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Spheres Inspired by Freehand Patchwork by Danny Amazonas at the National Quilt Museum
QuiltMuseum.org/BlockOfTheMonth AUGUST 2019 Spheres inspired by Freehand Patchwork by Danny Amazonas at the National Quilt Museum Quilt: Levitate by Danny Amazonas AUGUST 2019 Inspiration Levitate by Danny Amazonas Freehand Patchwork by Danny Amazonas is on exhibit at the National Quilt Museum from July 12 – October 15. “I realized working with fabric is far more complicated than painting technique-wise. A fiber artist won’t be able to mix colors in a palette, but can collect an array of colors and shades of fabric in order to create a unique piece of art with a full spectrum of colors. I love to cut fabric in large chunks to show the beauty of textile designs, and those designers should be praised and credited as well. Every piece of my artwork is machine sewn with invisible thread free-motion stitches.” Danny’s use of color and value creates visual depth and movement in each quilt. This month’s Block of the Month pattern incorporates many of these elements so you can experiment with color, large-scale prints, and dimension. Page 2 AUGUST 2019 Quilter: Danny Amazonas “I was born in Taiwan and always loved art in Danny Amazonas all forms. As a jack-of-all-trades I tried painting, sculpture, making gold jewelry, professional floral design, and even got into international cuisine! In the early ‘80s, I was working with mosaic art using various materials. When I returned home to Taiwan in the ’90s, I discovered the world of colorful fabrics and the art of quilting. I perceived quilting as the art of sewing pieces of fabric together to create a beautiful design. -
En Pointe Inspired by Collection Artist MJ Kinman Quilt By: MJ Kinman AUGUST 2021
QuiltMuseum.org/BlockOfTheMonth AUGUST 2021 En Pointe inspired by Collection Artist MJ Kinman Quilt by: MJ Kinman AUGUST 2021 Featured Artist: MJ Kinman MJ likes to say she makes the biggest diamonds MJ Kinman in the world. But instead of using the hardest substances in the world, she uses the softest – fabric. She describes the technique she uses to create her giant gem portraits as traditional piecing using freezer paper for templates. MJ’s work has been exhibited in national competitions, galleries, and museums, including the National Quilt Museum and the International Quilt Museum. Her work is included in private and public collections, including Maker’s Mark Distillery and the National Quilt Museum. For more information, visit MJ’s Her gems have been featured in American website and social media sites: Quilter, Quiltfolk, Quilting Arts Magazine, McCall’s Quilting, France Patchwork and Website: www.MJKinman.com others. You may also have seen MJ on Quilting Instagram: @mjkinman_textileartist Arts TV and The Quilt Show.com with Alex Anderson and Ricky Tims over the past few Facebook: @mjkinmantextileartist years. MJ’s first pattern series, the Birthstone series, Contact Information: is a collection of 12 blocks representing the traditional birthstone gems. Her Diamond Phone: 502-287-3034 (EST) Divas series features large diamond quilt Email: [email protected] patterns. Her first book, Gemstone Quilts, was released by C&T Publishing in 2020. MJ is a BERNINA Brand Ambassador and is always delighted to share her techniques with new and experienced quiltmakers alike. She presents her classes and trunk shows both in person and online. -
The Godey Quilt: One Woman’S Dream Becomes a Reality Sandra L
Western Kentucky University TopSCHOLAR® DLSC Faculty Publications Library Special Collections 2016 The Godey Quilt: One Woman’s Dream Becomes a Reality Sandra L. Staebell Western Kentucky University, [email protected] Follow this and additional works at: http://digitalcommons.wku.edu/dlsc_fac_pub Part of the Fiber, Textile, and Weaving Arts Commons Recommended Citation Sandy Staebell, “The Godey Quilt: One Woman’s Dream Becomes a Reality,” Uncoverings 2016, Volume 37, American Quilt Study Group, edited by Lynne Zacek Bassett, copyright 2016, pp. 100-134, Color Plates 8-11 This Article is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in DLSC Faculty Publications by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. The