Highlights Garth Fagan Dance at Joyce Theater
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Guide to the Michigan Dance Archives: Harriet Berg Papers UP001608
Guide to the Michigan Dance Archives: Harriet Berg Papers UP001608 This finding aid was produced using ArchivesSpace on June 11, 2018. English Describing Archives: A Content Standard Walter P. Reuther Library 5401 Cass Avenue Detroit, MI 48202 URL: https://reuther.wayne.edu Guide to the Michigan Dance Archives: Harriet Berg Papers UP001608 Table of Contents Summary Information .................................................................................................................................... 3 History ............................................................................................................................................................ 4 Scope and Content ......................................................................................................................................... 4 Arrangement ................................................................................................................................................... 6 Administrative Information ............................................................................................................................ 6 Related Materials ........................................................................................................................................... 7 Controlled Access Headings .......................................................................................................................... 7 Collection Inventory ...................................................................................................................................... -
Uncork the Champagne Garth Fagan Dance Celebrates 40 Years with Two World Premieres at the Joyce Theater, November 9-14
For Immediate Release ! ! PHOTO OF “WOZA” BY GREG BARRETT UNCORK THE CHAMPAGNE GARTH FAGAN DANCE CELEBRATES 40 YEARS WITH TWO WORLD PREMIERES AT THE JOYCE THEATER, NOVEMBER 9-14 Forty years ago a small, scrappy dance troupe arrived on the scene. It called itself Bottom of the Bucket, But … Dance Theatre. Now transformed into one of the most elegant and original dance troupes in the world, Garth Fagan Dance continues to be directed by its founder Garth Fagan, who, besides becoming the Tony Award- winning choreographer of “The Lion King,” has created works for New York City Ballet, Alvin Ailey American Dance Theater, Dance Theatre of Harlem and the Limón Dance Company. Fagan’s “Griot New York” was subject of a Great Performances program, which aired nationwide on PBS. Garth Fagan Dance has toured round the world and back again. You’ve come a long way, baby. To celebrate its four decades, two world premieres – one by the master himself, and the other by Fagan’s protégé and longtime principal dancer, Norwood Pennewell – are on the boards for Garth Fagan Dance’s Joyce Theater season, November 9-14. The week of shows also features Fagan classics such as “Passion Distanced” dating back to 1987. Fagan’s premiere, aptly entitled “Thanks Forty,” a celebration of his company’s four decades, is set to cello music by Shostakovitch, a melodic percussion score by Angolian composer Bonga Kwenda and Gerald Albright’s music for tenor, alto and baritone sax. The MORE !"" Broadway Suite #$% • New York NY "$$"& USA • T: &"&'&#('("$$ • F: &"&'%)*'""$& • eja@ejassociates'org • www'ejassociates'org ELLEN JACOBS ASSOCIATES GARTH FAGAN DANCE ADD ONE dance opens with a solo for Nicolette Depass, an homage to the toughness, strength and femininity of women. -
DOSSIER JAZZ 2019.Cdr
