Taoism and Chinese Culture All Readings Are in English Fall 2016
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Biopolitical Elements in Yan Lianke's Fiction Worlds
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 2018 The iopB olitical Elements in Yan Lianke's Fiction Worlds Xiaoyu Gao Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Gao, Xiaoyu, "The iopoB litical Elements in Yan Lianke's Fiction Worlds" (2018). Masters Theses. 3619. https://thekeep.eiu.edu/theses/3619 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. The GraduateSchool � EA'ill 11.'1I·��-- h l:'ll\'tll\11'\' Thesis Maintenance and Reproduction Certificate FOR: Graduate candidates Completing Theses in PartialFulfillment of the Degree Graduate Faculty Advisors Directing the Theses RE: Preservation, Reproduction, and Distribution of Thesis Research Preserving, reproducing, and distributing thesis research is an important part of Booth Library's responsibility to provide access to scholarship. In order to further this goal, Booth Library makes all graduate theses completed as part of a degree program at Eastern Illinois University available for personal study, research, and other not-for profit educational purposes. Under 17 U.S.C. § 108, the library may reproduce and distribute a copy without infringing on copyright; however, professional courtesy dictates that permission be requested from the author before doing so. Your signatures affirm the following: •The graduate candidate is the author of this thesis. •The graduate candidate retains the copyright and intellectual property rights associated with the original research, creative activity, and intellectual or artistic content of the thesis. -
Originally, the Descendants of Hua Xia Were Not the Descendants of Yan Huang
E-Leader Brno 2019 Originally, the Descendants of Hua Xia were not the Descendants of Yan Huang Soleilmavis Liu, Activist Peacepink, Yantai, Shandong, China Many Chinese people claimed that they are descendants of Yan Huang, while claiming that they are descendants of Hua Xia. (Yan refers to Yan Di, Huang refers to Huang Di and Xia refers to the Xia Dynasty). Are these true or false? We will find out from Shanhaijing ’s records and modern archaeological discoveries. Abstract Shanhaijing (Classic of Mountains and Seas ) records many ancient groups of people in Neolithic China. The five biggest were: Yan Di, Huang Di, Zhuan Xu, Di Jun and Shao Hao. These were not only the names of groups, but also the names of individuals, who were regarded by many groups as common male ancestors. These groups first lived in the Pamirs Plateau, soon gathered in the north of the Tibetan Plateau and west of the Qinghai Lake and learned from each other advanced sciences and technologies, later spread out to other places of China and built their unique ancient cultures during the Neolithic Age. The Yan Di’s offspring spread out to the west of the Taklamakan Desert;The Huang Di’s offspring spread out to the north of the Chishui River, Tianshan Mountains and further northern and northeastern areas;The Di Jun’s and Shao Hao’s offspring spread out to the middle and lower reaches of the Yellow River, where the Di Jun’s offspring lived in the west of the Shao Hao’s territories, which were near the sea or in the Shandong Peninsula.Modern archaeological discoveries have revealed the authenticity of Shanhaijing ’s records. -
Silk Road Fashion, China. the City and a Gate, the Pass and a Road – Four Components That Make Luoyang the Capital of the Silk Roads Between 1St and 7Th Century AD
https://publications.dainst.org iDAI.publications ELEKTRONISCHE PUBLIKATIONEN DES DEUTSCHEN ARCHÄOLOGISCHEN INSTITUTS Dies ist ein digitaler Sonderdruck des Beitrags / This is a digital offprint of the article Patrick Wertmann Silk Road Fashion, China. The City and a Gate, the Pass and a Road – Four components that make Luoyang the capital of the Silk Roads between 1st and 7th century AD. The year 2018 aus / from e-Forschungsberichte Ausgabe / Issue Seite / Page 19–37 https://publications.dainst.org/journals/efb/2178/6591 • urn:nbn:de:0048-dai-edai-f.2019-0-2178 Verantwortliche Redaktion / Publishing editor Redaktion e-Jahresberichte und e-Forschungsberichte | Deutsches Archäologisches Institut Weitere Informationen unter / For further information see https://publications.dainst.org/journals/efb ISSN der