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High-Fidelity-1955-Nov.Pdf
November 60 cents SIBELIUS AT 90 by Gerald Abraham A SIBELIUS DISCOGRAPHY by Paul Affelder www.americanradiohistory.com FOR FINE SOUND ALL AROUND Bob Fine, of gt/JZe lwtCL ., has standardized on C. Robert Fine, President, and Al Mian, Chief Mixer, at master con- trol console of Fine Sound, Inc., 711 Fifth Ave., New York City. because "No other sound recording the finest magnetic recording tape media hare been found to meet our exact - you can buy - known the world over for its outstanding performance ing'requirements for consistent, uniform and fidelity of reproduction. Now avail- quality." able on 1/2-mil, 1 -mil and 11/2-mil polyester film base, as well as standard plastic base. In professional circles Bob Fine is a name to reckon auaaaa:.cs 'exceed the most with. His studio, one of the country's largest and exacting requirements for highest quality professional recordings. Available in sizes best equipped, cuts the masters for over half the and types for every disc recording applica- records released each year by independent record lion. manufacturers. Movies distributed throughout the magnetically coated world, filmed TV broadcasts, transcribed radio on standard motion picture film base, broadcasts, and advertising transcriptions are re- provides highest quality synchronized re- corded here at Fine Sound, Inc., on Audio products. cordings for motion picture and TV sound tracks. Every inch of tape used here is Audiotape. Every disc cut is an Audiodisc. And now, Fine Sound is To get the most out of your sound recordings, now standardizing on Audiofilm. That's proof of the and as long as you keep them, be sure to put them consistent, uniform quality of all Audio products: on Audiotape, Audiodiscs or Audiofilm. -
Updates & Amendments to the Great R&B Files
Updates & Amendments to the Great R&B Files The R&B Pioneers Series edited by Claus Röhnisch from August 2019 – on with special thanks to Thomas Jarlvik The Great R&B Files - Updates & Amendments (page 1) John Lee Hooker Part II There are 12 books (plus a Part II-book on Hooker) in the R&B Pioneers Series. They are titled The Great R&B Files at http://www.rhythm-and- blues.info/ covering the history of Rhythm & Blues in its classic era (1940s, especially 1950s, and through to the 1960s). I myself have used the ”new covers” shown here for printouts on all volumes. If you prefer prints of the series, you only have to printout once, since the updates, amendments, corrections, and supplementary information, starting from August 2019, are published in this special extra volume, titled ”Updates & Amendments to the Great R&B Files” (book #13). The Great R&B Files - Updates & Amendments (page 2) The R&B Pioneer Series / CONTENTS / Updates & Amendments page 01 Top Rhythm & Blues Records – Hits from 30 Classic Years of R&B 6 02 The John Lee Hooker Session Discography 10 02B The World’s Greatest Blues Singer – John Lee Hooker 13 03 Those Hoodlum Friends – The Coasters 17 04 The Clown Princes of Rock and Roll: The Coasters 18 05 The Blues Giants of the 1950s – Twelve Great Legends 28 06 THE Top Ten Vocal Groups of the Golden ’50s – Rhythm & Blues Harmony 48 07 Ten Sepia Super Stars of Rock ’n’ Roll – Idols Making Music History 62 08 Transitions from Rhythm to Soul – Twelve Original Soul Icons 66 09 The True R&B Pioneers – Twelve Hit-Makers from the -