El pianista Michel Reis, el bajista Marc Demuth y el baterista Paul Wiltgen son tres de los músicos de jazz más destacados de Luxemburgo. Formaron el Trío Reis-Demuth-Wiltgen en 1998 mientras todavía estaban en la escuela secundaria y actuaron regularmente en Luxemburgo y sus alrededores durante un par de años. El trío se reunió en el año 2011, ansiosos por compartir sus experiencias y nuevas composiciones. Su primer álbum homónimo fue lanzado en Laborie Jazz con gran éxito de crítica. Desde el lanzamiento, la banda ha realizado numerosas giras por todo el mundo y ha aparecido en los principales festivales internacionales de Jazz en Europa, Asia, América del Norte y del Sur y África occidental. El segundo álbum de la banda, "Places In Between", fue grabado en la ciudad de Nueva York y lanzado en Double Moon Records en 2016 (Mocloud Records en Japón). Su tercer y último trabajo se titula "Once In A Blue Moon" y fue lanzado en CAM JAZZ el 11 de mayo de 2018. El repertorio de "Places In Between" se estrenó en un festival en Luxemburgo donde el trío contó con el saxofonista de renombre mundial Joshua Redman. Desde 2014, Redman ha estado tocando varias de las composiciones del trío con sus propias bandas. Joshua Redman dice que se enamoró de su música desde el momento en que la escuchó cuando su propio cuarteto tocaba un doble con REIS / DEMUTH / WILTGEN en el Festival Charlie Free en Francia. En marzo de 2018, el trío viajó por Europa con Joshua Redman como invitado destacado. -
National Endowment for the Arts Annual Report 1989
National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1989. Respectfully, John E. Frohnmayer Chairman The President The White House Washington, D.C. July 1990 Contents CHAIRMAN’S STATEMENT ............................iv THE AGENCY AND ITS FUNCTIONS ..............xxvii THE NATIONAL COUNCIL ON THE ARTS .......xxviii PROGRAMS ............................................... 1 Dance ........................................................2 Design Arts ................................................20 . Expansion Arts .............................................30 . Folk Arts ....................................................48 Inter-Arts ...................................................58 Literature ...................................................74 Media Arts: Film/Radio/Television ......................86 .... Museum.................................................... 100 Music ......................................................124 Opera-Musical Theater .....................................160 Theater ..................................................... 172 Visual Arts .................................................186 OFFICE FOR PUBLIC PARTNERSHIP ...............203 . Arts in Education ..........................................204 Local Programs ............................................212 States Program .............................................216 -
1984 Category Artist(S)
1984 Category Artist(s) Artist/Title Of Work Venue Choreographer/Creator Anne Bogart South Pacific NYU Experimental Theatear Wing Eiko & Koma Grain/Night Tide DTW Fred Holland/Ishmael Cowboys, Dreams, and Ladders The Kitchen Houston Jones Julia Heyward No Local Stops Ohio Space Mark Morris Season DTW Nina Wiener Wind Devil BAM Stephanie Skura It's Either Now or Later/Art Business DTW, P.S. 122 Timothy Buckley Barn Fever The Kitchen Yoshiko Chuma and the Collective Work School of Hard Knocks Composer Anthony Davis Molissa Fenley/Hempshires BAM Lenny Pickett Stephen Pertronio/Adrift (With Clifford Danspace Project Arnell) Film & TV/Choreographer Frank Moore & Jim Self Beehive Nancy Mason Hauser & Dance Television Workshop at WGBH- Susan Dowling TV Lighting Designer Beverly Emmons Sustained Achievement Carol Mulins Body of Work Danspace Project Jennifer Tipton Sustained Achievement Performer Chuck Greene Sweet Saturday Night (Special Citation) BAM John McLaughlin Douglas Dunn/ Diane Frank/ Deborah Riley Pina Bausch and the 1980 (Special Citation) BAM Wuppertaler Tanztheatre Rob Besserer Lar Lubovitch and Others Sara Rudner Twyla Tharp Steven Humphrey Garth Fagan Valda Setterfield David Gordon Special Achievement/Citations Studies Project of Movement Research, Inc./ Mary Overlie, Wendell Beavers, Renee Rockoff David Gordon Framework/ The Photographer/ DTW, BAM Sustained Achievement Trisha Brown Set and Reset/ Sustained Achievement BAM Visual Designer Judy Pfaff Nina Wiener/Wind Devil Power Boothe Charles Moulton/ Variety Show; David DTW, The Joyce Gordon/ Framework 1985 Category Artist(s) Artist/Title of Work Venue Choreographer/Creator Cydney Wilkes 16 Falls in Color & Searching for Girl DTW, Ethnic Folk Arts Center Johanna Boyce Johanna Boyce with the Calf Women & DTW Horse Men John Jesurun Chang in a Void Moon Pyramid Club Bottom Line Judith Ren-Lay The Grandfather Tapes Franklin Furnace Susan Marshall Concert DTW Susan Rethorst Son of Famous Men P. -