Online-Ausgabe / ISSN of the online edition ISSN der gedruckten Ausgabe / ISSN of the printed edition Redaktion und Satz / Annika Busching ([email protected]) Gestalterisches Konzept: Hawemann & Mosch Länderkarten: © 2017 www.mapbox.com ©2019 Deutsches Archäologisches Institut Deutsches Archäologisches Institut, Zentrale, Podbielskiallee 69–71, 14195 Berlin, Tel: +49 30 187711-0 Email: [email protected] / Web: dainst.org Nutzungsbedingungen: Die e-Forschungsberichte 2019-0 des Deutschen Archäologischen Instituts stehen unter der Creative-Commons-Lizenz Namensnennung – Nicht kommerziell – Keine Bearbeitungen 4.0 International. Um eine Kopie dieser Lizenz zu sehen, besuchen Sie bitte http://creativecommons.org/licenses/by-nc-nd/4.0/ -
Linguistic Composition and Characteristics of Chinese Given Names DOI: 10.34158/ONOMA.51/2016/8
Onoma 51 Journal of the International Council of Onomastic Sciences ISSN: 0078-463X; e-ISSN: 1783-1644 Journal homepage: https://onomajournal.org/ Linguistic composition and characteristics of Chinese given names DOI: 10.34158/ONOMA.51/2016/8 Irena Kałużyńska Sinology Department Faculty of Oriental Studies University of Warsaw e-mail: [email protected] To cite this article: Kałużyńska, Irena. 2016. Linguistic composition and characteristics of Chinese given names. Onoma 51, 161–186. DOI: 10.34158/ONOMA.51/2016/8 To link to this article: https://doi.org/10.34158/ONOMA.51/2016/8 © Onoma and the author. Linguistic composition and characteristics of Chinese given names Abstract: The aim of this paper is to discuss various linguistic and cultural aspect of personal naming in China. In Chinese civilization, personal names, especially given names, were considered crucial for a person’s fate and achievements. The more important the position of a person, the more various categories of names the person received. Chinese naming practices do not restrict the inventory of possible given names, i.e. given names are formed individually, mainly as a result of a process of onymisation, and given names are predominantly semantically transparent. Therefore, given names seem to be well suited for a study of stereotyped cultural expectations present in Chinese society. The paper deals with numerous subdivisions within the superordinate category of personal name, as the subclasses of surname and given name. It presents various subcategories of names that have been used throughout Chinese history, their linguistic characteristics, their period of origin, and their cultural or social functions. -
The Transformation of Spiritual Freedom in Tang Tales Into Individual Freedom in Hou Hsiao-Hsien’S the Assassin
2017 ACTA UNIVERSITATIS CAROLINAE PAG. 109–125 PHILOLOGICA 4 / ORIENTALIA PRAGENSIA FIGHTING SWAYING IMBALANCES OF POWERS: THE TRANSFORMATION OF SPIRITUAL FREEDOM IN TANG TALES INTO INDIVIDUAL FREEDOM IN HOU HSIAO-HSIEN’S THE ASSASSIN FRANK KRAUSHAAR ABSTRACT The appearance of Hou Hsiao-hsien’s 侯孝賢 film The Assassin in 2015 and its distinction the same year with the Best Director’s award at the film festival in Cannes has launched an avalanche of confused and confusing reviews in print-media and on the internet. This partly may have been due to the gap between expectations the film’s attribution to the wuxia genre generated in the public and what actually Hou expects from his audience. Despite an unmistakable historical contextualisation at the heart of power-struggling between the Tang imperial court and the ruling house of Weibo, a state that manages to assert its de facto independence behind a diaphanous diplomatic veil of loyalty, the story of the young female assassin Nie Yinniang develops into a sphere of its own, which seems to extend beyond the confines of history and strongly suggests a freedom unspeakable within the intellectual parameter of Tang. This paper traces back the film’s narrative based on Tang dynasty tales and its cinematic language, and arrives at an interpretation related to contemporary social and political topics such as the female/male body and violence. It also touches upon the cross-strait relations’ issues and the “Western” idea of freedom expressed in an apparently traditional Chinese narrative context. Keywords: Hou Hsiao-hsien; The Assassin; Tang chuanqi; Taiwan cinema; gender; freedom Although today the chuanqi1 “Nie Yinniang” 聶隱娘 has been transmitted to the wid- er Chinese-reading public in the collection of Tang tales compiled by Wang Bijiang 汪辟 彊 in 1936 which contains many of the early literary fiction classics from late medieval China, the text itself can hardly be called a classic in the proper sense. -
