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Highly Recommended New Cds for 2018
Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Young and Terry Promane Octet Volume Two Modica Music Phil Parisot Creekside OA2 John Stowell And Ulf Bandgren Night Visitor Origin Eric Reed A Light In Darkness WJ3 Katharine McPhee I Fall In Love Too Easily BMG Takaaki Otomo New Kid In Town Troy Dr. Lonnie Smith All In My Mind Blue Note Clovis Nicolas Freedom Suite Ensuite Sunnyside Wayne Escoffery Vortex Sunnyside Steve Hobbs Tribute To Bobby Challenge Adam Shulman Full Tilt Cellar Live` Scott Hamilton Live At Pyat Hall Cellar Live Keith O’ Rourke Sketches From The Road Chronograph Jason Marsalis Melody Reimagined Book One Basin Street 1 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dan Block Block Party High Michael Waldrop Origin Suite Origin Roberto Margris Live In Miami J Mood Dan Pugach Nonet Plus One Unit UTR Jeff Hamilton Live From San Pedro Capri Phil Stewart Melodious Drum Cellar Live Ben Paterson That Old Feeling Cellar Live Jemal Ramirez African Skies Joyful Beat Michael Dease Reaching Out Positone Ken Fowser Don’t Look Down Positone New Faces Straight Forward Positone Emmet Cohen With Ron Carter Masters Legacy Series Volume Two Cellar Live Bob Washut Journey To Knowhere N/C Mike Jones and Penn Jillette The Show Before The Show Capri 2 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Tull Texting And Driving Toy Car Corcoran Holt The Mecca Holt House Music Bill Warfield For Lew Planet Arts Wynton Marsalis United We Swing Blue Engine Scott Reeves Without A Trace Origin -
Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
Imperials One More Song for You Mp3, Flac, Wma
Imperials One More Song For You mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Pop Album: One More Song For You Country: US Released: 1979 MP3 version RAR size: 1383 mb FLAC version RAR size: 1209 mb WMA version RAR size: 1280 mb Rating: 4.7 Votes: 763 Other Formats: APE AHX WMA DTS XM VOC TTA Tracklist Hide Credits What Can I Do For You A1 2:59 Lyrics By – Stormie OmartianMusic By – Michael Omartian I'm Forgiven A2 3:54 Lyrics By, Music By – Bruce Hibbard, Hadley Hockensmith, Michael Omartian All My Life A3 3:24 Lyrics By – Stormie OmartianMusic By – Michael Omartian Living Without Your Love A4 3:27 Lyrics By, Music By – Tom Hemby Eagle Song A5 3:14 Lyrics By, Music By – Russell Taff*, Tori Taff Closer Than Ever B1 4:23 Lyrics By – Stormie OmartianMusic By – Michael Omartian One More Song For You B2 4:38 Lyrics By – Stormie OmartianMusic By – Michael Omartian Higher Power B3 4:20 Lyrics By, Music By – Denny Correll More Like You B4 3:30 Music By – Michael OmartianWords By – Stormie Omartian Companies, etc. Phonographic Copyright (p) – Word, Inc. Copyright (c) – Word, Inc. Published By – See This House Music Published By – Word Music, Inc. Published By – Norman Clayton Publishing Published By – I.A.M. Music Recorded At – Jennifudy Studios Recorded At – Hollywood Central Recorders Mastered At – A&M Mastering Studios Pressed By – Monarch Record Mfg. Co. Credits Backing Vocals [Additional] – Marti McCall, Myrna Matthews, Stormie Omartian Bass – Abraham Laboriel Concertmaster – Assa Drori Congas – Victor Feldman Design [Album Design], Photography By – Bob Anderson Drums – Paul Leim Engineer [Additional] – Jack Lees , John Banuelos Engineer, Remix – John Guess Guitar – Marty Walsh Horns – Chuck Findley, Dick Hyde, Jackie Kelso, Steve Madaio Horns, Soloist [Saxophone] – Kim Hutchcroft Mastered By – Bernie Grundman Performer – Armond Morales, David Will , Jim Murray , Russell Taff* Producer, Arranged By, Keyboards, Percussion – Michael Omartian Notes Monarch Record Mfg. -
Subject: Ella Fitzgerald Music Festival Date: Thu, 21 Nov 2002 09:11:31
