Acoustic Design of Ancient Buildings: the Odea of Pompeii and Posillipo
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Characterization of Concrete from Roman Buildings for Public Spectacles in Emerita Augusta (Mérida, Spain)
Characterization of concrete from Roman buildings for public spectacles in Emerita Augusta (Mérida, Spain) María Isabel Mota-Lópeza, Rafael Fortb, Mónica Álvarez de Buergob, Antonio Pizzoc, Rubén Maderuelo-Sanza, Juan Miguel Meneses-Rodrígueza, Duygu Ergençb (a) Instituto Tecnológico de Rocas Ornamentales y Materiales de Construcción, INTROMAC, Campus Universidad de Extremadura, 10071, Cáceres, Spain. (b) Instituto de Geociencias (CSIC, UCM), José Antonio Nováis 12, 28040, Madrid, Spain. (c) Instituto de Arqueología de Mérida (IAM-CSIC). Plaza de España 15, 06800, Mérida, Spain. Abstract The present study focuses on the compositional characterization of Roman concrete from Roman buildings for public spectacles, theatre and amphitheatre, from Emerita Augusta, Mérida, Spain. An advanced knowledge of the Roman concrete composition is required to get a reliable restoration and preservation of these ancient monuments. The concrete was studied through mineralogical (petrographic microscope and X ray diffraction) and petrophysical (bulk and real density, open porosity, mercury intrusion porosimetry, compressive strength and ultrasonic pulse velocity) analyses. With this work, it is possible to fill the gap which exists in this field, the characterization of the materials used in the Roman concrete from these two buildings, never previously studied, despite the significance of this archaeological ensemble, declared a World Heritage Site by UNESCO in 1993. The obtained results of the studied samples, allowed us to determine the composition of the concrete and to infer the provenance of the aggregates used in it. Keywords: Roman concrete; Heritage; Mineralogical analysis; Petrophysical analysis; Provenance. 1 1. Introduction The restoration of historical buildings is very important for the history and culture of the cities and their population. -
With Archaeologist Kathleen Lynch
THE LEGACY OF Ancient Greece October 13-25, 2021 (13 days | 16 guests) with archaeologist Kathleen Lynch Delphi © Runner1928 Archaeology-focused tours for the curious to the connoisseur Archaeological Institute of America xperience the glories of Greece, from the Bronze Age to the Classical era and beyond, amid the variety of springtime landscapes of the mainland Lecturer & Host and the Peloponnese peninsula. This is a superb opportunity to ignite, Kathleen Lynch Eor reignite, your passion for the wonders of Greek archaeology, art, and ancient is Professor history and to witness how integral mythology, religion, drama, and literature of Classics at the University are to their understanding. This well-paced tour, from city to mountains to of Cincinnati seaside, spends a total of four nights in the modern yet historic capital, Athens; and a classical two nights in the charming port town of Nafplion; one night in Dimitsana, archaeologist with a medieval mountain village; two nights in Olympia, home of the original a focus on ancient Olympic Games; and two nights in the mountain resort town of Arachova, Greek ceramics. She earned her near Delphi. Ph.D. from the Highlights include: University of Virginia, and has worked on archaeological projects at sites in • SIX UNESCO World Heritage Sites: Greece (Athenian Agora, Olynthos, ˚ Athens’ Acropolis, with its stunning Parthenon and Erechtheion Corinth, Pylos), Turkey (Gordion, temples, plus the nearby Acropolis Museum; Troy), Italy (Morgantina), and Albania (Apollonia). Kathleen’s research considers ˚ the greatest ancient oracle, Delphi, located in a spectacular what ancient ceramics can tell us mountain setting; about their use and users. -
Typological Studies of Ancient Theatre Architecture: the Tree Vs
