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Edward Hasted the History and Topographical Survey of the County
Edward Hasted The history and topographical survey of the county of Kent, second edition, volume 6 Canterbury 1798 <i> THE HISTORY AND TOPOGRAPHICAL SURVEY OF THE COUNTY OF KENT. CONTAINING THE ANTIENT AND PRESENT STATE OF IT, CIVIL AND ECCLESIASTICAL; COLLECTED FROM PUBLIC RECORDS, AND OTHER AUTHORITIES: ILLUSTRATED WITH MAPS, VIEWS, ANTIQUITIES, &c. THE SECOND EDITION, IMPROVED, CORRECTED, AND CONTINUED TO THE PRESENT TIME. By EDWARD HASTED, Esq. F. R. S. and S. A. LATE OF CANTERBURY. Ex his omnibus, longe sunt humanissimi qui Cantium incolunt. Fortes creantur fortibus et bonis, Nec imbellem feroces progenerant. VOLUME VI. CANTERBURY PRINTED BY W. BRISTOW, ON THE PARADE. M.DCC.XCVIII. <ii> <blank> <iii> TO THOMAS ASTLE, ESQ. F. R. S. AND F. S. A. ONE OF THE TRUSTEES OF THE BRITISH MUSEUM, KEEPER OF THE RECORDS IN THE TOWER, &c. &c. SIR, THOUGH it is certainly a presumption in me to offer this Volume to your notice, yet the many years I have been in the habit of friendship with you, as= sures me, that you will receive it, not for the worth of it, but as a mark of my grateful respect and esteem, and the more so I hope, as to you I am indebted for my first rudiments of antiquarian learning. You, Sir, first taught me those rudiments, and to your kind auspices since, I owe all I have attained to in them; for your eminence in the republic of letters, so long iv established by your justly esteemed and learned pub= lications, is such, as few have equalled, and none have surpassed; your distinguished knowledge in the va= rious records of the History of this County, as well as of the diplomatique papers of the State, has justly entitled you, through his Majesty’s judicious choice, in preference to all others, to preside over the reposi= tories, where those archives are kept, which during the time you have been entrusted with them, you have filled to the universal benefit and satisfaction of every one. -
Schuler Dissertation Final Document
COUNSEL, POLITICAL RHETORIC, AND THE CHRONICLE HISTORY PLAY: REPRESENTING COUNCILIAR RULE, 1588-1603 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Anne-Marie E. Schuler, B.M., M.A. Graduate Program in English The Ohio State University 2011 Dissertation Committee: Professor Richard Dutton, Advisor Professor Luke Wilson Professor Alan B. Farmer Professor Jennifer Higginbotham Copyright by Anne-Marie E. Schuler 2011 ABSTRACT This dissertation advances an account of how the genre of the chronicle history play enacts conciliar rule, by reflecting Renaissance models of counsel that predominated in Tudor political theory. As the texts of Renaissance political theorists and pamphleteers demonstrate, writers did not believe that kings and queens ruled by themselves, but that counsel was required to ensure that the monarch ruled virtuously and kept ties to the actual conditions of the people. Yet, within these writings, counsel was not a singular concept, and the work of historians such as John Guy, Patrick Collinson, and Ann McLaren shows that “counsel” referred to numerous paradigms and traditions. These theories of counsel were influenced by a variety of intellectual movements including humanist-classical formulations of monarchy, constitutionalism, and constructions of a “mixed monarchy” or a corporate body politic. Because the rhetoric of counsel was embedded in the language that men and women used to discuss politics, I argue that the plays perform a kind of cultural work, usually reserved for literature, that reflects, heightens, and critiques political life and the issues surrounding conceptions of conciliar rule. -
Aristocratic Women at the Late Elizabethan Court: Politics, Patronage and Power
