WILLIAM SUTHERLAND HAMILTON PAPERS Mss
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Exclusive Rulebookrulebook
Savannah 1779 1 EXCLUSIVEEXCLUSIVE RULEBOOKRULEBOOK ©2005 Rodger B. MacGowan Volume IV American Revolutionary War Series Revised Nov. 2015 T A B L E O F C O N T E N T S 1. Prepare for Play .................................................... 2 Historical Scenario ....................................................... 9 2. Victory Conditions ................................................ 3 The Siege of Savannah Historical Article .................... 10 3. Sequence of Play ................................................... 4 Campaign Game Reinforcement Schedule .................. 15 4. Special Rules ........................................................ 4 Sequence of Play .......................................................... 16 © 2005 GMT Games #0508 2 Savannah 1779 Defensive Perimeter, and in so doing switches play from the 1. PREPARE FOR PLAY Strategic to the Tactical Game Turn Track. 1.1 Colors: British: 1.6 Game Turn Tracks: Strategic Turn Track: Game Turns 1–15. Each Turn represents Regulars—Tan with red stripe a day, or in some cases multiple days. Player order is fixed. Germans—Tan with green stripe Weather, Random Events, Construction, Siege & Bombardment, Provincials—Tan with yellow stripe Reinforcements, Movement, Rally, Defensive Artillery Fire, and Tory Militia—Tan with brown stripe Close Combat that is not directed against the Savannah Defensive Perimeter, may apply. French Metropolitan Regulars—Light Turquose with Turquoise stripe Tactical Turn Track: Game Turns 16–25. Each Turn represents one hour. Player order -
Hollywood Pantages Theatre Los Angeles, California
® HOLLYWOOD PANTAGES THEATRE LOS ANGELES, CALIFORNIA Hamilton 8/2 Final upload.indd 1 8/2/21 2:41 PM HOLLYWOOD PANTAGES THEATRE August 17-August 31, 2021 Jeffrey Seller Sander Jacobs Jill Furman AND The Public Theater PRESENT BOOK, MUSIC AND LYRICS BY Lin-Manuel Miranda INSPIRED BY THE BOOK ALEXANDER HAMILTON BY Ron Chernow WITH Rubén J. Carbajal Nicholas Christopher Joanna A. Jones Taylor Iman Jones Carvens Lissaint Simon Longnight Rory O’Malley Sabrina Sloan Wallace Smith Jamael Westman AND Sam Aberman Gerald Avery Remmie Bourgeois Amanda Braun Cameron Burke Yossi Chaikin Trey Curtis Karlee Ferreira John Michael Fiumara Tré Frazier Aaron Alexander Gordon Vincent Jamal Hooper Jared Howelton Sabrina Imamura Carina-Kay Louchiey Yvette Lu Taeko McCarroll Mallory Michaellann Candace Quarrels Antuan Magic Raimone Julian Ramos Jen Sese Willie Smith III Terrance Spencer Tommar Wilson Morgan Anita Wood SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN David Korins Paul Tazewell Howell Binkley Nevin Steinberg HAIR AND WIG DESIGN ARRANGEMENTS MUSIC COORDINATORS ASSOCIATE MUSIC SUPERVISOR Charles G. LaPointe Alex Lacamoire Michael Keller Matt Gallagher Lin-Manuel Miranda Michael Aarons EXECUTIVE PRODUCER PRODUCTION SUPERVISORS PRODUCTION STAGE MANAGER MUSIC DIRECTOR Maggie Brohn J. Philip Bassett Scott Rowen Andre Cerullo Amber White MARKETING & COMMUNICATIONS TECHNICAL SUPERVISION CASTING Laura Matalon Hudson Theatrical Associates The Telsey Office John Gilmour Bethany Knox, CSA ASSOCIATE & SUPERVISING DIRECTOR ASSOCIATE & SUPERVISING -
Guide to Canadian Sources Related to Southern Revolutionary War
Research Project for Southern Revolutionary War National Parks National Parks Service Solicitation Number: 500010388 GUIDE TO CANADIAN SOURCES RELATED TO SOUTHERN REVOLUTIONARY WAR NATIONAL PARKS by Donald E. Graves Ensign Heritage Consulting PO Box 282 Carleton Place, Ontario Canada, K7C 3P4 in conjunction with REEP INC. PO Box 2524 Leesburg, VA 20177 TABLE OF CONTENTS PART 1: INTRODUCTION AND GUIDE TO CONTENTS OF STUDY 1A: Object of Study 1 1B: Summary of Survey of Relevant Primary Sources in Canada 1 1C: Expanding the Scope of the Study 3 1D: Criteria for the Inclusion of Material 3 1E: Special Interest Groups (1): The Southern Loyalists 4 1F: Special Interest Groups (2): Native Americans 