Godey Quilt: One Woman’s Dream Becomes a Reality Sandra Staebell The Godey Quilt is a 1930s appliqué quilt composed of fifteen fabric portraits of men and women clothed in fashionable mid-nineteenth century attire. The dream of Mildred Potter Lissauer (1897−1998) of Louisville, Kentucky, this textile is a largely original design that is not representative of the majority of American quilts made during the early 1930s. Notable for the beauty and quality of its workmanship, the quilt’s crafting was, in part, a response to the competitive spirit that reigned in quiltmaking at the time. Significantly, the survival of the materials that document its conception, design, and construction enhances its significance and can be used to create a timeline of its creation. Reflecting Colonial Revival concepts and imagery, the Godey Quilt is a remarkable physical expression of that era. -
The Jane Gordon Quilt by WILLIAM and CHARLENE STEPHENS
Issue 147 Winter 2020-2021 News Publication of the American Quilt Study Group v IN THIS ISSUE The Value of Revisiting Research: The Jane Gordon Quilt BY WILLIAM AND CHARLENE STEPHENS 6 TWO STORIES IN REDWORK 10 AQSG SEMINAR 2021 12 MIDWEST FABRIC STUDY GROUP Figure 1: The Jane Gordon quilt, (Fig.1) features an elaborately inked center panel surrounded by an appliquéd wreath. (Photo used with permission of the Philadelphia Museum of Art, #1941-109-1) he 1841 Jane Gordon quilt has been The on-point chintz squares combine with 19 Tat the Philadelphia Museum of Art checkerboard pieced blocks of vibrant VIRgiNia QUILT (PMOA) since it was donated in 1941. Turkey red print to make a very large MUSEUM EXHIBIT A bequest of Philadelphia native Natalie 118 inch by 126 inch quilt. The identical Rowland, the quilt is an illustrative chintz blocks surrounding the intricate example of available fabrics and style inked center contain a very familiar dahlia of mid-nineteenth century design floral noted by quilt historian Barbara in Philadelphia. Brackman in her blog as appearing in at CALENDAR least thirty other mid-century quilts.1 (see ON PAGE 19 Although simple in design, the quilt Fig. 1) nonetheless makes a dramatic statement with its elaborate central block inking. Continued on page 3 Call for Papers The American Quilt Study Group (AQSG) seeks original, previously unpublished research pertaining to the history of quilts, quiltmakers, quiltmaking, associated textiles, and related subjects for inclusion in the annual volume of Uncoverings, a peer-reviewed interdisciplinary journal. Submissions are welcomed on an annual basis, with a firm deadline of June 1 each year. -
F a L L W I N T E R 2 0
NEW BOOKS FALL WINTER 2020 TABLE OF CONTENTS Welcome New Publishers ..............................................................................................2 Featured Titles ...................................................................................................................3 Biography/History/True Crime......................................................................................5 Science and Social Sciences ......................................................................................30 Fiction/Poetry/Graphic Novels ...................................................................................41 Religion and Inspiration ..............................................................................................64 Games/Gifts/Seasonal .................................................................................................72 Crafts and Hobbies .......................................................................................................81 Performing Arts and The Arts ............................................................................... 102 Cooking .......................................................................................................................... 117 Children’s ....................................................................................................................... 125 Health/Self-Help/Parenting ..................................................................................... 137 Sports and Recreation ......................................................................................... -
