1563596798731-Ubls-Denko.Pdf
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
May 2013 India Review Ambassador’S PAGE America Needs More High-Skilled Worker Visas a Generous Visa Policy for Highly Skilled Workers Would Help Everyone
A Publication of the Embassy of India, Washington, D.C. May 1, 2013 I India RevieI w Vol. 9 Issue 5 www.indianembassy.org IMFC Finance Ministers and Bank Governors during a photo-op at the IMF Headquarters in Washington, D.C. on April 20. Overseas capital best protected in India — Finance Minister P. Chidambaram n India announces n scientist U.R. Rao n Pran honored incentives to boost inducted into with Dadasaheb exports Satellite Hall of Fame Phalke award Ambassador’s PAGE India is ready for U.S. natural gas There is ample evidence that the U.S. economy will benefit if LNG exports are increased he relationship between India and the United States is vibrant and growing. Near its T heart is the subject of energy — how to use and secure it in the cleanest, most efficient way possible. The India-U.S. Energy Dialogue, established in 2005, has allowed our two countries to engage on many issues. Yet as India’s energy needs con - tinue to rise and the U.S. looks to expand the marketplace for its vast cache of energy resources, our partner - ship stands to be strengthened even facilities and ports to distribute it macroeconomic scenarios, and under further. globally. every one of them the U.S. economy Despite the global economic slow - There is a significant potential for would experience a net benefit if LNG down, India’s economy has grown at a U.S. exports of LNG to grow expo - exports were increased. relatively brisk pace over the past five nentially. So far, however, while all ter - A boost in LNG exports would have years and India is now the world’s minals in the U.S. -
List of Officers Who Attended Courses at NCRB
List of officers who attened courses at NCRB Sr.No State/Organisation Name Rank YEAR 2000 SQL & RDBMS (INGRES) From 03/04/2000 to 20/04/2000 1 Andhra Pradesh Shri P. GOPALAKRISHNAMURTHY SI 2 Andhra Pradesh Shri P. MURALI KRISHNA INSPECTOR 3 Assam Shri AMULYA KUMAR DEKA SI 4 Delhi Shri SANDEEP KUMAR ASI 5 Gujarat Shri KALPESH DHIRAJLAL BHATT PWSI 6 Gujarat Shri SHRIDHAR NATVARRAO THAKARE PWSI 7 Jammu & Kashmir Shri TAHIR AHMED SI 8 Jammu & Kashmir Shri VIJAY KUMAR SI 9 Maharashtra Shri ABHIMAN SARKAR HEAD CONSTABLE 10 Maharashtra Shri MODAK YASHWANT MOHANIRAJ INSPECTOR 11 Mizoram Shri C. LALCHHUANKIMA ASI 12 Mizoram Shri F. RAMNGHAKLIANA ASI 13 Mizoram Shri MS. LALNUNTHARI HMAR ASI 14 Mizoram Shri R. ROTLUANGA ASI 15 Punjab Shri GURDEV SINGH INSPECTOR 16 Punjab Shri SUKHCHAIN SINGH SI 17 Tamil Nadu Shri JERALD ALEXANDER SI 18 Tamil Nadu Shri S. CHARLES SI 19 Tamil Nadu Shri SMT. C. KALAVATHEY INSPECTOR 20 Uttar Pradesh Shri INDU BHUSHAN NAUTIYAL SI 21 Uttar Pradesh Shri OM PRAKASH ARYA INSPECTOR 22 West Bengal Shri PARTHA PRATIM GUHA ASI 23 West Bengal Shri PURNA CHANDRA DUTTA ASI PC OPERATION & OFFICE AUTOMATION From 01/05/2000 to 12/05/2000 1 Andhra Pradesh Shri LALSAHEB BANDANAPUDI DY.SP 2 Andhra Pradesh Shri V. RUDRA KUMAR DY.SP 3 Border Security Force Shri ASHOK ARJUN PATIL DY.COMDT. 4 Border Security Force Shri DANIEL ADHIKARI DY.COMDT. 5 Border Security Force Shri DR. VINAYA BHARATI CMO 6 CISF Shri JISHNU PRASANNA MUKHERJEE ASST.COMDT. 7 CISF Shri K.K. SHARMA ASST.COMDT. -
Public Figures Affected by Pancreatic Cancer (Partial List)
www.pancan.org | 877-272-6226 Public Figures Affected by Pancreatic Cancer (Partial List) Deceased • Hal Ashby, Academy Award-winning editor for In the Heat of the Night; director of Harold and Maude, Being There, Shampoo • Syd Barrett, singer and guitarist, Pink Floyd • Sir Alan Bates, British actor • Ralph Bates, British actor (no relation to Sir Alan Bates) • Count Basie, jazz bandleader • Melvin Belli, lawyer, “The King of Torts” • Jack Benny, comedian and actor • John Beradino, actor, best known as “Dr. Steve Hardy” on General Hospital • Myles Brand, Ph.D. – President of the National Collegiate Athletic Association (NCAA) from 2002- 2010 and prior to this position, he served as the 16th president of