Images of the Netherworld in Early Taoist Religious Tradition: Some Issues and Estimations (Based on the Taoist Code Jiu Zhen Ming Ke)
Filonov S.V. Images of the Netherworld in Early Taoist Religious Tradition: Some Issues and Estimations (Based on the Taoist Code Jiu zhen ming ke) IMAGES OF THE NETHERWORLD IN EARLY TAOIST RELIGIOUS TRADITION: SOME ISSUES AND ESTIMATIONS (BASED ON THE TAOIST CODE JIU ZHEN MING KE)* S.V. Filonov Sergey Vladimirovich Filonov – Doctor of Science (History), Candidate of Science (Philosophy); Professor, Department of Chinese Studies, Amur State University; Principal research fellow, Research Center for Sinological Studies (Blagoveshchensk). E-mail: [email protected] The present article discusses the aspects pertaining to the analysis of the concepts of the after- life in early Taoist religion. The focus of attention of the paper is one of the earliest Taoist codes of laws and regulations among those that have survived up till now – Jiu zhen ming ke 九真明科, aka The Bright Code of the Perfected [Kings] from the Nine [Heavens]. The three chapters of the Code are connected with one another, both thematically and logically. Chapter 1 enumerates the existing Taoist scriptures and talismans; conveys their brief characteristic features and explains the rites of their transmission. Chapter 2 recounts the rules and laws that Taoist practitioners ought to adhere to unequivocally if they are to cognize the ultimate truth through these scriptures. Chapter 3 expli- cates the rituals which allow to atone for the crimes and misdeeds (enumerated in Chapter 2) so that to resume the path of self-perfecting and enhancement, the true path of Dao. The Code serves as a profound and abundant source of information which allows to distinguish the most essential peculiarities of the Taoist concepts pertaining to the afterlife; it enables for the delineation of the most promising vectors of search for their genesis and origins. -
Society of Imperial Power: Reinterpreting China's “Feudal Society”
Journal of Chinese Humanities � (�0�5) �5-50 brill.com/joch Society of Imperial Power: Reinterpreting China’s “Feudal Society” Feng Tianyu Translated by Hou Pingping, Zhang Wenzhen Abstract To call the period from Qin Dynasty to Qing Dynasty a “feudal society” is a misrepre- sentation of China’s historical reality. The fengjian system only occupied a secondary position in Chinese society from the time of Qin. It was the system of prefectures and counties ( junxianzhi) that served as the cornerstone of the centralized power struc- ture. This system, together with the institution of selecting officials through the impe- rial examination, constituted the centralized bureaucracy that intentionally crippled the hereditary tradition and the localized aristocratic powers, and hence bolstered the unity of the empire. Feudalism in medieval Western Europe shares many similarities with that of China during the Shang and Zhou dynasties, but is quite different from the monarchical centralism since the time of Qin and Han. Categorizing the social form of the period from Qin to Qing as “feudal” makes the mistake of over-generalizing and distorting this concept. It runs counter to the original Chinese meaning of fengjian, and severely deviates from the western connotation of feudalism. Moreover, the decentralized feudalism in pre-Qin dynasties and the later centralized imperial system from Qin onwards influenced the generation and evolution of Chinese culture in vastly different ways. Keywords feudal – fengjian – imperial system * Feng Tianyu is Professor of History in the School of History, Wuhan University, Wuhan, China. E-mail: [email protected]. © koninklijke brill nv, leiden, ���5 | doi �0.��63/�35��34�-0�0�0003Downloaded from Brill.com09/27/2021 07:39:12PM via free access 26 feng For more than half a century on the Chinese mainland, the prevailing view on the social form of China from Qin (221-206 B.C.) to Qing (1644-1911 A.D.) is that it was a feudal society, similar to that of medieval Western Europe. -
Download Article (PDF)
