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D6192 DR. STRANGELOVE (USA, 1964) (Other Titles: Dr

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D6192 DR. STRANGELOVE (USA, 1964) (Other titles: Dr. [i.e. Docteur] Folamour; Dottor Stranamore) Credits: director, Stanley Kubrick ; writers, Stanley Kubrick, Terry Southern, Peter George. Cast: Peter Sellers, George C. Scott, Sterling Hayden, Keenan Wynn. Summary: War/science fiction/comedy set in the contemporary U.S. A satire in which the President (Sellers) and his military advisers struggle ineptly to avert a holocaust after two psychotic generals - U.S. Air Force Commander Jack D. Ripper (Hayden) and Chief of Staff "Buck" Turgidson (Scott) - trigger an ingenious, irrevocable scheme to launch a nuclear attack on the Soviet Union because they fear the Russians are poisoning the water supply in the United States. The brains behind the scheme belong to Dr. Strangelove (also Sellers), a wheel-chair bound nuclear scientist who has bizarre ideas about mankind's future. Identified as a Vietnam War film by Robert Cumbow in Vietnam War films: “…this black-comic slap at military-political thinking and warning of the perils of military brinksmanship is an accidentally appropriate beginning to what became known as the Vietnam Era.” Adair, Gilbert. Hollywood’s Vietnam [GB] (p. 106, 168, 170, 172) ___________. Vietnam on film [GB] (p. 149) Alpert, Hollis. [Dr. Strangelove] Saturday review 47 (Jan 25, 1964), p. 24. Auster, Al and Quart, Leonard. “American cinema of the sixties” Cineaste 13/2 (1984), p. 4-12. ________________________. How the war was remembered: Hollywood & Vietnam [GB] (p. 24, 25-6, 142, 144, 145) Baxter, Peter. “The one woman” Wide angle 6/1 (1984), p. 34-41. Bayer, William. The great movies New York : Grosset and Dunlap, 1973. [Also issued, New York : Ridge Press ; London : Hamlyn, 1973] Bernstein, Jeremy. “Profiles: how about a little game?” New Yorker 42 (Nov 12, 1966), p. 70-110. Bobker, Lee R. Elements of film. New York : Harcourt, Brace & World, 1969. (p. 180, 227-8, 292-3) [Reissued, (2d ed) New York : Harcourt Brace Jovanovich, 1974; (3d ed) New York : Harcourt Brace Jovanovich, 1979] Boyer, Paul. “Dr. Strangelove” in Past imperfect : history according to the movies (edited by Ted Mico [et al]) New York : H. Holt, 1995. (p. 266-9) Boyum, Joy Gould and Scott, Adrienne. Film as film: critical responses to film art Boston : Allyn and Bacon, 1971. (p. 159-69) Brode, Douglas. Films of the sixties Secaucus, N.J. : Citadel Press, 1980. (p. 131-33) Brunetta, Gian Piero (see under Stanley Kubrick: tempo, spazia, storia, mondi possibili) Brustein, Robert. “Out of this world” New York review of books 1/12 (Feb 6, 1964), p. 12-14. [Reprinted in Renaissance of the film (edited by Julius Bellone) London : Collier-Macmillan, 1970 (p. 71-8)] Burgess, Jackson. “Dr. Strangelove” Film quarterly 17/3 (spring 1964), p. 41-2. _____________. “The antimilitarism of Stanley Kubrick” Film quarterly 18/1 (fall 1964), p. 4-11. Byron, Stuart (see under Movie comedy) Cagin, Seth and Dray, Philip. Hollywood films of of the seventies: sex, drugs, violence, rock ‘n roll & politics [GB] (p. 5-12, 33-4) Carbonnier, Alain. “Ils sont fous ces humains!” Cinema 85 322 (Sep 25-Oct 1, 1985), p. 5. Carringer, Robert. “Kubrick’s Dr. Strangelove: a guide to study” Journal of aesthetic education 8/1 (Jan 1974), p. 43-53. Casebier, Allan. Film appreciation New York : Harcourt Brace Jovanovich, 1976. Christensen, Terry. Reel politics : American political movies from Birth of a nation to Platoon [GB] (p. 110, 115-17, 212) Ciment, Michel. Kubrick Paris : Calmann-Levy, 1980. [Reissued (Rev. ed) Paris : Calmann-Levy, 1987; translated, New York : Holt, Rinehart and Winston, 1982; and London : Collins, 1983; (paperback ed) New York : Holt, Rinehart and Winston, 1984] Cohn, Bernard. [Dr. Strangelove] Positif 