THE IRISHMAN LUKE 23: “Forgive Them, O Lord, for They Know Not What They Do.” * to Robert De Niro As Frank Sheeran: “He'

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THE IRISHMAN LUKE 23: “Forgive them, O Lord, For they know not what they do.” * To Robert De Niro as Frank Sheeran: “He’s Dead.” De Niro: “Who did it?” “Cancer” * Why do we not respond To the Frank Sheeran character as his daughter responds to him— With horror and disgust? We know even more than she, Though we also know she loves—it is The only romance in the film— The man Sheeran murders. The answer is De Niro plays him as an innocent Who does not know The effect he has, Who has no capacity for sympathy or compassion And who is bewildered at The way things turn out “Frank, you’re a family man,” But his family fears and hates him. His true family is La Cosa Nostra—a phrase Never uttered in this film. We share the innocence Of this Italian-speaking Irisher. He kills; we do not. It is only The banality of evil. “It’s like the Army,” Sheeran says, “You do what they tell you, You get rewarded.” They tell you to kill, you kill. Al Pacino plays Jimmy Hoffa, The man Sheeran kills, In a scene-stealing whirlwind Of a performance That is constantly On the edge Of visionary madness, Almost every motion An astonishment. “They wouldn’t dare! I know things They don’t know I know.” He is the great authority figure Of Sheeran’s life, His Pope, his Patton. He brags, “In the fifties Hoffa was as big as Elvis, In the sixties he was as big as The Beatles!” American celebrity drives Sheeran But he also wears the ring Of the secret society Of murderers and gangsters. “You do what they they tell you, You get rewarded.” Hoffa, brilliant and volatile, Does not do what they tell him. He reaps the whirlwind. I saw this film The night before a national holiday, A feast based largely on fictions Of family and the mixing of peoples. The film is about the Judas Who betrays the Christ, The unknowing, unrepentant figure Who innocently plays out the historical archetype And who wears the golden ring Of violence, shame, and fame. .

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