Aristocratic Women at the Late Elizabethan Court: Politics, Patronage and Power Joanne Lee Hocking School of Humanities, Department of History University of Adelaide November 2015 Table of Contents Abstract i Thesis declaration iii Acknowledgments iv List of Abbreviations v Chapter 1 Introduction 1 Chapter 2 The Political Context, 1580-1603 28 Chapter 3 The Politics of Female Agency: 54 Anne Dudley, Countess of Warwick Chapter 4 The Politics of Family and Faction: 132 Anne, Lady Bacon and Elizabeth, Lady Russell Chapter 5 The Politics of Favour: the Essex Women 195 Chapter 6 Conclusion 265 Appendices Appendix A – the Russell family 273 Appendix B – the Dudley family 274 Appendix C – the Cooke family 275 Appendix D – the Devereux family 276 Appendix E – Countess of Warwick’s 277 Patronage Network Appendix F –Countess of Warwick’s will 292 Bibliography 305 Abstract This thesis examines the power of aristocratic women in politics and patronage in the final years of the Elizabethan court (1580 to 1603). Substantial archival sources are analysed to evaluate the concepts of female political agency discussed in scholarly literature, including women’s roles in politics, within families, in networks and as part of the court patronage system. A case study methodology is used to examine the lives and careers of specific aristocratic women in three spheres of court politics – the politics of female agency, the politics of family and faction, and the politics of favour. The first case study looks at Elizabeth’s long-serving lady-in-waiting, Anne Dudley, Countess of Warwick, and demonstrates that female political agents harnessed multiple sources of agency to exercise power at court on behalf of dense patronage networks. -
Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Director of Copyright Services sydney.edu.au/copyright Spying and Surveillance in Shakespeare’s Dramatic Courts Richard Angus Smith A thesis submitted for the degree of Doctor of Philosophy 2014 Department of English The University of Sydney Contents Declaration of originality ii Abstract iii Acknowledgments iv Note on editions used v 1. Introduction: Elizabethan espionage and the behavioural equivocation of Elizabethan spies 1-62 2. Much Ado About Nothing: surveillance and self-deception 63-96 3. -
Court: Women at Court, and the Royal Household (100
Court: Women at Court; Royal Household. p.1: Women at Court. Royal Household: p.56: Gentlemen and Grooms of the Privy Chamber; p.59: Gentlemen Ushers. p.60: Cofferer and Controller of the Household. p.61: Privy Purse and Privy Seal: selected payments. p.62: Treasurer of the Chamber: selected payments; p.63: payments, 1582. p.64: Allusions to the Queen’s family: King Henry VIII; Queen Anne Boleyn; King Edward VI; Queen Mary Tudor; Elizabeth prior to her Accession. Royal Household Orders. p.66: 1576 July (I): Remembrance of charges. p.67: 1576 July (II): Reformations to be had for diminishing expenses. p.68: 1577 April: Articles for diminishing expenses. p.69: 1583 Dec 7: Remembrances concerning household causes. p.70: 1598: Orders for the Queen’s Almoners. 1598: Orders for the Queen’s Porters. p.71: 1599: Orders for supplying French wines to the Royal Household. p.72: 1600: Thomas Wilson: ‘The Queen’s Expenses’. p.74: Marriages: indexes; miscellaneous references. p.81: Godchildren: indexes; miscellaneous references. p.92: Deaths: chronological list. p.100: Funerals. Women at Court. Ladies and Gentlewomen of the Bedchamber and the Privy Chamber. Maids of Honour, Mothers of the Maids; also relatives and friends of the Queen not otherwise included, and other women prominent in the reign. Close friends of the Queen: Katherine Astley; Dorothy Broadbelt; Lady Cobham; Anne, Lady Hunsdon; Countess of Huntingdon; Countess of Kildare; Lady Knollys; Lady Leighton; Countess of Lincoln; Lady Norris; Elizabeth and Helena, Marchionesses of Northampton; Countess of Nottingham; Blanche Parry; Katherine, Countess of Pembroke; Mary Radcliffe; Lady Scudamore; Lady Mary Sidney; Lady Stafford; Countess of Sussex; Countess of Warwick. -
King James VI of Scotland's Foreign Relations with Europe (C.1584-1603)
DIPLOMACY & DECEPTION: KING JAMES VI OF SCOTLAND'S FOREIGN RELATIONS WITH EUROPE (C. 1584-1603) Cynthia Ann Fry A Thesis Submitted for the Degree of PhD at the University of St Andrews 2014 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/5902 This item is protected by original copyright DIPLOMACY & DECEPTION: King James VI of Scotland’s Foreign Relations with Europe (c. 1584-1603) Cynthia Ann Fry This thesis is submitted in partial fulfilment for the degree of PhD at the University of St Andrews October 2014 ABSTRACT This thesis is the first attempt to provide an assessment of Scottish-Jacobean foreign relations within a European context in the years before 1603. Moreover, it represents the only cohesive study of the events that formed the foundation of the diplomatic policies and practices of the first ruler of the Three Kingdoms. Whilst extensive research has been conducted on the British and English aspects of James VI & I’s diplomatic activities, very