64-65 (fall 1964), p. 130-33. Corliss, Richard. Talking pictures: screenwriters in the American cinema, 1927-1973 Woodstock, N.Y. : Overlook Press, 1974. (p. 348-52) Cowie, Peter. A concise history of the cinema London : A. Zwemmer, 1971. (v. 2, p. 54-5) __________. International film guide New York : A.S. Barnes, 1964- (1965, p. 26-9) Coyle, Wallace. Stanley Kubrick: a guide to references and resources Boston : G.K. Hall, 1980. Crist, Judith. “‘Dr. Strangelove’: committed, bitter, one of the best” Herald tribune (New York) (Jan 30, 1964), p. 21. [Reprinted as “The Strangelovian age” in her The private eye, the cowboy, and the very naked girl New York : Holt, Rinehart and Winston, 1968. (p. 43- 46)] __________. “Dr, Strangelove” in The National Society of Film Critics on movie comedy (edited by Stuart Byron and Elizabeth Weis) New York : Grossman, 1977. (p. 179-80) Crowther, Bosley. “Screen: ‘Dr. Strangelove,’ a shattering sick joke” New York times (Jan 30, 1964), p. 24. ______________. Vintage films New York : G.P. Putnam’s Sons, 1977. (p. 202-6) Cumbow, Robert C. “Dr. Strangelove” Vietnam war feature filmography (1992 draft) [GB] (p. 120-21) and Vietnam war films [GB] (Entry 158) Decter, Midge. [Dr. Strangelove] Commentary 37 (May 1964), p. 75-77. Deer, Harriet and Deer, Irving. “Kubrick and the structure of popular culture” Journal of popular films 3/3 (summer 1974), p. 233-44. Derry, Charles. Dark dreams: a psychological history of the modern horror film New York : A.S. Barnes, 1977. De Vries, Daniel. The films of Stanley Kubrick Grand Rapids, Mich. : Eerdmans, 1973. Didion, Joan. Slouching towards Bethlehem New York : Dell, 1968. (p. 154-5) [Reprinted from the American scholar] “Direct hit” Newsweek 63 (Feb 3, 1964), p. 79-80. [Dr. Strangelove] Daily cinema n. 8869 (Jan 29-30, 1964), p. 7. [Dr. Strangelove] Film daily 124/15 (Jan 22, 1964), p. 14. [Dr. Strangelove] Film quarterly 17/3 (spring 1964), p. ? [Dr. Strangelove] Film und Fernsehen n. 8 (1988), p. 41-5. [Dr. Strangelove] Filmfacts 7 (1964), p. 33. [Dr. Strangelove] Filmforum n. 4 (Apr 1964), p. 69. [Dr. Strangelove] Filmkritik n. 3 (Mar 1964), p. 112. [Dr. Strangelove] Hollywood reporter 178/39 (Jan 15, 1964), p. 3. [Dr. Strangelove] International film journal 2 (1965), p. 84. [Dr. Strangelove] Kine weekly n. 2939 (Jan 30, 1964), p. 8. [Dr. Strangelove] Listener 121/3097 (Jan 19, 1989), p. 59. [Dr. Strangelove] Listener 124/3174 (Jul 19, 1990), p. 32. [Dr. Strangelove] Monthly film bulletin 31/361 (Feb 1964), p. 19-20. [Dr, Strangelove] Motion picture herald 231/31 (Feb 5, 1964), p. 986. “Dr. Strangelove” Premiere 9 (Dec 1995), p. 123. [Dr. Strangelove] Reporter 30 (Feb 27, 1964), p. 48 [Dr. Strangelove] Senior scholastic 84 (Feb 21, 1964), p. 10. [Dr. Strangelove] Time 83 (Jan 31, 1964), p. 69. “Dr. Strangelove or: how I learned to stop worrying and love the bomb” American Film Institute catalog [GB] (Entry F6.1224) “Dr. Strangelove: or how I learned to stop worrying and love the bomb” Motion picture guide (edited by Jay Robert Nash and Stanley Ralph Ross) Chicago : Cinebooks, 1985. (v. 2, p. 680) Dray, Philip (see under Cagin, Seth) Durgnat, Raymond. The crazy mirror: Hollywood comedy and the American image New York : Horizon Press, 1970. (p. 138, 199, 220) Edelman, Rob. “Dr. Strangelove, or: how I learned to stop worrying and love the bomb” Magill’s survey of cinema. English language films, first series Englewood Cliffs, N.J. : Salem Press, 1980. (v. 1, p. 465-67) Erben, David L. “Dr. Strangelove” Viet Nam generation 6/3-4 (1995), p. 60-62. Fenin, G. “The Fall of ‘63--United States” Films and filmimg 9/6 (Mar 1963), p. 55. Film makers speak (see Voices of film experience) Fleming, Michael and Manvell, Roger. Images of madness : the portrayal of insanity in the feature film Rutherford, N.J. : Fairleigh Dickinson Univ. Press, 1985. (p. 215-16) Forbes, Bryan. [Dr. Strangelove] Films