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Some Products in This Line Do Not Bear the AP Seal. Product Categories Manufacturer/Company Name Brand Name Seal
# Some products in this line do not bear the AP Seal. Product Categories Manufacturer/Company Name Brand Name Seal Adhesives, Glue Newell Brands Elmer's Extra Strength School AP Glue Stick Adhesives, Glue Leeho Co., Ltd. Leeho Window Paint Gold Liner AP Adhesives, Glue Leeho Co., Ltd. Leeho Window Paint Silver Liner AP Adhesives, Glue New Port Sales, Inc. All Gloo CL Adhesives, Glue Leeho Co., Ltd. Leeho Window Paint Sparkler AP Adhesives, Glue Newell Brands Elmer's Xtreme School Glue AP Adhesives, Glue Newell Brands Elmer's Craftbond All-Temp Hot AP Glue Sticks Adhesives, Glue Daler-Rowney Limited Rowney Rabbit Skin AP Adhesives, Glue Kuretake Co., Ltd. ZIG Decoupage Glue AP Adhesives, Glue Kuretake Co., Ltd. ZIG Memory System 2 Way Glue AP Squeeze & Roll Adhesives, Glue Kuretake Co., Ltd. Kuretake Oyatto-Nori AP Adhesives, Glue Kuretake Co., Ltd. ZIG Memory System 2Way Glue AP Chisel Tip Adhesives, Glue Kuretake Co., Ltd. ZIG Memory System 2Way Glue AP Jumbo Tip Adhesives, Glue EK Success Martha Stewart Crafts Fine-Tip AP Glue Pen Adhesives, Glue EK Success Martha Stewart Crafts Wide-Tip AP Glue Pen Adhesives, Glue EK Success Martha Stewart Crafts AP Ballpoint-Tip Glue Pen Adhesives, Glue STAMPIN' UP Stampin' Up 2 Way Glue AP Adhesives, Glue Creative Memories Creative Memories Precision AP Point Adhesive Adhesives, Glue Rich Art Color Co., Inc. Rich Art Washable Bits & Pieces AP Glitter Glue Adhesives, Glue Speedball Art Products Co. Best-Test One-Coat Cement CL Adhesives, Glue Speedball Art Products Co. Best-Test Rubber Cement CL Adhesives, Glue Speedball Art Products Co. -
Front Coverandpage 2
ISSUE 410 – JUNE 2008 TheThe Jester Jester FLASH CARTOONIST’S ISSUE! GET READY TO WALK LONDON’S “STREET OF SHAME” OUR MAN IN MOSCOW CINEMA STORIES GALORE YOUR CHASTITY CARTOONS WILLIAMS TOM CLIVE COLLINS’ RECOMMENDED READING TheNewsletter Newsletter of of the the Cartoonists’ Cartoonists’ Club Club of Greatof Great Britain Britain THE JESTER ISSUE 410 – JUNE 2008 CCGB ONLINE: WWW.CCGB.ORG.UK The Jester The CCGB Committee The Chair Issue 410 - June 2008 Published 11 times a year by The Cartoonists! Club Dear Members, arm and wrist. Of course he (It was of Great Britain General Jumbo: Ed!) was the hero Hope the sun!s been reaching the Chairman: Terry Christien of the hour for catching burglars and right parts! bully boys by sending all these rug- 020-8892 3621 After a splendid Shrewsbury Car- ged little toys into action typically for [email protected] toon Festival last month, there was example, rolling ball bearings in Secretary: Jed Stone a regional gathering of members in front of a swag laden criminal on the 01173 169 277 Bristol earlier this month organised run "- "rich illustrative material! But it by Tim Harries. It certainly seemed [email protected] just shows you even though they to go down well judging from the can come up with the weird and the Treasurer: Anne Boyd photographs on the forum. wonderful, the comic cartoonists 01173 169 277 As I write, a bunch of us will be have been there before. Not so [email protected] meeting in Stoke on Trent to cele- crazy to involve the likes of Membership Secretary: brate the late Dave Follows!s us scallies to draw up the front lines! Jed Pascoe: 01767-682 882 retrospective exhibition of Three What about Thunderbirds type Decades of Cartooning. -
Marvel Comics Marvel Comics
Roy Tho mas ’Marvel of a ’ $ Comics Fan zine A 1970s BULLPENNER In8 th.e9 U5SA TALKS ABOUT No.108 MARVELL CCOOMMIICCSS April & SSOOMMEE CCOOMMIICC BBOOOOKK LLEEGGEENNDDSS 2012 WARREN REECE ON CLOSE EENNCCOOUUNNTTEERRSS WWIITTHH:: BIILL EVERETT CARL BURGOS STAN LEE JOHN ROMIITA MARIIE SEVERIIN NEAL ADAMS GARY FRIIEDRIICH ALAN KUPPERBERG ROY THOMAS AND OTHERS!! PLUS:: GOLDEN AGE ARTIIST MIKE PEPPE AND MORE!! 4 0 5 3 6 7 7 2 8 5 6 2 8 1 Art ©2012 Marvel Characters, Inc.; Human Torch & Sub-Mariner logos ™ Marvel Characters, Inc. Vol. 3, No. 108 / April 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) AT LAST! Ronn Foss, Biljo White LL IN Mike Friedrich A Proofreader COLOR FOR Rob Smentek .95! Cover Artists $8 Carl Burgos & Bill Everett Cover Colorist Contents Tom Ziuko With Special Thanks to: Writer/Editorial: Magnificent Obsession . 