Paper Information: Title: Typological Studies of Ancient Theatre Architecture: The Tree vs. the Rhizome Model Author: Zeynep Aktüre Pages: 89–107 DOI: http://doi.org/10.16995/TRAC2007_89_107 Publication Date: 04 March 2008 Volume Information: Fenwick, C., Wiggins, M., and Wythe, D. (eds.) (2008) TRAC 2007: Proceedings of the Seventeenth Annual Theoretical Roman Archaeology Conference, London 2007. Oxford: Oxbow Books. Copyright and Hardcopy Editions: The following paper was originally published in print format by Oxbow Books for TRAC. Hard copy editions of this volume may still be available, and can be purchased direct from Oxbow at http://www.oxbowbooks.com. TRAC has now made this paper available as Open Access through an agreement with the publisher. Copyright remains with TRAC and the individual author(s), and all use or quotation of this paper and/or its contents must be acknowledged. This paper was released in digital Open Access format in April 2013. Typological Studies of Ancient Theatre Architecture: The Tree vs. the Rhizome Model Zeynep Aktüre This paper aims to draw attention to a comparatively recent paradigm shift in studies on ancient theatre architecture that has resulted in a transformation of the rather familiar theatre typology based on Greek-Roman binarism to one which stresses a multiplicity in the ancient performance building types that escapes a representation of the binary model; and explains this change by a parallel shift of emphasis from the idea of commonness to that of plurality in the conceptualisation of European cultural identity. Such contextualisation of the modern historiography on ancient theatre architecture in contemporary Europe, where we find the origins of archaeology as a discipline, would conform to the idea that ‘archaeological interpretation is necessarily a subjective process which is influenced by the socio-political context in which it takes place’ (Jones and Graves-Brown 1996: 19). -
Acoustics of the Odeon Herodes Atticus
Proceedings of the Institute of Acoustics AN INVESTIGATION INTO THE ACOUSTICS OF THE ODEON OF HERODES ATTICUS Eleni Tavelidou MSc, Solent University Chris Barlow Prof, PhD, MIOA, MAES, Solent University 1 INTRODUCTION An increased interest in the study of the acoustical properties of ancient performance spaces has been reported in recent years. The revival and reproduction of the sound of historical monuments can nowadays be achieved by means of computer modelling software as well as in situ measurements in the view to clarify their acoustic evolution over time[1]. This work has also been encouraged by a number of charters, guidelines and projects put forward from 1931 till nowadays [2], [3]. With the advent of Virtual Reality technologies and 3D environments of high level of detail and accuracy, a realistic representation and navigation within those monuments can also be achieved. This remote real-world experience can serve educational purposes and enhance visitor experience in museums and historical exhibitions. This study investigates the acoustics of an ancient Greek Odeon; the Odeon of Herodes Atticus. Odea were ancient Greek and Roman roofed theatres mainly intended for recitations of an ode (song), hence the name of the structure “Odeon” or “Odeion” as it is also found in the current literature [4], [5].They were often funded by private bodies and tended to be smaller in size compared to the open- air theatres of the same era, but comprised a more elaborate internal décor than the latter [6]. The Odeon of Herodes Atticus (hereafter Odeon HA) is located in Greece in the western part of the ancient Athenian city, Acropolis and it was built by Herodes Atticus, a rich Greek aristocrat and sophist, between 160-169 A.D. -
Ancient Thunder Study Guide 2021 1
BTE • Ancient Thunder Study Guide 2021 1 Ancient Thunder Study Guide In this study guide you will find all kinds of information to help you learn more about the myths that inspired BTE's original play Ancient Thunder, and about Ancient Greece and its infleunce on culture down to the present time. What is Mythology? ...................................................2 The stories the actors tell in Ancient Thunder are called myths. Learn what myths are and how they are associated with world cultures. When and where was Ancient Greece? ..................... 10 The myths in Ancient Thunder were created thousands of years ago by people who spoke Greek. Learn about where and when Ancient Greece was. What was Greek Art like? ..........................................12 Learn about what Greek art looked like and how it inspired artists who came after them. How did the Greeks make Theatre? .......................... 16 The ancient Greeks invented a form of theatre that has influenced storytelling for over two thousand years. Learn about what Greek theatre was like. What was Greek Music like? ..................................... 18 Music, chant, and song were important to Greek theatre and culture. Learn about how the Greeks made music. What are the Myths in Ancient Thunder? ................. 