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Ernestine Anderson Place 60 Apartments at 2010 South Jackson Street for Homeless and Low-Income Seniors
2407 First Avenue, Seattle, WA 98121 For Immediate Release: The Low Income Housing Institute Celebrates Opening of Ernestine Anderson Place 60 apartments at 2010 South Jackson Street for homeless and low-income seniors January 31, 2013 – Seattle, WA – The Grand Opening celebration for the Low Income Housing Institute’s (LIHI) Ernestine Anderson Place in the Central Area is scheduled for Friday, February 8 th at 2:30pm. The event will take place at 2010 South Jackson St., Seattle. Speakers include: Seattle Mayor Mike McGinn, King County Executive Dow Constantine, King County Council Chair Larry Gossett, and Seattle City Councilmembers Bruce Harrell and Nick Licata. There will be music and poetry performances by Langston Hughes Performing Arts Institute artists: Josie Howell, Honoria Hildreth, Nikkita Oliver, and Robin Rojas. Mayor Mike McGinn will issue a proclamation declaring February 8 th Ernestine Anderson Day. Ernestine Anderson Place is named in honor of legendary jazz singer Ernestine Anderson, an international star from Seattle’s Central Area and graduate of Garfield High. In a career spanning more than five decades, she has recorded over 30 albums. She has been nominated four times for a Grammy Award. She has sung at Carnegie Hall, the Kennedy Center, the Monterey Jazz Festival, as well as at jazz festivals all over the world. Ernestine Anderson Place features 60 studio and 1-bedroom units and a manager’s unit. Ground floor community space for residents includes an exercise room, a library with internet- enabled computers, a classroom, a service space and an outside patio garden. Permanent housing linked with supportive services will be provided for 45 homeless seniors, including 8 veterans, as well as housing for 15 low-income seniors. -
JREV3.8FULL.Pdf
JAZZ WRITING? I am one of Mr. Turley's "few people" who follow The New Yorker and are jazz lovers, and I find in Whitney Bal- liett's writing some of the sharpest and best jazz criticism in the field. He has not been duped with "funk" in its pseudo-gospel hard-boppish world, or- with the banal playing and writing of some of the "cool school" Californians. He does believe, and rightly so, that a fine jazz performance erases the bound• aries of jazz "movements" or fads. He seems to be able to spot insincerity in any phalanx of jazz musicians. And he has yet to be blinded by the name of a "great"; his recent column on Bil- lie Holiday is the most clear-headed analysis I have seen, free of the fan- magazine hero-worship which seems to have been the order of the day in the trade. It is true that a great singer has passed away, but it does the late Miss Holiday's reputation no good not to ad• LETTERS mit that some of her later efforts were (dare I say it?) not up to her earlier work in quality. But I digress. In Mr. Balliett's case, his ability as a critic is added to his admitted "skill with words" (Turley). He is making a sincere effort to write rather than play jazz; to improvise with words,, rather than notes. A jazz fan, in order to "dig" a given solo, unwittingly knows a little about the equipment: the tune being improvised to, the chord struc• ture, the mechanics of the instrument, etc. -
Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS ..................................................................................................................................... -
DUELING MALLETS Featuring Guest Artist SUSAN PASCAL
CtHVvP ~ . ,t:5 c. C()& 0 if )015' --",.,'-~ ) '/3~- THE MALLET HEAD SERIES presents D DUELING MALLETS featuring guest artist SUSAN PASCAL Susan Pascal, vibraphone Dan Dean, electric bass Tom Collier, marimba Ted Poor, drums February 13,2015 7:30 PM Meany Studio Theater 1-0 C:PI-7f'/r, JC6 2 1- - 9 cPZ-=ffj-n 1'1;3 Program to be chosen from: -HlGjj:ffl,4 y eNE .......................................................... BOBBY HUTCHERSON =;- JUPITER JUMP .......................:t.;2:l..................................... TOM COLLIER 'firll<f7l;'SJO}' ............................................................................ TOM COLLIER q SLEEK BUICK...........................5'Lf3I. .................................................. DAN DEAN }vf:lfLLET.htz::z......................................................................... TOM COLLIER .. ':)MONTARA .....................................~.{.:.t:?................ BOBBY HUTCHERSON 9 CORAL ..................................-::;"'~3(.............................................. KEITHJARRETT. L.f TURNED AROUND AGAIN..............L"h.;,Z...3....................... TOM COLLIER " 2.. BLACK HOLE .............. H?~.~.?;.............................................. TOM COLLIER :3> SAME SHAME ....................................1-''391........................ BOBBY HUTCHERSON I TIMES LIKE THESE.........~.i..l.9. .......................................... MAK.OTO OZONE f h f:>G~ 5 &rw ve.. - J1IJr IT JCU-/<>oYj Cf :3 g SUSAN PASCAL: Seattle jazz vibraphonist Susan Pascal has taken her music -
Downbeat.Com April 2011 U.K. £3.50
£3.50 £3.50 U.K. PRIL 2011 DOWNBEAT.COM A D OW N B E AT MARSALIS FAMILY // WOMEN IN JAZZ // KURT ELLING // BENNY GREEN // BRASS SCHOOL APRIL 2011 APRIL 2011 VOLume 78 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Maureen Flaherty ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, -
I Remember When…. Madrona Black History—Al Larkins by Mark Fleury Quick! Which Seattle Jazz Musician's Name Is Attached To
I Remember When…. Madrona Black History—Al Larkins By Mark Fleury Quick! Which Seattle jazz musician’s name is attached to a local civic landmark? Quincy Jones? Ray Charles? Ernestine Anderson? Diane Schuur? Kenny G? Good guesses--but all wrong. On a quiet spot in Madrona--at the corner of East Pike St. and 35th Avenue--lies a lovely green expanse of gentle slopes and curving paths landscaped with maple, pine, and fir trees. It’s named after Al Larkins, a Madrona jazz musician. Al played bass and tuba in many local groups, including the Rainy City Jazz Band, one of the city’s most popular and long-lived, jazz ensembles of the late 1940s. Larkins also was a civic leader--a social teacher at Franklin High School, choir director at Madrona Presbyterian Church, and PTA member at Madrona School. Al lived for many years on 30th Avenue and his daughter, Emilee attended Madrona School. Emilee and her husband John Capps still live in Madrona on ??? Avenue. In 1968, Al and his wife Ginny moved into a home on 37th Avenue that Ginny still calls home today. Born July 15, 1924, in Baltimore, Larkins came from a musical family. His older brother Ellis became Ella Fitzgerald’s piano accompanist. Al played tuba in the Baltimore Park and National Guard bands before graduating from Douglass High School. He then joined the Navy as a musician and was stationed at the Sand Point Naval Air Station. In 1943 he played in legendary Seattle band the Jive Bombers. A jump band in the style of Louis Jordan, the Bombers performed jive vocals and got the crowd up dancing. -
Extensions of Remarks E1319 EXTENSIONS of REMARKS
September 21, 2016 CONGRESSIONAL RECORD — Extensions of Remarks E1319 EXTENSIONS OF REMARKS FEDERAL AVIATION ADMINISTRA- example as a leader who has always been was recently commemorated in Seattle with a TION VETERAN TRANSITION IM- willing to put the Committee first. She has sac- street renamed in her honor. Ms. Anderson PROVEMENT ACT OF 2016 rificed countless hours, weeks, and years to passed away on March 10, 2016. She was an further the work of the Committee and ad- internationally renowned and a beloved Se- SPEECH OF vance the interests of the United States in a attle jazz vocalist. Ms. Anderson’s career HON. FRANK A. LoBIONDO responsible and fiscally sustainable manner. spanned over six decades and earned her I have said before, and I will say again, the four Grammy nominations. In fitting com- OF NEW JERSEY Appropriations Committee has the best staff memoration, Ernestine Anderson Way now IN THE HOUSE OF REPRESENTATIVES on Capitol Hill. Anne Marie is the epitome of spans the heart of Seattle’s Central District, Tuesday, September 20, 2016 that statement. Congress, and I, will miss where her career started. Mr. LOBIONDO. Mr. Speaker, H.R. 5957, Anne Marie’s contributions and leadership; but Ernestine Anderson was born in Houston, the Federal Aviation Administration Veteran we thank her for her dedication and profes- Texas on November 11, 1928 and began sing- Transition Improvement Act, allows an impor- sionalism and wish her well in her future en- ing when she was 3 years old. Her family tant federal benefit to be extended to newly deavors. moved to Seattle in 1944 and she began sing- ing in clubs on Jackson Street in the Central hired veterans at the FAA. -
