Booktopia Prospectus 1
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Book Industry Collaborative Council
FINAL REPORT 2 The material contained in this report has been developed by the Book Industry Collaborative Council. The views and opinions expressed in the materials do not necessarily reflect the views of or have the endorsement of the Australian Government or of any Minister, or indicate the Australian Government’s commitment to a particular course of action. The Australian Government accepts no responsibility for the accuracy or completeness of the contents and accepts no liability in respect of the material contained in the report. ISBN: 978-1-921916-97-7 (web edition) Except for any material protected by a trade mark, and where otherwise noted, this copyright work is licensed under a Creative Commons Attribution 3.0 Australia licence. To view a copy of this licence, visit: http://creativecommons.org/licenses/by/3.0/au/. 3 BOOK INDUSTRY COLLABORATIVE COUNCIL Contents Membership of the Book Industry Collaborative Council 8 Terms of Reference 10 Foreword 11 Executive summary 13 Introduction: Adapting to change 17 Priority issues: Areas where reform is needed 19 Copyright 20 Data 21 Distribution 22 Exports 24 Lending rights 24 Scholarly book publishing 25 Future skills strategy 26 Strategies to improve capability 28 Copyright 29 Data: Models for industry data collection 29 Distribution 30 Exports 32 Lending rights 33 Scholarly book publishing 35 Future skills strategy 36 Implementation 38 Copyright 39 Data 40 Distribution 41 Exports 43 Lending rights 44 Scholarly book publishing 44 Future skills strategy 45 The book industry and Australian -
Disruption and Innovation in the Australian Book Industry: Case Studies of Trade and Education Publishers RESEARCH PAPER 1/2016 (FEBRUARY 2016)
DEPARTMENT OF ECONOMICS Faculty of Business and Economics Macquarie Economics Research Papers Disruption and innovation in the Australian book industry: Case studies of trade and education publishers RESEARCH PAPER 1/2016 (FEBRUARY 2016) Jan Zwar Number 1/2016 February 2016 ISSN 1833-5020 (print) 1834-2469 (online) Zwar, Jan Disruption and innovation in the Australian book industry: Case studies of trade and education publishers Research paper 1/2016 (February 2016) ISSN 1833-5020 (print) 1834-2469 (online) Published by the Department of Economics, Macquarie University Building E4A, Room 443 Eastern Avenue Macquarie University NSW 2109 Tel: +61 2 9850 8474 Email: [email protected] Papers in the series are also available at www.econ.mq.edu.au/research Disruption and innovation in the Australian book industry: Case studies of trade and education publishers Jan Zwar1 ABSTRACT The disruption and structural transformation underway in the global book industry is well known. Major changes include the development of technology which enables digital publishing, distribution and retailing; the entry of disruptive players including Amazon, Google and Apple; the introduction of hand- held digital reading platforms and devices; upheavals in the bricks and mortar retailing sector; and the rise of online and social media as important channels for promoting books. Education publishers are also affected by disruption taking place in the education sector itself, further complicating their business models and operations. To date there has been little systematic examination of the responses of Australian publishers to change and the ways in which traditional publishers are experimenting and innovating, both as defensive responses and initiating change themselves. -
Commonly Used Acronyms and Terms of the Book Industry
Commonly used acronyms and terms of the book industry Acknowledgement/sources: Publish It! (Thorpe-Bowker), Style Manual (Wiley), Australian Booksellers Association, Australian Publishers Association, Australian Copyright Council, American Publishers Association, student research/contribution. Additional contributions are welcomed. Not to be reproduced without written permission. AB&P APRA/ AMCOS Australian Bookseller & Publisher. Quarterly APRA: Australian Performing Rights book industry journal (1921-) published by Association. AMCOS: Australasian Mechanical Thorpe-Bowker. Title changed to Copyright Owners Society. APRA AMCOS is a Books+Publishing (B+P) in 2013.. collecting society that licenses organisations to play, perform, copy, record or make available its ABA members’ music, and distributes the royalties Australian Booksellers Association. The not-for- received to them. Members include songwriters, profit peak organisation for all (new and second composers and music publishers. Originally, hand) Australian booksellers (also ABA APRA AMCOS was two separate organisations. American Booksellers Association). In 1997 they formed an alliance to provide a one-stop service to music creators and music ACBA customers. Australian Campus Booksellers Association. Peak organisation for campus bookshops Archival paper throughout Australia, New Zealand and the Papers specifically made for an extended South Pacific. lifespan which do not discolour or otherwise deteriorate; used in academic texts and other Advance works of permanent value. A payment -
A GUIDE to PUBLISHING Contents
A GUIDE TO PUBLISHING Contents What is publishing? 3 Why publishing? 4 Different types of publishing 5 Life cycle of a book 6 Editorial 8 Design 10 Production 12 Marketing & consumer insight 14 Publicity 16 Sales 18 WHAT IS PUBLISHING? Rights 20 You’ve probably heard people talking about publishing Contracts 22 before – perhaps your favourite author has mentioned their Product 24 publisher, or maybe you’ve noticed a publisher’s name or logo Finance 26 on the spine of a book. But what is publishing and what do Administration 28 publishers actually do? IT 30 Distribution 32 Hachette is one of Australia’s biggest and most diverse trade Looking to get into publishing? 33 publishers, and we’ve put together this booklet to answer Notes 33 those questions because we want to be the publisher and employer of choice for all people. This booklet will show you what publishing is, what publishers do and how you can have a rewarding career in publishing – whatever your skills or background. 3 Why publishing? Different types of publishing A career in publishing is a career the author to change the book and There are many different kinds of provide books for their courses, in one of the main creative refine it to make it the best book it books, and this means there are as well as publishing cutting-edge industries, and is all about can be. But words are just the many different types of publisher. research on all kinds of subjects in storytelling, regardless of your beginning of the story. -
Hachette Australia November 2015
Intellectual Property Arrangements Productivity Commission Issues Paper October 2015 Submission from Hachette Australia November 2015 INTRODUCTION Hachette Australia is pleased to present its submission to the Productivity Commission’s Inquiry into Australia’s Intellectual Property Arrangements, despite the government’s pre- emptive announcement that it has accepted the Harper Competition Policy Review's recommendation to remove the limited restrictions on the parallel importation of books. Hachette Australia is an independently managed Australian subsidiary of Hachette UK, itself the global publishing house Hachette Livre, which is owned by French media group Lagardère. It is considered one of the ‘big five’ publishing companies along with Penguin Random House, Macmillan, HarperCollins and Simon & Schuster. Hachette Australia publishes a wide range of fiction, non-fiction, illustrated, classics and children’s books. It is a ‘trade’ publisher as opposed to an educational (schools and tertiary) publisher. Hachette Australia has seen the submissions of Copyright Agency | Viscopy, the Australian Copyright Council and the Australian Publishers Association in draft form, and supports each of those submissions. Our submission supports our contention that a copyright framework is central to the success of the Australian publishing industry and that, far from ‘impeding further innovation, competition, investment and access to goods and services,’ the existing copyright, IP protection and parallel importation framework is the foundation and basis for an innovative and creative Australian publishing industry. Publishing is an industry built and reliant upon ‘creations of the mind’ and is therefore a core copyright industry. In our industry, IP is wedded to territorial copyright in an intricate structure designed to protect the rights of authors, creators and publishers.