Able Archer and the War Scare of 1983
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Bangor University DOCTOR of PHILOSOPHY Reimagining
Bangor University DOCTOR OF PHILOSOPHY Reimagining Everyday Life in the GDR Post-Ostalgia in Contemporary German Films and Museums Kreibich, Stefanie Award date: 2019 Awarding institution: Bangor University Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 29. Sep. 2021 Reimagining Everyday Life in the GDR: Post-Ostalgia in Contemporary German Films and Museums Stefanie Kreibich Thesis submitted in fulfilment of the requirements for the degree of PhD in Modern Languages Bangor University, School of Modern Languages and Cultures April 2018 Abstract In the last decade, everyday life in the GDR has undergone a mnemonic reappraisal following the Fortschreibung der Gedenkstättenkonzeption des Bundes in 2008. No longer a source of unreflective nostalgia for reactionaries, it is now being represented as a more nuanced entity that reflects the complexities of socialist society. The black and white narratives that shaped cultural memory of the GDR during the first fifteen years after the Wende have largely been replaced by more complicated tones of grey. -
Maria Kyriacou
MINUTES SEASON 8 1 3 THE EUROPEAN SERIES SUMMIT JULY FONTAINEBLEAU - FRANCE 2019 CREATION EDITORIAL TAKES POWER! This mantra, also a pillar of Série Series’ identity, steered Throughout the three days, we shone a light on people the exciting 8th edition which brought together 700 whose outlook and commitment we particularly European creators and decision-makers. connected with. Conversations and insight are the DNA of Série Series and this year we are proud to have During the three days, we invited attendees to question facilitated particularly rich conversations; to name but the idea of power. Both in front and behind the camera, one, Sally Wainwright’s masterclass where she spoke of power plays are omnipresent and yet are rarely her experience and her vision with a fellow heavyweight deciphered. Within an industry that is booming, areas in British television, Jed Mercurio. Throughout these of power multiply and collide. But deep down, what is Minutes, we hope to convey the essence of these at the heart of power today: is it the talent, the money, conversations, putting them into context and making the audience? Who is at the helm of series production: them available to all. the creators, the funders, the viewers? In these Minutes, through our speakers’ analyses and stories, we hope to For the first time, this year, we have also wanted to o er you some food for thought, if not an answer. broaden our horizons and o er a “white paper” as an opening to the reports, focusing on the theme of Creators, producers, broadcasters: this edition’s power, through the points of view that were expressed 120 speakers flew the flag for daring and innovative throughout the 8 editions and the changes that Série 3 European creativity and are aware of the need for the Series has welcomed. -
Deutschland 83 Is Determined to Stake out His Very Own Territory
October 3, 1990 – October 3, 2015. A German Silver Wedding A global local newspaper in cooperation with 2015 Share the spirit, join the Ode, you’re invited to sing along! Joy, bright spark of divinity, Daughter of Elysium, fire-inspired we tread, thy Heavenly, thy sanctuary. Thy magic power re-unites all that custom has divided, all men become brothers under the sway of thy gentle wings. 25 years ago, world history was rewritten. Germany was unified again, after four decades of separation. October 3 – A day to celebrate! How is Germany doing today and where does it want to go? 2 2015 EDITORIAL Good neighbors We aim to be and to become a nation of good neighbors both at home and abroad. WE ARE So spoke Willy Brandt in his first declaration as German Chancellor on Oct. 28, 1969. And 46 years later – in October 2015 – we can establish that Germany has indeed become a nation of good neighbors. In recent weeks espe- cially, we have demonstrated this by welcoming so many people seeking GRATEFUL protection from violence and suffer- ing. Willy Brandt’s approach formed the basis of a policy of peace and détente, which by 1989 dissolved Joy at the Fall of the Wall and German Reunification was the confrontation between East and West and enabled Chancellor greatest in Berlin. The two parts of the city have grown Helmut Kohl to bring about the reuni- fication of Germany in 1990. together as one | By Michael Müller And now we are celebrating the 25th anniversary of our unity regained. -
Scms 2017 Conference Program