August 2021.Indd
Search Press Ltd August 2021 The Complete Book of patchwork, Quilting & Appliqué by Linda Seward www.searchpress.com/trade SEARCH PRESS LIMITED The world’s finest art and craft books ADVANCE INFORMATION Drawing - A Complete Guide: Nature Giovanni Civardi Publication 31st August 2021 Price £12.99 ISBN 9781782218807 Format Paperback 218 x 152 mm Extent 400 pages Illustrations 960 Black & white illustrations Publisher Search Press Classification Drawing & sketching BIC CODE/S AFF, WFA SALES REGIONS WORLD Key Selling Points Giovanni Civardi is a best-selling author and artist who has sold over 600,000 books worldwide No-nonsense advice on the key skills for drawing nature – from understanding perspective to capturing light and shade Subjects include favourites such as country scenes, flowers, fruit, animals and more Perfect book for both beginner and experienced artists looking for an inspirational yet informative introduction to drawing natural subjects This guide is bind-up of seven books from Search Press’s successful Art of Drawing series: Drawing Techniques; Understanding Perspective; Drawing Scenery; Drawing Light & Shade; Flowers, Fruit & Vegetables; Drawing Pets; and Wild Animals. Description Learn to draw the natural world with this inspiring and accessible guide by master-artist Giovanni Civardi. Beginning with the key drawing methods and essential materials you’ll need to start your artistic journey, along with advice on drawing perspective as well as light and shade, learn to sketch country scenes, fruit, vegetables, animals and more. Throughout you’ll find hundreds of helpful and practical illustrations, along with stunning examples of Civardi’s work that exemplify his favourite techniques for capturing the natural world. -
Sew Any Fabric Provides Practical, Clear Information for Novices and Inspiration for More Experienced Sewers Who Are Looking for New Ideas and Techniques
SAFBCOV.qxd 10/23/03 3:34 PM Page 1 S Fabric Basics at Your Fingertips EW A ave you ever wished you could call an expert and ask for a five-minute explanation on the particulars of a fabric you are sewing? Claire Shaeffer provides this key information for 88 of today’s most NY SEW ANY popular fabrics. In this handy, easy-to-follow reference, she guides you through all the basics while providing hints, tips, and suggestions based on her 20-plus years as a college instructor, pattern F designer, and author. ABRIC H In each concise chapter, Claire shares fabric facts, design ideas, workroom secrets, and her sewing checklist, as well as her sewability classification to advise you on the difficulty of sewing each ABRIC fabric. Color photographs offer further ideas. The succeeding sections offer sewing techniques and ForewordForeword byby advice on needles, threads, stabilizers, and interfacings. Claire’s unique fabric/fiber dictionary cross- NancyNancy ZiemanZieman references over 600 additional fabrics. An invaluable reference for anyone who F sews, Sew Any Fabric provides practical, clear information for novices and inspiration for more experienced sewers who are looking for new ideas and techniques. About the Author Shaeffer Claire Shaeffer is a well-known and well- respected designer, teacher, and author of 15 books, including Claire Shaeffer’s Fabric Sewing Guide. She has traveled the world over sharing her sewing secrets with novice, experienced, and professional sewers alike. Claire was recently awarded the prestigious Lifetime Achievement Award by the Professional Association of Custom Clothiers (PACC). Claire and her husband reside in Palm Springs, California. -
162 Hawaiian Quilts: Tradition and Transition. Reiko Mochinaga