2 “With The Fathers Of Our Heroes” . 3 Glenn Ald Barbara Harmon Roy Ald Heritage Comics 1970s Marvel Bullpenner Warren Reece talks about legends Bill Everett & Carl Burgos— Heidi Amash Archives and how he amassed an incomparable collection of early Timelys. Michael Ambrose Roger Hill “I’m Responsible For What I’ve Done” . 35 Dave Armstrong Douglas Jones (“Gaff”) Part III of Jim Amash’s candid conversation with artist Tony Tallarico—re Charlton, this time! Richard Arndt David Karlen [blog] “Being A Cartoonist Didn’t Really Define Him” . 47 Bob Bailey David Anthony Kraft John Benson Alan Kupperberg Dewey Cassell talks with Fern Peppe about her husband, Golden/Silver Age inker Mike Peppe. -
Blockbusters 2016 Fill out and Return to Your Child's Teacher with Check Payable to Scholastic Reading Club
ORDER ONLINE DUE DATE Enter Your Class Code: Please Return Your Flyer UP TO 64% OFF! or Order Online By: Scholastic Reading Club SEPTEMBER 2016 scholastic.com/readingclub FREE Reading Reward BLOCKBUS RS When You Order This Month! TE Promotion valid when teacher submits order 8/1–9/30. NEW! LEGO® Star Adventure! ® NEW! slime! NEW! Wars : Chronicles of the Force Ghostbuster’s Look and Find®: Handbook Finding Dory 96 pages 96 pages 20 pages Info about the latest Think you have what and greatest sets Kids can search for and Minifigures it takes to catch Dory and friends ® ghosts? Then strap in the LEGO Star in eight brightly Wars galaxy! on your proton pack illustrated, full-color and let’s get busting! spreads. ITEM # 21V2 ITEM # 32V2 ITEM # 47V2 Full-Color Comes with Only $7 Paperback Character Guide Exclusive Minifigure! Ghostbusters TM & © 2016 and Exclusive LEGO, the LEGO logo, the Brick and Knob Columbia Pictures Industries, Inc. Exclusive! $5 configurations and the Minifigure are trademarks All rights reserved. Hardcover Retail $7.98 Minifigure $17 of The LEGO Group. © 2016 The LEGO Group. © & TM 2016 LUCASFILM LTD. All rights reserved. Minifigure for ages 6+ Magic! The Chills! Includes: Secret's • Sticky Notes • Notepad NEW! Out! SEE THE HIT • Agenda The Secret Life of Pets: The MOVIE! • Pen Deluxe Junior Novelization Set 144 pages NEW! Ever wonder what your pets do Miss when you go to school? Peregrine’s ITEM # 70V2 Home for Peculiar Book and Children Pen Topper $9 by Ransom Riggs Retail $10.98 392 pages Jacob NEW! explores Descendants Tri-Fold COMES an abandoned orphanage that holds Keep your stuff organized all year round WITH PEN strange—and deadly—secrets. -
Marvel Comics Marvel Comics
Roy Tho mas ’Marvel of a ’ $ Comics Fan zine A 1970s BULLPENNER In8 th.e9 U5SA TALKS ABOUT No.108 MARVELL CCOOMMIICCSS April & SSOOMMEE CCOOMMIICC BBOOOOKK LLEEGGEENNDDSS 2012 WARREN REECE ON CLOSE EENNCCOOUUNNTTEERRSS WWIITTHH:: BIILL EVERETT CARL BURGOS STAN LEE JOHN ROMIITA MARIIE SEVERIIN NEAL ADAMS GARY FRIIEDRIICH ALAN KUPPERBERG ROY THOMAS AND OTHERS!! PLUS:: GOLDEN AGE ARTIIST MIKE PEPPE AND MORE!! 4 0 5 3 6 7 7 2 8 5 6 2 8 1 Art ©2012 Marvel Characters, Inc.; Human Torch & Sub-Mariner logos ™ Marvel Characters, Inc. Vol. 3, No. 108 / April 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) AT LAST! Ronn Foss, Biljo White LL IN Mike Friedrich A Proofreader COLOR FOR Rob Smentek .95! Cover Artists $8 Carl Burgos & Bill Everett Cover Colorist Contents Tom Ziuko With Special Thanks to: Writer/Editorial: Magnificent Obsession . 2 “With The Fathers Of Our Heroes” . 3 Glenn Ald Barbara Harmon Roy Ald Heritage Comics 1970s Marvel Bullpenner Warren Reece talks about legends Bill Everett & Carl Burgos— Heidi Amash Archives and how he amassed an incomparable collection of early Timelys. Michael Ambrose Roger Hill “I’m Responsible For What I’ve Done” . 35 Dave Armstrong Douglas Jones (“Gaff”) Part III of Jim Amash’s candid conversation with artist Tony Tallarico—re Charlton, this time! Richard Arndt David Karlen [blog] “Being A Cartoonist Didn’t Really Define Him” . 47 Bob Bailey David Anthony Kraft John Benson Alan Kupperberg Dewey Cassell talks with Fern Peppe about her husband, Golden/Silver Age inker Mike Peppe. -
