Lord Jim, by Joseph Conrad
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THE CONCEPT of the DOUBLE JOSEPH'conrad by Werner
The concept of the double in Joseph Conrad Item Type text; Thesis-Reproduction (electronic) Authors Bruecher, Werner, 1927- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 16:33:07 Link to Item http://hdl.handle.net/10150/318966 THE CONCEPT OF THE DOUBLE JOSEPH'CONRAD by Werner Bruecher A Thesis Snbmitted to tHe Faculty of the .' DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS In the Graduate College THE OTHERS TTY OF ' ARIZONA ' STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at The University of Arizona and is deposited in The University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable with out special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in their judgment the proposed use of the material is in the interests of scholar ship. In all other instances, however, permission must be obtained from the author. SIGNED: APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below ^/viz. -
NP 2013.Docx
LISTE INTERNATIONALE DES NOMS PROTÉGÉS (également disponible sur notre Site Internet : www.IFHAonline.org) INTERNATIONAL LIST OF PROTECTED NAMES (also available on our Web site : www.IFHAonline.org) Fédération Internationale des Autorités Hippiques de Courses au Galop International Federation of Horseracing Authorities 15/04/13 46 place Abel Gance, 92100 Boulogne, France Tel : + 33 1 49 10 20 15 ; Fax : + 33 1 47 61 93 32 E-mail : [email protected] Internet : www.IFHAonline.org La liste des Noms Protégés comprend les noms : The list of Protected Names includes the names of : F Avant 1996, des chevaux qui ont une renommée F Prior 1996, the horses who are internationally internationale, soit comme principaux renowned, either as main stallions and reproducteurs ou comme champions en courses broodmares or as champions in racing (flat or (en plat et en obstacles), jump) F de 1996 à 2004, des gagnants des neuf grandes F from 1996 to 2004, the winners of the nine épreuves internationales suivantes : following international races : Gran Premio Carlos Pellegrini, Grande Premio Brazil (Amérique du Sud/South America) Japan Cup, Melbourne Cup (Asie/Asia) Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Queen Elizabeth II Stakes (Europe/Europa) Breeders’ Cup Classic, Breeders’ Cup Turf (Amérique du Nord/North America) F à partir de 2005, des gagnants des onze grandes F since 2005, the winners of the eleven famous épreuves internationales suivantes : following international races : Gran Premio Carlos Pellegrini, Grande Premio Brazil (Amérique du Sud/South America) Cox Plate (2005), Melbourne Cup (à partir de 2006 / from 2006 onwards), Dubai World Cup, Hong Kong Cup, Japan Cup (Asie/Asia) Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Irish Champion (Europe/Europa) Breeders’ Cup Classic, Breeders’ Cup Turf (Amérique du Nord/North America) F des principaux reproducteurs, inscrits à la F the main stallions and broodmares, registered demande du Comité International des Stud on request of the International Stud Book Books. -
15880211.Pdf
Order this book online at www.trafford.com or email [email protected] Most Trafford titles are also available at major online book retailers. Copyright © A.Bello 2012 Copyright © Cover illustration Giles Greenfield 2012 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the written prior permission of the author. Printed in the United States of America. isbn: 978-1-4669-1730-9 (sc) isbn: 978-1-4669-1732-3 (hc) isbn: 978-1-4669-1731-6 (e) Library of Congress Control Number: 2012903496 Trafford rev. 08/10/2012 www.trafford.com North America & international toll-free: 1 888 232 4444 (USA & Canada) phone: 250 383 6864 fax: 812 355 4082 Acknowledgements Big thank you to all my amazing friends, family and publishing team who supported me on this journey. Thank you to God for helping me to write this book and Dr Ramson Mumba for your amazing words of wisdom. To my brilliant A Team - Laura, Daniella, Lasharna, Arthur, Chelsea, Naomi, Frances and Giles. Thank you. To Naomi for everything PROLOGUE The Rogues “Lox! Lox! Lox!” the crowd chanted, throwing their fists in the air and waving posters and banners. Lox Knight was kneeling over, with his hands on his knees, breathing hard. He coughed violently, a tight feeling in his chest. His opponent was slowly stirring from the ground. It wasn’t long before he would have to attack again. Lox wiped the sweat and dirt from his forehead. -
Joseph Conrad