Museum Anthropology Review 1(2) Fall 2007 Hawaiian Quilts: Tradition and Transition. Reiko Mochinaga Brandon and Loretta G. H. Woodard. Honolulu: Honolulu Academy of Arts, 2004. 140 pp.∗ Reviewed by Marsha MacDowell In 1989 the Honolulu Academy of Arts partnered with Toshiyuki Higuchi of Kokusai Art to create an exhibition accompanied by a publication edited by Reiko Mochinaga Brandon (The Hawaiian Quilt, Kokusai Art, 1989). The exhibition and publication featured quilts from four Hawaiian museums and profiled the quilts of eleven contemporary quilters. With the addition of Loretta G. H. Woodard, the same team has produced Hawaiian Quilts: Tradition and Transition in tandem with an exhibition of the same name that featured 52 quilts from contemporary artists and 22 historical quilts drawn from three Hawaiian museum collections. Both the latter and the former publications provide a summary of the history of quiltmaking in Hawaii. What is different between the two exhibition catalogues? This time the team is able to draw upon the extensive research that has been undertaken by numerous individuals on different aspects of Hawaiian quiltmaking and, in particular, the work of the Hawaiian Quilt Research Project, a non- profit organization that, since 1990 has registered more than 1500 quilt patterns from thirty- seven public and private collections and more than 1,200 Hawaiian quilts.[1] The introduction to the history of quiltmaking is now enriched and expanded, including important newly-collected information that explores the influence of quilt shows, pattern makers, teachers (especially county extension agents and those affiliated with museums and hotels), collectors (especially Laurence S. Rockefeller), marketing of patterns, tourism, and the inclusion of articles about Hawaiian quiltmaking in nationally-distributed women’s magazines. -
American Countess
We are proud to introduce the newest addition to our authentic collection of paddlewheelers. american tm countess BOOK NOW AND SAVE! SEE PAGE 35 FOR DETAILS. river cruises® Masterful Regional Cuisine H Enrichment and Broadway-caliber entertainment H Comprehensive, guided shore excursions H Authentic collection of paddlewheelers Hop-On Hop-Off Internet Room service shore excursions service 24 hours a day TravelAgeW est WAVE Awards Editor’s Pick Award Logo Treatments RECENT AWARDS teal = 70c0m20y25k gray = 0c0m15y55k Set sail on our newest paddlewheeler, the American Countess. 2 AMERICAN QUEEN STEAMBOAT COMPANY (888) 749-5280 TABLE OF CONTENTS Introducing the American Countess . 4 Masterful Regional Cuisine . 5 Broadway-Caliber Entertainment . 6 Cultural Enrichment and Experiences . 7 Sailing Schedule . 8 Itineraries New Orleans to Memphis . 10 Memphis to New Orleans . 11 The Mighty Mississippi . 12 Roundtrip New Orleans . 14 Memphis to Alton (St . Louis) . 15 Alton (St . Louis) to Louisville . 16 Louisville to Pittsburgh or reverse . 17 Louisville to Memphis . 18 Alton (St . Louis) to Red Wing (Minneapolis) or reverse . 19 Memphis to Chattanooga or reverse . 20 Deck Plans and Staterooms . 21-23 Extend Your Stay: City Stay Packages . 24-27 Ports of Call, Highlights and Premium Experiences . 28-33 Terms and Conditions . 34 Travel Protection . 35 SAVE up to $800 per stateroom. See Page 35. WWW.AQSC.COM AMERICAN QUEEN STEAMBOAT COMPANY 3 Introducing the American Countess elcome aboard the newest paddlewheeler in our fleet, the W American Countess, a graceful salute to gracious living and leisurely travel . Please join Features and Amenities the American Countess during her premiere season H Modern, exquisitely to discover a completely modern approach to life on detailed staterooms America’s legendary rivers . -
Reference (Ref)
The Quilters’ Guild of the British Isles LIBRARY CATALOGUE – REFERENCE (REF) Shelf Author Title ISBN Copy Mark Number REF/142 (Japanese Publication) QUILTS IN BRITAIN 142 REF/163 A NEEDLECRAFT PRODUCTION QUILTING BY PENELOPE 000N53 REF/81 A NEEDLECRAFT PRODUCTION QUILTING BY PENELOPE book 2 000N52 REF/61 ADLER & BARNARD ASAFO! AFRICAN FLAGS OF THE FANTE 0-500-27684-6 968 REF/42 AGUTTER MARGARET MODERN PATCHWORK PITMANS CRAFT FOR ALL SERIES 1439 REF/140 ALLAN ROSEMARY E QUILTS & COVERLETS: The Beamish Collections 905054113 R140 REF/116 ALLEN ROSEMARY E NORTH COUNTRY QUILTS & COVERLETS FROM BEAMISH MUSEUM 0 905054 03 2 26297 REF/93 ARCHER DR BERNICE PATCHWORK OF INTERNMENT 0953-0174-5-1 000N77 REF/69 BALLARD LINDA ULSTER NEEDLEWORK 0 902588 435 99 REF/101 BALLEY JOY & BRIGHT MEMENTO FOR BRIDGET 26293 CATHERINE REF/109 BASSETT LYNNE Z & LARKIN NORTHERN COMFORT: NEW ENGLAND'S EARLY QUILTS 1780-1850 1-55853-655-8 00N1056 JACK REF/173 BERENSON KATHRYN MARSEILLE - THE CRADLE OF WHITE CORDED QUILTING 9.78E+12 262742 REF/41 BETTERTON SHIELA QUILTS & COVERLETS 950497142 1438 REF/17 BEYER ALICE QUILTING 710 REF/102 BISHOP ROBERT NEW DISCOVERIES IN AMERICAN QUILTS 0-525-16552-5 00N1055 REF/52 BLACKETT-ORD ROSEMARY THE HELBECK COLLECTION . AN EXHIBITION OF ENGLISH PATCHWORK 1629 QUILTS & COVERLET DE TOILES DE JOUE & PATTERN BOOKS REF/95 BOSTON DIANA PATCHWORKS OF LUCY BOSTON 0-905899-21-0 00N629 REF BQSG QUILT STUDIES ISSUE 1 1999 1467-2723 00N154 REF BQSG QUILT STUDIES ISSUE 3 2001 1467-2723 00N158 REF 153 BQSG QUILT STUDIES ISSUE 10 2009 REF 153 -
