Our Baffinland: Digital Indigenous Democracy
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2017 New York
CANADA NOW BEST NEW FILMS FROM CANADA 2017 APRIL 6 – 9 AT THE IFC CENTER, NEW YORK From the recent numerous international successes of Canadian directors such as Xavier Dolan (Mommy, It’s Only the End of the World), Denis Villeneuve (Arrival, and the forthcoming Blade Runner sequel), Philippe Falardeau (The Bleeder, The Good Lie) and Jean-Marc Vallée (Dallas Buyers Club, Wild, Demolition), you might be thinking that there must be something special in that clean, cool drinking water north of the 49th parallel. As this year’s selection of impressive new Canadian films reveals, you would not be wrong. With works from new talents as well as from Canada’s accomplished veteran directors, this series will transport you from the Arctic Circle to western Asia, from downtown Montreal to small town Nova Scotia. And yes, there will be hockey. Get ready to travel across the daring and dramatic contemporary Canadian cinematic landscape. Have a look at what’s now and what’s next in those cinematic lights in the northern North American skies. Thursday, April 6, 7:00PM RUMBLE: THE INDIANS WHO ROCKED THE WORLD CANADA 2017 | 97 MINUTES DIRECTOR: CATHERINE BAINBRIDGE, CO-DIRECTOR: ALFONSO MAIORANA Artfully weaving North American musicology and the devastating historical experiences of Native Americans, Rumble: The Indians Who Rocked The World reveals the deep connections between Native American and African American peoples and their musical forms. A Sundance 2017 sensation, Bainbridge’s and co-director Maiorana’s documentary charts the rhythms and notes we now know as rock, blues, and jazz, and unveils their surprising origins in Native American culture. -
Figure 5: Arctic Bay and Clyde River Site-Specific Marine Hunting Values Reported in the Study Area
FINAL REPORT: QIA’S TUSAQTAVUT STUDY SPECIFIC TO BAFFINLAND’S PROPOSED PHASE 2 OF THE MARY RIVER PROJECT FOR THE COMMUNITIES OF ARCTIC BAY AND CLYDE RIVER Figure 5: Arctic Bay and Clyde River site-specific Marine Hunting values reported in the Study Area 37 FINAL REPORT: QIA’S TUSAQTAVUT STUDY SPECIFIC TO BAFFINLAND’S PROPOSED PHASE 2 OF THE MARY RIVER PROJECT FOR THE COMMUNITIES OF ARCTIC BAY AND CLYDE RIVER 4.2.2 Importance Marine Hunting encompasses a variety of species, bodies of knowledge, modes of travel, animal processing and food storage techniques (e.g., food caches), and harvesting locations and habitation sites. Study participants have used and continue to use the Study Area for Marine Hunting. The quotes below highlight some of their experiences hunting narwhal, walrus, and seal species in and around Milne Inlet, Eclipse Sound, Pond Inlet, and Baffin Bay. So, his family would also go narwhal hunting around Milne Inlet. … Yeah, that was a prime narwhal hunting area all that along here. … Yeah, that whole area. (C15 2020a, interpreted from Inuktitut) There was so much narwhal that you could hear them as soon as you wake up and they’d be there all day … They’re migrating but there’s so many of them that they would – it could take all day into the night, that’s how much narwhal there was … So they … would do all their narwhal hunting around that area [in Eclipse Sound]. (A01 2020, interpreted from Inuktitut) Plenty of seal hunting around Mount Herodier area. … And then, you know, he would also remember people catching narwhal really close to Pond Inlet when he was a child, but he can’t quite pinpoint what the year was. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
First Nation Filmmakers from Around the World 10
