of other the property of Heritage History and are licensed to individual users with some grades can read it with profit. The stories have been collected restrictions. These restrictions are imposed for the purpose of protecting the integrity from Sir Thomas Malory's Morte d' Arthur and Tennyson's Idyls of the work itself, for preventing plagiarism, and for helping to assure that compromised or incomplete versions of the work are not widely disseminated. of the King. The material taken from the former source has been chosen with the view of presenting strictly suitable reading, and In order to preserve information regarding the origin of this text, a copyright has also at times been slightly altered for the purpose of giving by the author, and a Heritage History distribution date are included at the foot of greater unity and continuity to the stories. In the tales taken from every page of text. -
Download the PDF Programme to Discover More
‘ Hun t‘ in g the GGian tsDaughter yr hen i a i th yn y tir the old language is in the land and the old songs live alawon hen yn byw advers e camber productions Myfi yw’r dechreuad Welcome I am the beginning Welcome to the Hunting the Giant’s Daughter South West England tour. We’re so excited about bringing this show to audiences who live in places close to where the action of the story takes place. We’re Myfi yw’r dechreuad also very excited about story walks, celebrating wonderful I am the beginning landscapes and the many different stories those landscapes hold. We’re grateful to everyone who has helped make this tour happen, Myfi yw’r gair see page 31 for a full list of thanks. I am the word If you’re here for a performance, do check out the dates for story walks overleaf. We’ll be walking and sharing stories and songs of Fy nghorff yw'r tir a choed a'r dail land and sea, informally. Similarly, if you’ve come for a walk today, my body is the land and the trees and the leaves why not come to hear a story which passes by the very landscape you’re walking through. Our tour is inspired by the story of Fy ngwallt yw'r gwair Culhwch and Olwen, one of the oldest surviving King Arthur legends in Welsh, full of questing, magic, love and fellowship and my hair is the grass we’re looking forward to sharing it with you. -
Early Arthurian Tradition and the Origins of the Legend
Arthuriana Arthuriana Early Arthurian Tradition and the Origins of the Legend Thomas Green THE LINDES PRESS As with everything, so with this: For Frances and Evie. First published 2009 The Lindes Press Louth, Lincolnshire www.arthuriana.co.uk © Thomas Green, 2009 The right of Thomas Green to be identified as the Author of this work has been asserted in accordance with the Copyrights, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without the permission in writing of the Author. A catalogue record for this book is available from the British Library. ISBN 978 1 4452 2110 6 Contents Preface vii 1 The Historicity and Historicisation of Arthur 1 2 A Bibliographic Guide to the Welsh Arthurian Literature 47 3 A Gazetteer of Arthurian Onomastic and Topographic Folklore 89 4 Lincolnshire and the Arthurian Legend 117 5 Arthur and Jack the Giant-Killer 141 a. Jack & Arthur: An Introduction to Jack the Giant-Killer 143 b. The History of Jack and the Giants (1787) 148 c. The 1711 Text of The History of Jack and the Giants 166 d. Jack the Giant Killer: a c. 1820 Penny Book 177 e. Some Arthurian Giant-Killings 183 6 Miscellaneous Arthuriana 191 a. An Arthurian FAQ: Some Frequently Asked Questions 193 b. The Monstrous Regiment of Arthurs: A Critical Guide 199 c. An Arthurian Reference in Marwnad Gwên? The Manuscript 217 Evidence Examined d.