7 1G: Special Interest Groups (3): African-American Loyalists 7 1H: Special Interest Groups (4): Women Loyalists 8 1I: Military Units that Fought in the South 9 1J: A Guide to the Component Parts of this Study 9 PART 2: SURVEY OF ARCHIVAL SOURCES IN CANADA Introduction 11 Ontario Queen's University Archives, Kingston 11 University of Western Ontario, London 11 National Archives of Canada, Ottawa 11 National Library of Canada, Ottawa 27 Archives of Ontario, Toronto 28 Metropolitan Toronto Reference Library 29 Quebec Archives Nationales de Quebec, Montreal 30 McCord Museum / McGill University Archives, Montreal 30 Archives de l'Universite de Montreal 30 New Brunswick 32 Provincial Archives of New Brunswick, Fredericton 32 Harriet Irving Memorial Library, Fredericton 32 University of New Brunswick Archives, Fredericton 32 New Brunswick Museum Archives, -
Hollywood Pantages Theatre Los Angeles, California
® HOLLYWOOD PANTAGES THEATRE LOS ANGELES, CALIFORNIA 3.12.20 - 3.31.20 Hamilton @ Pantages LA.indd 1 2/27/20 4:29 PM HOLLYWOOD PANTAGES THEATRE March 12-March 31, 2020 Jeffrey Seller Sander Jacobs Jill Furman AND The Public Theater PRESENT BOOK, MUSIC AND LYRICS BY Lin-Manuel Miranda INSPIRED BY THE BOOK ALEXANDER HAMILTON BY Ron Chernow WITH Rubén J. Carbajal Nicholas Christopher Joanna A. Jones Taylor Iman Jones Carvens Lissaint Simon Longnight Rory O’Malley Sabrina Sloan Wallace Smith Jamael Westman AND Sam Aberman Gerald Avery Amanda Braun Cameron Burke Yossi Chaikin Trey Curtis Jeffery Duffy Karlee Ferreira Tré Frazier Aaron Alexander Gordon Sean Green, Jr. Jared Howelton Sabrina Imamura Jennifer Locke Yvette Lu Taeko McCarroll Mallory Michaellann Antuan Magic Raimone Julian Ramos Jen Sese Willie Smith III Terrance Spencer Raven Thomas Tommar Wilson Mikey Winslow Morgan Anita Wood SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN David Korins Paul Tazewell Howell Binkley Nevin Steinberg HAIR AND WIG DESIGN ARRANGEMENTS MUSIC COORDINATORS ASSOCIATE MUSIC SUPERVISOR Charles G. LaPointe Alex Lacamoire Michael Keller Matt Gallagher Lin-Manuel Miranda Michael Aarons EXECUTIVE PRODUCER PRODUCTION SUPERVISOR PRODUCTION STAGE MANAGER MUSIC DIRECTOR Maggie Brohn J. Philip Bassett Scott Rowen Andre Cerullo MARKETING & COMMUNICATIONS TECHNICAL SUPERVISION CASTING Laura Matalon Hudson Theatrical Associates Telsey + Company John Gilmour Bethany Knox, CSA ASSOCIATE & SUPERVISING DIRECTOR ASSOCIATE & SUPERVISING CHOREOGRAPHER Patrick Vassel -
Alice Hamilton: the Making of a Feminist-Pragmatist Rhetor
Georgia State University ScholarWorks @ Georgia State University Communication Theses Department of Communication 1-12-2006 Alice Hamilton: The Making of a Feminist-Pragmatist Rhetor Vicki J. McCoy Follow this and additional works at: https://scholarworks.gsu.edu/communication_theses Part of the Communication Commons Recommended Citation McCoy, Vicki J., "Alice Hamilton: The Making of a Feminist-Pragmatist Rhetor." Thesis, Georgia State University, 2006. https://scholarworks.gsu.edu/communication_theses/5 This Thesis is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DR. ALICE HAMILTON: THE MAKING OF A FEMINIST-PRAGMATIST RHETOR by VICKI J. MCCOY Under the Direction of James F. Darsey ABSTRACT Dr. Alice Hamilton (1869-1970), the leading American figure in industrial medicine during the early to mid-1900s, left behind a body of rhetoric that is important in the history of American feminist discourse and American public address. Her discourse is the exemplary of feminist-pragmatist rhetoric, a genre of cross-gender communication developed by New Women associated with Hull House and the University of Chicago between 1892 and 1918. Hamilton’s rhetoric illuminates a key event in the history of the American rhetorical tradition—the emergence of the modern woman from her late- Victorian beginnings through her Progressive self-transformation. This study is approached as a rhetorical biography. It tracks Hamilton’s evolution from “reticent scientist” to outspoken feminist-pragmatist by examining family, educational, peer and social influences on her development; and through critical analysis of her speeches, technical writing, books, and popular and specialty magazine articles over a 36-year period, from 1907 to 1943. -