Joseph Conrad Joseph Conrad (born Józef Teodor Konrad Korzeniowski, Joseph Conrad Polish: [ˈjuzɛf tɛˈɔdɔr ˈkɔnrat kɔʐɛˈɲɔfskʲi] ( listen); 3 December 1857 – 3 August 1924) was a Polish-British writer[1][note 1] regarded as one of the greatest novelists to write in the English language.[2] Though he did not speak English fluently until his twenties, he was a master prose stylist who brought a non-English sensibility into English literature.[note 2] Conrad wrote stories and novels, many with a nautical setting, that depict trials of the human spirit in the midst of what he saw as an impassive, inscrutable universe.[note 3] Conrad is considered an early modernist,[note 4] though his works contain elements of 19th-century realism.[3] His narrative style and anti-heroic characters[4] have influenced numerous authors, and many films have been adapted from, or inspired by, his works. Numerous writers and critics have commented that Conrad's fictional works, written largely in the first two decades of the 20th century, seem to have anticipated later world events.[5][6] Conrad in 1904 Writing near the peak of the British Empire, Conrad drew, among by George Charles Beresford other things, on his native Poland's national Born Józef Teodor Konrad [7]:290, 352[note 5] experiences and on his own experiences in the Korzeniowski French and British merchant navies, to create short stories and 3 December 1857 novels that reflect aspects of a European-dominated world— Berdychiv, Russian including imperialism and colonialism—and that profoundly Empire explore -
Heart Darkness
The Connell Guide to Joseph Conrad’s Heart of Darkness by Graham Bradshaw Contents Introduction 4 Why does Marlow lie to the Intended? 102 A summary of the plot 5 What is so distinctive about Conrad’s view of the world? 113 What is Heart of Darkness about? 10 How important is the narrator, Marlow? 20 NOTES Why do great critics like F.R.Leavis think Heart of Darkness is flawed? 26 At a glance: Conrad’s major works 8 Is Heart of Darkness racist? 12 When and how does Marlow’s “world of Heart of Darkness and America 18 straighforward facts” break down? 38 Beerbohm’s parody 27 What makes Marlow come to put his Feminist assaults 29 faith in Kurtz? 50 The primary narrator 30 Ivory 34 How does Marlow learn the truth about Kurtz? 56 Niggers 46 Ten facts about Heart of Darkness 64 How does Marlow think of the jungle? 68 Conrad, Hardy and pessimism 86 Fin-de-siècle 114 So what is “it”? 75 A short chronology 126 What does Kurtz mean by “The horror! Bibliography 128 The horror!”? 84 How significant is Marlow’s breakdown? 96 Introduction Adolf Hitler, and Francis Ford Coppola who turned it into the film Apocalypse Now. Conrad finished Heart of Darkness on 9th February, More critical attention has probably been paid 1899 and it was originally published in three parts to it, per word, than to any other modern prose in that important organ of Victorian high culture, work. It has also become a text about which, as the Blackwood’s Magazine, Part One appearing in the late Frank Kermode once complained, interpreters 1,000th issue. -
JOSEPH CONRAD: a CITIZEN of a GLOBAL WORLD. Review of Maya
Yearbook of Conrad Studies (Poland) Vol. 13 2018, pp. 129–134 JOSEPH CONRAD: A CITIZEN OF A GLOBAL WORLD Review of Maya Jasanoff, The Dawn Watch: Joseph Conrad in a Global World, Penguin Press 2017, pp. 376, with Index, maps and illustrations Agnieszka Adamowicz-Pośpiech University of Silesia “One day, putting my finger on a spot in the very middle of the then white heart of Africa, I declared that some day I would go there.”1 On the dust jacket one can see a silhouette of a well-built man against the stormy sea (definitely too tall to be Conrad himself), standing on a downward spiral (symbol- izing the downfall of civilization?) and next to it the blurb “enlightening, compas- sionate, superb,” a recommendation by John le Carré—surely, as we shall see, the author of The Tailor of Panama would know what to recommend… but first things first. Nowadays we observe a boom in popularizing biographies that try to bring us closer to the classic writers (e.g. S. Greenblatt’s Will in the World, or A. Sismon’s John le Carré: The Biography). An impressive example of such a book is Maya Jasanoff’s The Dawn Watch which is an expansion of the biographical convention with one major difference. Instead of placing Joseph Conrad in the centre, it locates world history there and views Conrad as “an object of history” so as to “shape his biography from outside in” (10). Maya Jasanoff is Coolidge Professor of History at Harvard University who received several prestigious awards for her historical books (the 50th Duff Cooper Prize and the Windham-Campbell Literature Prize, among oth- ers). -
Joseph Conrad's Culturally Liminal
