An Integrated Framework for Sustaining Industrial Beings in the Urban Context
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'I Am Here': Women Workers' Experiences at the Former Cibali
Gender, Place & Culture A Journal of Feminist Geography ISSN: 0966-369X (Print) 1360-0524 (Online) Journal homepage: https://www.tandfonline.com/loi/cgpc20 ‘I am here’: women workers’ experiences at the former Cibali Tekel Tobacco and Cigarette Factory in Istanbul Eser Selen & Mary Lou O’Neil To cite this article: Eser Selen & Mary Lou O’Neil (2017) ‘I am here’: women workers’ experiences at the former Cibali Tekel Tobacco and Cigarette Factory in Istanbul, Gender, Place & Culture, 24:8, 1165-1184, DOI: 10.1080/0966369X.2017.1372389 To link to this article: https://doi.org/10.1080/0966369X.2017.1372389 Published online: 28 Sep 2017. Submit your article to this journal Article views: 214 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=cgpc20 GENDER, PLACE & CULTURE, 2017 VOL. 24, NO. 8, 1165–1184 https://doi.org/10.1080/0966369X.2017.1372389 ‘I am here’: women workers’ experiences at the former Cibali Tekel Tobacco and Cigarette Factory in Istanbul Eser Selena and Mary Lou O’Neilb aDepartment of Visual Communication Design, Kadir Has University, Istanbul, Turkey; bGender and Women’s Studies Research Center, Kadir Has University, Istanbul, Turkey ABSTRACT ARTICLE HISTORY This study presents oral history research which investigated Received 27 January 2017 the experiences of surviving women workers from the Accepted 23 May 2017 former Cibali Tekel Tobacco and Cigarette Factory in Istanbul, KEYWORDS Turkey. For most of its history, the factory was home to Women; workplace; space; thousands of workers, many of who were women and, at oral history; Cibali Tekel times, outnumbered men two to one. -
Dutchcu|Ture Contemporary Visual Arts in Turkey
Centre for international DutchCu|ture | cooperation Contemporary Visual Arts in Turkey Version 2019 | Written by Anna Zizlsperger Contemporary Visual Arts in Turkey Version 2019 In 2011, SICA (the predecessor of DutchCulture) Acknowledgements produced a comprehensive mapping of the Turkish Written by Anna Zizlsperger based on 2011 mapping cultural field. This mapping was written by local by Hanife Ölmez. experts and edited by Teike Asselbergs and Chantal Hamelinck. The mapping was produce as a means to Edited by Chantal Hamelinck and Teike Asselbergs. promote cultural exchange between the Netherlands Proofread by Natasha Hay. and Turkey and as a starting point of the year 2012, which marked 400 years of Dutch – Turkish diplo- Commissioned by DutchCulture, centre for internati- matic relations. The mapping was supported and onal cooperation. produced in close co-operation with the Dutch public funds. Supported by the Ministry of Education, Culture and Science of the Netherlands. An update of these mappings was commissioned in 2018 by DutchCulture while working with the same editors. The existing mappings were revised and several new mappings were added. The updated mappings are focusing more on giving Dutch cultural practitioners an insight into the Tur- kish cultural field and its infrastructure, and helping them get in contact with colleagues. This mapping is supported by the Ministry of Education, Culture and Science of the Netherlands. Page 2 Contemporary Visual Arts in Turkey Contents Summary 4 Introduction 6 Short history 8 Main -
Ijarr, 3(6), 2018; 07-19
IJARR, 3(6), 2018; 07-19 International Journal of Advanced Research and Review www.ijarr.in THE EFFECTS OF CULTURAL PURPOSE TRANSFORMATION OF INDUSTRIAL HERITAGE STRUCTURES ON THE SOCIAL DEVELOPMENT OF HALIÇ REGION Gözde ÇAKIR KIASIF Haliç University, Faculty of Architecture, Sütlüce, İstanbul, TURKEY, [email protected] ABSTRACT Also called as the Golden Horn, this region is located in the European side of İstanbul, at the entrance of the Bosporus, the extension of the sea that seperates the peninsula from Beyoğlu and the surrounding built area is called Haliç. In the historical continuum, in every period Haliç Region which hosts different congregations and undertakes different roles and missions, is the coast of Fatih, Eyüp, Beyoğlu and Kağıthane. In the 20th century, the industrial structures in the Haliç Region that now depics