Billboard-1997-07-19
$5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) IN MUSIC NEWS IBXNCCVR **** * ** -DIGIT 908 *90807GEE374EM002V BLBD 589 001 032198 2 126 1200 GREENLY 3774Y40ELMAVEAPT t LONG BEACH CA 90E 07 Debris Expects Sweet Success For Honeydogs PAGE 11 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT ADVERTISEMENTS RIAA's Berman JAMAICAN MUSIC SPAWNS Hit Singles Is Expected To DRAMATIC `ALTERNATIVES' Catapult Take IFPI Helm BY ELENA OUMANO Kingston -based label owner /artist manager Steve Wilson, former A &R/ Colvin, Robyn This story was prepared by Ad f , Mention "Jamaica" and most people promotion manager for Island White in London and Bill Holland i, think "reggae," the signature sound of Jamaica. "It means alternative to BY CHUCK TAYLOR Washington, D.C. that island nation. what's traditionally Jamaicans are jus- known as Jamaican NEW YORK -One is a seasoned tifiably proud of music. There's still veteran and the other a relative their music's a Jamaican stamp Put r ag top down, charismatic appeal on the music. The light p the barbet Je and its widespread basslines and drum or just enjoy the sunset influence on other beats sound famil- cultures and iar. But that's it. featuring: tfri musics. These days, We're using a lot of Coen Bais, Abrazas N all though, more and GIBBY FAHRENHEIT blues, funk, jazz, Paul Ventimiglia, LVX Nava BERMAN more Jamaicans folk, Latin, and a and Jaquin.liévaao are refusing to subsume their individ- lot of rock." ROBYN COLVIN BILLBOARD EXCLUSIVE ual identities under the reggae banner. -
Lewis Segal Collection of Dance and Theater Materials, 1902-2011; Bulk, 1970-2009
http://oac.cdlib.org/findaid/ark:/13030/c8c24wzf No online items Lewis Segal Collection of Dance and Theater Materials, 1902-2011; Bulk, 1970-2009 Preliminary processing by Andrea Wang; fully processed by Mike D'Errico in 2012 in the Center for Primary Research and Training (CFPRT), with assistance from Jillian Cuellar; machine-readable finding aid created by Caroline Cubé. The processing of this collection was generously supported by Arcadia funds. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2012 The Regents of the University of California. All rights reserved. Lewis Segal Collection of Dance 1890 1 and Theater Materials, 1902-2011; Bulk, 1970-2009 Descriptive Summary Title: Lewis Segal Collection of Dance and Theater Materials Date (inclusive): 1902-2011; Bulk, 1970-2009 Collection number: 1890 Collector: Segal, Lewis Extent: 24 record cartons (24 linear ft.) Abstract: Lewis Segal is a performing arts critic who has written on various topics related to the performing arts, from ballet to contemporary dance and musicals. He began working as a freelance writer in the 1960s for a number of publications, including the Los Angeles Times, Performing Arts magazine, the Los Angeles Free Press, Ballet News, and High Performance magazine. He joined the staff of the Los Angeles Times in 1976. From 1996 to 2008 he held the full-time position of chief dance critic, writing full features and reviews on dance companies and performing arts organizations from around the world. -
Garth Fagan Dance