The Hamilton Family Glass Companies
The Hamilton Family Glass Companies Bill Lockhart, Beau Schriever, Bill Lindsey, and Carol Serr Although there is some uncertainty about the earliest days of the factory, the Hamilton brothers (and one cousin) founded W.H. Hamilton & Co. at Pittsburgh in 1863. Although the reasons were never made public, James T. Hamilton and his brother, Albert, left the firm to form J.T.&A. Hamilton in 1879 (adding “Co.” to the name in 1916). Both glass houses made a general variety of flint bottles, including early milk bottles. The older firm (by that time W.H. Hamilton Co. – no ampersand) sold to the Imperial Glass Co. in 1909, but the J.T.&A. Hamilton Co. remained in business until 1943 – selling that year to the Knox Glass Bottle Co. Genealogy of the Hamiltons According to MJF (a great-granddaughter of James Hamilton, possibly Martha Ferguson), James Hamilton had seven children, including Samuel and James. Unfortunately, she did not include dates or middle initials.1 It is very likely that James was the James W. Hamilton who was a partner in the firm of Lorenz & Hamilton (probably with Frederick Lorenz, Sr.). Census documents define the second generation. Samuel Hamilton had five sons: William H. (b. May 1831), John (b. ca. 1833), James (b. ca. 1837), Joseph (b. ca. 1840), and Alexander (b. ca. 1842) as well as four daughters (Hester, Mary, Eliza, and Frances). By 1860, William (then listed as 30) was still a student. All of the brothers, except John, devoted their careers to W.H. Hamilton & Co. and the later W.H. -
Alexander Hamilton Papers
Alexander Hamilton Papers A Finding Aid to the Collection in the Library of Congress Manuscript Division, Library of Congress Washington, D.C. 2017 Revised 2017 July Contact information: http://hdl.loc.gov/loc.mss/mss.contact Additional search options available at: http://hdl.loc.gov/loc.mss/eadmss.ms003014 LC Online Catalog record: http://lccn.loc.gov/mm81024612 Prepared by Audrey Walker Revised by Margaret McAleer and Maurita Baldock Collection Summary Title: Alexander Hamilton Papers Span Dates: 1708-1917 Bulk Dates: (bulk 1777-1804) ID No.: MSS24612 Creator: Hamilton, Alexander, 1757-1804 Extent: 12,000 items ; 44 containers plus 3 oversize ; 22.4 linear feet ; 34 microfilm reels Language: Collection material in English Location: Manuscript Division, Library of Congress, Washington, D.C. Summary: Delegate from New York to the United States Continental Congress, United States secretary of the treasury, United States army officer, statesman, and lawyer. Correspondence, speeches and writings, legal and financial papers, printed matter, and other papers relating to Hamilton's personal life and public career, especially his service as an aide to George Washington during the Revolutionary War, his participation in the United States Continental Congress and the Constitutional Convention, his service as United States secretary of the treasury, his New York law practice, and his service as inspector general of the army. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Adams, John, 1735-1826--Correspondence. -
HISTORIC AMERICAN BUILDINGS SURVEY HABS No. PA-1125
HISTORIC AMERICAN BUILDINGS SURVEY ADDENDUM TO THE WOODLANDS HABS No. PA−1125 Location: 4000 Woodland Avenue, Philadelphia, Philadelphia County, Pennsylvania. Present Owner: The Woodlands Cemetery Company of Philadelphia. Present Use: Cemetery offices and tenant apartment. Significance: William Hamilton’s (1745−1813) house at The Woodlands in Philadelphia stands as one of the greatest American domestic achievements of the eighteenth-century. From its significant beginnings around 1770—which included what was likely the first monumental portico in Philadelphia—to its neoclassical reconstruction between 1786 and 1789, Hamilton’s residence at