an inner harbor were seen to negatively affect the ecosystem of the region consecutively decentralisation process initiates. After this process, our heritage industrial heritage, which has a great prospect in terms of historical past, was abandoned and left to decay.However, since the end of the 20th century, the search of private sector for sites in the Golden Horn region, which is near the city center, has started the process of transforming old industrial areas into cultural areas. Thus, many industrial heritages in the idle state have been transformed into cultural structures and have had important effects on the development of the region. The aim of this study is to show that the provision of up-to-date functions to unused industrial heritage structures is an important application for the community development of the region. -
European Journal of Turkish Studies, 20 | 2015 Le Patrimoine Arménien En Turquie : De La Négation À L’Inversion Patrimoniale
European Journal of Turkish Studies Social Sciences on Contemporary Turkey 20 | 2015 Heritage Production in Turkey. Actors, Issues, and Scales - Part II Le patrimoine arménien en Turquie : de la négation à l’inversion patrimoniale. Armenian heritage in Turkey: from denial to ambivalence. Taline Ter Minassian Édition électronique URL : http://journals.openedition.org/ejts/4948 DOI : 10.4000/ejts.4948 ISSN : 1773-0546 Éditeur EJTS Référence électronique Taline Ter Minassian, « Le patrimoine arménien en Turquie : de la négation à l’inversion patrimoniale. », European Journal of Turkish Studies [En ligne], 20 | 2015, mis en ligne le 02 avril 2015, consulté le 16 février 2020. URL : http://journals.openedition.org/ejts/4948 ; DOI : 10.4000/ejts.4948 Ce document a été généré automatiquement le 16 février 2020. © Some rights reserved / Creative Commons license Le patrimoine arménien en Turquie : de la négation à l’inversion patrimoniale. 1 Le patrimoine arménien en Turquie : de la négation à l’inversion patrimoniale. Armenian heritage in Turkey: from denial to ambivalence. Taline Ter Minassian À la mémoire de Sarkis Seropian (1935-2015), éditeur au journal Agos et écrivain- voyageur du patrimoine arménien de Turquie. « Le Seigneur, à ta droite, brise des rois, Au jour de sa colère, Il exerce la justice parmi les nations ; Il sème la ruine, Il brise des têtes sur toute l’étendue du pays ». Dixit Dominus, Psaume 110. David se leva ; il appela Jean, Il appela aussi l’oncle Thoros et leur dit : « Mes oncles, sortez de votre doux sommeil ; La Vierge Haute de Marouthas est venue à moi tout à l’heure en songe ; Il faut que je tire mon épée de ma ceinture, Et que je place les fondements du couvent sur mon épée ; Puis, quand j’aurai achevé la construction du couvent, Que je fasse célébrer dedans une messe ». -
European Journal of Turkish Studies, 20 | 2015, « Heritage Production in Turkey
European Journal of Turkish Studies Social Sciences on Contemporary Turkey 20 | 2015 Heritage Production in Turkey. Actors, Issues, and Scales - Part II "Alternative Heritages" against Dominant Neo-Ottomanism La fabrique du patrimoine en Turquie. Acteurs, enjeux, échelles - Partie II Les « patrimoines alternatifs » face au néo-ottomanisme dominant Muriel Girard (dir.) Édition électronique URL : http://journals.openedition.org/ejts/4933 DOI : 10.4000/ejts.4933 ISSN : 1773-0546 Éditeur EJTS Référence électronique Muriel Girard (dir.), European Journal of Turkish Studies, 20 | 2015, « Heritage Production in Turkey. Actors, Issues, and Scales - Part II » [En ligne], mis en ligne le 15 mars 2015, consulté le 21 février 2020. URL : http://journals.openedition.org/ejts/4933 ; DOI:10.4000/ejts.4933 Ce document a été généré automatiquement le 21 février 2020. © Some rights reserved / Creative Commons license 1 2.a. Emergence, forgetfulness and obstacles in heritage-making process 2.a Émergence, oubli et entraves dans les processus de fabrication patrimoniale European Journal of Turkish Studies, 20 | 2015 2 La Cappadoce chrétienne ottomane : un patrimoine (volontairement) oublié ? Ottoman Christian Cappadocia: a (deliberately) forgotten heritage? Aude Aylin de Tapia Introduction 1 Les traditions s’inventent, se réinventent, l’histoire s’écrit, est réécrite. Le patrimoine est présent, témoin d’une histoire passée, parfois exaltée, parfois occultée, parfois oubliée. Par leur présence sur un territoire et dans les mémoires et par la flexibilité de leur interprétation, les traditions, l’histoire et le patrimoine sont des éléments clés de la définition des idéologies nationales. La notion de patrimoine a transcendé son sens premier d’héritage familial, parallèlement à la formulation des premières idéologies nationales. -
