John Beasley

Total Page:16

File Type:pdf, Size:1020Kb

John Beasley JOHN BEASLEY GRAMMY-NOMINEE PIANIST / COMPOSER / ARRANGER ******************************************************************************************* “Beasley, the one-time keyboardist for Freddie Hubbard and Miles Davis, reflects a variety of generational influences, incorporating the emphatic chordal clusters of Herbie Hancock, the rhythmic quirkiness of Monk and the lush intelligence of Art Tatum into a highly refined personal voice.” --Los Angeles Times ******************************************************************************************* BIOGRAPHY Grammy-nominated recording artist John Beasley’s music career spans three decades. LA Times jazz critic Bill Kohlhaasee describes Beasley’s music and playing as "a variety of generational influences, incorporating the emphatic chordal clusters of Herbie Hancock, the rhythmic quirkiness of Monk and the lush intelligence of Art Tatum into a highly refined personal voice.” His credits cross the spectrum of the entertainment world: performing, recording, and touring with major jazz, pop, and world artists; composing for hit-TV series; arranging for ensembles and orchestras; working on award-winning films and commercials. With the popularity of reality singing TV shows, Beasley has taken the helm as Music Director for major studio shows. Highlights of Beasley’s multi-track career include: • Pianist/Keyboardist for Miles Davis, Freddie Hubbard, Chaka Khan, Carly Simon, Christian McBride, Dianne Reeves, Kenny Garrett, Stanley Clarke, Lee Ritenour, even a stint with James Brown, Barbra Streisand, Destiny’s Child, Spice Girls, and Baaba Maal • Music Director for reality singing shows: - Sing Your Face Off (ABC, 2013) - Duets with Kelly Clarkson, John Legend, Jennifer Nettles, Robin Thicke (ABC, 2012) - American Idol - Carrie Underwood’s victory, (FOX, 2005) - Search for the Next Pussycat Doll (CW, 2007) • Music Director for tours: - Steely Dan Art Crimes world tour - Queen Latifah’s Travelin’ Lite 40-city US Tour - AR Rahman Jai Ho world tour • Music Director for concert events - International Jazz Day gala concerts (Istanbul, 2013 and Paris, 2012) - Los Angeles Philharmonic Jazz and the Orchestra 5-concert series • TV composer: Fame, Cheers, Family Ties, Star Trek: Next Gen, Touchstone TV logo • Pianist and Programmer for films: James Bond Skyfall, Exotic Marigold Hotel, Finding Nemo, Wall-E, Shawshank Redemption, Godfather III • Record Producer EWE Japan artists Yosvany Terry, Chie Ayado - 3 albums • 11 recordings, including Grammy-nominated Positootly! (Best Instrumental Jazz Album) • Arranger for Luckman Jazz Orchestra, The Tonight Show, VHI Divas special, American Idol (2005-2010), The Winner Is, America’s Got Talent, Singing Bee • Educator/Clinician: Guest Lecturer Rotterdam Conservatory (2013); ASCAP I Create Music, Grammy Camp, jazz camps in Guatemala, Taiwan, Guadalajara, Netherlands BACKGROUND Born in Louisiana, the cradle of jazz, Beasley is a third generation musician. His grandfather was a trombonist for territory bands. His father taught at jazz composition and improvisation and was also a pianist, bassoonist, and composer. Beasley’s mother directed bands and orchestras and was a brass instrumentalist. Beasley became a convenient stand-in for her bands as a trumpet, oboe, drums, saxophone, and flute player. By the time he was in middle school, Beasley was writing arrangements, one for the University of North Texas Jazz Band which caught the attention of Jimmy Lyons, founder of the Monterey Jazz Festival. Lyons recommended teenage Beasley for a scholarship at the Stan Kenton Summer Jazz Camp. The song was then added to The Stan Kenton Orchestra’s repertoire that year. At 17, Beasley declined an oboe scholarship from Julliard. He took up the musician’s life, playing in clubs before he was of legal drinking age. Soon after, he went on his first world tour with Brazilian artist Sergio Mendes gaining solid bandstand experience as his young Music Director. Jazz icon Freddie Hubbard brought him into his fold for about eight years, while Beasley formed a band Vinnie Colauita, John Patitucci and Steve Taviglione called Audio Mind. FILM/TV/COMMERCIALS At the young age of 24, Beasley started writing music for Paramount, Disney, and MGM shows, including Cheers, Family Ties, Star Trek, and Fame and the Touchstone TV logo which is still in use today. As a studio musician, he has worked with film composer luminaries such as Thomas