LIHI at Home
LIHIat home 2013 Ernestine Anderson Place Grand Opening! On February 8th, LIHI held the Grand and a classroom. Opening of Ernestine Anderson Place in Ernestine Anderson Place is named Seattle’s Central District. Ernestine Anderson in honor of legendary jazz singer Ernestine Place features Anderson, an international star from permanent Seattle’s Central Area and graduate of housing linked Garfield High. In a career spanning more with supportive than five decades, she has recorded over services for 45 30 albums. She has sung at Carnegie Hall, homeless seniors, the Kennedy Center, the Monterey Jazz including 17 Festival, as well as at jazz festivals all over veterans, as well the world. as housing for 15 Ernestine Anderson Place is built green low-income seniors. according to Washington State Evergreen The building Standards and designed with long term features generous durability as a priority. The building community space features energy efficient insulation and fan for residents, systems and uses low VOC materials, including a library Energy-Star appliances, and dual-flush with computers, toilets throughout. Ernestine Anderson an exercise room, Place is a non-smoking facility, helping continued on page 3 Vote Each Day in May and Help LIHI Win $250,000 to House Homeless Veterans! Vote daily in May to help us house experiencing homelessness in King County veterans. You can help LIHI win $250,000 alone. With your votes, we’ll win $250,000 to House Homeless Veterans by voting to help build and rehab 50 apartments to assist local Veterans transitioning out of Veteran Thomas English and son live at on Facebook. -
Big Al's R&B, 1956-1959
The R & B Book S7 The greatest single event affecting the integration of rhythm and blues music Alone)," the top single of 195S, with crossovers "(YouVe Got! The Magic Touch" with the pop field occurred on November 2, 1355. On that date. Billboard (No. 4), "The Great Pretender" and "My Prayer" (both No. It. and "You'll Never magazine expanded its pop singles chart from thirty to a hundred positions, Never Know" b/w "It Isn't Bight" (No. 14). Their first album "The Platters" naming it "The Top 100." In a business that operates on hype and jive, a chart reached No. 7 on Billboard's album chart. position is "proof of a record's strength. Consequently, a chart appearance, by Frankie Lymon and the Teenagers, another of the year's consistent crossover itself, can be a promotional tool With Billboard's expansion to an extra seventy artists, tasted success on their first record "Why Do Fools Fall In Love" (No. 71, positions, seventy extra records each week were documented as "bonifide" hits, then followed with "I Want You To Be My Girl" (No. 17). "I Promise To and 8 & B issues helped fill up a lot of those extra spaces. Remember" (No. 57), and "ABCs Of Love" (No. 77). (Joy & Cee-BMI) Time: 2:14 NOT FOR S»U 45—K8592 If Um.*III WIlhORtnln A» Unl» SIM meant tea M. bibUnfmcl him a> a ronng Bnc«rtal««r to ant alonic la *n«l«y •t*r p«rjform«r. HI* » T«»r. Utcfo WIIII* Araraa ()•• 2m«B alnft-ng Th« WorM** S* AtUX prafautonaiiQ/ for on manr bit p«» throoghoQC ih« ib« SaiMt fonr Tun Faaturing coont^T and he •llhan«h 6. -
Group: Northwest + 1 Album Title: Minor Suggestions
