Prints and Books
Aus dem Kunstantiquariat: prints and books c.g. boerner in collaboration with harris schrank fine prints Martin Schongauer ca. 1450 Colmar – Breisach 1491 1. Querfüllung auf hellem Grund – Horizontal Ornament mid-1470s engraving; 57 x 73 mm (2 ¼ x 2 ⅞ inches) Bartsch 116; Lehrs and Hollstein 107 provenance Jean Masson, Amiens and Paris (not stamped, cf. Lugt 1494a); his sale Gilhofer & Ranschburg, Lucerne (in collaboration with L. Godefroy and L. Huteau, Paris), November 16–17, 1926 Carl and Rose Hirschler, née Dreyfus, Haarlem (Lugt 633a), acquired from Gilhofer & Ranschburg in May 1928; thence by descent exhibition B.L.D. Ihle and J.C. Ebbinge Wubben, Prentkunst van Martin Schongauer, Albrecht Dürer, Israhel van Meckenem. Uit eene particuliere verzameling, exhibition catalogue, Museum Boijmans, Rotterdam, 1955, p. 10, no. 8 literature Harmut Krohm and Jan Nicolaisen, Martin Schongauer. Druckgraphik im Berliner Kupferstichkabi- nett, exhibition catalogue, Berlin 1991, no. 32 Tilman Falk and Thomas Hirthe, Martin Schongauer. Das Kupferstichwerk, exhibition catalogue, Staatliche Graphische Sammlung München, 1991, no. 107 Lehrs lists six impressions and Hollstein no more than eight, to which this one has to be added. Richard Field’s Census for the American collections lists only one impression in the Cooper- Hewitt Museum in New York. This is the smallest of Schongauer’s ornament prints. While the background remains white, the sophisticated shading makes the leaf appear to move back and forth within a shallow relief. Schongauer’s ornament prints can be divided into Blattornamente (leaf ornaments that show a large single leaf against a plain background, Lehrs 111–114) and Querfüllungen (oblong panel ornaments, Lehrs 107–110).
[Show full text]