MEDIA RELEASE EMBARGOED UNTIL 11.00am WEDNESDAY 10 MAY 2017 FIRST NATION FILMMAKERS FROM AROUND THE WORLD The 64th Sydney Film Festival (7–18 June) in partnership with Screen Australia’s Indigenous Department proudly continues support for First Nation storytelling from Australia and around the world. Leading First Nation Australian directors will premiere their new works at the Festival, including Warwick Thornton’s Opening Night film and Official Competition contender We Don’t Need a Map, and Wayne Blair and Leah Purcell’s highly anticipated second series of Cleverman. “Sydney Film Festival is committed to showcasing First Nation filmmakers and storytelling,” said Festival Director Nashen Moodley. “Throughout the Festival audiences will find examples of outstanding Indigenous cinema, from the red sands of Western Australia to the snowy landscapes of the Arctic Circle. These films promise to surprise, provoke and push boundaries.” “We're proud to continue our partnership with Sydney Film Festival to showcase these powerful documentaries from the world's leading Indigenous filmmakers, as well as premiere the innovative work of emerging new talent from around the country,” said Penny Smallacombe, Head of Indigenous at Screen Australia. “We are very pleased to see five films commissioned by NITV take their place alongside such prestigious works from across the world,” said Tanya Orman, NITV Channel Manager. Two important Australian First Nation documentaries will also have their premieres at the Festival. Connection to Country, directed by Tyson Mowarin, about the Indigenous people of the Pilbara’s battle to preserve Australia’s 40,000-year-old cultural heritage from the ravages of mining, and filmmaker Erica Glynn’s raw, heartfelt and funny journey of adult Aboriginal students and their teachers as they discover the transformative power of reading and writing for the first time (In My Own Words). -
Canadian Arctic Tide Measurement Techniques and Results
International Hydrographie Review, Monaco, LXIII (2), July 1986 CANADIAN ARCTIC TIDE MEASUREMENT TECHNIQUES AND RESULTS by B.J. TAIT, S.T. GRANT, D. St.-JACQUES and F. STEPHENSON (*) ABSTRACT About 10 years ago the Canadian Hydrographic Service recognized the need for a planned approach to completing tide and current surveys of the Canadian Arctic Archipelago in order to meet the requirements of marine shipping and construction industries as well as the needs of environmental studies related to resource development. Therefore, a program of tidal surveys was begun which has resulted in a data base of tidal records covering most of the Archipelago. In this paper the problems faced by tidal surveyors and others working in the harsh Arctic environment are described and the variety of equipment and techniques developed for short, medium and long-term deployments are reported. The tidal characteris tics throughout the Archipelago, determined primarily from these surveys, are briefly summarized. It was also recognized that there would be a need for real time tidal data by engineers, surveyors and mariners. Since the existing permanent tide gauges in the Arctic do not have this capability, a project was started in the early 1980’s to develop and construct a new permanent gauging system. The first of these gauges was constructed during the summer of 1985 and is described. INTRODUCTION The Canadian Arctic Archipelago shown in Figure 1 is a large group of islands north of the mainland of Canada bounded on the west by the Beaufort Sea, on the north by the Arctic Ocean and on the east by Davis Strait, Baffin Bay and Greenland and split through the middle by Parry Channel which constitutes most of the famous North West Passage. -
National Gallery of Art
ADMISSION IS FREE DIRECTIONS 10:00 TO 5:00 National Gallery of Art Release Date: June 21, 2017 National Gallery of Art 2017 Summer Film Program Includes Washington Premieres, Special Appearances, New Restorations, Retrospectives, Tributes to Canada and to French Production House Gaumont, Discussions and Book Signings with Authors, and Collaboration with the Academy of Motion Picture Arts and Sciences Film still from The Savage Eye (Ben Maddow, Joseph Strick, and Sidney Meyers, 1959, 35mm, 68 minutes), to be shown at the National Gallery of Art on Saturday, September 9, at 4:00 p.m., as part of the film series From Vault to Screen: Recent Restorations from the Academy Film Archive. Image courtesy of Photofest. Washington, DC—The National Gallery of Art is pleased to announce that