SCMS 2017 CONFERENCE PROGRAM FAIRMONT CHICAGO MILLENNIUM PARK March 22–26, 2017 Letter from the President Dear Friends and Colleagues, On behalf of the Board of Directors, the Host and Program Committees, and the Home Office staff, let me welcome everyone to SCMS 2017 in Chicago! Because of its Midwestern location and huge hub airport, not to say its wealth of great restaurants, nightlife, museums, shopping, and architecture, Chicago is always an exciting setting for an SCMS conference. This year at the Fairmont Chicago hotel we are in the heart of the city, close to the Loop, the river, and the Magnificent Mile. You can see the nearby Millennium Park from our hotel and the Art Institute on Michigan Avenue is but a short walk away. Included with the inexpensive hotel rate, moreover, are several amenities that I hope you will enjoy. I know from previewing the program that, as always, it boasts an impressive display of the best, most stimulating work presently being done in our field, which is at once singular in its focus on visual and digital media and yet quite diverse in its scope, intellectual interests and goals, and methodologies. This year we introduced our new policy limiting members to a single role, and I am happy to say that we achieved our goal of having fewer panels overall with no apparent loss of quality in the program or member participation. With this conference we have made presentation abstracts available online on a voluntary basis, and I urge you to let them help you navigate your way through the program. -
Atributos De Séries Dramáticas De Sucesso E Engajamento Da Audiência Successful Drama TV Series // Features and Audience Engagement
DOI: 10.11606/issn.2316-7114.sig.2018.143013 Atributos de séries dramáticas de sucesso e engajamento da audiência Successful drama TV series // features and audience engagement //////////////// Sílvio Antonio Luiz Anaz1 1 Pesquisador de pós-doutorado em Meios e Processos Audiovisuais na Escola de Comunicações e Artes da Universidade de São Paulo (ECA- USP). Doutor em Comunicação e Semiótica pela Pontifícia Universidade Católica (PUC-SP). E-mail: [email protected] Significação, São Paulo, v. 45, n. 50, p. 239-258, jul-dez. 2018 | 239 //////////////////////////////////////////////////////////////////////////////////////////////// Atributos de séries dramáticas de sucesso e engajamento da audiência | Sílvio Antonio Luiz Anaz Resumo: parte das séries dramáticas da TV caracteriza-se pela hibridação dos formatos episódico e serial, universo expandido (transmídia), engajamento da audiência e arcos longos que aprofundam as características dos personagens. Este artigo analisa esse fenômeno a partir da identificação das principais especificidades dos processos contemporâneos de criação e de fruição das séries televisivas para, em seguida, mapear e descrever os recursos que têm se destacado e contribuído para o seu êxito. Os resultados mostram a importância do papel do showrunner, da lógica de produção e consumo dos canais por assinatura e do uso de recursos narrativos desafiadores para a audiência no sucesso dessas séries. Palavras-chave: série de TV; narrativa complexa; série dramática; engajamento da audiência; processo criativo. Abstract: some contemporary drama TV series are characterized by hybrid format (serial and episodic), expanded universe (transmedia), audience engagement, and long arcs that elaborate on personage’s characteristics. This paper analyzes this phenomenon in two steps: first, it establishes the main specificities in contemporary creation and fruition processes of TV series; second, it maps and delineates the outstanding resources that have contributed to their success. -
ATF: France's Federation Makes Market Debut with 'The Bureau'
ATF: France’s Federation Makes Market Debut With ‘The Bureau’ COURTESY OF FEDERATION ENTERTAINMENT NOVEMBER 30, 2015 | 03:47PM PT Patrick Frater Asia Bureau Chief Paris-based Federation Entertainment will this week make its debut at the Asia Television Forum with a timely lineup of scripted entertainment. Topping its Singapore Media Festival slate is “The Bureau” (aka “Le Bureau des Legendes”,) a drama series about the operations of the French secret service, starring Mathieu Kassovitz. The series begins with the return to the DGSE headquarters of the lead officer, after a six-year mission in Syria. But his return to normal life is complicated when he learns that a woman he was in love with in Damascus is actually now in Paris. In addition to its market debut at ATF, the 20-part show gets a screening this week (Thursday, Dec 3) at the Singapore branch of the Alliance Francaise. Other shows on Federation’s lineup include a 22-part action drama “Hostages,” medical drama “Replacements,” and live action teen drama “The Greenhouse.” The company was founded two years ago by industry veteran Pascal Breton. It describes itself as a “fully-integrated television production and distribution studio comprised of exclusive partnerships with highly experienced executives, producers and show runners in global entertainment.” Amazon U.K. Orders Period Fashion Drama from ‘Ugly Betty’ Showrunner NOVEMBER 30, 2015 | 04:52AM PT International Correspondent@LeoBarraclough LONDON — Amazon Prime Video in the U.K. has ordered period fashion drama “The Collection” from “Ugly Betty” showrunner Oliver Goldstick. The eight-part series, which is set in the world of French haute couture just after World War II, has been commissioned by Amazon and BBC Worldwide from producer Lookout Point. -