International Conference on Education, Language, Art and Intercultural Communication (ICELAIC 2014) Yan Shigu and The Standardization of Chinese Language Jinxia Zhang School of Liberal Arts Shandong Normal University Jinan, China e-mail: [email protected] Abstract—Yan Shigu, a famous linguist, scribe and historian practices on the standardization of language have never of the Tang Dynasty, is most famous as a linguist. He attached ceased. The Tang Dynasty was a dynasty with powerful great importance to Chinese language standardization and had comprehensive national strength in both economy and culture. achieved major achievements in this regard through tireless It had a frequent need for foreign exchanges, thus, a strong efforts theoretically and practically. His proposal of the need for standardized Chinese. Yan Shigu, as a renowned combination of the principle of “congzheng” and “suisu” is still philogist of the early Tang Dynasty who knew the situation he enlightening in today’s study on language standardization. faced and the responsibility he beared clearly, could engage himself in the work to standardize Chinese consciously and Keywords—Tang Dynasty; Yan Shigu; Chinese language had made indelible contributions in this regard. standardization The overall principal when Yan Shigu standardized I. INTRODUCTION Chinese was “follow the ancient rules instead of current Yan Shigu was a famous linguist, scribe and historian of fashion”. In the prelude of Ji Jiu Pian Zhu, he wrote that the Tang Dynasty. According to Tang Shu, originally from “Things cannot be discussed without testing. If we have to Langya (today’s Linyi), Yanshigu,whose literary name was discuss, then follow the ancient rules since they are credible.” Shigu and was called Zhou(someone says the other way However, he was not an inflexible one that revered the past around), was born at Jing Zhao Wan Nian (today’s Xi’an) in regardless of the reality. -
Taoism and Chinese Culture All Readings Are in English Spring 2018
1 CHT 3513 (0304)/REL 3938 (006E)/MEM 3931 (011D) Taoism and Chinese Culture All readings are in English Spring 2018 Class time: T 7 (1:55-2:45pm) / R 7-8 (1:55-3:50pm) Classroom: TUR 2322 Instructor: Richard G. Wang E-mail: [email protected] Telephone: 846-2071 Office: Pugh Hall 359 Office hours: Tuesday 3:00-5:00pm, & Thursday 4:00-5:00pm, or by appointment Course Description Taoism (now often written “Daoism”) is a Chinese cultural tradition focused primarily on methods, strategies and communities for individual and socio-political integration with the totality of reality, including its transcendent dimensions. Taoism encompasses a broad array of moral, social, philosophical, religious and cultural ideas, values, and practices. Like other religions around the world, Taoism included some contemplatives, whose orientation often seems attractive to modern people— particularly to Westerners looking for alternatives to their own cultural traditions. In this course, you will learn that Taoism is an ancient and immense tradition of great subtlety and complexity. You will see how its many dimensions evolved to answer the needs of people of different periods and different propensities, and you should learn respect for, and understanding of, the teachings and practices of all those people. Taoism is not some abstract "timeless wisdom" that simply consists of a set of warm, fuzzy ideas. Rather, Taoism is a specific set of cultural traditions that evolved within the historical context of ancient, medieval, and modern China, evolving to meet the spiritual needs of people in specific historical situations. The multi-sources and complexity of Taoist belief systems and ritual practice, and the influence of Taoism upon Chinese thought, religion, art, culture and society will also be covered. -
ASIAN & MIDDLE EASTERN STUDIES Course # Title Instructor