Newman, Dave Gruisin, Alan Silvestri, and Carmine Coppola. He became a part of Thomas Newman’s core team playing and programming sounds for James Bond Skyfall, Exotic Marigold Hotel, Finding Nemo, and Wall-E, to name a few. His work in commercials includes award winning work in both the US and Germany. John Beasley also composes pro-bono for films and podcasts with groups like the 1999 Nobel Peace Prize winning Doctors Without Borders. MILES DAVIS AND RECORDING CAREER At 28, Beasley got the phone call of a lifetime from Miles Davis to join his band. Beasley toured worldwide with Miles Davis as a keyboardist. While on tour withMiles, he was inspired to release his debut CD, Cauldron, produced by Walter Becker (Steely Dan). He has gone on to record 11 albums. John Beasley’s Positootly! album earned a 2011 Grammy nomination for Best Jazz Instrumental Record. In 2012, he joined forces with two other Miles Davis alumni, Darryl Jones (Rolling Stones bassist) and the signature drummer for Michael Jackson’s Billie Jean, Ndugu Chancler to record 3 Brave Souls. This triumvirate, as one reviewer Nick DeRiso wrote, is some “tangy, ass- wiggling funk.” REALITY TV In 2005, Beasley was enlisted to work on the juggernaut American Idol as Associate Director to Rickey Minor. Beasley coached and rehearsed the 12 female finalists, selecting and arranging songs, and mixing the shows. In the finale, his contestant Carrie Underwood took the title and became a global music star, earning multiple Grammys. Over the next 6 years (2005-2010) he served as American Idol’s Lead Arranger and substituted for Music Director Rickey Minor on the recordings for iTunes releases. When ABC TV, was seeking a Music Director for their reality show Duets with Kelly Clarkson, John Legend, Robin Thicke, and Jennifer Nettles, they handpicked John Beasley. This year, ABC invited Beasley to reprise his role as Music Director for a new show Sing Your Face Off, airing later in 2013. PRESENT and BEYOND Beasley keeps a high profile in jazz as the Music Director for The Thelonious Monk Institute’s gala concerts, along with being appointed Guest Artist Lecturer for the Rotterdam Conservatory of Music (CodArts). This year, Beasley realized a long-held dream, forming MONK’estra, a 17-piece big band called. MONK’estra captures the spirit of Monk's unique quirkiness, offbeat accents, punchy dissonances, in fresh arrangements. Veteran jazz critic Don Heckman described Beasley’s big band and his talent as “extraordinary orchestrating abilities, imaginative soloing from players: a net result of some of the most mesmerizing big band music of recent memory.” .
Recommended publications
  • COURSE CATALOG 2016-2017 Academic Calendar
    COURSE CATALOG 2016-2017 Academic Calendar . 4 Academic Programs . 46 About LACM . .. 6 Performance LACM Educational Programs . 8 Bass . 46 CONTENTS Administration . 10 Brass & Woodwind . .. 52 Admissions . 11 Drums . .. 58 Tuition & Fees . 13 Guitar . 64 Financial Aid . 18 Vocal. 70 Registrar . 22 Music Composition International Student Services . 26 Songwriting . 76 Academic Policies & Procedures . 27 Music Production Student Life . 30 Composing for Visual Media . 82 Career Services . .. 32 Music Producing & Recording . 88 Campus Facilities – Security. 33 Music Industry Rules of Conduct & Expectations . 35 Music Business . 94 Health Policies . 36 Course Descriptions . 100 Grievance Policy & Procedures . .. 39 Department Chairs & Faculty Biographies . 132 Change of Student Status Policies & Procedures . 41 Collegiate Articulation & Transfer Agreements . 44 FALL 2016 (OCTOBER 3 – DECEMBER 16) ACADEMIC DATES SPRING 2017 (APRIL 10 – JUNE 23) ACADEMIC DATES July 25 - 29: Registration Period for October 3 - October 7: Add/Drop January 30 - February 3: Registration Period for April 10 - April 14: Add/Drop Upcoming Quarter Upcoming Quarter October 10 - November 11: Drop with a “W” April 17 - May 19: Drop with a “W” August 22: Tuition Deadline for Continuing Students February 27: Tuition Deadline for November 14 - December 9: Receive a letter grade May 22 - June 16: Receive a letter grade October 3: Quarter Begins Continuing Students November 11: Veterans Day, Campus Closed April 10: Quarter Begins November 24: Thanksgiving, Campus Closed May 29: Memorial Day, Campus Closed November 25: Campus Open, No classes. June 19 - 23: Exams Week December 12-16: Exams Week June 23: Quarter Ends December 16: Quarter Ends December 24 - 25: Christmas, Campus Closed December 26: Campus Open, No classes.