Group: Northwest + 1 Album Title: Minor Suggestions Personnel Damani (duh-mah-nee) Phillips – Alto Sax Kevin Woods – Trumpet Danny McCollim – Piano John Hamar (hay-mur)– Bass Julian MacDonough - drums Tracks Track Name Track Time Composer PublishinG credit 1. Minor Suggestions 5:43 Kevin Woods SpooM Music (BMI) 2. Clarity 6:26 Jon Hamar Jon Hamar 3. Flotsam and Jetsam 8:13 Kevin Woods SpooM Music (BMI) 4. Sunset’s Last Embrace 8:19 Damani Phillips Damani Phillips Music 5. Lisa 6:22 Victor Feldman/Zito Good Vibes Music 6. Curly 6:42 Jon Hamar Jon Hamar 7. Jump Off Joe 7:47 Jon Hamar Jon Hamar 8. Blues for Mingus 10:52 Danny McCollim 9. BiG Bird 5:37 Kevin Woods SpooM Music (BMI) Album Description It’s funny how 5 stranGers can be brouGht toGether to make music, and unexpectedly find a musical chemistry worth its weiGht in Gold. Our journey toGether beGan as a routine Guest artist appearance at Spokane Falls Community ColleGe in June of 2013, where trumpeter Kevin Woods assembled this Group as part of his Guest artist series. AlonG with his SFCC colleaGue Danny McCollum, Woods assembled an all-star rhythm section of WashinGton’s finest in invitinG Jon Hamar and Julian MacDonouGh to fill out the guest artist Group. Saxophonist Damani Phillips was invited to round out the Group’s horn section. Each of these musicians is active in performance and education, so guest artist invitations of this nature are a fairly common thinG. What was not so common, however, was the natural musical chemistry that the Group felt almost immediately; producing a concert of siGnificant gravity for both musicians and listeners alike. -
"Language Is a Place of Struggle" : Great Quotes by People of Color
“Language Is a Place of STRUGGLE” “Language Is a Place of STRUGGLE” Great Quotes by People of Color Edited by Tram Nguyen Beacon Press, Boston A complete list of quote sources for “Language Is a Place of Struggle” can be located at www.beacon.org/nguyen Beacon Press 25 Beacon Street Boston, Massachusetts 02108-2892 www.beacon.org Beacon Press books are published under the auspices of the Unitarian Universalist Association of Congregations. © 2009 by Tram Nguyen All rights reserved Printed in the United States of America 12 11 10 09 8 7 6 5 4 3 2 1 This book is printed on acid-free paper that meets the uncoated paper ANSI/NISO specifications for permanence as revised in 1992. Text design by Susan E. Kelly at Wilsted & Taylor Publishing Services Library of Congress Cataloging-in-Publication Data Language is a place of struggle : great quotes by people of color / edited by Tram Nguyen. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8070-4800-9 (hardcover : alk. paper) 1. Minorities—United States—Quotations. 2. Immigrants—United States—Quotations. 3. United States—Race relations—Quotations, maxims, etc. 4. United States—Ethnic relations—Quotations, maxims, etc. 5. United States—Social conditions—Quotations, maxims, etc. 6. Social change—United States—Quotations, maxims, etc. 7. Community life—United States—Quotations, maxims, etc. 8. Social justice—United States— Quotations, maxims, etc. 9. Spirituality—Quotations, maxims, etc. I. Nguyen, Tram. E184.A1L259 2008 305.8—dc22 2008015487 Contents Foreword vii Chapter 1 Roots -
ADJS Decade Song Lists.Xlsx
The Top 200 Songs of the 1950s Rank Title Artist 1 Johnny B. Goode Chuck Berry 2 Jailhouse Rock Elvis Presley 3 Rock Around The Clock Bill Haley & His Comets 4 Tutti-Frutti Little Richard 5 Whole Lot of Shakin' Going On Jerry Lee Lewis 6 What'd I Say Ray Charles 7 Summertime Blues Eddie Cochran 8 Hound Dog Elvis Presley 9 Long Tall Sally Little Richard 10 That'll Be The Day Buddy Holly & the Crickets 11 Maybellene Chuck Berry 12 Bo Diddley Bo Diddley 13 Shake, Rattle And Roll Joe Turner 14 Blue Suede Shoes Carl Perkins 15 Don't Be Cruel Elvis Presley 16 Bye Bye Love Everly Brothers 17 Great Balls Of Fire Jerry Lee Lewis 18 Earth Angel Penguins 19 Why Do Fools Fall In Love Frankie Lymon & the Teenagers 20 Good Golly Miss Molly Little Richard 21 Be-Bop-A-Lula Gene Vincent & the Bluecaps 22 School Day Chuck Berry 23 Rock And Roll Music Chuck Berry 24 Peggy Sue Buddy Holly 25 Lawdy Miss Clawdy Lloyd Price 26 Lucille Little Richard 27 Roll Over Beethoven Chuck Berry 28 In The Still Of The Nite Five Satins 29 I Only Have Eyes For You Flamingos 30 For Your Precious Love Jerry Butler & the Impressions 31 Blueberry Hill Fats Domino 32 Please, Please, Please James Brown & the Famous Flames 33 Sh-Boom Chords 34 Money Honey Drifters featuring Clyde McPhatter 35 I Walk The Line Johnny Cash and the Tennessee Two 36 Fever Little Willie John 37 The Great Pretender Platters 38 Ain't It A Shame Fats Domino 39 That's All Right Elvis Presley with Scotty and Bill 40 Your Cheatin' Heart Hank Williams 41 Sweet Little Sixteen Chuck Berry 42 The Train Kept-A-Rollin