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron. -
Donald Byrd House of Byrd Mp3, Flac, Wma
Donald Byrd House Of Byrd mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: House Of Byrd Country: France Released: 1976 MP3 version RAR size: 1990 mb FLAC version RAR size: 1135 mb WMA version RAR size: 1595 mb Rating: 4.8 Votes: 947 Other Formats: MP4 WMA VOC MIDI VQF MMF FLAC Tracklist Two Trumpets A1 Round Midnight 6:39 A2 Dig 14:26 B1 The Third 7:37 B2 Contour 7:35 B3 When Your Lover Has Gone 5:10 The Young Bloods C1 Dewey Square 7:45 C2 Dupeltook 6:43 C3 Once More 5:02 D1 House Of Chan 5:49 D2 In Walked George 5:04 D3 Lover Man 5:45 Companies, etc. Manufactured By – Hispavox, S.A. Distributed By – Hispavox, S.A. Phonographic Copyright (p) – Prestige Records Copyright (c) – Prestige Records Recorded At – Van Gelder Studio, Hackensack, New Jersey Remastered At – Fantasy Studios Credits Alto Saxophone – Jackie McLean (tracks: A2 to B2), Phil Woods (tracks: C1 to D3) Art Direction – Phil Carroll Bass – Doug Watkins (tracks: A1 to B3), Teddy Kotick (tracks: C1 to D3) Drums – Art Taylor (tracks: A1 to B3), Charlie Persip (tracks: C1 to D3) Engineer – Rudy Van Gelder Liner Notes – Ira Steingroot Photography By [Cover] – Burt Goldblatt Photography By [Inside] – Chuck Stewart Piano – Al Haig (tracks: C1 to D3), Barry Harris (tracks: A1 to B3) Producer – Bob Weinstock Remastered By – David Turner Trumpet – Art Farmer (tracks: A2 to B3), Donald Byrd (tracks: A1 to B2, C1 to D3) Notes Side A & B recorded August 3, 1956. Originally issued as "Two Trumpets" (Prestige 7062), with Byrd and Farmer co-featured. -
Ellsworth American : March 5, 1913
®J|c WMCwmoi r»io«, $2.00 per tkak. tr„, T T V \ \ KNIKRBD AS SECOND- CLASS MATTER I IF PAID IK ADVANCE. (SUsmortl) $1.80. j WEDNESDAY 1913. VOL. ELLSWORTH, MAINE, AFTERNOON, MARCH 5, > AT THE KLLHWORTH POSTOFFIOH. 0 oamiscmcnte 'Stjmttrmmts. LOCAL AFFAIRS j city, have received word from their sod, Harry J. Joy, of bis marriage in Des Iowa. The bride is *♦♦♦♦♦<*♦■»♦♦♦♦♦♦♦♦♦♦♦♦♦•♦♦♦•♦••♦oo♦♦♦♦♦♦♦♦»*« NEW ADVERTISEMENT* THIS WEEK. Moines, Margaret, only daughter of James Henry, of St. Louis, A E Moore—Closing out sale. Mo. Mr. Joy is an in the N E Tel & Tel Co. expert telephone BURRILL NATIONAL Engine—For sale. business, and holdb a responsible position Exec notice —Est Geo M Tuttle. in Iowa’s UNION TRUST CO. city. His many friends U 8 custom capital house—Proposals. here Merritt T Ober vs Edward P Murray et als. extend congratulations. His Des OF ELLSWORTH. of Balsam fir BANK, Ellsworth twigs—Wanted. Moines address is 714% Locust street. Post-cards—For sale. CAPITAL, SURPLUS and PROFITS, about #200.000 Help wanted—Salesman. Last Sunday Dr. L. E. Norris, of Hamp- A E Crabtree— about Motocycle. died in DEPOSITS, $1,,300,000 G A Parcher—Apothecary. den, Bangor, aged seventy-six Boat—For sale. years. The older residents of Ellsworth This Bank Will You on Bar Harbor: Pay 2% your will remember Dr. Norris as the successor ONE OF THE STRONGEST AND LARGEST BANKS IN EASTERN MAINE. S J Clement—Pianos. in the drug business of the late Calvin G. account if or over. Bangor: check $500 Peck, who for many years conducted the Eastern Trust A Banking Co. -
Harold MABERN: Teo MACERO