Ella Fitzgerald Music Festival Subject: Ella Fitzgerald Music Festival Date: Thu, 21 Nov 2002 09:11:31 -0500 From: Paul Trible <[email protected]> To: [email protected] On November 25, we will publicly release the line-up for CNU's sixth annual Ella Fitzgerald Music Festival. I wanted to share this exciting news with you and give you the opportunity to purchase tickets before they go on sale to the general public. The Ella Fitzgerald Music Festival will run April30, May 1-3 and, as in years past, some of the biggest names in jazz will be performing on our campus. The festival will kick off on Wednesday, April 30 as we showcase the incredible talent that exists right here at CNU! Our own award winning Jazz Ensemble under the direction of Bill Brown promises an exciting evening of big band music and jazz standards. The CNU Vocal Jazz Ensemble under the direction of Dr. Lauren Fowler will also perform, singing in a variety of styles from swing to bebop. This evening of high energy and enormous talent is always a sell out. One of the most significant and important vocalists of this decade, Dianne Reeves, will perform on Thursday, May 1. With 11 recordings and three Grarnrny nominations to her credit, this Blue Note/EM! artist thrills audiences far and wide- from New York to London to Japan. Born in Detroit in 1956 and raised in Denver, Reeves says that music was a treasured gift from her family. Her eclectic style ranges from pop, to rhythm and blues, to soul, to marvelous jazz standards. -
Review: International Jazz Day, Istanbul
jazzjo urnal.co .uk http://www.jazzjournal.co.uk/magazine/583/review-international-jazz-day-istanbul Review: International Jazz Day, Istanbul N. Buket Cengiz reports on an event marked by star-studded concerts and discussions that revealed the ’heretofore unknown’ rhetorical powers of bassist Marcus Miller On 30 April, the sun shone with the hum of jazz tunes in Istanbul, inviting Istanbulites to wake up f or a day of a sweet rush in the host city f or International Jazz Day 2013. The 32nd International Istanbul Film Festival, a major cinema f estival in Europe, had been wrapped up just a couple of weeks prior with yet another collection of unf orgettable memories, and the city was ready f or the International Jazz Day event to be celebrated in collaboration with the Republic of Turkey and Istanbul Jazz Festival as the host city partner, with preparations underway since winter. In Istanbul, culture and arts as well as night lif e are remarkable, particularly f or music enthusiasts. Throughout the year, there is an abundance of clubs to choose f rom, and thanks to its temperate climate, there are open air concerts and f estivals as well. All year round, rock and indie, classical, ethnic and f olk, and of course jazz tunes f lit about the city, particularly during the never-ending summer nights. Istanbul is proud of its two international jazz f estivals: The Istanbul Jazz Festival organized by Istanbul Foundation f or Culture and Arts (IKSV), which will celebrate its 20th anniversary this July, and the Akbank Jazz Festival, which will be held f or the 23rd time this September. -
Monday, June 30Th at 7:30 P.M. Blue Lake Fine Arts Camp Free Admission
JUNE 2008 Listener BLUE LAKE PUBLIC RADIO PROGRAM GUIDE Monday, June 30th at 7:30 p.m. TheBlue Grand Lake Rapids Fine ArtsSymphony’s Camp DavidFree LockingtonAdmission WBLV-FM 90.3 - MUSKEGON & THE LAKESHORE WBLU-FM 88.9 - GRAND RAPIDS A Service of Blue Lake Fine Arts Camp 231-894-5656 http://www.bluelake.org J U N E 2 0 0 8 H i g h l i g h t s “Listener” Volume XXVI, No.6 “Listener” is published monthly by Blue Lake Public Radio, Route Two, Twin Lake, MI 49457. (231)894-5656. Summer at Blue Lake WBLV, FM-90.3, and WBLU, FM-88.9, are owned and Summer is here and with it a terrific live from operated by Blue Lake Fine Arts Camp Blue Lake and broadcast from the Rosenberg- season of performances at Blue Lake Fine Clark Broadcast Center on Blue Lake’s Arts Camp. Highlighting this summer’s Muskegon County Campus. WBLV and WBLU are public, non-commercial concerts is a presentation of Beethoven’s stations. Symphony No. 9, the Choral Symphony, Blue Lake Fine Arts Camp with the Blue Lake Festival Orchestra, admits students of any race, color, Festival Choir, Domkantorei St. Martin from national or ethnic origin and does not discriminate in the administration of its Mainz, Germany, and soloists, conducted programs. by Professor Mathias Breitschaft. The U.S. BLUE LAKE FINE ARTS CAMP Army Field Band and Soldier’s Chorus BOARD OF TRUSTEES will present a free concert on June 30th, and Jefferson Baum, Grand Haven A series of five live jazz performances John Cooper, E. -
Concert Jazz Orchestra