    [Show full text]
  • National Arts Awards Monday, October 19, 2015
    2015 Americans for the Arts National Arts Awards Monday, October 19, 2015 Welcome from Robert L. Lynch Performance by YoungArts Alumni President and CEO of Americans for the Arts Musical Director, Jake Goldbas Philanthropy in the Arts Award Legacy Award Joan and Irwin Jacobs Maria Arena Bell Presented by Christopher Ashley Presented by Jeff Koons Outstanding Contributions to the Arts Award Young Artist Award Herbie Hancock Lady Gaga 1 Presented by Paul Simon Presented by Klaus Biesenbach Arts Education Award Carolyn Clark Powers Alice Walton Lifetime Achievement Award Presented by Agnes Gund Sophia Loren Presented by Rob Marshall Dinner Closing Remarks Remarks by Robert L. Lynch and Abel Lopez, Chair, introduction of Carolyn Clark Powers Americans for the Arts Board of Directors and Robert L. Lynch Remarks by Carolyn Clark Powers Chair, National Arts Awards Greetings from the Board Chair and President Welcome to the 2015 National Arts Awards as Americans for the Arts celebrates its 55th year of advancing the arts and arts education throughout the nation. This year marks another milestone as it is also the 50th anniversary of President Johnson’s signing of the act that created America’s two federal cultural agencies: the National Endowment for the Arts and the National Endowment for the Humanities. Americans for the Arts was there behind the scenes at the beginning and continues as the chief advocate for federal, state, and local support for the arts including the annual NEA budget. Each year with your help we make the case for the funding that fuels creativity and innovation in communities across the United States.
    [Show full text]
  • Subject: Ella Fitzgerald Music Festival Date: Thu, 21 Nov 2002 09:11:31
    Ella Fitzgerald Music Festival Subject: Ella Fitzgerald Music Festival Date: Thu, 21 Nov 2002 09:11:31 -0500 From: Paul Trible <[email protected]> To: [email protected] On November 25, we will publicly release the line-up for CNU's sixth annual Ella Fitzgerald Music Festival. I wanted to share this exciting news with you and give you the opportunity to purchase tickets before they go on sale to the general public. The Ella Fitzgerald Music Festival will run April30, May 1-3 and, as in years past, some of the biggest names in jazz will be performing on our campus. The festival will kick off on Wednesday, April 30 as we showcase the incredible talent that exists right here at CNU! Our own award winning Jazz Ensemble under the direction of Bill Brown promises an exciting evening of big band music and jazz standards. The CNU Vocal Jazz Ensemble under the direction of Dr. Lauren Fowler will also perform, singing in a variety of styles from swing to bebop. This evening of high energy and enormous talent is always a sell out. One of the most significant and important vocalists of this decade, Dianne Reeves, will perform on Thursday, May 1. With 11 recordings and three Grarnrny nominations to her credit, this Blue Note/EM! artist thrills audiences far and wide- from New York to London to Japan. Born in Detroit in 1956 and raised in Denver, Reeves says that music was a treasured gift from her family. Her eclectic style ranges from pop, to rhythm and blues, to soul, to marvelous jazz standards.
    [Show full text]
  • Review: International Jazz Day, Istanbul
    jazzjo urnal.co .uk http://www.jazzjournal.co.uk/magazine/583/review-international-jazz-day-istanbul Review: International Jazz Day, Istanbul N. Buket Cengiz reports on an event marked by star-studded concerts and discussions that revealed the ’heretofore unknown’ rhetorical powers of bassist Marcus Miller On 30 April, the sun shone with the hum of jazz tunes in Istanbul, inviting Istanbulites to wake up f or a day of a sweet rush in the host city f or International Jazz Day 2013. The 32nd International Istanbul Film Festival, a major cinema f estival in Europe, had been wrapped up just a couple of weeks prior with yet another collection of unf orgettable memories, and the city was ready f or the International Jazz Day event to be celebrated in collaboration with the Republic of Turkey and Istanbul Jazz Festival as the host city partner, with preparations underway since winter. In Istanbul, culture and arts as well as night lif e are remarkable, particularly f or music enthusiasts. Throughout the year, there is an abundance of clubs to choose f rom, and thanks to its temperate climate, there are open air concerts and f estivals as well. All year round, rock and indie, classical, ethnic and f olk, and of course jazz tunes f lit about the city, particularly during the never-ending summer nights. Istanbul is proud of its two international jazz f estivals: The Istanbul Jazz Festival organized by Istanbul Foundation f or Culture and Arts (IKSV), which will celebrate its 20th anniversary this July, and the Akbank Jazz Festival, which will be held f or the 23rd time this September.