The Quilt Index: from Preservation and Access to Co-Creation of Knowledge
8 • Articles • The Quilt Index: From Preservation and Access to Co-Creation of Knowledge MARSHA MacDOWELL, MARY WORRALL, AMANDA SIKARSKIE, and JUSTINE RICHARDSON Michigan State University Abstract: Quilts are resources for inquiry and instruction for many disciplines, foci for the development of private and public collections, and, increasingly, a visual expressive media that has meaning for makers, owners, and users. The rise of the Internet and the development of cyber-infrastructures have created the capacity to build and use digital quilt resources and to foster networks among quilt makers, owners, and users. This article describes the development of The Quilt Index (www.quiltindex.org), a digital repository of quilt and quilt-related resources, and situates the Index in the landscape of new directions for material culture study, a landscape in which knowledge and resources are now being co-created by those who find meaning in quilts as data. It suggests that making data more accessible, providing diverse tools for use of that data, co-creating knowledge, and providing structured portals for contributed knowledge is reflecting changes in how traditional culture is documented, understood, and used. The Object of Study—The Production and Meaning of Quilts in Human Experience Quilts, perhaps one of America’s most treasured and symbolic art forms, are also produced in communities around the world. An estimated twenty-seven million individuals are involved in some aspect of quiltmaking and use in the United States alone as are many more thousands, if not millions, around the world (Creative Crafts Group 2010). The purposes and meanings of making and using quilts are as varied as the individuals who make them and the communities or contexts within which they are made. -
Joan Schulze Artist — Lecturer — Poet 808 Piper Avenue — Sunnyvale, CA 94087 — USA Tel 408.221.4309 [email protected]
Joan Schulze Artist — Lecturer — Poet 808 Piper Avenue — Sunnyvale, CA 94087 — USA tel 408.221.4309 [email protected] www.joan-of-arts.com Birthdate 1936 Chicago, Illinois BS Ed University of Illinois 1958 SELECTED HONORS and AWARDS Fresno Art Museum, Council of 100, Awarded Distinguished Woman Artist for 2017 Tokyo International Forum,World Quilt '98. Gold Award. Rochester Institute of Tech, The Art Quilt. Best of Show Award Quilt National ‘95, The New Quilt, 3. Innovation Award BAACG Annual. Gold Award State Fair of California Fine Art Exhibitions, Silver Award Southampton, New York, Silk Institute Purchase Prize Discovery Magazine Award. California Departures Magazine, Award City Of Palo Alto, Purchase Award Skylark Prize, 2009, Publishing and Exhibition Visiting Artist Fine Art Museum of San Francisco Visiting Artist Nederlands Textile Museum Purchase Award, San Jose Museum of Quilts and Textiles Writer's Digest 2002 Honorable Mention Award for Reference Books SOLO & TWO PERSON EXHIBITIONS Beijing, China Tsinghua University Art Museum 2018 Beijing, China In a Different Voice: Fiber Art in a Care Narrative, Tsinghua University 2018 California Visions 2018 New Zealand Word Art 2018 Fresno, California Celebrating 80, Fresno Art Museum 2017 - 2018 Shenzhen, China Joan Schulze: Poetic License, Shenzhen University Art Gallery & Museum 2016 San Francisco, California Disappearing Conversations, Goodman 2 Art Building 2015 Lisbon, Portugal Colorida Art Gallery 2012 San Jose, California San Jose Museum of Quilts & Textiles, Retrospective 2010 Melbourne, Australia Ararat Regional Art Museum 2007 Mountain View, CA CSMA Finn Center, Mohr Gallery 2007 Birmingham, England National Exhibition Centre, Festival of Quilts 2005 Mittagong, Australia Sturt Gallery 2003 Mt.