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Harold MABERN: "Workin' And Wailin'" Virgil Jones -tp,flh; George Coleman -ts; Harold Mabern -p; Buster Williams -b; Leo Morris -d; recorded June 30, 1969 in New York Leo Morris aka Idris Muhammad 101615 A TIME FOR LOVE 4.54 Prest PR7687 101616 WALTZING WESTWARD 9.26 --- 101617 I CAN'T UNDERSTAND WHAT I SEE IN YOU 8.33 --- 101618 STROZIER'S MODE 7.58 --- 101619 BLUES FOR PHINEAS 5.11 --- "Greasy Kid Stuff" Lee Morgan -tp; Hubert Laws -fl,ts; Harold Mabern -p; Boogaloo Joe Jones -g; Buster Williams -b; Idriss Muhammad -d; recorded January 26, 1970 in New York 101620 I WANT YOU BACK 5.30 Prest PR7764 101621 GREASY KID STUFF 8.23 --- 101622 ALEX THE GREAT 7.20 --- 101623 XKE 6.52 --- 101624 JOHN NEELY - BEAUTIFUL PEOPLE 8.33 --- 101625 I HAVEN'T GOT ANYTHING BETTER TO DO 6.04 --- "Remy Martin's New Years Special" James Moody Trio: Harold Mabern -p; Todd Coleman -b; Edward Gladden -d; recorded December 31, 1984 in Sweet Basil, New York it's the rhythm section of James Moody Quartet 99565 YOU DON'T KNOW WHAT LOVE IS 13.59 Aircheck 99566 THERE'S NO GREEATER LOVE 10.14 --- 99567 ALL BLUES 11.54 --- 99568 STRIKE UP THE BAND 13.05 --- "Lookin' On The Bright Side" Harold Mabern -p; Christian McBride -b; Jack DeJohnette -d; recorded February and March 1993 in New York 87461 LOOK ON THE BRIGHT SIDE 5.37 DIW 614 87462 MOMENT'S NOTICE 5.25 --- 87463 BIG TIME COOPER 8.04 --- 87464 AU PRIVAVE -
Thames Valley Cotton Pickers": Race and Youth in London Blues Culture
"THAMES VALLEY COTTON PICKERS": RACE AND YOUTH IN LONDON BLUES CULTURE Matthew Christopher Goody B.A., Simon Fraser University, 2003 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF HISTORY In the Department of History O Matthew Christopher Goody 2005 SIMON FRASER UNIVERSITY All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. Approval Name: Matthew Christopher Goody Degree: Master of History Title of Thesis: "Thames Valley Cotton Pickers": Race and Youth in London Blues Culture Examining Committee: Chair: Dr. Mark Leier Associate Professor of History Dr. Ian Dyck Senior Supervisor Associate Professor of History Dr. Karen Ferguson Supervisor Associate Professor of History Dr. Jerald Zaslove External Examiner Professor Emeritus of Humanities Date DefendedIApproved: %/6 SIMON FRASER UNIVERSITY PARTIAL COPYRIGHT LICENCE The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection. The author has further agreed that permission for multiple copying of this work for scholarly purposes may be granted by either the author or the Dean of Graduate Studies. -
Jackie Mclean Strange Blues Mp3, Flac, Wma
Jackie McLean Strange Blues mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Strange Blues Country: US Released: 1989 Style: Hard Bop MP3 version RAR size: 1141 mb FLAC version RAR size: 1966 mb WMA version RAR size: 1750 mb Rating: 4.5 Votes: 722 Other Formats: WMA DXD MIDI XM FLAC WAV AUD Tracklist Hide Credits Strange Blues 1 7:32 Written-By – Jackie McLean Millie's Pad 2 11:15 Written-By – Webster Young What's New? 3 6:35 Written-By – Haggart*, Burke* Disciples Love Affair 4 6:49 Written-By – Ray Draper Not So Strange Blues 5 4:49 Written-By – McLean* Companies, etc. Copyright (c) – Fantasy, Inc. Mastered At – Fantasy Studios Credits Alto Saxophone – Jackie McLean Bass – Art Phipps (tracks: 1, 3), Bill Salter* (tracks: 2, 4, 5) Drums – Art Taylor (tracks: 1, 3), Larry Ritchie (tracks: 2, 4, 5) Engineer [Recording], Recorded By – Rudy Van Gelder Liner Notes – Mark Gardner Mastered By – Phil De Lancie