University of Florida Thesis Or Dissertation Formatting
FROM SERIAL DEATH TO PROCEDURAL LOVE: A STUDY OF SERIAL CULTURE By STEPHANIE BOLUK A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2011 1 © 2011 Stephanie Boluk 2 For my mum 3 ACKNOWLEDGMENTS One of the reasons I chose to come to the University of Florida was because of the warmth and collegiality I witnessed the first time I visited the campus. I am grateful to have been a member of such supportive English department. A huge debt of gratitude is owed to my brilliant advisor Terry Harpold and rest of my wonderful committee, Donald Ault, Jack Stenner, and Phil Wegner. To all of my committee: a heartfelt thank you. I would also like to thank all the members of Imagetext, Graduate Assistants United, and Digital Assembly (and its predecessor Game Studies) for many years of friendship, fun, and collaboration. To my friends and family, Jean Boluk, Dan Svatek, and the entire LeMieux clan: Patrick, Steve, Jake, Eileen, and Vince, I would not have finished without their infinite love, support, patience (and proofreading). 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS.................................................................................................. 4 LIST OF FIGURES.......................................................................................................... 7 INTRODUCTION........................................................................................................... 11 Serial Ancestors..................................................................................................... -
“We're Not Rated X for Nothin', Baby!”
CORSO DI DOTTORATO IN “LE FORME DEL TESTO” Curriculum: Linguistica, Filologia e Critica Ciclo XXXI Coordinatore: prof. Luca Crescenzi “We’re not rated X for nothin’, baby!” Satire and Censorship in the Translation of Underground Comix Dottoranda: Chiara Polli Settore scientifico-disciplinare L-LIN/12 Relatore: Prof. Andrea Binelli Anno accademico 2017/2018 CONTENTS CONTENTS ........................................................................................................................................................................ 1 INTRODUCTION ............................................................................................................................................................. 3 SECTION 1: FROM X-MEN TO X-RATED ............................................................................................................ 11 Chapter 1. “DEPRAVITY FOR CHILDREN – TEN CENTS A COPY!” ......................................................... 12 1.1. A Nation of Stars and Comic Strips ................................................................................................................... 12 1.2. Comic Books: Shades of a Golden Age ............................................................................................................ 24 1.3. Comics Scare: (Self-)Censorship and Hysteria ................................................................................................. 41 Chapter 2. “HAVE YOU EVER SEEN THE RAIN?”: RISE AND FALL OF A COUNTERCULTURAL REVOLUTION ................................................................................................................................................................ -
Newsletter Issue 2.Pub
TTHEHE BB EANOEANO && DD ANDYANDY CC OLLECTORSOLLECTORS ’’ CC LUBLUB Founder Year 2006-7 February 2007 Issue 2 Contents 2 Editorial 3 Caption competition 4 Letters to the Editor 5 Cut the ads, and make gifts flat! 6 Changing times 7 The cream of the crop 8 Items for sale - - COLLECTORS ’ C LUB I NFORMATION The Beano & Dandy Collectors’ Club Articles for publication will be gratefully PO Box 3433 received and should be sent to the PO Box Brighton address as should any other correspon- BN50 9JA dence. United Kingdom Annual Subscription 2006-2007 Tel 01273 673462 UK £18.00 Mob 07739 844703 Email [email protected] Europe £21.00 Web www.phil-comics.com Worldwide £24.00 The BEANO and The DANDY logos are ®© DC Thomson & Co. Ltd., 2007. All associated characters are © DC Thomson & Co. Ltd. Used By Kind