and filming 10/5 (Feb 1964), p. 26. Freitas, Gary. War movies : the Belle & Blade guide to classic war videos Bandon, OR : Robert D. Reed Publishers, 2004. Friedman, Favius. Great horror movies New York : Scholastic Book Service, 1974. (p. 131-32) George, Peter Bryan. Dr. Strangelove New York : Bantam Books, 1964. [script] (161 p.) Gill, Brendan. [Dr. Strangelove] New Yorker 39 (Feb 1, 1964), p. 75-6 Gilliatt, Penelope. Unholy fools, wits, comics, disturbers of the peace New York : Viking Press, 1973. (p. 119-22) Goldberg, Joe. “Dr. Kubrick” Seventh art 2/2 (spring 1964), p. 2-3. Hart, Henry. [Dr. Strangelove] Films in review 15/2 (Feb 1964), p. 113-14. Hartung, Philip T. [Dr. Strangelove] Commonweal 79 (Feb 21, 1964), p. 632-33. Hatch, Robert. “Films” Nation 198 (Feb 3, 1964), p. 127-8. Hoberman, J. “When Dr. No met Dr. Strangelove” Sight and sound 3/12 (Dec 1993), p. 16-21. Howard, James. Stanley Kubrick companion London : Batsford, 1999. (p. 87-98) Hudson, Roger. “Putting the magic in it” Sight and sound 35 (spring 1966), p. 78-83. ____________. “Three designers” Sight and sound 34 (winter 1965), p. 15. Hummel, Christoph (see under Stanley Kubrick) Hutchinson, Tom. Horror and fantasy in the cinema London : Studio Vista, 1974. Kagan, Norman. The cinema of Stanley Kubrick New York : Holt, Rinehart and Winsten, 1972. [Reissued, New York : Grove Press, 1975; (expanded ed) New York : Continuum, 1989] Kauffmann, Stanley. “Dean Swift in the 20th century” New republic 150 (Feb 1, 1964), p. 26-8. ________________. “Dr. Strangelove” New republic 150 (Mar 21, 1964), p. 28. ________________. A world on film: criticism and comment New York : Harper and Row, 1966. (p. 14-19) [Reissued, New York : Dell, 1967] Kaufman, Dave. “Dr. Strangelove: or how I learned to stop worrying and love the bomb” Variety (Jan 22, 1964), p. 6. Kolker, Robert Phillip. A cinema of loneliness: Penn, Kubrick, Coppola, Scorcese, Altman 2nd ed. New York : Oxford Univ. Press, 1988. (p. 78-82+) ______________________. “Dr. Strangelove and 2001” in Perspectives on Stanley Kubrick (edited by Mario Falsetto) New York : G.K.
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  • Water in the Movies

    Water in the Movies

    water brief 3 Peter H. Gleick Water is a theme that runs through all forms of popular culture, from books to myths to Hollywood and international films, with a growing number of shorter video pieces posted online at YouTube and similar sites. A surprising number of popular movies, going back almost to the first days of movie-making, have incorporated the issue of water disputes and conflicts over water rights and allocation as a central theme. Below Wateris a list of some in of these the classic Movies (good and bad) films. I’ve also included a few links to online shorter videos related to water. Huge numbers of these are available; here are just a few of my favorites. Feel free to send suggestions of others to [email protected]. Three Word Brand (1921): Paul and Brand (twins separated at birth, played by William S. Hart) become, respectively, governor of Utah and a partner in a ranch where neigh- boring ranchers are trying to get control of local water rights. Riders of Destiny (1933): Government agent Saunders (John Wayne) fights a local rancher Popularwho controls Movies/Films the local water supply and is trying to force other ranchers into con- tracts for water at exorbitant rates. King of the Pecos (1936): John Wayne stars in a classic battle over western water rights and land in the Pecos River country. Law of the Ranger (1937): Another western with a monopolistic rancher claiming local water rights. Bill Nash (John Merton), owner of the local water company and town boss, tries to control the valley’s water rights by building a reservoir, but he must get control of the key property and murders the rightful owner to do so.