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Sharpe, Tony, 1952– Editor of Compilation
more information - www.cambridge.org/9780521196574 W. H. AUDen IN COnteXT W. H. Auden is a giant of twentieth-century English poetry whose writings demonstrate a sustained engagement with the times in which he lived. But how did the century’s shifting cultural terrain affect him and his work? Written by distinguished poets and schol- ars, these brief but authoritative essays offer a varied set of coor- dinates by which to chart Auden’s continuously evolving career, examining key aspects of his environmental, cultural, political, and creative contexts. Reaching beyond mere biography, these essays present Auden as the product of ongoing negotiations between him- self, his time, and posterity, exploring the enduring power of his poetry to unsettle and provoke. The collection will prove valuable for scholars, researchers, and students of English literature, cultural studies, and creative writing. Tony Sharpe is Senior Lecturer in English and Creative Writing at Lancaster University. He is the author of critically acclaimed books on W. H. Auden, T. S. Eliot, Vladimir Nabokov, and Wallace Stevens. His essays on modernist writing and poetry have appeared in journals such as Critical Survey and Literature and Theology, as well as in various edited collections. W. H. AUDen IN COnteXT edited by TONY SharPE Lancaster University cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo, Delhi, Mexico City Cambridge University Press 32 Avenue of the Americas, New York, NY 10013-2473, USA www.cambridge.org Information on this title: www.cambridge.org/9780521196574 © Cambridge University Press 2013 This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. -
1. Philip Larkin
Notes References to material held in the Philip Larkin Archive lodged in the Brynmor Jones Library, University of Hull (BJL), are given as file numbers preceded by 'DPL'. 1. PHILIP LARKIN 1. Harry Chambers, 'Meeting Philip Larkin', in Larkin at Sixty, ed. Anthony Thwaite (London: Faber and Faber, 1982) p. 62. 2. John Haffenden, Viewpoints: Poets in Conversation (London, Faber and Faber, 1981) p. 127. 3. Christopher Ricks, Beckett's Dying Words (Oxford: Oxford University Press, 1993). 4. D. J. Enright, 'Down Cemetery Road: the Poetry of Philip Larkin', in Conspirators and Poets (London: Chatto & Windus, 1966) p. 142. 5. Hugo Roeffaers, 'Schriven tegen de Verbeelding', Streven, vol. 47 (December 1979) pp. 209-22. 6. Andrew Motion, Philip Larkin: A Writer's Life (London: Faber and Faber, 1993). 7. Philip Larkin, Required Writing (London: Faber and Faber, 1983) p. 48. 8. See Selected Letters of Philip Larkin 1940-1985, ed. Anthony Thwaite (London: Faber and Faber, 1992) pp. 648-9. 9. DPL 2 (in BJL). 10. DPL 5 (in BJL). 11. Kingsley Amis, Memoirs (London: Hutchinson, 1991) p. 52. 12. Philip Larkin, Introduction to Jill (London: The Fortune Press, 1946; rev. edn. Faber and Faber, 1975) p. 12. 13. Donald Davie, Thomas Hardy and British Poetry (London: Routledge & Kegan Paul, 1973) p. 64. 14. Required Writing, p. 297. 15. Blake Morrison, 'In the grip of darkness', The Times Literary Supplement, 14-20 October 1988, p. 1152. 16. Lisa Jardine, 'Saxon violence', Guardian, 8 December 1992. 17. Bryan Appleyard, 'The dreary laureate of our provincialism', Independent, 18 March 1993. 18. Ian Hamilton, 'Self's the man', The Times Literary Supplement, 2 April 1993, p. -
'More Than Glass': Louis Macneice's Poetics of Expansion
THE CATHOLIC UNIVERSITY OF AMERICA ‘More than glass’: Louis MacNeice’s Poetics of Expansion A DISSERTATION Submitted to the Faculty of the Department of English School of Arts & Sciences Of The Catholic University of America In Partial Fulfillment of the Requirements For the Degree Doctor of Philosophy © Copyright All Rights Reserved By Michael A. Moir, Jr. Washington, DC 2012 ‘More than glass’: Louis MacNeice’s Poetics of Expansion Michael A. Moir, Jr., PhD Director: Virgil Nemoianu, PhD The Northern Irish poet and dramatist Louis MacNeice, typically regarded as a minor modernist following in the footsteps of Yeats and Eliot or living in the shadow of Auden, is