“Thanks Forty” Photo © Yi-Chun Wu © Yi-Chun Photo Forty” “Thanks GARTH FAGAN DANCE Applause Series CURRICULUM GUIDE CIVIC CENTER OF GREATER DES MOINES February 8, 2013 GUIDE CONTENTS About the Civic Center Page 3 Going to the Theater and Theater Etiquette Page 4 Civic Center Field Trip Dear Teachers, Information for Teachers Page 5 Thank you for joining us for the Applause Series presentation of Garth Fagan Dance. For more than 40 years, Garth Fagan Vocabulary has made the art of dance come alive through his Page 6 choreography. By combining Afro-Caribbean movement (inspired by his Jamaican roots), the precision of ballet, and About the Performance the rule-breaking experimentation of modern dance, Fagan Page 7 has created a wholly unique style of dance that not only reflects, but also uplifts the human experience. Captivating About Garth Fagan audiences worldwide, Garth Fagan Dance is also committed Page 8 to performing for and sharing their craft with young people — firmly believing that engagement with the arts, including About the Company, dance, is key to promoting critical thinking, emotional Garth Fagan Dance intelligence, and self-esteem. Page 9 We thank you for sharing this special experience with your The People Behind the Scenes students and hope that this study guide helps you connect the Page 10 performance to your in-classroom curriculum in ways that you find valuable. In the following pages, you will find contextual What is Dance? information about the performance and related subjects, as Pages 11 well as a variety of discussion questions and activities. Some pages are appropriate to reproduce for your students; others Elements of Dance — B.A.S.T.E. -
Our Musical Heritage – the Power of the Beat
Our Musical Heritage The Power of the Beat The Grace, Kennedy Foundation Lecture, 2005 Our Musical Heritage The Power of the Beat Marjorie A. G. Whylie The Grace, Kennedy Foundation Published in March 2005 by the Grace, Kennedy Foundation 73 Harbour Street, Kingston Jamaica, West Indies Telephone: (876) 922-3440-9 Ext. 3540/1 ©2005 Grace, Kennedy Foundation ISBN 976-8041-19-6 Printed in Jamaica by Stephenson’s Litho Press The Grace, Kennedy Foundation The Grace, Kennedy Foundation was established in 1982 on the 60th anniversary of Grace, Kennedy and Company Limited. The Foundation expresses, in a tangible way, Grace, Kennedy’s commitment to Jamaica’s development by making grants to deserving community groups, in support of its stated objectives, which are as follows: 1. To develop and promote the arts, health, culture, and sports; 2. To establish and carry on programmes for the development of education and skills of people in Jamaica; 3. To develop programmes aimed at the upliftment of the spiritual well-being of individuals. Guided by clearly formulated policies, the Directors have focused on assistance in three areas: community services; our heritage; and education; the last receiving the greatest emphasis. The Foundation’s scholarship and bursary programme is, therefore, an important component of its activity. By supporting capable and talented people and those who contribute to the development of their communities, the Foundation works towards achieving its main purpose, the development of Jamaica’s human resources, on which our future as a nation depends. Directors Mr. Peter Moss-Solomon – Chairman Mr. James Moss-Solomon Mrs. -
STAGE PRESENCE Costume and Make-Up in Indian Classical Dance
May 2021 ® ON Stagevolume 10 • issue 10 STAGE PRESENCE Costume and make-up in Indian classical dance A RICHER SOUND A FINE STATE New members join the SOI Glimpses of Maharashtra Chairman’s Note here is a general impression that with the lockdown, the NCPA is not functioning as before. While it is true that there is nothing Twhich can substitute a face-to-face encounter and/or meeting to achieve the desired result, the next best course is to gird up our loins and innovate ways in which the NCPA would most benefit and the employees, musicians, technicians, etc. would occupy themselves meaningfully. Having laid out these objectives before our heads of divisions, I must say that a modicum of success has been achieved. The musicians in residence of the SOI have been furiously preparing new programmes and have already, in the last month, recorded four of them fully for the digital platform. These have been recorded in the theatre and with better sound than when the audience is present. Similarly, full- year plans, conditions permitting, have been presented by the Indian Music, International Music, Dance and Theatre genres. Preparations are, therefore, underway to put together a year’s programme of likely performances when the lockdown and other bans are lifted and otherwise, recording online for the presence of the NCPA to be noted by its members and the public alike. Methods of management are being put together and we realise that getting the finest advisors in areas where we need these inputs is the cheapest way of keeping up with technology and modern practices. -