Amy | ‘Tis the Season | Meru | the Wolfpack | the Jinx | Big Men | Caring for Mom & Dad | Walt Disney | the Breach | GTFO Scene & He D
November-December 2015 VOL. 30 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES NO. 6 IN THIS ISSUE Amy | ‘Tis the Season | Meru | The Wolfpack | The Jinx | Big Men | Caring for Mom & Dad | Walt Disney | The Breach | GTFO scene & he d BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Le n more about Bak & Taylor’s Scene & He d team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications KNOWLEDGEABLE Full-time staff of A/V catalogers, backed by their MLS degree and more than 43 years of media cataloging expertise 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review Amy HHH 2011, she died of alcohol toxicity at the age of Lionsgate, 128 min., R, 27. Drawing on early home movies, newsreel DVD: $19.98, Blu-ray: footage, and recorded audio interviews, Amy $24.99, Dec. 1 serves up a sorrowful portrait of an artist’s Publisher/Editor: Randy Pitman This disturbing, dis- deadly downward spiral. Extras include au- concerting, booze ‘n’ dio commentary by the director, previously Associate Editor: Jazza Williams-Wood drugs documentary unseen performances by Winehouse, and Copy Editor: Kathleen L. Florio about British song- deleted scenes. -
The Cold War
Konrad H. Jarausch, Christian F. Ostermann, Andreas Etges (Eds.) The Cold War The Cold War Historiography, Memory, Representation Edited by Konrad H. Jarausch, Christian F. Ostermann, and Andreas Etges An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 4.0 License, as of February 23, 2017. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. ISBN 978-3-11-049522-5 e-ISBN (PDF) 978-3-11-049617-8 e-ISBN (EPUB) 978-3-11-049267-5 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliografische Information der Deutschen Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliographie; detailed bibliographic data are available in the Internet at http://dnb.dnb.de. © 2017 Walter de Gruyter GmbH, Berlin/Boston Cover Image: BlackBox Cold War – Exhibition at Checkpoint Charlie, Berlin. Typesetting: Dr. Rainer Ostermann, München Printing: CPI books GmbH, Leck ♾ Printed on acid free paper Printed in Germany www.degruyter.com Acknowledgements This volume grew out of an international conference on the history, memory and representation of the Cold War in Berlin. The editors would like to thank the following co-sponsors: the Berlin city government, the European Academy Berlin, the German Historical Institutes in Moscow, London, and Washington, the Centre for Contemporary History in Potsdam, the Military History Research Institute in Potsdam, the Allied Museum in Berlin, the German-Russian Museum Berlin-Karlshorst, the Berlin Wall Foundation, the Airlift Gratitude Foundation (Stiftung Luftbrückendank) in Berlin, and the John F. -
Un Anno Di Zapping Guida Critica Family Friendly Ai Programmi Televisivi STAGIONE TELEVISIVA - 2015/2016
Osservatorio Media del Moige Movimento Italiano Genitori a cura di Elisabetta Scala Palmira Di Marco Francesco La Rosa un anno di zapping guida critica family friendly ai programmi televisivi STAGIONE TELEVISIVA - 2015/2016 prefazione di On. Antono Martusciello indice Prefazione 7 Marida Caterini Introduzione 9 Maria Rita Munizzi, Elisabetta Scala Legenda dei simboli 11 Schede di analisi critica dei programmi 13 Indice dei programmi 323 Glossario dei termini tecnici 335 Note professionali degli autori 337 5 prefazione Una stagione televisiva molto controversa punteggiata, troppo frequentemente, da imbarazzanti cadute di stile. Palinsesti costruiti per catturare la curiosità del pubbli- co facendo leva su istinti degradanti ma ritenuti forieri di audience e quindi appetibili agli investitori pubblicitari. La tv mostra un sensibile e progressivo deterioramento dei valori etici, meno attenta al rispetto per i telespettatori e, soprattutto, per i minori. Fortunatamente, uno spiraglio esiste. E la speranza che si possa invertire il trend, fidando in un piccolo schermo a misura di famiglia, diventa visibile come un faro nella nebbia. Un anno di zapping ha, da sempre, il compito di analiz- zare i palinsesti individuando i meriti e la qualità dei pro- grammi, delle fiction, degli spot pubblicitari, dei talk show, dell’informazione e dell’intrattenimento in tutti i settori. Un lavoro lungo un anno, mai fazioso, attento e gratifi- cante, pronto a indicare la strada giusta per un’inversio- ne di tendenza verso una tv propositiva per un pubblico trasversale. Un lavoro che conosco da vicino nel quale io stessa sono stata impegnata lo scorso anno. La famiglia è la maggior fruitrice del piccolo schermo sia nelle forma convenzionale, ancora in grado di riunire tut- ti dinanzi al vecchio caro elettrodomestico, sia nella sua evoluzione resa possibile dalle nuove tecnologie. -