20 Learn more about the Greek stories that are told in Ancient Thunder. Actvities ........................................................................................................... 22 Sources ..............................................................................................................24 Meet the Cast .................................................................................................... 25 2 BTE • Ancient Thunder Study Guide 2021 What is Mythology? Myths are stories that people tell to explain and understand how things came to be and how the world works. The word myth comes from a Greek word that means story. Mythology is the study of myths. -
Travel Dates
GROUP TRAVELING: TRAVEL DATES: DAY 1 – TRAVEL DAY DAY 2 – PARLIAMENT SQUARE / NATIONAL ARCHEOLOGICAL MUSEUM / MT. LYCABETTUS • After meeting your JE Guide at the airport, you will transfer by coach to your hotel. • Parliament Building & Changing of the Guard • National Archeological Museum • Dinner Tonight your group may opt for an evening stroll up Mount Lycabettus for a great view of Athens! DAY 3 – AREOPAGUS HILL / ANCIENT AGORA / ACROPOLIS / LOCAL MARKET • Breakfast • Areopagus Hill (Mars Hill) • Ancient Agora • Lunch • Acropolis: Temple of Athena, Parthenon, Theatre of Dionysus, and Odeon of Herodes Atticus • Shopping at the Monastiraki Flea Market or The Central Market • Dinner * Tonight your group may opt to return to the Agora area for a night view of the Acropolis! DAY 4 – ATTEND A LOCAL CHURCH / PLAKA DISTRICT / TEMPLE OF OLYMPIAN ZEUS AREA • Breakfast • Attend a local church • Lunch • Arch of Hadrian, the ruins of the Temple of Olympian Zeus, and the site of the first modern Olympic Games. • Panathenaic Stadium • Shopping in the Plaka district Joshua Expeditions | (888) 341-7888 | joshuaexpeditions.org ©Joshua Expeditions. All rights reserved. GROUP TRAVELING: TRAVEL DATES: • Dinner* * Tonight your group may opt to attend a traditional dance or theater performance – ask for prices! DAY 5 – DAY TRIP (Select when requesting quote) • OPTION 1: • Ancient Corinth & Loutra Oraias Elenis (A beach, named after its most famous visitor, Helen of Troy!) • OPTION 2: • Greek Island Day Cruise DAY 6: TRAVEL DAY STAY LONGER? • Add 2-3 days, and visit the famous Meteora Monastery region, Thessaloniki, or do a Greek Islands Cruise! Interested in this trip experience? Contact our Travel Specialist today! (888) 341-7888 | joshuaexpeditions.org Joshua Expeditions | (888) 341-7888 | joshuaexpeditions.org ©Joshua Expeditions. -
Detective Work: What Did Music Sound Like in Ancient Rome?
Detective Work: What Did Music Sound Like In Ancient Rome? Lesson Overview Detective Work: Lesson: 1. K to 4 grade. What did music sound like Lesson One: The 2. 4 to 6 class periods. in ancient Rome? Telephone game. 3. Author: Melody Lesson Two: Music Then Nishinaga and Now. 4. History, Music and Lesson Three: Musical English. Instruments. Lesson Four: How to Make Sound. Lesson Five: Musical Archaeology. Lesson Six: Musical Performance. Overview This lesson was designed as a continuation of the lesson entitled Continuity of Culture: Romans in Pompeii. http://layersofrome.utep.edu/lesson-plans/20-romans-pompeii In this lesson students will act as musical archaeologists. They will study and analyze remnants of ancient Roman civilization and its music, the instruments used to perform it, the structures such as the Odeon and the music theaters where it was produced, and the mosaics, frescos and sculptures which depict how it was played. In this lesson, by taking a closer look at surviving musical artifacts and art works such as those from Pompeii, students will gain a broad appreciation of music as performed in the past. They will study how the ancient Romans in Pompeii in their production and appreciation of music are similar to people today. By comparing reconstructions of ancient Roman music with their own, students will be able to draw parallels between the two. Ultimately, they will use the remnants and the comparisons to attempt to reconstruct the musical environment of ancient Rome. Introduction The absence of recording technology in the Roman period has left us with a great deal of uncertainty about the sound of Roman music. -
Discover Athens, Greece Top 5