Garth Fagan Dance
Home : Anuncios : Noticias : Secciones : Videos recomendados : Buscar en Danza Ballet : Publicidad LEE LA ENTREVISTA REALIZADA A LA EDITORA DE DANZA BALLET, POR VOGUE ESPAÑA Venta anticipada de entradas: Basílica S. M. del Pi, Gran Teatre del Liceu, L'autidori, Palau de la Música Catalana, Teatro Poliorama, etc. Staff de Danza Ballet | Recomiéndanos | Escríbenos | Danza Ballet en en o también en GARTH FAGAN DANCE UNCORK THE CHAMPAGNE GARTH FAGAN DANCE CELEBRATES 40 YEARS WITH TWO WORLD PREMIERES AT THE JOYCE THEATER, NOVEMBER 9-14 Forty years ago a small, scrappy dance troupe arrived on the scene. It called itself Bottom of the Bucket, But … Dance Theatre. Now transformed into one of the most elegant and original dance troupes in the world, Garth Fagan Dance continues to be directed by its founder Garth Fagan, who, besides becoming the Tony Award-winning Presentación del servicio choreographer of “The Lion King,” has created works for New York City Ballet, Alvin Hemos recomendado... Ailey American Dance Theater, Dance Theatre of Harlem and the Limón Dance Cómo comprar? Company. y la seguridad? Información en tiempo real Dance Series Package Stagestep Dance Flooring Barcelona Dance Performances from Students to Tap Ballet Ballroom Studio Stage Barres Las P. de Gran Canaria Celebrities - Join Us Today! Mirrors NonSlip Maintenance Madrid www.Adelphi.edu/Performing-Arts stagestep.com/index.php Palma de Mallorca Ads by Google Ballet Dance Danza Ed Fagan Taunya Fagan Aix-en-Provence Niza París Fagan’s “Griot New York” was subject of a Great Performances program, which aired nationwide on Berlín PBS. Garth Fagan Dance has toured round the world and back again. -
25 Years of the London Jazz Festival
MUSIC FROM OUT THERE, IN HERE: 25 YEARS OF THE LONDON JAZZ FESTIVAL Emma Webster and George McKay MUSIC FROM OUT THERE, IN HERE: 25 YEARS OF THE LONDON JAZZ FESTIVAL Emma Webster and George McKay Published in Great Britain in 2017 by University of East Anglia, Norwich NR4 7TJ, UK as part of the Impact of Festivals project, funded by the Arts and Humanities Research Council, under the Connected Communities programme. impactoffestivals.wordpress.com ACKNOWLEDGEMENTS This book is an output of the Arts and Humanities Research Council collaborative project The Impact of Festivals (2015-16), funded under the Connected Communities Programme. The authors are grateful for the research council’s support. At the University of East Anglia, thanks to project administrators CONTENTS Rachel Daniel and Jess Knights, for organising events, picture 1 FOREWORD 50 CHAPTER 4. research, travel and liaison, and really just making it all happen JOHN CUMMING OBE, THE BBC YEARS: smoothly. Thanks to Rhythm Changes and CHIME European jazz DIRECTOR, EFG LONDON 2001-2012 research project teams for, once again, keeping it real. JAZZ FESTIVAL 50 2001: BBC RADIO 3 Some of the ideas were discussed at jazz and improvised music 3 INTRODUCTION 54 2002-2003: THE MUSIC OF TOMORROW festivals and conferences in London, Birmingham, Cheltenham, 6 CHAPTER 1. 59 2004-2007: THE Edinburgh, San Sebastian, Europe Jazz Network Wroclaw and THE EARLY YEARS OF JAZZ FESTIVAL GROWS Ljubljana, and Amsterdam. Some of the ideas and interview AND FESTIVAL IN LONDON 63 2008-2011: PAST, material have been published in the proceedings of the first 7 ANTI-JAZZ PRESENT, FUTURE Continental Drifts conference, Edinburgh, July 2016, in a paper 8 EARLY JAZZ FESTIVALS 69 2012: FROM FEAST called ‘The role of the festival producer in the development of jazz (CULTURAL OLYMPIAD) in Europe’ by Emma Webster.