the 2017 summer film program will include more than 40 screenings: several Washington premieres; special appearances and events; new restorations of past masterworks; a salute to Canada; a special From Vault to Screen series; and a family documentary by Elissa Brown, daughter of J. Carter Brown, former director of the National Gallery of Art. Film highlights for the summer include the premiere of Albert Serra's acclaimed new narrative Death of Louis XIV. The seven-part series Saluting Canada at 150 honors the sesquicentennial of the Canadian Confederation. A six-part series, Cinéma de la révolution: America Films Eighteenth- Century France, offers a brief look at how Hollywood has interpreted the lavish culture and complex history of 18th-century France. The screening coincides with the summer exhibition America Collects Eighteenth-Century French Paining, on view in the West Building through August 20 (http://www.nga.gov/content/ngaweb/press/exh/3683.html). -
Mining, Mineral Exploration and Geoscience Contents
Overview 2020 Nunavut Mining, Mineral Exploration and Geoscience Contents 3 Land Tenure in Nunavut 30 Base Metals 6 Government of Canada 31 Diamonds 10 Government of Nunavut 3 2 Gold 16 Nunavut Tunngavik Incorporated 4 4 Iron 2 0 Canada-Nunavut Geoscience Office 4 6 Inactive projects 2 4 Kitikmeot Region 4 9 Glossary 2 6 Kivalliq Region 50 Guide to Abbreviations 2 8 Qikiqtani Region 51 Index About Nunavut: Mining, Mineral Exploration and by the Canadian Securities Administrators (CSA), the regulatory Geoscience Overview 2020 body which oversees stock market and investment practices, and is intended to ensure that misleading, erroneous, or This publication is a combined effort of four partners: fraudulent information relating to mineral properties is not Crown‑Indigenous Relations and Northern Affairs Canada published and promoted to investors on the stock exchanges (CIRNAC), Government of Nunavut (GN), Nunavut Tunngavik Incorporated (NTI), and Canada‑Nunavut Geoscience Office overseen by the CSA. Resource estimates reported by mineral (CNGO). The intent is to capture information on exploration and exploration companies that are listed on Canadian stock mining activities in 2020 and to make this information available exchanges must be NI 43‑101 compliant. to the public and industry stakeholders. We thank the many contributors who submitted data and Acknowledgements photos for this edition. Prospectors and mining companies are This publication was written by the Mineral Resources Division welcome to submit information on their programs and photos at CIRNAC’s Nunavut Regional Office (Matthew Senkow, for inclusion in next year’s publication. Feedback and comments Alia Bigio, Samuel de Beer, Yann Bureau, Cedric Mayer, and are always appreciated. -
Communicating Climate Change: Arctic Indigenous Peoples As Harbingers of Environmental Change
Communicating Climate Change: Arctic Indigenous Peoples as Harbingers of Environmental Change Erica Dingman Through various science-related and media channels Arctic indigenous peoples and western society have moved closer to a balanced account of Arctic environmental change. Focusing on the role of polar scientist and Inuit media makers, this article articulates the process through which a cross-cultural exchange of environmental knowledge is beginning to occur. At the intersection of Traditional Knowledge with western science and new media technology, a nascent but significant shift in practice is providing pathways to a ‘trusted’ exchange of Arctic climate change knowledge. Potentially, both could influence our global understanding of climate change. Introduction While the influence of Arctic indigenous voices on our Western understanding of climate change is not readily discernible in mainstream media, advances in media technologies, decades of indigenous political organization and shifting attitudes toward Traditional Knowledge (TK) and its relationship with Western scientific research have greatly contributed to the broader lexicon of environmental knowledge. However, in