INDOS, ABJECTS, EXILES: JOSEPH CONRAD’S CULTURALLY LIMINAL CHARACTERS IN THE AGE OF NATIONALISM Submitted to the College of Graduate Studies and Research In Partial Fulfillment of the Requirements For the Degree of Master of Arts In the Department of English University of Saskatchewan Saskatoon By THOMAS ONION © Copyright Thomas Onion, September 2013. All rights reserved. PERMISSION TO USE In presenting this thesis/dissertation in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis/dissertation in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis/dissertation work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis/dissertation or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis/dissertation. Requests for permission to copy or to make other uses of materials in this thesis/dissertation in whole or part should be addressed to: Head of the Department of English University of Saskatchewan Saskatoon, Saskatchewan S7N 5A5 Canada OR Dean College of Graduate Studies and Research University of Saskatchewan 107 Administration Place Saskatoon, Saskatchewan S7N 5A2 Canada i ABSTRACT This essay is an investigation of transnational author Joseph Conrad’s engagement with issues of cultural liminality during the years around the turn of the 20th century. -
Vente De 2 Ans Montés Samedi 14 Mai Breeze Le 13 Mai
11saint-cloud Vente de 2 ans montés Samedi 14 mai Breeze le 13 mai en association avec Index_Alpha_14_05 24/03/11 19:09 Page 71 Index alphabétique Alphabetical index NomsNOM des yearlings . .SUF . .Nos LOT NOM LOT ALKATARA . .0142 N(FAB'S MELODY 2009) . .0030 AMESBURY . .0148 N(FACTICE 2009) . .0031 FORCE MAJEUR . .0003 N(FAR DISTANCE 2009) . .0032 JOHN TUCKER . .0103 N(FIN 2009) . .0034 LIBERTY CAT . .0116 N(FLAMES 2009) . .0035 LUCAYAN . .0051 N(FOLLE LADY 2009) . .0036 MARCILHAC . .0074 N(FRANCAIS 2009) . .0037 MOST WANTED . .0123 N(GENDER DANCE 2009) . .0038 N(ABBEYLEIX LADY 2009) . .0139 N(GERMANCE 2009) . .0039 N(ABINGTON ANGEL 2009) . .0140 N(GILT LINKED 2009) . .0040 N(AIR BISCUIT 2009) . .0141 N(GREAT LADY SLEW 2009) . .0041 N(ALL EMBRACING 2009) . .0143 N(GRIN AND DARE IT 2009) . .0042 N(AMANDIAN 2009) . .0144 N(HARIYA 2009) . .0043 N(AMAZON BEAUTY 2009) . .0145 N(HOH MY DARLING 2009) . .0044 N(AMY G 2009) . .0146 N(INFINITY 2009) . .0045 N(ANSWER DO 2009) . .0147 N(INKLING 2009) . .0046 N(ARES VALLIS 2009) . .0149 N(JUST WOOD 2009) . .0048 N(AUCTION ROOM 2009) . .0150 N(KACSA 2009) . .0049 N(AVEZIA 2009) . .0151 N(KASSARIYA 2009) . .0050 N(BARCONEY 2009) . .0152 N(LALINA 2009) . .0052 N(BASHFUL 2009) . .0153 N(LANDELA 2009) . .0053 N(BAYOURIDA 2009) . .0154 N(LES ALIZES 2009) . .0054 N(BEE EATER 2009) . .0155 N(LIBRE 2009) . .0055 N(BELLA FIORELLA 2009) . .0156 N(LOUELLA 2009) . .0056 N(BERKELEY LODGE 2009) . .0157 N(LUANDA 2009) . .0057 N(BLACK PENNY 2009) . .0158 N(LUNA NEGRA 2009) . -
They Always Leave Us╎: Lord Jim, Colonialist Discourse, and Conrad's Magic Naturalism
Chapman University Chapman University Digital Commons English Faculty Articles and Research English Spring 1998 "They Always Leave Us’: Lord Jim, Colonialist Discourse, and Conrad's Magic Naturalism Richard Ruppel Chapman University, [email protected] Follow this and additional works at: http://digitalcommons.chapman.edu/english_articles Part of the Literature in English, British Isles Commons, and the Race, Ethnicity and Post- Colonial Studies Commons Recommended Citation Ruppel, Richard. “‘They always leave us’: Lord Jim, Colonialist Discourse, and Conrad's Magic Naturalism.” Studies in the Novel. 30.1 (Spring 1998): 50-62. This Article is brought to you for free and open access by the English at Chapman University Digital Commons. It has been accepted for inclusion in English Faculty Articles and Research by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. "They Always Leave Us’: Lord Jim, Colonialist Discourse, and Conrad's Magic Naturalism Comments This is a pre-copy-editing, author-produced PDF of an article accepted for publication in Studies in the Novel, volume 30, issue 1, in 1998 following peer review. This article may not exactly replicate the final published version. Copyright Johns Hopkins University Press This article is available at Chapman University Digital Commons: http://digitalcommons.chapman.edu/english_articles/79 “’They always leave us’: Lord Jim, Colonialist Discourse, and Conrad's Magic Naturalism” Studies in the Novel. 30.1 (Spring 1998): 50-62. Richard Ruppel Lord Jim is full of thumbnail biographies that give the reader a pleasant sense of overcrowding, as though the book might open out in some new direction at any moment to follow the lives and tribulations of some new set of characters. -
Breeze up Web App .Indd