Newsletter 07/15 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 07/15 DIGITAL EDITION Nr. 352 - November 2015 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 07/15 (Nr. 352) November 2015 editorial Hallo Laserdisc- und DVD-Fans, liebe Filmfreunde! Paul Hyett Auf unserem Titelfoto strahlen dieses Mal zwei Herren, die wir schlicht und ergreifend als “The IMAX Force” be- zeichnen: David Keighley, Chief Quality Officer, und Andrew Cripps, President EMEA, sind zwei der führen- den Köpfe beim kanadischen Großprojektionsspezialisten IMAX. Anlässlich der Wiedereröffnung des IMAX-Kinos in Karlsruhe waren die beiden Hochkaräter zu Gast im Film- palast am ZKM und wir nutzten die Gelegenheit für ein Interview. Zu sehen gibt es das wie immer auf unserem Youtube-Kanal. Wer noch mehr zum neuen IMAX wissen möchte, dem sei Seite 3 wärmstens empfohlen. Apropos warm: haben Sie IM SOM- MER WOHNT ER UNTEN schon im Kino gesehen? Falls nein, dann sollten Sie das schleunigst nachholen und einen der besten deutschen Filme des Jahres anschauen. Mehr zum Film und Übrigens ist Paul einer der fleissigsten gelegt. Das Drehbuch zu dem auf einer seinen Machern erfahren Sie in unse- Special Make Up Artist in der Branche wahren Begebenheit beruhenden Film rem speziellen Youtube-Video, auf das und hat an zahllosen Filmen (darunter stammt von dem 22jährigen Ahmed wir auf Seite 19 hinweisen. unser Liebling THE DESCENT) mitge- Dramé, der die damaligen Ereignisse arbeitet. -
Venice / Toronto 2021
I’M YOUR MAN by Maria Schrader TOUBAB by Florian Dietrich HOW TO PLEASE A WOMAN by Renée Webster DIABOLIK by Manetti Bros. THE FORGER by Maggie Peren IN A LAND THAT NO LONGER EXISTS by Aelrun Goette MY SON by Lena Stahl IT’S JUST A PHASE, HONEY by Florian Gallenberger YOU WILL NOT HAVE MY HATE by Kilian Riedhof TUESDAY CLUB by Annika Appelin AMERICA by Ofir Raul Graizer MY NEIGHBOR ADOLF by Leon Prudovsky BETA CINEMA VENICE / TORONTO 2021 LAND OF DREAMS by Shirin Neshat & Shoja Azari THE ODD-JOB MEN by Neus Ballús HINTERLAND by Stefan Ruzowitzky CONTENT 10 " FRESH AND LIGHT-HEARTED. OFFICIAL SELECTION – VENICE ORIZZONTI EXTRA " LAND OF DREAMS by Shirin Neshat and Shoja Azari .............................................................................................................................................................................................................................. Page 06 FILMUFORIA OFFICIAL SELECTION – TIFF THE ODD-JOB MEN by Neus Ballús ��������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������� Page 10 I’M YOUR MAN by Maria Schrader �������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������� -
And Their Production Cultures: Transnational Discourses Within the German Television Industry
CULTURE / RECEPTION / CONSUMPTIONS ‘QUALITY SERIES’ AND THEIR PRODUCTION CULTURES: TRANSNATIONAL DISCOURSES WITHIN THE GERMAN TELEVISION INDUSTRY FLORIAN KRAUß Name Florian Krauß asked not only in often polemic feuilleton debates, but Academic centre University Siegen, Germany also within the television sector. My paper takes a closer E-mail address [email protected] look at this industry discourse on ‘quality series’ within the gen.de German context and explores it on the basis of participant observations at industry workshops and expert interviews KEYWORDS with scriptwriters, producers and commissioning editors German TV; quality series; quality TV; media industry (Redakteure). As will be seen, these actors of story studies; production studies; story development. development negotiate and define ‘quality series’ in a transnational manner, particularly by comparing TV fiction from Germany with such productions from the US and ABSTRACT Scandinavia and focussing on their supposed features For several years now, both television critics in the feature of storytelling. The TV makers’ discourse, furthermore, pages (Diez and Hüetlin 2013) or in trade magazines bears historical traits as they trace the current state of (Zarges 2015) and television practitioners (Stuckmann series from Germany back to historical developments and 2015) have been discussing the state and quality of structures. Thereby they diagnose the ‘local’ and ‘national’ fictional series from Germany. Very often, they have made of German series. Transnational and ‘glocal’ dimensions out considerable deficits in comparison with supposed can also be found in their discussion of production ‘quality TV’ from the US or Scandinavia (e.g. Förster cultures. It is suggested by several practitioners that 2014).