so far as the current global climate change discourse favors Western-based scientifically driven evidence, the complexity of environmental knowledge has demanded inclusion of contextualized knowledge. In the Arctic specifically, research regarding environmental change is Erica Dingman is an Associate Fellow at the World Policy Institute, USA. 2 Arctic Yearbook 2013 increasingly likely to result from the collaboration of Western scientists and local communities. In aggregate, this suggests that Arctic indigenous peoples are attaining a higher degree of recognition as primary producers of environmental knowledge. Relevant in many different respects is the involvement of Arctic indigenous peoples as political actors at the international, national, regional and sub-regional level. -
Peter Pitseolak and Zacharias Kunuk on Reclaiming Inuit Photographic Images and Imaging
Decolonization: Indigeneity, Education & Society Vol. 3, No. 1, 2014, pp. 48-72 Control mapping: Peter Pitseolak and Zacharias Kunuk on reclaiming Inuit photographic images and imaging David Winfield Norman University of Oslo Abstract Inuit have been participating in the development of photo-reproductive media since at least the 19th century, and indeed much earlier if we continue on Michelle Raheja’s suggestion that there is much more behind Nanook’s smile than Robert Flaherty would have us believe. This paper examines how photographer Peter Pitseolak (1902-1973) and filmmaker Zacharias Kunuk have employed photography and film in relation to Raheja’s notion of “visual sovereignty” as a process of infiltrating media of representational control, altering their principles to visualize Indigenous ownership of their images. For camera-based media, this pertains as much to conceptions of time, continuity and “presence,” as to the broader dynamics of creative retellings. This paper will attempt to address such media-ontological shifts – in Pitseolak’s altered position as photographer and the effect this had on his images and the “presence” of his subjects, and in Kunuk’s staging of oral histories and, through the nature of film as an experience of “cinematic time,” composing time in a way that speaks to Inuit worldviews and life patterns – as radical renegotiations of the mediating properties of photography and film. In that they displace the Western camera’s hegemonic framing and time-based structures, repositioning Inuit “presence” and relations to land within the fundamental conditions of photo-reproduction, this paper will address these works from a position of decolonial media aesthetics, considering the effects of their works as opening up not only for more holistic, community-grounded representation models, but for expanding these relations to land and time directly into the expanded sensory field of media technologies. -
Inuit Artists Appropriate New Technologies
Report: Travelling Through Layers: Inuit Artists Appropriate New Technologies Katarina Soukup Igloolik Isuma Productions When the time came a few years ago to find an Inuktitut term for the word “Internet,” Nunavut’s former Official Languages Commissioner, Eva Aariak, chose ikiaqqivik, or “traveling through layers” (Minogue, 2005, n.p.). The word comes from the concept describing what a shaman does when asked to find out about living or deceased relatives or where animals have disappeared to: travel across time and space to find answers. According to the elders, shamans used to travel all over the world: to the bottom of the ocean, to the stratosphere, and even to the moon. In fact, the 1969 moon landing did not impress Inuit elders. They simply said, “We’ve already been there!” (Minogue, 2005, n.p.). The word is also an example of how Inuit are mapping traditional concepts, values, and metaphors to make sense of contemporary realities and technologies. Like shamans in the digital age perhaps, Igloolik Isuma Productions (http:// isuma.ca), the acclaimed Inuit media-art collective behind the award-winning feature film Atanarjuat, The Fast Runner (Kunuk, 2001; http://www.atanar- juat.com), employs cutting-edge technologies such as high-definition video and wireless broadband to “travel through the layers” of time, geography, language, history, and culture. Isuma’s films, like the award-winning Atanarjuat, the 13-part Nunavut (Our Land) television series (Igloolik Isuma Productions, 1994-1995), and the upcoming feature film The Journals of Knud Rasmussen (Kunuk & Cohn, 2006), allow us to the see the living traditions of the past and demonstrate through their re-creation in film and video that Inuit are still able to practise them in the present. -