Breeze Up Sale 2019 Sale Schedule Breeze Up at 11.00am Wednesday All horses to breeze on Doncaster Racecourse, located immediately opposite the Sale 24 April Complex. Breeze Up recordings will be available to view online at www.goffsuk.com shortly following each breeze. Thursday The Sale will start at 11.00am 25 April Conditions of Sale: All Vendors and Purchasers are advised to read the Goffs UK Conditions of Sale which can be found online at www.goffsuk.com or in the front of the 2019 Breeze Up Sale catalogue. Sales Venue Goffs UK Office Goffs UK Sales Complex Auction Mart Offices Sandall Beat Road, Hawick, Leger Way, Roxburghshire DoncasterTo DN2come 6JP TD9 9NW Sales Day Tel: 01302 349166 Office Tel: 01450 372222 E: [email protected] E: [email protected] Gate Office Tel: 01302 304480 1 Index To Consignors Index to Consignors Index toTo Consignors Consignors Lot Box Aguiar Bloodstock 34 f Starspangledbanner - Sister Sylvia...............................................................C165 68 f Cappella Sansevero - Zelie Martin...............................................................C166 75 c Cappella Sansevero - Almatlaie...............................................................C167 130 c Showcasing - Lady Brigid...............................................................C168 Ardglass Stables 5 c Hot Streak - Park Law...............................................................E251 11 f Declaration of War - Princess Consort...............................................................E252 Ballinahulla Stables 92 -
The Adaptation of Joseph Conrad's Heart of Darkness in Francis Ford Coppola's Film Apocalypse
A CHOICE OF NIGHTMARES: The Adaptation of Joseph Conrad’s Heart of Darkness in Francis Ford Coppola’s Film Apocalypse Now Pekka Alava University of Tampere School of Modern Languages and Translation Studies English Philology Second Subject Thesis June 2008 Tampereen yliopisto Englantilainen filologia Kieli- ja käännöstieteen laitos ALAVA, PEKKA: A Choice of Nightmares: The Adaption of Joseph Conrad’s Heart of Darkness in Francis Ford Coppola’s Film Apocalypse Now Sivuainelaudatur, 35 sivua, kesäkuu 2008 ---------------------------------------------------------------------------------------------------------------- Tutkimukseni tarkoitus on paneutua Joseph Conradin 1800-luvun Belgian Kongoon sijoittuvan teoksen Heart of Darkness (1899) elokuvasovitukseen Apocalypse Now, jonka Francis Ford Coppola ohjasi vuonna 1979. Elokuvan tapahtumat liittyvät Vietnamin sotaan 1960-luvulla. Pyrkimyksenä on identifioida kirjasta löytyviä teemoja, ilmaisutapoja –ja muotoja, joita elokuvassa hyödynnetään. Tässä apuna käytetään erityisesti kirjallisuuden elokuvaksi sovittamiseen liittyviä teorioita. Vertaan myös kirjailijan ja elokuvaohjaajan rooleja ja kyseisten tekijöiden asemaa ja merkitystä kulttuurisessa kehityksessä Conradin edustamasta modernismista Coppolan edustamaan postmoderniin ajatteluun. Teemoista tärkeimmiksi nousevat kolonialismi, imperialismi ja sota, joka on elokuvan keskeisin lähtökohta, kun taas kaksi ensin mainittua korostuvat kirjassa. Lisäksi elokuva hyödyntää viitteellistä materiaalia, jolla ei välttämättä ole suoraa yhteyttä Conradin -
LORD JIM by Joseph Conrad
LORD JIM by Joseph Conrad THE AUTHOR Joseph Conrad (1857-1924) was born Teodor Jozef Konrad Korzeniowski in Russian- occupied Poland. His father was a notable writer and opponent of the Russian presence in his fatherland. His political activities caused him and his family to be exiled to Siberia, where Joseph’s mother died when he was eight. After return from exile, Joseph was sent to live with his uncle; his father died without ever seeing him again. At age 17, Conrad ran away to Marseille, and spent the next twenty years as a sailor. Among his experiences was a trip on a steamboat up the Congo River in 1890, which became the basis for his most famous novel, Heart of Darkness, which understandably contains many autobiographical elements. His time in Africa ruined his health, so he returned to England, his adopted country, to seek his fortune as a writer, though he did on two other occasions return to sea. His novels, including Lord Jim, Nostromo, The Secret Sharer, and The Secret Agent, were praised by critics but produced little income. During his years in England he suffered poverty and poor health, but enjoyed the support of prominent friends such as Henry James and Stephen Crane along with his wife and children until his death in 1924. Lord Jim (1900) was Conrad’s first important full-length novel, and was published a year after the more well-known Heart of Darkness. Like its predecessor, it presupposes a strange and mysterious world far from Europe, yet one dominated by European colonialism.