PERSONNEL STUDIO JAZZ BAND CONCERT JAZZ ORCHESTRA Alto Sax—Hayden Dekker* Alto Sax—Kyle Myers*† Alto Sax—Jordan Guzman* Alto Sax—Grant Beach* Tenor Sax—Andrew Rosenblum* Tenor Sax—Brandon Baker* Tenor Sax—Brandon Muhawi* Tenor Sax—Josias Miguel* Baritone Sax—Emily Williams* Baritone Sax—Howard Hardaway* Trumpet—Max Maynard Trumpet—Andrew Solares*+ Trumpet—Elias Rodriguez* Trumpet—Adam Portocarrero*+ Trumpet—Ryan Furness* Trumpet—Evan Hamada*> Trumpet—Alex Hille Trumpet—Adam Rosenblum* CONCERT JAZZ Trombone—Ethan Saxe Trombone—Ethan Saxe Trombone—Luke Lizotte* Trombone—Chris Innes+ Trombone—Max Mineer* Trombone—Anna Menotti* Trombone—Daniel Nakazono Trombone—Rob Verdugo Trombone—Evan Wicks Guitar—Mauricio Martin* ORCHESTRA Vibes—Joseph Nazariego* Guitar—Daniel Mandrychenko* Piano—Eric Bell*^ Piano—Alex Flavell*^ Bass—Matthew Evans* Bass—Evan Tom*‡ Drums—Jackie Rush*^ / Ryan Dong* Drums—Karo Galadjian*^ *—Jazz Studies Major †—Beau & Jo France Graduate Jazz Studies Scholar STUDIO JAZZ BAND +—Cole Scholar ‡—Jazz Studies Scholar ^—KKJZ Scholar >—President's Scholar JEFF JARVIS, DIRECTOR UPCOMING “JAZZ AT THE BEACH” EVENTS JEFF HAMILTON, GUEST ARTIST November 23 Pacific Standard Time, Jazz & Tonic November 24 Jazz Lab Band, 4PM, Daniel Recital Hall December 6 Jazz @ the Nugget, 5PM SUNDAY, NOVEMBER 10, 2019 4:00PM GERALD R. DANIEL RECITAL HALL PLEASE SILENCE ALL ELECTRONIC MOBILE DEVICES. This concert is funded in part by the INSTRUCTIONALLY RELATED ACTIVITIES FUNDS (IRA) provided by California State University, Long Beach. recordings for such names as Lou Rawls, Michael Jackson, Melba Moore, The O’Jays and more. Live performance credits include Gladys Knight, Van Morrison, Dizzy Gillespie, Louie Bellson, Joe Williams, Benny Golson, Jon Hendricks, Jimmy Heath, Joe Lovano, Henry Mancini, Slide Hampton, Kevin Mahogany, Grady Tate, Eddie Daniels, Rob McConnell, and Doc Severinsen. -
John Beasley
JOHN BEASLEY GRAMMY-NOMINEE PIANIST / COMPOSER / ARRANGER ******************************************************************************************* “Beasley, the one-time keyboardist for Freddie Hubbard and Miles Davis, reflects a variety of generational influences, incorporating the emphatic chordal clusters of Herbie Hancock, the rhythmic quirkiness of Monk and the lush intelligence of Art Tatum into a highly refined personal voice.” --Los Angeles Times ******************************************************************************************* BIOGRAPHY Grammy-nominated recording artist John Beasley’s music career spans three decades. LA Times jazz critic Bill Kohlhaasee describes Beasley’s music and playing as "a variety of generational influences, incorporating the emphatic chordal clusters of Herbie Hancock, the rhythmic quirkiness of Monk and the lush intelligence of Art Tatum into a highly refined personal voice.” His credits cross the spectrum of the entertainment world: performing, recording, and touring with major jazz, pop, and world artists; composing for hit-TV series; arranging for ensembles and orchestras; working on award-winning films and commercials. With the popularity of reality singing TV shows, Beasley has taken the helm as Music Director for major studio shows. Highlights of Beasley’s multi-track career include: • Pianist/Keyboardist for Miles Davis, Freddie Hubbard, Chaka Khan, Carly Simon, Christian McBride, Dianne Reeves, Kenny Garrett, Stanley Clarke, Lee Ritenour, even a stint with James Brown, Barbra Streisand, -
Ernestine Anderson Place 60 Apartments at 2010 South Jackson Street for Homeless and Low-Income Seniors
2407 First Avenue, Seattle, WA 98121 For Immediate Release: The Low Income Housing Institute Celebrates Opening of Ernestine Anderson Place 60 apartments at 2010 South Jackson Street for homeless and low-income seniors January 31, 2013 – Seattle, WA – The Grand Opening celebration for the Low Income Housing Institute’s (LIHI) Ernestine Anderson Place in the Central Area is scheduled for Friday, February 8 th at 2:30pm. The event will take place at 2010 South Jackson St., Seattle. Speakers include: Seattle Mayor Mike McGinn, King County Executive Dow Constantine, King County Council Chair Larry Gossett, and Seattle City Councilmembers Bruce Harrell and Nick Licata. There will be music and poetry performances by Langston Hughes Performing Arts Institute artists: Josie Howell, Honoria Hildreth, Nikkita Oliver, and Robin Rojas. Mayor Mike McGinn will issue a proclamation declaring February 8 th