ASIAN & MIDDLE EASTERN STUDIES Course # Title Instructor Cross-listing AMES 107 Intro to East Asian Cultures Eileen Chow ICS 144 AMES 190S Special Topics: Korean Pop Music Jung-Min Mina Lee MUS 190S-03 LIT 440S; POLSCI 440S; ICS 440S; CULANTH 440S; **AMES 240S Games and Culture: Politics, Pleasure and Pedagogy Leo Ching, Shai Ginsburg VMS 255S AMES 270T Voices in Philosophy: Mandarin Tutorial Yan Liu GLHLTH 270T AMES 309 Chinese Im/Migration Carlos Rojas AMI 268; RIGHTS 309 AMES 410S; AMES 610S Trauma and Space in Asia Thomas Lamarre CULANTH 366S; ICS 410S Techno-Orientalism: Asian/America, (Post) Human AMES 438S; AMES 549S and Science Fiction Nayoung Aimee Kwon CULANTH; AMI; GSF; LIT; SXL; VMS; ICS 407S AMES 456S Chinese Culture and Ideology Kang Liu POLSCI 456S AMES 560S Reading the Chinese Novel Carlos Rojas AMES 560S AMES 605 East Asian Cultural Studies Leo Ching CULANTH 605; LIT 571; ICS 605 **AMES 631 National Cinemas Guo-Juin Hong AMI 632; LIT 632; VMS 632 ART HISTORY Course # Title Instructor Cross-listing ARTHIST 232 Japanese Art, 1600-Present Young-Ji Lee ARTHIST 378 Chinese Buddhist Art Stanley Abe VMS 378 ARTHIST 590S-02 Special Topics: Unpacking North Korean Art Young-Ji Lee ARTHIST 590S-03 Special Topics: Sculpture in Global Terms Stanley Abe CHINESE Course # Title Instructor Cross-listing CHINESE 102 First-Year Chinese II Departmental Staff CHINESE 204 Intermediate Chinese Yan Liu, Ya-Chuan Chou CHINESE 205 Intermed-Mid Chinese Chi-Ju Hsieh, Jia Yan CHINESE 232 Intermed-Chinese for Bilingual Learners Chi-Ju Hsieh, Jia Yan -
An Optimal Tax That Destroyed the Government
An Optimal Tax That Destroyed the Government 論説 An Optimal Tax That Destroyed the Government ―An Economic Analysis of the Decline of the Tang (唐) Dynasty Professor, The University of Tokyo Minoru NAKAZATO Ⅰ.Introduction Ⅰ.Introduction Ⅱ.History of Salt 1 Importance of Salt in European History In our book “Japanese Law: An Economic 2 Ancient Chinese Salt Approach,” Professor Mark Ramseyer and I explained modern Japanese behavior through Ⅲ.History of Taxation in Ancient and micro-economic theory. I believe we can do Medieval China the same in the Chinese context. This short 1 Before the Tang (唐) Dynasty paper is a micro-economic analysis of one as- 2 Tang (唐) Dynasty pect of ancient Chinese history. ⑴ Brief History In this paper, I illustrate the way that ancient ⑵ Zuyongdiao (租庸調) System Chinese people behaved in essentially the ⑶ Salt Monopoly same way, that is rationally, as people in mod- ⑷ The Double-Tax System (liangshuifa, 兩 ern wealthy democracies. A micro-economic 税法) analysis of the ancient Chinese people would ⑸ Development of Manors (zhuangyuan, be possible, for example, in such various cases 莊園) in Tang (唐) Dynasty as the following: One would be a study of the stories about Ⅳ.History of Salt Tax and State Monopoly merchants recorded in the famous “Historian’s of Salt in Ancient and Medieval China Records” (Shiji, 史記) written by Sima Qian 1 Salt and State Budget (司馬遷). Chapter 69 of its Biographies of Fa- 2 Salt and Budget in China mous People (Liezhuan, 列傳) is entitled “Bi- 3 History of salt smuggling in Tang (唐) ographies of Merchants” (貨殖列傳). -
Arts of Asia Lecture Series Fall 2012 the Culture and Arts of China: from the Neolithic Age Through the Tang Dynasty Sponsored by the Society for Asian Art
Arts of Asia Lecture Series Fall 2012 The Culture and Arts of China: From the Neolithic Age Through the Tang Dynasty Sponsored by The Society for Asian Art Balancing Acts: Arts of the Early to High Tang Period November 16, 2012 De-nin Lee, Emerson College Tang Dynasty (618-906) Important rulers of the Early to High Tang Period (618-756) Gaozu 高祖, r. 618-26 Taizong 太宗, r. 626-49 Gaozong 高宗, r. 649-83 Wu Zetian 武則天, consort to Gaozong, and “Emperor” of her own declared Zhou dynasty, 690-705 Xuanzong 玄宗 (also known as Minghuang 明皇), r. 712-56 Yang Guifei 楊貴妃, 719-56 An Lushan 安祿山, 703?-57 Key individuals Zhang Yanyuan (ca. 815-after 875), author of Lidai minghua ji, 847 Xuanzong, traveled to India from 629-45 Images *Tomb Guardian, Lokapala, one of a pair, glazed low-fired ceramic, Tang dynasty *Head of a Buddhist Deity, mural fragment, Tang dynasty, approx. 600-700 (Xinjiang) Yan Liben (d. 673), attributed, Emperor Taizong Gives and Audience to Ludongzan, Ambassador of Tibet, ink and colors on silk, Palace Museum, Beijing Taizong, Writing on a Screen: Conversations between Rulers and Ministers of the Past, rubbing, former Crawford Collection Vairōcana Buddha, Fengxian Temple at Longmen, Cave 19, 672-75 Han Gan (fl. 742-56), Night-shining White, ink on paper, Metropolitan Museum of Art *Dancer, Xiuging Temple, Henan *Tomb Sculpture of a Civil Official, Tang dynasty Tang officials and foreign emissaries from Tomb of Prince Zhanghuai, ca. 706-11 map of Chang’an (detail from Cave 85, Dunhuang, map of Nara) plectrum guard showing musicians on an elephant, 8th c., Shoso-in Yan Liben (d.