different from his most important predecessors and contemporaries in the way he attempts to explode conventional ideas of place, presenting human subjects in transit and shifting, melting landscapes, rooms and buildings that tend to blend in with their sur- roundings. While Yeats, Eliot and Auden evince a siege mentality that leads them to build religious or political Utopias easily separable from the chaos of the contemporary world, MacNeice denies the validity of any such imaginary constructs, instead taking apart the boundaries of imaginary private worlds, from rooms to islands to pastoral landscapes. Mac- Neice’s representations of space favor what Fredric Jameson terms ‘postmodern space’: his poems and radio plays operate outside of ideas of ‘home,’ ‘church,’ or ‘nation,’ opposing the rigidity of such places to the fluidity of travel. MacNeice has been much misunderstood and underestimated, and a reappraisal of his career is due, particularly given the amount of material that has been published or reis- sued since his centenary in 2007. -
THE UNIVERSITY of HULL Philip Larkin's Textual Identities Being a Thesis Submitted for the Degree of Doctor of Philosophy in T
THE UNIVERSITY OF HULL Philip Larkin’s Textual Identities being a Thesis submitted for the Degree of Doctor of Philosophy in the University of Hull by James Underwood, BA (Hons) (Dunelm), MA (Hull) September 2015 Contents List of Abbreviations 2 Introduction 3 Part I – The Letters 30 1 Introduction: Letters and Letter-Writing 31 2 James Ballard Sutton 48 3 Colin Gunner 63 4 Monica Jones 80 5 Conclusion: Will the Real Philip Larkin Please Stand Up? 102 Part II – The Brunette Coleman Heteronym 106 6 Introduction: What To Do With Brunette Coleman? 107 7 Genre 117 8 Gender 134 9 Camp 160 10 Conclusion: Why Brunette Disappears 169 Part III – The Poems 179 11 Introduction: History, Identity and Interpretation in ‘An Arundel Tomb’ 180 12 Down Cemetery Road: The Public Larkin Persona 198 13 Larkin’s Persona Poems 218 14 Larkin’s Impersonal Poems 267 Conclusion 310 Bibliography 317 1 List of Abbreviations References to the works of Philip Larkin are incorporated in the text using the following abbreviations: AGW A Girl in Winter AWJ All What Jazz CP Collected Poems (1988) EPJ Early Poems and Juvenilia FR Further Requirements J Jill LM Letters to Monica OBTCEV The Oxford Book of Twentieth Century English Verse RW Required Writing SL Selected Letters TCP The Complete Poems (including Archie Burnett’s commentary) TWG Trouble at Willow Gables and Other Fictions References to archived correspondences held by the University of Hull in the Larkin Estate Collection at the Hull History Centre are incorporated in the text as individual letters’ dates. The relevant reference numbers from this collection are: U DP/174 Letters from Philip Larkin to James Ballard Sutton U DP/179 Correspondence between Colin Gunner and Philip Larkin U DX/341 Photocopied letters from Philip Larkin to Monica Jones All unabbreviated references are given in full at their first appearance, and in short thereafter. -
50 Poems & the Fire of Belonging: the Life and Work of Mick Imlah
50 Poems & The Fire of Belonging: The Life and Work of Mick Imlah and the influence of the work on my poetic development By Robert Edward Selby A Doctoral Thesis in Creative Writing Presented to Royal Holloway, University of London February 2015 Declaration of Authorship I, Robert Edward Selby, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, it is always clearly stated. Signed: ___________________________________________________________ Date: ____________________________________________________________ 2 Abstract This is the most sustained study to date of the late poet Mick Imlah. The close reading it makes of a number of his poems is informed and placed in context by biographical information gathered from archival research and interviews with his friends and colleagues. The study argues that Imlah’s first collection, Birthmarks, can be understood in the context of his predilection for the fictive potential of poetry being complemented by a contemporaneous, wider renaissance in interest in the Browningesque