The Woodlands represents nearly every aspect of contemporary genteel culture as individually interpreted by one native North American. As a setting for both formal and informal entertainment, the display of art, and day-to-day living, the house also boasted what were likely the best-finished and most sophisticated service spaces created at that time in Philadelphia, and perhaps in the country as a whole. The house’s imported avant-garde neoclassical design presaged the formation of architectural trends in America that would dominate building design and construction for the first decades of the nineteenth century. Beyond its singular importance and survival as a structure, the house at The Woodlands was not conceived in an isolated manner. Its aesthetic and functional qualities were intimately related to, indeed inseparable from, the surrounding estate. These eighteenth-century pleasure and work landscapes have passed from existence; however, the house and its accompanying stable/carriage house remain as testimony to the grand estate that William Hamilton visualized, built, and rebuilt on the banks of the Schuylkill River over the course of his adult life. -
Report Outline
Southern Campaigns, Revolutionary War Phase II: Research in Great Britain _________________________ Southern Campaigns of the Revolutionary War Phase II: Research in Great Britain Final Report for National Park Service Southeast Region Atlanta, Georgia Submitted by Evans-Hatch & Associates 510 Duane Street, Astoria, Oregon (503) 325-1313 / [email protected] August 2003 1 ________________________________ Evans-Hatch & Associates Final Report, August 2003 Southern Campaigns, Revolutionary War Phase II: Research in Great Britain _________________________ CONTENTS PART 1: Narrative Report Introduction Objective Methods Observations and Findings Resources Investigated General Findings Suggestions for Future Activities Collections in Scotland Additional Work in the United Kingdom and North America PART 2: Regiments List: British and Loyalist PART 3: Bibliography Printed Primary Sources Guides and Finding Aids Books and Journal Articles PART 4: List of Repositories Contacted PART 5: Archive Document Record Index Summaries of Record Content Inventory of Records PART 6: Appendices A: Correspondence with Repositories Sample Letters from Evans-Hatch & NPS Director Jerry Belson Responses from Repositories B: The National Archives (Public Record Office) Finding Aids: Leaflets Ordering Copies (Microform and Other Forms) C. Archive Document Record Form D: Copies of Selected Research Material (in separate notebook) PART 7: Electronic Report Electronic Final Report (MS WORD) Inventory (MS ACCESS database) 2 ________________________________ Evans-Hatch -
Hamilton | December 31, 2019 – January 19, 2020 | Andrew Jackson Hall
present Hamilton | December 31, 2019 – January 19, 2020 | Andrew Jackson Hall WHAT’S NEXT? – TPAC.ORG • 615-782-4040 Drum TAO 2020 Mandy Patinkin My Fair Lady Blue Man Group Alvin Ailey JAN 28 JAN 29 FEB 4-9 FEB 11-16 FEB 28-29 Vanderbilt Orthopaedics Announcing So much more than bones and joints LINDA MILLER Run at the speed of light—or just until you can see the light at the end of the tunnel. Whatever your goal, Vanderbilt Orthopaedics is here to help you achieve it without pain. Providing comprehensive care for your orthopaedic needs, REAL ESTATE our nationally recognized Vanderbilt experts offer a full range of services from WHO’S WHO IN LUXURY REAL ESTATE sports medicine to joint replacement to pediatric orthopaedics and more. LINDALINDALINDA MILLER,MILLER, MILLER, THETHE SMILESMILE OF OFOF 30A, 30A,30A, To learn more, call (615) 913-5716 or visit VanderbiltOrthopaedics.com. HASHAS MOVED MOVED TO TO THETHE HEARTHEART OFOF 30A!30A! HAS MOVED TO THE HEART OF 30A! Franklin Mt. Juliet Spring Hill 206 Bedford Way 5002 Crossings Circle, Suite 230 1003 Reserve Blvd., Suite 130 Franklin, TN 37064 Mt. Juliet, TN 37122 Spring Hill, TN 37174 Gallatin Nashville CallCall5417 Me! Me!East County •• 850-974-8885850-974-8885 Highway 30A 300 Steam Plant Road, Suite 420 Medical Center East, South Tower Call54175417 Me!EastEast CountyCounty • 850-974-8885 HighwayHighway 30A30A Gallatin, TN 37066 1215 21st Ave. S., Suite 4200 Seagrove Beach, FL Nashville, TN 37232 SeagroveSeagrove Beach,Beach, FLFL Vanderbilt Orthopaedics is the exclusive healthcare provider for: As a teenager, Ming fought valiantly to escape one of history's darkest eras - China's Cultural Revolution - during which millions of innocent youth were deported to remote areas to face a life sentence of poverty and hard labor. -