Permission of DC Thomson & Co. Ltd. EDITORIAL Firstly, I hope you enjoyed the Christ- Scottish capital, described it as “an see pictured, incorporated ‘The mas and New Year festivities, and wish excellent start”. Broons’. The Broons were introduced in you all the best for 2007. Scotland in The Sunday Post, in 1936, Thirdly, something has become very shortly before the arrival of The Dandy In the not-so-distant past I would al- apparent with my eBay auction sales in (1937) and The Beano (1938). The ways set myself numerous resolutions, the last couple of years in that the vast Beano & Dandy are undoubtedly the often involving exercise, which inevita- majority of people today pay for their most popular comics in England, Scot- bly became broken before the end of items by PayPal, due to its hassle-free, land and Wales whilst The Broons are a January, after it became clear they instant nature. -
The Ohio State University FRIENDS of the LIBRARIES SPRING QUARTER 2003
The Ohio State University FRIENDS OF THE LIBRARIES SPRING QUARTER 2003 Volume 6 No. 1 Dear Friends Libraries Hire Local Architecture Firm These opening years of the 21st cen- to Begin Main Library Renovation tury, welcomed with enthusiasm and hope for their promise, have found us in a world more contentious, more try- ing, even more threatening than we expected qt the turn of the millenni- um. An odd opening for a Friends letter? Yes. To what purpose? To remind you that the Friends exist in support of one of the country’s most impressive e collections of libraries and that those libraries provide access to an extraordinary range of human achievement in literature, in science, in the social and political conventions that have shaped and sometimes shak- en our world. They offer to us the means by which we can try to place ourselves in the many contexts of the physical and cultural lines that proj- William Oxley Thompson Memorial Library ect cons into the past and beyond con- ception into the future. Truisms? Yes. December 2002, Acock Architects Conlon, Architect and Project Captain. Why mention them? Because as indi- Associates, Columbus, Ohio, were A committee representing the Libraries, viduals and as society we need to take selected by a University committee as Undergraduate Student Government, full and continuing advantage of the Associate Architect (“architect of the Council of Graduate Students, this incredible resource, be it for record”) for the renovation of the University Development, the Office pleasure, for learning and growth, for William Oxley Thompson Memorial of the Chief Information Officer, the that research that may help us to Library. -
The Alex Raymond Auction
The Alex Raymond Auction March 31, 2020 THE ALEX RAYMOND FLASH GORDON AUCTION 121 AUCTION TUESDAY, MARCH 31, 2020 AT 11:00 AM PDT R ecently, we were contacted by a client whose late husband was a life-long collector, attending comic and science fiction conventions going back to the 1960s. While reviewing LIVE • MAIL • PHONE • FAX • INTERNET the various artifacts her husband had amassed, she mentioned in passing that she had PLACE YOUR BID OVER THE INTERNET! something framed on her wall having to do with the old Flash Gordon comic strips. When PROFILES IN HISTORY WILL BE PROVIDING INTERNET-BASED BIDDING TO QUALIFIED BIDDERS IN REAL-TIME ON THE DAY she sent detailed images of the piece, we couldn’t believe our eyes…it was the original OF THE AUCTION. FOR MORE INFORmaTION, PLEASE VISIT US @ WWW.PROFILESINHISTORY.COM artwork for the very first issue of Flash Gordon, replete with “No 1” handwritten beside comic legend Alex Raymond’s signature! Here it was, after 87 years of casting an indelible AUCTION LOCATION PRESIDENT/CHIEF EXECUTIVE OFFICER shadow of influence on science fiction and pop culture. From Superman’s tights and cape, PROFILES IN HISTORY JOSEPH M. MADDALENA to the space opera that would become Star Wars, Flash Gordon inspired creators across 26662 AGOURA ROAD genres and generations. This seminal artwork remains an icon among icons, and we very CALABASAS, CA 91302 ACQUISITIONS/CONSIGNMENT RELATIONS proudly offer this alongside its original companion piece that launched simultaneously as BRIAN R. CHANES a “topper” above Flash in the Sunday comics on January 7, 1934: Alex Raymond’s artwork AUCTION PREVIEW for Jungle Jim #1 – the popular jungle adventure strip! This visionary collector was able BY APPOINTMENT ONLY GENERAL MANAGER/CREATIVE DIRECTOR to secure the origin and first appearance issues for both characters! Lastly, two additional CALL: 310-859-7701 LOU BUSTAMANTE Alex Raymond artworks were discovered, both created for the wartime issue of LOOK PROFILES IN HISTORY Magazine published October 20, 1942. -