Appendix D: Workshop Notes
APPENDIX D: WORKSHOP NOTES 151 Results of Community Workshops Conducted for Baffinland Iron Mines Corporation’s Phase 2 Proposal Baffinland Iron Mines Corporation Mary River Project, Phase 2 Workshop #1: Contemporary Inuit Land Use in the Eclipse Sound and Navy Board Inlet Areas -Invited Persons Workshop Notes- Participants: Joshua Arreak (Hamlet of Pond Inlet nominee) Jennifer St Paul Butler (Baffinland) Ludy Pudluk (Hamlet of Pond Inlet nominee) Jason Prno (Jason Prno Consulting Services Ltd.) Jimmy Pitseolak (Pond Inlet HTO nominee) Jason Lewis (Avati) Elijah Panikpakoochoo (Pond Inlet HTO nominee) Justin Buller (QIA) Joanasie Mucpa (Pond Inlet HTO nominee) Jeff Higdon (Consultant to QIA) Michael Inuarak (Nasivvik High School nominee) Kunnuk Qamaniq (Nasivvik High School nominee) Timothy Aksarjuk (QIA nominee) Paniloo Sangoya (QIA nominee) Dates: March 3-4, 2015 Other Information: At the beginning of the workshop, Baffinland spent time presenting details of the Phase 2 proposal and describing the purpose and objectives of the workshop. Much of the remaining time was then spent discussing and documenting contemporary seasonal land use activities in the Eclipse Sound and Navy Board Inlet areas. The workshop was facilitated by Jason Prno. Workshop notes were recorded by Jennifer St Paul Butler and Jason Lewis, and were compiled by Jason Lewis. The workshop was observed by Justin Buller and Jeff Hidgon of the QIA. Information provided in the workshop (included below) is attributed to individual participants or to group discussion where appropriate. Where an attribution is not listed, the information provider(s) were unrecorded. Notes: Workshop participants indicated that the Inuit calendar in this part of the Arctic (the Pond Inlet – Eclipse Sound area) is divided into five seasons, not six as presented in the North Baffin Land Use Plan. -
The Twentieth Century / 7:30 Pm the Twentieth Century / 9 Pm
January / February 2020 Canadian & International Features: Canada’s Top Ten Film Festival: CRANKS special Events THE TWENTIETH CABIN FEVER: CENTURY FREE FILMS FOR KIDS! www.winnipegcinematheque.com January 2020 TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY 1 2 3 4 5 closed: New Year’s Day Parasite / 7 pm Honeyland / 7 pm Honeyland / 3 pm & 7:30 pm Cabin fever: Honeyland / 9:30 pm Parasite / 9 pm Parasite / 5 pm & 9:15 pm Fantastic Mr. Fox / 3 pm Honeyland / 5 pm Parasite / 7 pm 7 8 9 10 11 12 RESTORATION TUESDAYS: Honeyland / 7 pm UWSA Snowed In: Canada’s Top Ten: Canada’s Top Ten: And the Birds Cabin fever: Quartet / 7 pm Parasite / 9 pm Waves / 7 pm And the Birds Rained Down / 7 pm Rained Down / 2:30 pm Mirai / 3 pm Heater / 9 pm Parasite / 9 pm Honeyland / 9:30 pm Honeyland / 5 pm Canada’s Top Ten: Stages of Beauty: The Short And the Birds Films of Matthew Rankin / 7 pm Rained Down / 5 pm Canada’s Top Ten: The Twentieth Century / 7:30 pm The Twentieth Century / 9 pm 14 15 16 17 18 19 RESTORATION TUESDAYS: Canada’s Top Ten: Hinterland Remixed / 7 pm Cranks / 7 pm Letter from Cabin fever: Heater / 7 pm The Twentieth Century / 7 pm Canada’s Top Ten: Canada’s Top Ten: Masanjia / 3 pm & 7 pm Diary of a Wimpy Kid / 3 pm Quartet / 9 pm Cranks / 9 pm And the Birds The Twentieth Century / 9 pm Cranks / 5 pm Cranks / 5 pm Rained Down / 9 pm Canada’s Top Ten: Canada’s Top Ten: The Twentieth Century / 9 pm The Twentieth Century / 7 pm 21 22 23 24 25 26 RESTORATION TUESDAYS: McDonald at the Movies: Canada’s Top Ten: Canada’s Top Ten: Canada’s