University of Richmond UR Scholarship Repository English Faculty Publications English 1995 "Why don't he like my hair?": Constructing African-American Standards of Beauty in Toni Morrison's "Song of Solomon" and Zora Neale Hurston's "Their yE es Were Watching God" Bertram D. Ashe University of Richmond,
[email protected] Follow this and additional works at: http://scholarship.richmond.edu/english-faculty-publications Part of the African American Studies Commons, Comparative Literature Commons, English Language and Literature Commons, Gender and Sexuality Commons, and the Race and Ethnicity Commons Recommended Citation Ashe, Bertram D. ""Why Don't He Like My Hair?": Constructing African-American Standards of Beauty in Toni Morrison's Song of Solomon and Zora Neale Hurston's Their yE es Were Watching God." African American Review 29, no. 4 (1995): 579-92. This Article is brought to you for free and open access by the English at UR Scholarship Repository. It has been accepted for inclusion in English Faculty Publications by an authorized administrator of UR Scholarship Repository. For more information, please contact
[email protected]. "Why don't he like my hair?": Constructing African-American Standards of Beauty in Toni Morrison's Song of Solomon and Zora Neale Hurston's Their Eyes WereWatching God "How can he not love your hair?. It's his hair too. He got to love it." "He don't love it at all. He hates it." (Song 315) Bertram D. Ashe is a doc- toralcandidate at the College of Williamand Mary.His dis- sertation,"From Within the T his last declaration,uttered by a feverish, distraught,dan- Frame:Storytelling in African- gerously mentally ill Hagar Dead to her mother Reba and AmericanFiction," is on the her grandmotherPilate comes midway through one of the most writtenrepresentation of heart-wrenchingscenes in Toni Morrison'sSong of Solomon.In the African-Americanoral story- passage, grandmother,mother, and daughter discuss whether tellingfrom Charles W.