Popeye Classic Newspaper Vol 1 Preview
Of Ducks, Mice, and one-eyed Sailors: FROM THE INTRODUCTION BY ANDREW FARAGO: In 1986—for the first time since the Eisenhower administration—King Features Syndicate was in need of a daily Popeye cartoonist. It surprised the comics community that one of the most venerable, most respected newspaper syndicates would entrust their most beloved and most iconic character to a cartoonist whose best known character was a misanthropic, ill-tempered reprobate named Dirty Duck; whose previous credits included a stint at Playboy and freelancing for National Lampoon (where he was a founding contributor); and who was one of the Air Pirates, a group of underground cartoonists whose biggest claim to fame was publishing an unauthorized, adults-only Mickey Mouse parody leading to a decade-long court battle with Disney… …Although it seemed like an unlikely pairing, to those who knew Bobby London and his work, there was no denying his talent or his love and knowledge of classic comic strips. To those who knew Popeye's history, London was the obvious choice. Here was a cartoonist who could capture the freewheeling, chaotic, unpredictable spirit of E. C. Segar’s original Thimble Theatre strips. LibraryofAmericanComics.com • idwpublishing.com The cartoonist with a week’s worth of Popeye dailies on his drawing board, 1992 Photo: Newsweek Photo: IDW PUBLISHING San Diego Popeye created by E. C. Segar THE LIBRARY OF AMERICAN COMICS ISBN: 978-1-61377-874-6 libraryofamericancomics.com First Printing, March 2014 Distributed by Diamond Book Distributors EDITOR AND DESIGNER 1-410-560-7100 Dean Mullaney Published by ASSOCIATE EDITOR IDW Publishing Bruce Canwell a Division of Idea and Design Works, LLC 5080 Santa Fe Street • San Diego, CA 92109 www.idwpublishing.com ART DIRECTOR Lorraine Turner IDW Publishing Ted Adams, Chief Executive Officer/Publisher INTRODUCTION Greg Goldstein, Chief Operating Officer/President Robbie Robbins, EVP/Sr. -
Feminist Comics in an International Frame
Feminist Encounters: A Journal of Critical Studies in Culture and Politics, 4(1), 01 ISSN: 2542-4920 Editorial Feminist Comics in an International Frame Sally R Munt 1*, Rose Richards 2 Published: April 11, 2020 This special issue, which has been jointly edited by Sally R Munt, Rose Richards and comic artist Nicola Streeten, is focussed on exploring how comics and graphic narratives have engaged with feminist politics. We have brought together artists and critics from a range of countries to discuss and debate how artists represent and debate gender, with examples of comics taken from Japan, Nepal, India, UK, China, Mexico, Democratic Republic of the Congo, Egypt, Argentina, Turkey, Hong Kong, and South Africa. We are thrilled to bring this content to our readers; the special issue offers a snapshot of how international comic art can politicise gender in the twenty-first century. Framing our special issue on comics is an exploration of global comic diversity and local specificity, as each of the texts discussed exists in a dynamic intertextuality between the local and global production and consumption of popular culture. Comics usually take the form of sequential panels in order to create a narrative. Sometimes for example with stylistic rhetoric such as caricature, comics can consist of a single satirical drawing or cartoon intended to communicate a punch line or joke. In-text formalistic devices such as captions, speech balloons or movement shadowing enhance the chronological sense of movement of a story. Comics are an ancient genre, arguably European cave paintings in Lascaux, France, with their vibrant action scenes, are the earliest form of comic.