ERMENI MIMARLAR Turkcehc
© Hrant Dink Vakf› Yay›nlar› Anarad H›¤utyun Binas› Papa Roncalli Sok. No: 128 Harbiye 34373 fiiflli / ‹stanbul T: 0212 240 33 61-62 F: 0212 240 33 94 [email protected] www.hrantdink.org Bu kitap, Aral›k 2010’da ‹stanbul’da aç›lan ‘BATILILAfiAN ‹STANBUL’UN ERMEN‹ M‹MARLARI’ adl› sergi kapsam›nda haz›rlanm›flt›r. This book is prepared within the scope of the exhibition ‘ARMENIAN ARCHITECTS OF ISTANBUL IN THE ERA OF WESTERNIZATION’ opened in December 2010, Istanbul. Yay›ma Haz›rlayan Editor HASAN KURUYAZICI Koordinatör Coordinator ZEYNEP TAfiKIN Çeviri Translation NAZIM H‹KMET RICHARD D‹KBAfi Kitap Tasar›m› Book Design ERKAL YAV‹ Grafik Uygulama Layout LORA BAYTAR Kapak Foto¤raflar› Cover Photographs Ön Kapak / Front Cover S‹BEL GÜNAK Arka Kapak / Back Cover GÖKHAN TAN Renk Ay›r›m› ve Bask› Color Separation and Printing MAS MATBAACILIK SAN. VE T‹C. A.fi Hamidiye Mah. So¤uksu Cad. No: 3 34408 Ka¤›thane / ‹stanbul T: 0212 294 10 00 Sertifika No: 12055 1. Bas›m, ‹stanbul, Aral›k 2010 1st Edition, Istanbul, December 2010 3. Bas›m, ‹stanbul, Ekim 2016 (Friends of Hrant Dink Boston MA katk›lar›yla) 3rd Edition, Istanbul, October 2016 (With the support of Friends of Hrant Dink Boston MA) ISBN 978-605-89900-5-0 Sponsorlar Sponsors Bat›l›laflan ‹STANBUL’UN ERMEN‹ M‹MARLARI ARMENIAN ARCHITECTS OF ISTANBUL in the Era of Westernization Yay›ma Haz›rlayan / Ed›ted by HASAN KURUYAZICI Hrant Dink Vakf›, 2007 y›l›nda yaflanan büyük ac›dan sonra, Hrant Dink Foundation was established in 2007 after the painful benzer ac›lar›n yeniden yaflanmamas›, Hrant Dink’in daha adil ve event on January 19, in order to avoid similar pains and to continue özgür bir dünyaya yönelik hayallerini, dilini ve yüre¤ini yaflatmak Hrant Dink’s legacy, his language and heart and his dream of a world amac›yla kuruldu. -
Hrant Dink Foundation 2010 Annual Report
Halaskargazi Cad. Sebat Apt. No:74/ / TR T: +90 212 240 33 61-62 F: +90 212 240 33 94 [email protected] www.hrantdink.org HRANT DINK FOUNDATION 2010 ANNUAL REPORT TO UNLOCK AND TRANSCEND HISTORY EDUCATION TOUCH! YOU WILL DEMOCRATIZE! HISTOORY TO UNLU OCK AND TRANSCEND HISTORY EDUCATION TOUCH! YOU WILL DEMOCRATIZE! HISTOORY DIAALOGUE PROGRAMME BETWEEN TURKISH AND ARMENIAN JOURNALISTS DEMOCRATIZATION AAND DIALOGUE PROGRAMME BETWEEN TURKISH AND ARMENIAN JOURNALISTS DEMOCRATIZATION AAND HUMMAN RIGHTS ARMENIAN ARCHITECTS OF ISTANBUL IN THE ERA OF WESTERNIZATTION HUMMAN RIGHTS ARMENIAN ARCHITECTS OF ISTANBUL IN THE ERA OF WESTERNIZATIONI TURRKEY-ARMENIA RELATIONSHIP MEDIA WATCH AND HATE SPEECH THE CULTURAL INTERACTTION TURRKEY-ARMENIA RELATIONSHIP MEDIA WATCH AND HATE SPEECH THE CULTURAL INTERACTIION IN THET OTTOMAN EMPIRE AND TURKEY DIALOGUE ON THE ARMENIAN TABOO CREATING ANECDOTTES IN THET OTTOMAN EMPIRE AND TURKEY DIALOGUE ON THE ARMENIAN TABOO CREATING ANECDOTTES BASEDS ON OUR DIFFERENCES FILMS ABOUT CONSCIENCE TO THOSE WHO SHOULDERED AAND BASEDS ON OUR DIFFERENCES FILMS ABOUT CONSCIENCE TO THOSE WHO SHOULDERED AAND BROOUGHT THE BOOKS... ART AND CULTURE THE SUPPORT FUND FOR RESEARCH IN HISTORY STUDDIES BROOUGHT THE BOOKS... ART AND CULTURE THE SUPPORT FUND FOR RESEARCH IN HISTORY STUDIES FOUNDATION EMPLOYEES Hermine Sayan – Administration Zeynep Taşkın – Project Coordinator Pakrat Estukyan – Armenian Translations Murat Gözoğlu – Archive Manager BOARD OF TRUSTEES Rahil Dink Zabel Dink Haykanuş Dink Hasrof Dink Yervant Dink Arat Dink Delal Dink BOARD OF DIRECTORS Rahil Dink - Chair Delal Dink Yervant Dink Zabel Dink İbrahim Betil Betül Tanbay Oral Çalışlar DEPUTY MEMBERS OF THE BOARD OF DIRECTORS Sibel Asna Hrant Dink Foundation was established in 2007 after the Zeynep Taşkın painful event on January 19th, in order to avoid similar AUDIT COMMITTE pains and to continue Hrant Dink’s legacy, his language and heart and his dream of a world that is more free Arat Dink and just.