little work has been done on James’s foreign policies prior to his accession to the English throne. James VI ruled Scotland for almost twenty years before he took on the additional role of King of England and Ireland. It was in his homeland that James developed and refined his diplomatic skills, and built the relationships with foreign powers that would continue throughout his life. James’s pre-1603 relationships with Denmark-Norway, France, Spain, the Papacy, the German and Italian states, the Spanish Netherlands and the United Provinces all influenced his later ‘British’ policies, and it is only through a study such as this that their effects can be fully understood. -
University of Huddersfield Repository
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of Huddersfield Repository University of Huddersfield Repository Malay, Jessica L. Elizabeth Russell's textual performances of self Original Citation Malay, Jessica L. (2006) Elizabeth Russell's textual performances of self. Comitatus, 37. pp. 146- 168. ISSN 1557-0290 This version is available at http://eprints.hud.ac.uk/749/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ ELIZABETH RUSSELL’S TEXTUAL PERFORMANCES OF SELF by Jessica L. Malay Elizabeth Cooke Hoby Russell (b. 1528) was a scholar and courtier whose close association with the powerful Cecils allowed her a great deal of influence in the political arena during the reign of Elizabeth I. Her first husband was Sir Thomas Hoby, a scholar and diplomat. -
By Catherine Daunt
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details PORTRAIT SETS IN TUDOR AND JACOBEAN ENGLAND Two Volumes (Volume One) Catherine Daunt Thesis submitted for the degree of DPhil at the University of Sussex May 2015 ii Declaration I hereby declare that this thesis has not been and will not be, submitted in whole or in part to another university for the award of any other degree. Catherine Daunt iii CONTENTS Volume One Acknowledgements x Summary xi List of Abbreviations xii Introduction 1 Chapter 1: The Origins of Portrait Sets in England 5 The Crown’s Use of Portraiture Under Henry VII 6 The Influence of Henry VIII’s Collections 13 An Emerging Market for Historical Royal Portraits 17 The Earliest Evidence for Sets in Aristocratic Collections 19 A Bishop’s Set of Heroes and Heroines 27 Mid-Century Sets of Protestant Reformers 28 An Early Set of Benefactors 31 Conclusions 33 Chapter 2: Continental Influences on English Painted Sets 34 Uomini Famosi 35 Channels of Influence 38 The Intellectual Context: Humanism 39 Numerical Series and Moralizing Imagery 42 Sibyls and Prophets 43 Roman Emperors 47 Prints and Effigy Books 49 Conclusions 53 Chapter 3: History, Antiquarianism and Genealogy 55 A New History for England 55 Antiquarianism 56 The Search for Authentic Likenesses 57 The Use of Portrait Sets to Denote Antiquity 65 i. -
Chaste Painting: Elizabeth Russell's Theatres of Memory
Early Modern Women: An Interdisciplinary Journal 2012, vol . 7 Chaste Painting: Elizabeth Russell’s Theatres of Memory Patricia Phillippy I . The Staine of Paint n the face of it, Elizabeth Cooke Hoby Russell does not seem to Ohave been a woman likely to paint. As daughters of Sir Anthony Cooke, tutor to King Edward VI, Russell and her sisters benefited from the humanist education received by the young monarch and his sister, the future Queen Elizabeth I.1 Married first to Sir Thomas Hoby, and sec- ondly to Lord John Russell, she actively promoted the reformed religion which led her father into exile during Queen Mary’s reign and was forged into policy early in Elizabeth’s with the help of her father and brothers-in- law William Cecil and Nicholas Bacon.2 In her youth, Russell translated Bishop John Ponet’s treatise on the Eucharist, publishing it in her old age in 1605.3 Reluctant that “any of [her] father’s blood should be infected with bad religion,” Russell offered in 1604 to take her grandniece Frances Cecil into her home, where, she vowed, “I will use her as I would mine own, and 1 See Elizabeth Cooke Hoby Russell, The Writings of an English Sappho, ed. Patricia Phillippy (Toronto: CRRS/Iter, 2011), 1–22. All subsequent references are to this edition and appear parenthetically. On Cooke, see Marjorie McIntosh, “Sir Anthony Cooke: Tudor Humanist, Educator, and Religious Reformer,” Proceedings of the American Philosophical Society 119 (1975): 233–50. 2 See Patrick Collinson, Godly People: Essays on English Protestantism and Puritanism (London: Continuum, 1993), 135–36; and McIntosh, “Sir Anthony Cooke.” 3 John Ponet, A Way of Reconciliation of a Good and Learned Man, trans. -