    [Show full text]
  • Live@Artswestchester Live@Artswestchester Highlights the Talents of Local Performing Artists and the to Advanced Dancers
    LIVE@ARTSWESTCHESTER Live@ArtsWestchester highlights the talents of local performing artists and the to advanced dancers. Refreshments will be served. Made possible with support from the work of community based cultural organizations in Westchester County. The 2011-12 winter NYSCA Folk Arts Program. season presents a mix of international music, Folk dance with live music and instruction for Live@ArtsWestchester continues the NewUrbanJazz program, highlighting the talents the whole family, theater and Jazz to ArtsWestchester’s own Grand Banking Room gallery. of four Westchester based artists, featuring Music Conservatory of Westchester jazz faculty The Global Fusion series highlights the musical mix of traditional and contemporary styles member and pianist Hiroshi Yamazaki, soul singer Vaneese Thomas, multi-talented Tony of North India, featuring Indrajit Roy Chowdhury and Trio Shalva with Israeli folk music and Jefferson as vocalist with his quartet and a season finale with the John Patitucci trio. contemporary jazz both made possible with support from the NYSCA Presenting Program. The theater selection offers a festival of one act plays by Westchester resident theater Our Folk Arts Program presents the Mid-Winter Folk Dance Series, a cross-cultural companies, the Red Monkey Theater and the Axial Theater companies in a showcase of new short program of live music for participatory dance, spanning genres from Eastern Europe, the works. Caribbean, Louisiana and Argentina, all performed by local artists. These events bring world class live music for dance with free instruction by seasoned teachers for beginner Please join us as we celebrate the vitality and variety of performing arts in Westchester County.
    [Show full text]
  • Guide to the Bill Holman Collection
    Guide to the Bill Holman Collection NMAH.AC.0733 Scott Schwartz, Ann Kuebler, and Pam Kirby 2001 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 3 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Music Manuscripts, 1952 - 1999.............................................................. 4 Series 2: Photographs and Business Records, 1975-1997.................................... 28 Bill Holman Collection NMAH.AC.0733 Collection Overview Repository: Archives Center, National Museum of American History Title: Bill Holman Collection Identifier: NMAH.AC.0733 Date:
    [Show full text]
  • Television Academy Awards
    2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth.
    [Show full text]
  • Detailed Outline for School Presentations
    Primary (K - 3) Performance Selections: Composer: Focus: Sister Sadie Horace Silver 1. Define jazz 2. Explain improvisation A. In music B. In speech C. In others areas Blues Performing group 1. Create an original melody based on the school mascot or from a suggestion from the students 2. Communicating within the group without speaking 3. Melody - saxophone 4. Bass line as conductor, providing the pulse, rhythm, and harmonic shape - bass 5. Rhythm - drum set 6. Harmony - piano Summertime George Gershwin 1. Form - the shape and structure of a piece 2. Explain how having a constant form allows for the freedom to improvise 3. Various styles - swing, latin , rock, ballad demonstrate how a piece can sound different without changing the form, harmony, or melody 4. Swing - encourage students to clap on selected beats allowing them to imitate the function of the drummer (drummer will stop while the group continues to play with the students replacing the drums) 5. Latin - select a group of students to perform with the group by playing latin percussion instruments Whistle While You Work 1. Demonstrate how one can improvise over music of all styles 2. Demonstrate how almost any piece of music can be shaped into a jazz piece The Pink Panther Henry Mancini 1. Review elements while performing a familiar piece Elementary (4 - 6) Performance Selections: Composer: Focus: Sister Sadie Horace Silver 1. Define jazz 2. Explain improvisation A. In music B. In speech C. In others areas Blues Performing group 1. Create an original melody based on the school mascot or from a suggestion from the students 2.