Alexander Hamilton and His Father Figures
Southern New Hampshire University In Search of a Father Alexander Hamilton and His Father Figures A Capstone Project Submitted to the College of Online and Continuing Education in Partial Fulfillment of the Master of Arts in History By Ashleigh M. Nash Eaton, New Hampshire December 2018 Copyright © 2018 by Ashleigh M. Nash All Rights Reserved ii Student: Ashleigh Marie Nash I certify that this student has met the requirements for formatting the capstone project and that this project is suitable for preservation in the University Archive. January 8, 2019 __________________________________________ _______________ Southern New Hampshire University Date College of Online and Continuing Education iii Abstract Alexander Hamilton has long been considered a controversial founder. His political and economic beliefs polarized a new nation. Due to his controversial nature, Hamilton’s childhood circumstances were brought to public attention by his adversaries. These childhood experiences would shape not only Hamilton’s political career but would also shape the relationships he built with prominent and influential men and how he interacted with them. This paper aims to reconstruct the relationships Alexander Hamilton had with George Washington, Philip Schuyler, and James Hamilton Sr. in order to deconstruct the impressions of a father/son relationship. This paper will review the impact childhood abandonment can have on adulthood relationships within the colonial context. iv Dedication For Mom and Dad v Table of Contents Abstract ......................................................................................................................................... -
Historians on Hamilton: How a Blockbuster Musical Is Restaging America’S Past
City University of New York (CUNY) CUNY Academic Works Publications and Research Kingsborough Community College 2019 Historians on Hamilton: How a Blockbuster Musical Is Restaging America’s Past Ryan McKinney CUNY Kingsborough Community College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/kb_pubs/197 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] The Journal of American Drama and Theatre (JADT) https://jadt.commons.gc.cuny.edu Historians on Hamilton: How a Blockbuster Musical Is Restaging America’s Past Historians on Hamilton: How a Blockbuster Musical Is Restaging America’s Past. Renee C. Romano and Claire Bond Potter, eds. New Brunswick, NJ: Rutgers University Press, 2018; Pp. 399. A new addition to Hamilton scholarship, Historians on Hamilton: How a Blockbuster Musical Is Restaging America’s Past marks another valuable collaboration between its editors, Renee C. Romano and Claire Bond Potter. Consisting of fifteen insightful essays, the book presents adroitly composed analyses of Lin-Manuel Miranda’s Hamilton as well as its surrounding historical, cultural, social, political, and racial implications. Constructed by historians from a wide array of fields ranging from American Studies and theatre studies to history and Africana Studies, Historians on Hamilton takes up “the challenge that Miranda himself made to us when he was just beginning to write the show, ‘I want the historians to take this seriously’” (6). The scholars herein rigorously examine the musical’s relationship to history and how history is made, the claim of Hamilton as a revolutionary musical, and the musical’s proposed theatrical innovations and historical omissions.