Durham E-Theses
Durham E-Theses Savagery and the State: Incivility and America in Jacobean Political Discourse WORKING, LAUREN,NOEMIE How to cite: WORKING, LAUREN,NOEMIE (2015) Savagery and the State: Incivility and America in Jacobean Political Discourse, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/11350/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Savagery and the State: Incivility and America in Jacobean Political Discourse Lauren Working This thesis examines the effects of colonisation on the politics and culture of Jacobean London. Through sources ranging from anti-tobacco polemic to parliament speeches, colonial reports to private diaries, it contends that the language of Amerindian savagery and incivility, shared by policy-makers, London councillors, and colonists alike, became especially relevant to issues of government and behaviour following the post-Reformation state’s own emphasis on civility as a political tool. -
Elizabeth Russell's Theatres of Memory
Early Modern Women: An Interdisciplinary Journal 2012, vol . 7 Chaste Painting: Elizabeth Russell’s Theatres of Memory Patricia Phillippy I . The Staine of Paint n the face of it, Elizabeth Cooke Hoby Russell does not seem to Ohave been a woman likely to paint. As daughters of Sir Anthony Cooke, tutor to King Edward VI, Russell and her sisters benefited from the humanist education received by the young monarch and his sister, the future Queen Elizabeth I.1 Married first to Sir Thomas Hoby, and sec- ondly to Lord John Russell, she actively promoted the reformed religion which led her father into exile during Queen Mary’s reign and was forged into policy early in Elizabeth’s with the help of her father and brothers-in- law William Cecil and Nicholas Bacon.2 In her youth, Russell translated Bishop John Ponet’s treatise on the Eucharist, publishing it in her old age in 1605.3 Reluctant that “any of [her] father’s blood should be infected with bad religion,” Russell offered in 1604 to take her grandniece Frances Cecil into her home, where, she vowed, “I will use her as I would mine own, and 1 See Elizabeth Cooke Hoby Russell, The Writings of an English Sappho, ed. Patricia Phillippy (Toronto: CRRS/Iter, 2011), 1–22. All subsequent references are to this edition and appear parenthetically. On Cooke, see Marjorie McIntosh, “Sir Anthony Cooke: Tudor Humanist, Educator, and Religious Reformer,” Proceedings of the American Philosophical Society 119 (1975): 233–50. 2 See Patrick Collinson, Godly People: Essays on English Protestantism and Puritanism (London: Continuum, 1993), 135–36; and McIntosh, “Sir Anthony Cooke.” 3 John Ponet, A Way of Reconciliation of a Good and Learned Man, trans. -
Introduction
INTRODUCTION Lady Anne Bacon (c.1528–1610) was a woman who inspired strong emotion in her own lifetime. As a girl, she was praised as a ‘verteouse meyden’ for her religious translations, while a rejected suitor condemned her as faithless as an ancient Greek temptress.1 The Spanish ambassador reported home that, as a married woman, she was a tiresomely learned lady, whereas her husband celebrated the time they spent reading classical literature together.2 During her widowhood, she was ‘beloved’ of the godly preachers surrounding her in Hertfordshire; Godfrey Goodman, later bishop of Gloucester, instead argued that she was ‘little better than frantic in her age’.3 Anne’s own letters allow a more balanced exploration of her life. An unusually large number are still extant; she is one of the select group of Elizabethan women whose surviving correspondence includes over fifty of the letters they wrote themselves, a group that incorporates her sister, Lady Elizabeth Russell, and the noblewoman Bess of Hardwick, the countess of Shrewsbury.4 1G.B., ‘To the Christen Reader’, in B. Ochino, Fouretene sermons of Barnadine Ochyne, concernyng the predestinacion and eleccion of god, trans. A[nne] C[ooke] (London, 1551), sig. A2r. For Walter Haddon’s comparison of Anne to Cressida, a character from ancient Greek mythology, see BL, Lansdowne MS 98,fo.252r. 2M.A.S. Hume (ed.), Calendar of Letters and State Papers Relating to English Affairs Preserved Principally in the Archives of Simancas, 1558–1603, 4 vols (1892–1899), I, p. 20;N.Bacon,The Recreations of His Age (Oxford, 1919), p.