Discover Athens, Greece Photo: Anastasios71/Shutterstock.com Of all Europe’s historical capitals, Athens is probably the one that has changed the most in recent years. But even though it has become a modern metropolis, it still retains a good deal of its old small town feel. Here antiquity meets the future, and the ancient monuments mix with a trendier Athens and it is precisely these great contrasts that make the city such a fascinating place to explore.The heart of its historical centre is the Plaka neighbourhood, with narrow streets mingling like a labyrinth where to discover ancient secrets. Anastasios71/Shutterstock.com Top 5 1. Roman Agora During the antiquity, the Agora played a major role as both a marketplace and … 2. National Archaeological Museum The National Archaeological Museum, in Exarchia, is home to 3. The Acropolis and its surround The Parthenon, the temple of Athena, is the major city attraction as well as... Anastasios71/Shutterstock.com 4. Benaki Museum of Greek Culture Benaki is a history museum with Greek art and objects from the 5. Mount Lycabettus Mount Lycabettus (in Greek: Lykavittos, Λυκαβηττός) lies right in the centre... Milan Gonda/Shutterstock.com Athens THE CITY DO & SEE Nick Pavlakis/Shutterstock.com Anastasios71/Shutterstock.com Athens’ heyday was around 400 years BC, that’s Dive in perhaps the most historically rich capital when most of the classical monuments were of Europe and discover its secrets. Athens' past built. During the Byzantine and Turkish eras, the and its landmarks are worldly famous, but the city decayed into just an insignicant little city ofiers much more than the postcards show: village, only to become the capital of it is a vivid city of culture and art, where the newly-liberated Greece in 1833. -
Athens in the Age of Pericles, 462–429 BC
Qualification Accredited GCSE (9–1) Prescribed Source Booklet ANCIENT HISTORY J198 For first teaching in 2017 Athens in the Age of Pericles, 462–429 BC Version 1 www.ocr.org.uk/gcseancienthistory Prescribed Sources Booklet Overview of the depth study The relationship Contextual background for the rising tensions between between Athens Athens and Sparta including refusal of Athenian help This depth study continues the time-frame covered in the period study to look and Sparta and supressing the helot revolt, construction of the Long at how Athens changed during the Age of Pericles. The contextual background Pericles’ Foreign Walls and Athens’ growing power; Athens as a leader in to this depth study tracks the relationships between Athens and its allies and Policy the Greek world: the aftermath of the Persian Wars, the between Athens and Sparta and the creation of a radical democracy. This Delian League and Athenian Empire; the significance depth study involves gaining an understanding of the workings of Athenian ascribed to the Megarian degree by Aristophanes; democracy and the political, cultural and religious context which allowed moving the Delian League treasury to Athens; Pericles’ Introduction Pericles to claim in his Funeral Oration that “Athens was an education to Greece”. strategy during the Archidamian War and its impact Students will also analyse how Athenians saw themselves as well as the role and including the plague. position of women in society at this time. Pericles and the The importance of Pericles’ building programme; -
Daybyday Agios Elefterios Nomismatokopio Peania-Kantza Kato Patissia Holargos 23 Self-Guided Tours
Fold Fold ATHENS METRO Iraklio Line 1 (Green line) Irini Neratziotissa Maroussi Kat Kifissia Line 2 (Red line) Line 3 (Blue line) Nea Ionia Line under construction Station stop Pefkakia Interchange Plakentias Athens Station under construction Perissos Halandri Ano Patissia Agia Paraskevi Pallini Athens dayBYday Agios Elefterios Nomismatokopio Peania-Kantza Kato Patissia Holargos 23 Self-guided Tours. 