Ernestine Anderson Day. Ernestine Anderson Place is named in honor of legendary jazz singer Ernestine Anderson, an international star from Seattle’s Central Area and graduate of Garfield High. In a career spanning more than five decades, she has recorded over 30 albums. She has been nominated four times for a Grammy Award. She has sung at Carnegie Hall, the Kennedy Center, the Monterey Jazz Festival, as well as at jazz festivals all over the world. Ernestine Anderson Place features 60 studio and 1-bedroom units and a manager’s unit. Ground floor community space for residents includes an exercise room, a library with internet- enabled computers, a classroom, a service space and an outside patio garden. Permanent housing linked with supportive services will be provided for 45 homeless seniors, including 8 veterans, as well as housing for 15 low-income seniors. -
PTACIN, MICHAEL JOSEPH, D.M.A. an Annotated Bibliography of Works for Solo Marimba and Electronics Published from 1978-2012
PTACIN, MICHAEL JOSEPH, D.M.A. An Annotated Bibliography of Works for Solo Marimba and Electronics Published from 1978-2012. (2013) Directed by Dr. Dennis AsKew. 83 pp. The purpose of this study was to create an annotated bibliography of works for solo marimba and electronics published from 1978-2012. Thirty-four compositions were included in the annotated bibliography. For inclusion in this study, works met criteria established as follows: published and commercially available prior to January 1, 2013; supplied with both the score and accompaniment material; written for an individual performer; original composition for marimba; and marimba was the only keyboard percussion instrument. The incidental use of auxiliary percussion instruments did not disqualify a work for inclusion. The information identified in each entry of the annotated bibliography includes title, composer, publisher, range of marimba needed, duration of the work, number of movements, the type of accompaniment, and composer or publisher’s notes. Entries in the bibliography were organized alphabetically by composer last name. Each entry contains overviews of the accompaniment and performance techniques, including four-mallet stroke types and difficulty, as well as a musical overview, which covers such topics as specific challenges within the work or mallet selection. The annotations are neither meant to evaluate the musical merits of the works nor make observations or draw conclusions regarding the development of the identified compositions. The information provided in this document is intended to serve as a practical and useful resource for performers and bring broader awareness to the included works. The first chapter includes discussion of the study’s limitations and the process for identifying and selecting works included works. -
JREV3.8FULL.Pdf
JAZZ WRITING? I am one of Mr. Turley's "few people" who follow The New Yorker and are jazz lovers, and I find in Whitney Bal- liett's writing some of the sharpest and best jazz criticism in the field. He has not been duped with "funk" in its pseudo-gospel hard-boppish world, or- with the banal playing and writing of some of the "cool school" Californians. He does believe, and rightly so, that a fine jazz performance erases the bound• aries of jazz "movements" or fads. He seems to be able to spot insincerity in any phalanx of jazz musicians. And he has yet to be blinded by the name of a "great"; his recent column on Bil- lie Holiday is the most clear-headed analysis I have seen, free of the fan- magazine hero-worship which seems to have been the order of the day in the trade. It is true that a great singer has passed away, but it does the late Miss Holiday's reputation no good not to ad• LETTERS mit that some of her later efforts were (dare I say it?) not up to her earlier work in quality. But I digress. In Mr. Balliett's case, his ability as a critic is added to his admitted "skill with words" (Turley). He is making a sincere effort to write rather than play jazz; to improvise with words,, rather than notes. A jazz fan, in order to "dig" a given solo, unwittingly knows a little about the equipment: the tune being improvised to, the chord struc• ture, the mechanics of the instrument, etc. -
Reggie Workman Working Man
APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne