El Sueño Cumplido De Javier Camarena

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Gala de ópera: el sueño cumplido de Javier Camarena El Festival Cultural de Mayo vivió La voz de Camarena sonó magnífica y en una gran noche de domingo con la gala de ópera sincronía al lado de las decenas de músicos del Teatro Degollado. La gran voz del tenor mexica- que conforman a la Orquesta Filarmónica de no Javier Camarena hizo retumbar al auditorio, Jalisco. Su director, Parisotto, es enérgico y quien además se hizo acompañar por la Orquesta su liderazgo, impresionante. El Teatro Dego- Filarmónica de Jalisco, dirigida por el canadiense llado lucía pletórico, monumental. Apoyando Marco Parisotto. Las entradas se agotaron desde al tenor Camarena, se escuchaban en el días antes. fondo violines, violas, violonchelos, flautas, fagots, clarinetes, trompetas, trombones, Javier Camarena es la sensación actual en el tubas, timbales percusiones y un arpa. mundo de la ópera. Su extraordinario talento lo ha llevado a cantar en Nueva York, Viena, Madrid, Los asistentes se vieron por demás complaci- entre muchas otras ciudades. Sin embargo, uno de dos de haber escuchado a una de las gran- sus grandes sueños era presentarse en el Teatro des voces del mundo. Al finalizar la velada, la Degollado. Anoche tuvo la oportunidad de saldar gente se puso de pie y aplaudió a Camarena esa cuenta pendiente, y qué mejor forma de hacer- durante 20 minutos. En un emotivo desenlace lo que dentro del marco del Festival Cultural de del concierto, vimos al tenor y al director de Mayo en su edición número 18. orquesta regresar al escenario numerosas veces. Camarena interpretó un par de piezas El programa preparado para esta presentación más y demostró por qué su voz es conocida contempló diversos pasajes de obras clásicas. La alrededor del mundo. audiencia tapatía se deleitó al escuchar pasajes de la obra de Charles Gounod (Romeo et Juliette), Para más información al instante se pueden Gaetano Donizetti (Don Pasquale / Lucia di Lam- consultar las siguientes redes sociales: mermoor), Giuseppe Verdi (Rigoletto / La Traviata) facebook.com/festivaldemayo, y Gioachino Rossini (Guillaume Telle / La Ceneren- twitter.com/FestivaldeMayo, tola). instagram.com/FestivaldeMayo, youtube.com/user/FestivaldeMayo y el sitio web oficial www.festivaldemayo.org..

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Javier Camarena
TEMPORADA 2020-2021 LAS VOCES DEL REAL JAVIER CAMARENA IVÁN LÓPEZ-REYNOSO PROGRAMA BIOGRAFÍAS FERDINAND HÉROLD (1791-1833) JAVIER CAMARENA Zampa TENOR Obertura Nacido en Xalapa, en el estado de Veracruz, este tenor mexicano estudió con la mezzosoprano Cecilia CHARLES GOUNOD (1818-1893) Perfecto en la Universidad Veracruzana y se graduó con Hugo Barreiro y Maria Eugenia Sutti en la Roméo et Juliette Universidad de Guanajuato. Premiado en los concursos Carlo Morelli 2004 y Francisco Viñas 2005, «L’amour! L’amour!... Ah! Lève-toi, soleil!» ingresó en el International Opera Studio de Zúrich antes de iniciar una carrera que le ha llevado a los principales escenarios del mundo y en la que ha trabajado con los directores de orquesta Claudio ÉDOUARD LALO (1823-1892) Abbado, Marco Armiliato, Maurizio Benini, Bruno Campanella, Daniele Gatti, Fabio Luisi, Zubin Le roi d’Ys Mehta, Evelino Pidò y Franz Welser-Möst. Recientemente ha cantado Edgardo de Lucia di Lammermoor «Vainement, ma bien-aimée» en la Bayerische Staatsoper de Múnich, Tonio de La fille du régiment en la Royal Opera House de JACQUES OFFENBACH (1819-1880) Londres, Arturo de I puritani en la Opéra Bastille de París, Don Ramiro de La Cenerentola en la Opernhaus de Zúrich, La fille du régiment en el Palacio de Bellas Artes de México y este último título La belle Hélène más Nemorino de L’elisir d’amore en la Staatsoper de Viena. En el Teatro Real ha cantado en La fille Obertura du régiment (2014), I puritani (2016), La favorite (2017), Lucia di Lammermoor (2018) y la gala Íntimo GAETANO DONIZETTI (1797-1848) (2019) conmemorando la apertura del Teatro en 1850.
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La Couleur Du Temps – the Colour of Time Salzburg Whitsun Festival 29 May – 1 June 2020
SALZBURGER FESTSPIELE PFINGSTEN Künstlerische Leitung: Cecilia Bartoli La couleur du temps – The Colour of Time Pauline Viardot-Garcia (1821 – 1910) Photo: Uli Weber - Decca Salzburg Whitsun Festival 29 May – 1 June 2020 (SF, 30 December 2019) The life of Pauline Viardot-Garcia – singer, musical ambassador of Europe, outstanding pianist and composer – is the focus of the 2020 programme of the Salzburg Whitsun Festival. “The uncanny instinct Cecilia Bartoli has for the themes of our times is proven once again by her programme for the 2020 Salzburg Whitsun Festival, which focuses on Pauline Viardot. Orlando Figes has just written a bestseller about this woman. Using Viardot as an example, he describes the importance of art within the idea of Europe,” says Festival President Helga Rabl-Stadler. 1 SALZBURGER FESTSPIELE PFINGSTEN Künstlerische Leitung: Cecilia Bartoli Pauline Viardot not only made a name for herself as a singer, composer and pianist, but her happy marriage with the French theatre manager, author and art critic Louis Viardot furthered her career and enabled her to act as a great patron of the arts. Thus, she made unique efforts to save the autograph of Mozart’s Don Giovanni for posterity. Don Giovanni was among the manuscripts Constanze Mozart had sold to Johann Anton André in Offenbach in 1799. After his death in 1842, his daughter inherited the autograph and offered it to libraries in Vienna, Berlin and London – without success. In 1855 her cousin, the pianist Ernst Pauer, took out an advertisement in the London-based journal Musical World. Thereupon, Pauline Viardot-García bought the manuscript for 180 pounds.
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|What to Expect from La Fille Du Régiment
| WHAT TO EXPECT FROM LA FILLE DU RÉGIMENT YOUTHFUL REBELLION, FAMILY DRAMA, AND TENDER YOUNG LOVE— THE WORK: La Fille du Régiment is one of the greatest operatic comedies of all time. Set LA FILLE DU RÉGIMENT high in the Austrian Alps, Gaetano Donizetti’s work tells the story of Marie, An opera in two acts, sung in French an intrepid young orphan raised by a regiment of French soldiers. When Music by Gaetano Donizetti the man of her dreams turns out to be a rebel fighting against the French Libretto by Jules-Henri Vernoy de “family” she has always known, Marie will have to overcome war, fatherly Saint-Georges and Jean-François- disapproval, and even the discovery of her own noble birth to make her Alfred Bayard own “happily ever after” ending come true. With its infectious melodies, First performed February 11, 1840 irresistible humor, and heartwarming tale of love conquering all, Donizetti’s at the Opéra Comique, Paris, France delightful comedy is a treat for audiences of all ages. By the time La Fille du Régiment premiered in 1840, Donizetti was the PRODUCTION most famous composer in Italy and a quickly rising international star. Yet Enrique Mazzola, Conductor there was one place he had yet to conquer: Paris. Joining forces with two Laurent Pelly, Production French dramatists, Donizetti set about writing an opera that would make the Chantal Thomas, Set Designer French capital surrender to his compositional charms. La Fille du Régiment Laurent Pelly, Costume Designer was an instant triumph and cemented Donizetti’s position in Paris. Yet the Joël Adam, Lighting Designer composer wasn’t the only person who enjoyed a career boost from this capti- vating work.
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Seen and Heard International
17/4/2020 Sonya Yoncheva and Javier Camarena are brilliant in Bellini’s Il pirata at the Teatro Real : Seen and Heard International Seen and Heard International SINCE 1999 A LIVE REVIEW SITE FOR OPERA, BALLET, CONCERTS, BROADCASTS AND THEATRE Home Concert Reviews Opera & Ballet Musicals & Others Articles & Interviews Festivals Contact Sonya Yoncheva and Javier Camarena are brilliant in Bellini’s Latest Classical Music Il pirata at the Teatro Real News and Reviews 05/12/2019 NPR NY Times Spain Bellini, Il pirata: Teatro Real Chorus and Orchestra / Maurizio Benini (conductor), Teatro BBC Real, Madrid, 3 & 4.12.2019. (JMI) Independent News When Pandemics Arise, Composers Carry On Plagues and epidemics are ages-old phenomena. They've triggered both fear and inspiration. NPR Andrea Bocelli Will Offer His Easter Concert For Free On YouTube On Sunday, renowned Italian tenor Andrea Bocelli will perform a solo concert at the Cathedral of Mil Sonya Yoncheva as Imogene (c) Javier del Real Richard Teitelbaum, Production: Experimentalist With An Earth-Spanning Ear, Dead At Director – Emilio Sagi 80 Sets – Daniel Bianco Costumes – Pepa Ojanguren As a young man, Teitelbaum Lighting – Albert Faura looked to avant-garde artists like John Cage for inspiration. Casts: He'd l Imogene – Sonya Yoncheva / Yolanda Auyanet Gualtiero – Javier Camarena / Celso Albelo Andrea Bocelli To Perform In Ernesto – George Petean / Simone Piazzola An Empty Duomo Cathedral Itulbo – Marin Yonchev On Easter Sunday Goffredo – Felipe Bou Adele – María Miró The Italian star will sing songs like "Ave Maria" live While it features musical passages of great interest, Vincenzo Bellini’s Il pirata is not in the basic opera from the empty halls of one repertoire, and the challenges presented for both soprano and tenor do not invite top singers to take it the wor on.
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La Fille Du Régiment
LELELELE BUGUE BUGUEBUGUEBUGUE Salle Eugène Le Roy Réservation : Maison de la Presse Le Bugue 05 53 07 22 83 Gaetano Donizetti LA FILLE DU RÉGIMENT Orpheline, Marie was taken in by Sergeant Sulpice, who employs him as a cantinière in his regiment. Crazy in love with Marie, the young peasant Tonio engages in the battalion to see her every day. When the Marquise of Berkenfield reveals the true identity of Mary, who is her daughter, the young woman could be separated forever from Tonio. Acclaimed by the lyric press, South African soprano Pretty Yende returns to the stage of the Met opposite the tenor Javier Camarena for an opera of great vocal virtuosity under the baton of Enrique Mazzola. The alchemist Donizetti's expertise once again acts with this unique blend of melancholy and joy. Tenor Javier Camarena and soprano Pretty Yende team up for a feast of bel canto vocal fireworks—including the show-stopping tenor aria “Ah! Mes amis … Pour mon âme,” with its nine high Cs. Alessandro Corbelli and Maurizio Muraro trade off as the comic Sergeant Sulpice, with mezzo-soprano Stephanie Blythe as the outlandish Marquise of Berkenfield. And in an exciting piece of casting, stage and screen icon Kathleen Turner makes her Met debut in the speaking role of the Duchess of Krakenthorp. Enrique Mazzola conducts. Conductor Marie Marquise Enrique Pretty Stéphanie Mazzola Yende Blythe soprano Mezzo soprano Duchess Tonio Sulpice Kathleen Javier Maurizio Turner Camarena Muraro actress tenor Bass Production : Laurent Pelly DATE : 2nd March 2019 Time : 6.25pm Opera en 2 acts by Giacomo Puccini LA FILLE DU RÉGIMENT World Premiere : Opéra Comique, Paris, 1840.
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Temporada 2016/17
TEMPORADA 2016/17 MECENAS GRACIAS MEDIOS DE COMUNICACIÓN POR HACERLO POSIBLE ABC Agencia EFE Barcelona TV Expansión PATROCINADORES EL PETIT LICEU PROTECTORES DANOS TU APOYO Si quieres que la ópera llegue a todas partes y a todos Si quieres hacer sentir, conmover y vibrar Si quieres compartir unos valores y una historia Si quieres formar parte de una institución viva, de referencia y con proyección internacional. Para que todos juntos podamos disfrutar del Liceu y ser sus protagonistas. Contáctanos y te informaremos: Servicio de Mecenazgo 93 485 86 31 / [email protected] liceubarcelona.cat/donans-suport COLABORADORES AMICS BENEFACTORES Angelini Cementos Molins GiS Mandarin Oriental, Amics de l'Òpera Carlos Garcés Núria Oliveras Axis Corporate Cinesa Gramona Barcelona de Tarragona Àngels Garcia Antoni Planas Banco Mediolanum Coca-Cola Happy Click Port de Barcelona Juan José Araúna Anna M. Garcia M. del Pilar Pons BASF Dilograf Illy Caffè Rolex Ramon Bassas Carme Garriga Rosa M. Provencio Bon Preu Eurofragance Jarclos Segur Ibérica Amèlia Bataller F. Xavier Garriga Pura Puchal Caixa d’Enginyers Fundación Loewe Koobin Serunion Montserrat Baulenas Ezequiel Giró Encarna Roca Catalana Occident Genebre-Hobby Flower Lavinia Sogeur Manuel Bertran Joan Gonzàlez Josep Roca Cellnex Telecom GFT Nationale Suisse Sumarroca Montserrat Boix Jaume Graell M. Carme Rusiñol Tradisa Beatriz Bonet Montserrat Grifell M. del Carmen Sáez Sebastià Borràs Eulàlia Juncosa Anna M. Sagarra M. Àngels Bosch Tomàs Llusera Montserrat Sirera BENEFACTORES José Ignacio
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Orquesta Filarmónica De Buenos Aires ENRIQUE ARTURO DIEMECKE DIRECTOR JAVIER CAMARENA TENOR
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The Royal Opera House Announces Full Details of the 2021/22 Season
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La Fille Du Régiment
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Lucia Di Lammermoor - Gaetano Donizetti
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Effects of the Met: Live in HD on the Democratization of Opera in America
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Performance - School of Music Music, School of 12-2020 Effects of The Met: Live in HD on the Democratization of Opera in America Anna Wigtil Follow this and additional works at: https://digitalcommons.unl.edu/musicstudent Part of the Music Commons This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. EFFECTS OF THE MET: LIVE IN HD ON THE DEMOCRATIZATION OF OPERA IN AMERICA by Anna K. Wigtil A THESIS Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Master of Music Major: Music Under the Supervision of Professor Pamela Starr Lincoln, Nebraska December, 2020 EFFECTS OF THE MET: LIVE IN HD ON THE DEMOCRATIZATION OF OPERA IN AMERICA Anna K. Wigtil, M.M. University of Nebraska, 2020 Advisor: Pamela Starr The Met: Live in HD satellite broadcasts of live opera performances began in 2006 and have since become popular with audiences around the world. While this could be an excellent avenue to democratize opera and make it available to new audiences, the available data indicates that most Live in HD viewers are already opera enthusiasts and have previously attended live opera performances. This thesis examines the history of the Metropolitan Opera’s broadcasting efforts, the demographics of American opera audiences, trends in Live in HD’s repertoire, and strategies to increase Live in HD’s appeal to a broader, more diverse audience that can revitalize opera’s popularity in the United States.
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