44 Maps. One Great Trip. 23 Smart Ways to See the City Agios Nikolaos Ethniki Amyna At last, a travel guide that tells you how to see Anthoupoli Koropi Katehaki the best of everything—in the smartest, most day Peristeri Attiki Airport time-efficient way. Agios Antonios Panormou Sepolia • The best of Athens in one, two, or three days BY Larissa Victoria • Thematic tours for every interest, schedule, and taste day Metaxourgio Abelokipi Haidari Omonia StadiouStadStS u tadt tiouioo Walking tours of the city’s best-loved neighborhoods MONASTIRAKIMOMMONMONASONASTIRATTIRAKRRAAKKI E L d es Panepistimiou • ErmouEr v r rmoou e iouioou ur Ka Egaleo Megaron Mousikis a k na k ourestoouour ri AtAt n k hinnedosddoo a uk Syntagma Evangelismos MMonaMonastirakioonastonan sstirttirakiakki s g o s M VoV Ili ThissioThissssssioio e PerikleoPPerrikleoklek eeo Eleonas Hundreds of evocative photos a P oos os • ou M l lo n 7 i upo IfestouIfefe s SYNTAGMASYYNNTAGGMMA u onosoon stoststou t s lo toutot iono oou u r t o ErmoEErm A Mitropole a rmm u V Thissio i d P s s klidon n rian a ro . So Bulleted maps that show you how to get from placeIra to place f ou 6 nd po SSyntagmayntagma M fias • o ros leoso Keramikos Monastiraki s s h m s so ] i Acropoli l t I u r AAmfiktionos o u a u h SSyntagmayntagma k eose PPaarliament l o s c idond SStoatoa ooff r l i i o o k SSq.q. -
Athens Photo: Kalleboo of All Europe’S Capitals, Athens Is Probably the One That Has Changed the Most in Recent Years
Athens Photo: kalleboo Of all Europe’s capitals, Athens is probably the one that has changed the most in recent years. But even though Athens has become a modern metropolis, it still retains a good deal of its old small town feel. Here antiquity meets the future, and the ancient monuments form a classical backdrop to a new and trendier Athens – and it is precisely these great contrasts that make the city such a fascinating place to explore. Photo: taver Top 5 National Archaeological Museum The museum houses Ancient Greece’s most spectacular pieces. One room contains Schliemann’s finds from Mycenae. The famous fres... The Acropolis and its surroundings The Parthenon, the temple of Athena, is the major attraction. There is also the Erechteion, whose columns are statues of the f... Agora Photo: trigs Agora used to be both a marketplace and a political centre. The Agora is dominated by the Stoa of Attalus and the Theseion, or... Benaki Benaki is a history museum with many objects from the Stone Age up to the War of Independence against the Turks. In the annex ... Mount Lycabettus Mount Lycabettus (in Greek: Lykavittos, Λυκαβηττός) lies right in the centre of Athens, rising 277 meters (908 feet) above sea... Photo: caribb Updated 15 July 2014 Destination: Athens Publishing date: 2014-07-15 THE CITY ArrivalGuides goes ArrivalTV! Photo: taver Athens’ heyday was around 400 years BC—that’s when most of the classical monuments were built. During the Byzantine and Turkish eras, the city decayed into just an insignicant little village, only to become the capital of newly-liberated Greece in 1833. -
Measurement and Analysis of the Acoustics of the Roman Theatre of Segobriga (Spain)
Measurement and analysis of the acoustics of the Roman theatre of Segobriga (Spain) Álvarez-Corbacho, Ángel1 Instituto Universitario de Arquitectura y Ciencias de la Construcción, Escuela Técnica Superior de Arquitectura, Universidad de Sevilla Av. Reina Mercedes 2, 41012-Seville, Spain Bustamante, Pedro2 Instituto Universitario de Arquitectura y Ciencias de la Construcción, Escuela Técnica Superior de Arquitectura, Universidad de Sevilla Av. Reina Mercedes 2, 41012-Seville, Spain Galindo, Miguel3 Instituto Universitario de Arquitectura y Ciencias de la Construcción, Escuela Técnica Superior de Arquitectura, Universidad de Sevilla Av. Reina Mercedes 2, 41012-Seville, Spain Girón, Sara4 Instituto Universitario de Arquitectura y Ciencias de la Construcción, Escuela Técnica Superior de Arquitectura, Universidad de Sevilla Av. Reina Mercedes 2, 41012-Seville, Spain Zamarreño, Teófilo5 Instituto Universitario de Arquitectura y Ciencias de la Construcción, Escuela Técnica Superior de Arquitectura, Universidad de Sevilla Av. Reina Mercedes 2, 41012-Seville, Spain ABSTRACT Segobriga (Cuenca) was the capital of the Celtiberia region. The specular gypsum of its mines, used as glass in windows, was exported across the whole Empire through the port of Cartago Nova (Cartagena). Its Roman theatre has one of the best conserved cavea of Hispania, although there is no scaenae frons. Its construction dates back to the year 79 A.D. In this work, experimental results and analysis are presented of impulse responses and of the values of the monaural and binaural acoustic parameters recorded in situ. These results correspond to the source- receiver combinations of three positions of the source, located in the proscaenium (2), and in the orchestra (1), and of 19 reception points, distributed across the cavea, 1 [email protected] 2 [email protected] 3 [email protected] 4 [email protected] 5 [email protected] the proedria, and the proscaenium.