dramatic monologue and narrative. The study argues that his second collection, The Lost Leader, can be understood in the context of Imlah’s increased identification with his Scottish heritage, triggered by creative and personal crises and encouraged by Scotland’s growing sense of nationhood towards the end of the twentieth century. The implication is that Imlah’s oeuvre, contrary to the perception that it is sui generis, can be regarded as in dialogue with changes that took place within and without British poetry towards the end of the twentieth century and into the twenty-first: the re-appreciation of Victorian verse, for instance, or the emergence, from the 1980s, of a more confident Scottish voice. -
U DP181 Correspondence Between Philip Arthur 1958-1985 Larkin and Anthony Thwaite
Hull History Centre: Correspondence between Philip Arthur Larkin and Anthony Thwaite U DP181 Correspondence between Philip Arthur 1958-1985 Larkin and Anthony Thwaite Historical Background: Anthony Simon Thwaite was born in Chester in 1930 and spent the years of the Second World War with an aunt in Washington DC where he went to school. On his return he was boarded at Kingswood School, Bath, before studying at Christ Church Oxford. While there he edited Isis and co-edited Trio and Oxford Poetry 1954. From 1955 to 1957 he was Visiting Lecturer in English Literature at Tokyo University. On his return to England he became a producer of features for the BBC Third Programme and then, from 1962 to 1965 was literary editor of the Listener. From 1965 to 1967 he was Assistant Professor of English at the University of Libya, Benghazi. Later he became editor of The New Statesman, co-editor of Encounter and Director of Andre Deutsch Ltd. He had a sabbatical year as writer in residence at the University of East Anglia in 1972. Thwaite and Larkin met in 1951 when Thwaite invited Larkin to contribute to a series for the European Service called Younger British Poets of Today. They quickly became good friends, their friendship deepening over the years. Larkin often stayed with the Thwaites in Richmond and later in Norfolk. As well as supporting Larkin’s writing, Thwaite built a reputation as a poet himself. Thwaite published his first book of poems with the Fantasy Press in 1953 and his second Home Truths with the Marvell Press two years after Philip Larkin's The Less Deceived in 1957. -
2017 Conference, University of Dallas, October 26-29 Hosts: Baylor University and University of Dallas
ALSCW Association of Literary Scholars, Critics, and Writers 2017 Conference, University of Dallas, October 26-29 Hosts: Baylor University and University of Dallas Thursday, October 26 ACKNOWLEDGMENTS 4-7:15 PM AN EVENING OF READINGS Dean Lee Nordt, Dean, Baylor College of Arts and Sciences; Haggar Auditorium and Thompson Loggia, Beatrice M. Haggerty Gallery (Building 20) Baylor's Beall Poetry Festival; Dr. Kevin Gardner, Chair, Baylor English Department; Cash bar and hors d’oeuvres beginning at 4 PM, followed by readings from con- ference participants Lois Avey, Administrative Assistant, Baylor English Department; Registration table open in Thompson Loggia. Dr. Meg Tyler, Boston University; 5:00-5:15: Gregory Fraser, Meringoff Award in Poetry Drs. Andrew Osborn and Steven Stryer, University of Dallas; 5:15-5:30: Chad Davidson, Meringoff Essay Award Dr. Ernest Suarez, ALSCW President; 5:30-6:00: Greg Delanty, “A short reading and signing from the new Selected Delanty, a book introduced by and selected by Archie Burnett” Dr. Meg Tyler, for bringing Peter McDonald to America; 6:00-6:15: Carolyn Jack, Meringoff Award in Fiction 6:15-7:15: Supper on your own (UD cafeteria has meals on campus) Dr. Matt Spangler, for bringing Declan Gorman to America; Katie Tjerrild, for designing the conference program; 7:15 PM Father Thomas More Barba, Chaplain of the Church of the Incarnation, for use WELCOME ADDRESS of the church for Professor Ricks's lecture; Haggar Auditorium (Building 20) Lee Nordt, Dean, College of Arts and Sciences, Baylor University Karen Gempel and Kelly O’Neal of the University of Dallas, and Anita Johnson of the University of Dallas Bookstore; 7:30-8:30 PM J.J.