    [Show full text]
  • The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
    4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18
    [Show full text]
  • Trumpeter Terence Blanchard
    Biographical Description for The HistoryMakers® Video Oral History with Terence Blanchard PERSON Blanchard, Terence Alternative Names: Terence Blanchard; Life Dates: March 13, 1962- Place of Birth: New Orleans, Louisiana, USA Work: New Orleans, LA Occupations: Trumpet Player; Music Composer Biographical Note Jazz trumpeter and composer Terence Oliver Blanchard was born on March 13, 1962 in New Orleans, Louisiana to Wilhelmina and Joseph Oliver Blanchard. Blanchard began playing piano at the age of five, but switched to trumpet three years later. While in high school, he took extracurricular classes at the New Orleans Center for Creative Arts. From 1980 to 1982, Blanchard studied at Rutgers University in New Jersey and toured with the Lionel Hampton Orchestra. In 1982, Blanchard replaced trumpeter Wynton Marsalis in Art Blakey and the Jazz Messengers, where he served as musical director until 1986. He also co- led a quintet with saxophonist Donald Harrison in the 1980s, recording five albums between 1984 and 1988. In 1991, Blanchard recorded and released his self-titled debut album for Columbia Records, which reached third on the Billboard Jazz Charts. He also composed musical scores for Spike Lee’s films, beginning with 1991’s Jungle Fever, and has written the score for every Spike Lee film since including Malcolm X, Clockers, Summer of Sam, 25th Hour, Inside Man, and Miracle At St. Anna’s. In 2006, he composed the score for Lee's four-hour Hurricane Katrina documentary for HBO entitled When the Levees Broke: A Requiem in Four Acts. Blanchard also composed for other directors, including Leon Ichaso, Ron Shelton, Kasi Lemmons and George Lucas.
    [Show full text]
  • Boston Globe, March, 2006
    The Boston Globe March 17, 2006 She breaks down musical boundaries Luciana Souza sings with no fear, winning respect of her peers Three of Luciana Souza's four most recent CDs have earned her Grammy nominations, including ''Duos II," which this year was edged out for best jazz vocal album by Dianne Reeves and the ''Good Night, and Good Luck" soundtrack. But Souza's not a big star yet by any means. What popularity she has remains largely confined to the jazz cognoscenti and her fellow musicians, the latter of whom seem uniformly to adore her. High on the list of things they admire about Souza is her willingness to take risks. Consider the rapid-fire unison lines she sings with guitarist Romero Lubambo on ''Duos II," the album they'll likely draw heavily from in their Bank of America Celebrity Series double bill with Joe Lovano tomorrow night at Sanders Theatre. Souza, 39, and Lubambo have been playing together for a decade. But while they've built up a large repertoire of material over the years, they rarely have occasion to practice together beyond sound checks. It can sometimes come back to haunt them in concert, Souza admits. ''We have a way of doing them that hopefully comes out clean," Souza explains, laughing. ''Some nights we get into trouble, but even that is exciting for the audience. You try your best, and sometimes it succeeds. Sometimes we fail miserably, and we go back and go, 'Here we go one more time,' and just try again in front of people.
    [Show full text]
  • Down on 'Jazz Street'
    In Review Music PerforMance Down on ‘Jazz Street’ Eastman students play to international audiences And Saxophonist Will Cleary ’10E (MM) took the stage with Van Bebber, Weiser, Mc- in Rochester’s ninth annual jazz festival. Donald, and bassist Kyle Vock ’10E (MM). At a concert featuring saxophonist Dave The 162,000 jazz aficionados who filled Gabe Condon ’13E. Accompanying Keir Glasser ’84E, ’86E (MM) with the Eastman “Jazz Street”—as the area near the Eastman was Trio Slaye—pianist Chris Ziemba ’08E, Jazz Ensemble under the direction of East- School was known during this year’s Xerox bassist Dave Baron ’10E, and drummer Kev- man professor Bill Dobbins, the jazz festi- Rochester International Jazz Festival— in McDonald ’10E. Joining Condon were val and the Eastman School presented this could pick from a cast of big names, includ- drummer Jeff Krol ’13E, bassist Matt Krol year’s jazz scholarships to saxophonist Erik ing Jeff Beck, Herbie Hancock, and Gladys ’13E, doctoral pianist Nick Weiser, saxo- Stabnau of Brighton, N.Y., and guitarist Alex Knight. But fans could also hear many East- phonist Ted Taforo ’12E, and doctoral trum- Patrick of Penfield, N.Y. man students among the 1,000 or so artists. peter Mike Van Bebber. In addition to their own performances, The lineup featured guitarists and Down- Also playing well-received sets were Eastman faculty led high schoolers in a jam beat award winners Graham Keir ’10E and members of The Po’ Boys Brass Band— session that featured guitarist Bob Sneider, trombonists Erik Jacobs ’11E, Chris Van pianist Paul Hofmann, bassist Jeff Camp- uu CENTER STAGE: Trio Slaye, featuring Hof ’08E (MM), Nick Finzer ’09E, Evan bell, and drummer Rich Thompson.r pianist Chris Ziemba ’08E, bassist Dave Dobbins ’94E (MM), and T.
    [Show full text]