Piano – John Meyers (tracks: 2, 4, 5), Mal Waldron (tracks: 1, 3) Producer – Don Schlitten Supervised By – Bob Weinstock Trumpet – Webster Young (tracks: 2, 4) Tuba – Ray Draper (tracks: 2, 4) Notes Recorded in Hackensack, NJ; February 15 (#1 & 3) and July 12 (#2, 4 & 5), 1957. Mastering (Fantasy Studios, Berkeley) Barcode and Other Identifiers Barcode: 0 25218-0354-2 2 Other (SPARS Code): AAD Other versions Category Artist Title (Format) Label Category Country Year PR 7500, Jackie Strange Blues (LP, Prestige, PR 7500, US 1967 PRST 7500 McLean Album) Prestige PRST 7500 Prestige, P-7500, Jackie Strange Blues (LP, P-7500, Original -
Ellsworth American
(fUrwotU) American. LA I1I. ^Vol. >g‘,y>‘^?w,SS.Va.",T,A‘-i ELLSWORTH, MAINE, WEDNESDAY AFTERNOON, DECEMBER 4, 1912. !i No. 49. aoDctiiiimntt® t, ontUementB. LOCAL AFFAIRS. when he assumed the pastorate was 831. There have been 448 new members re- ceived the ten and a nel! NRW ADVERTISEMENTS THIS WEEK. during years, gain over deaths, dismissions and mem- Austin W Richardson — In bankruptcy. bers dropped of 130, the membership to- Admr notice—Est of Harvey J Cunningham. ** ** —Est of Frederick B Googins. day being 961. notice. Legislative The committee to which was referred Dr H Greely—Special notice. Mrs M H Hall—Woman wanted. the question of a celebration in commemo- Market. OF Alley’s ration of ELLSWORTH J II Bresnaban—Taxes. the 160tb anniversary of Ells- Lamoinb Bbach: worth, have draw’n up a program which Wilbur C Wallace—Tender found. will be submitted to a mass meeting of OF ELLSWORTH. i of the State of WE RENT Bangor: the citizens of Ellsworth at the board of Depository Eastern Co. Trust A Banking trade rooms in Hancock hall next Friday CAHTUi,.« 1<M Maine, the of Portland, Mr: evening. The meeting was originally County SURPLUS and PROFITS, 75.000 SAFETY DEPOSIT The New Chase House. called for Monday evening, but storm Hancock and Mass: Franklin, caused postponement. A large attend- STOCKHOLDERS’ LIABILITY, 100,000 Cobb A Co—Man wanted. two-thirds of Ellsworth’s ance of citizens is desired. Ladies are ASSETS. 1,400,000 BOXES invited. * SCHEDULE OF MAILS especially Merchants at bllswobth postofficb. Louisa W., widow of Daniel H. -
International Identity, Legal Obligation, and Compliance in World Politics
HOW INTERNATIONAL LAW OBLIGATES: INTERNATIONAL IDENTITY, LEGAL OBLIGATION, AND COMPLIANCE IN WORLD POLITICS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Ayten Burcu Bayram, B.A./M.IS./M.A. Graduate Program in Political Science The Ohio State University 2011 Dissertation Committee: Richard Herrmann, Advisor Alexander Wendt Alexander Thompson ©Copyright Ayten Burcu Bayram All Rights Reserved 2011 ABSTRACT All political leaders represent the political authority of the state and are committed to state sovereignty. Yet some are also moved by a sense of perceived international legal obligation and defer to international legal rules and institutions. Why do some politicians develop a sense of legal obligation and defer to international law while others do not? This dissertation seeks to explain the psychological logic of legal obligation. Legal obligation entails a tension between commitment to the sovereign authority of the state and deference to international law, and imposes psychological “sovereignty costs” upon politicians. I explain the psychological logic of legal obligation by analyzing the effect of international superordinate identification on the resolution of this tension. My central claim is that political leaders’ degree of international identification critically shapes their sense of legal obligation by affecting the perceived legitimacy of international law’s authority. I argue that international identification, through -
The Band Hints at Dylan Tour Kinks Ray Davies
Cat Stevens' 'Catch Bull At Four* Alice For President? The Unexpected Cooper Caper The Band Hints i At Dylan Tour r EMI q: LAKE& FREEC POSTER! Kinks Ray Davies And 'Everybody's In Showbizj Why Bill Cosby Couldn't Circus Top Twenty — Quit Readers Pick Month's Hottest LP's ..u rack boogie. In ^I^Onto the blues. The band ^RBstyearor so. And now they want to ^^Wnefeeling they got from their audiences .The •infire guitar of Kim fnonds sets the mood for le really fine hard rock blues. IS SHARE” is a new Savoy aS n LP. And one that will |e everyone. w1 A Wi L tit trc RECC Pluc platfc The 1 O’Suh ON TH. Captai} bump ii bust a s record Twcnty-f best albui THE PICK The hottes HOT WAX The Circus gives Circus favorite albu LETTERS . A Jersey fan ° puts up his duK NATIONAL sc Tull skulks onsi and the Moody/ calendar of ? ode; dizzy your duo MOV1ES rsM 01 reviews FROM POETRY FROM the St The groupie an TABLE OF CONTENTS REPORTS FROM BACKSTAGE “WHO CAME FIRST’’ — A QUIET TOWNSHEND ROARS TO THE SURFACE 4 The four-year story behind the music Pete has been concocting single-handedly in the privacy of his home studio. “ROCK OF AGES” — THE BAND BREAKS ITS LEAFY SILENCE 20 The Band is mulling over a Dylan plan that could trigger the biggest stage comeback since Harrison’s Bangla Dcsh. HEAD KINK UNBUTTONS HIS MIND 30 The new LP,-Everybody’s In Showbiz, is like a three AM trip through the brooding amusement park of Ray Davies’ private world. -
A Prima Vista
A PRIMA VISTA a survey of reprints and of recent publications 2008/3 BROEKMANS & VAN POPPEL Van Baerlestraat 92-94 Postbus 75228 1070 AE AMSTERDAM sheet music: + 31 (0)20 679 65 75 CDs: + 31 (0)20 675 16 53 / fax: + 31 (0)20 664 67 59 also on INTERNET: www.broekmans.com e-mail: [email protected] 2 CONTENTS A PRIMA VISTA 2008/3 PAGE HEADING 03 PIANO 2-HANDS 14 PIANO 4-HANDS 15 2 AND MORE PIANOS, HARPSICHORD, ORGAN 17 KEYBOARD 18 ACCORDION 1 STRING INSTRUMENT WITHOUT ACCOMPANIMENT: 19 VIOLIN SOLO 20 VIOLA SOLO .21 CELLO SOLO, DOUBLE BASS SOLO, VIOLA DA GAMBA SOLO 1 STRING INSTRUMENT WITH ACCOMPANIMENT, piano unless stated otherwise: 21 VIOLIN with accompaniment 24 VIOLIN PLAY ALONG 25 VIOLA with accompaniment, VIOLA PLAY ALONG 26 CELLO with accompaniment 27 CELLO PLAY ALONG, DOUBLE BASS with accompanimen 28 DOUBLE BASS PLAY ALONG 28 2 AND MORE STRING INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT: 1 WIND INSTRUMENT WITHOUT ACCOMPANIMENT: 32 FLUTE SOLO 33 CLARINET SOLO 34 SAXOPHONE SOLO, BASSOON SOLO, TRUMPET SOLO 35 HORN SOLO, TUBA SOLO 1 WIND INSTRUMENT WITH ACCOMPANIMENT, piano unless stated otherwise: 35 PICCOLO with accompaniment, FLUTE with accompaniment 38 FLUTE PLAY ALONG 39 OBOE with accompaniment, OBOE PLAY ALONG 40 CLARINET with accompaniment 41 CLARINET PLAY ALONG, 42 SAXOPHONE with accompaniment, SAXOPHONE PLAY ALONG 44 BASSOON with accompaniment, TRUMPET with accompaniment 45 TRUMPET PLAY ALONG, HORN with accompaniment 46 HORN PLAY ALONG, TROMBONE with accompaniment, EUPHONIUM PLAY ALONG 47 EUPHONIUM with accompaniment, TUBA