Indiana University • Joseph Cardinal Bernardin, Archbishop of Chicago • Steve Caldwell, singer and saxophonist • Ely Callaway, Founder, Callaway Golf • Madeleine Carroll, actress • Betty Carter, singer • Billy Carter, brother of President Jimmy Carter • James Earl Carter, Sr., father of President Jimmy Carter • Oona Chaplin, widow of Charlie Chaplin • Frank Church, U.S. Senator, Idaho • Casey Coleman, sports broadcaster • Emily Couric, Virginia state senator, sister of Katie Couric • Joan Crawford, Academy Award-winning actress • Richard Crenna, actor • George Crile III, journalist and producer, CBS • Dick Cusack, actor, patriarch of Cusack family • Chuck Daly, Hall of Fame NBA Coach • Dr. Ronald Davis, President, American Medical Association (AMA) • Richard Dean, photographer and model • Michael Deaver, Deputy White House Chief of Staff, served during President Ronald Reagan’s administration • Patrick Dennis, author, best known for “Auntie Mame” • Jacques Derrida, French philosopher and literary critic • Vince Edwards, actor • Ralph Ellison, scholar and writer, best known for “Invisible Man” • Chris Ethridge, founding member of Flying Burrito Brothers band • Art Flemming, original host, Jeopardy • Anne Francis, actress • Peggy Ann Garner, actress Pancreatic Cancer Action Network | 1500 Rosecrans Ave. -
Departmentof Music
DEPARTMENTOF MUSIC Pt. L.M.S. Govt. P.G. College Rishikesh, Dehradun Uttarakhand (An Autonomous College) (Affiliated to H.N.B.Garhwal University,Srinagar,Garhwal Syllabus Based on Choice Based Credit System For Undergraduate Courses BOS held on –19 th July 2018 Pt. L.M.S.Autonomous Govt.Post Graduate College Rishikesh Choice Based Credit System CHOICE BASED CREDIT SYSTEM WITH EFFECT FROM 2018-2019 DEPARTMENT OF MUSIC Pt. L.M.S. Govt. Post Graduate College(Autonomous) Rishikesh HINDUSTANI MUSIC(INSTRUMENTAL TABLA/ SITAR AND HINDUSTANI VOCAL) Semester CORE COURSE (12) Ability Enhancement Skill Elective: Discipline Elective: 6 credit each Compulsory Enhancement Specific DSE (6) Generic (GE) (2) Course(AECC) (2) Course(SEC)(4) 6 credit each 6 credit each 4 credit each 4 credit each I English/MIL-1 (English/MIL Communication)/ DSC-1A Theory of Environmental Science Indian Music: Unit-1 Practical: Unit-2 II English/MIL-2 Environmental Science/(English/MIL Theory of Indian Communication) Music General & Biographies Unit-I Practical : Unit-II III English/MIL-3 SEC-1 Value based & Theory: Unit-1 Ancient Practical Granthas & Orientedcourse Contribution of forHindustani musicologists Music Practical : Unit-2 (Vocal/Instrument al) Credits-4 IV English/MIL-4 SEC-2 Value based & Practical Orientedcourse Theory : Unit-1 forHindustaniMus Medieval Granthas & ic(Vocal/Instrume Contribution of ntal) Musicians Credits-4 Practical : Unit-2 V SEC-3 DSE-1A Generic Value based Theory:Vocal Elective-1 &PracticalPractic /Instrumental (Vocal/Instrume alOrientedcourse (Hindustani Music) ntalMusic) forHindustani Theory Music (Vocal/Instrument al) Credits-4 DSE-2A Practical:Vocal /Instrumental (Hindustani Music) VI SEC- 4 DSE-1B Generic Value based Theory:Vocal Elective-2 &PracticalOriente /Instrumental (Vocal/Instrume dcourse (Hindustani Music) ntalMusic)Pract forHindustaniMus ical ic DSE-2B (Vocal/Instrument Practical:Vocal al) Credits-4 /Instrumental (HindustaniMusic) 1 Choice Based Credit System Syllabus for B.A. -
Annexure 1B 18416
Annexure 1 B List of taxpayers allotted to State having turnover of more than or equal to 1.5 Crore Sl.No Taxpayers Name GSTIN 1 BROTHERS OF ST.GABRIEL EDUCATION SOCIETY 36AAAAB0175C1ZE 2 BALAJI BEEDI PRODUCERS PRODUCTIVE INDUSTRIAL COOPERATIVE SOCIETY LIMITED 36AAAAB7475M1ZC 3 CENTRAL POWER RESEARCH INSTITUTE 36AAAAC0268P1ZK 4 CO OPERATIVE ELECTRIC SUPPLY SOCIETY LTD 36AAAAC0346G1Z8 5 CENTRE FOR MATERIALS FOR ELECTRONIC TECHNOLOGY 36AAAAC0801E1ZK 6 CYBER SPAZIO OWNERS WELFARE ASSOCIATION 36AAAAC5706G1Z2 7 DHANALAXMI DHANYA VITHANA RAITHU PARASPARA SAHAKARA PARIMITHA SANGHAM 36AAAAD2220N1ZZ 8 DSRB ASSOCIATES 36AAAAD7272Q1Z7 9 D S R EDUCATIONAL SOCIETY 36AAAAD7497D1ZN 10 DIRECTOR SAINIK WELFARE 36AAAAD9115E1Z2 11 GIRIJAN PRIMARY COOPE MARKETING SOCIETY LIMITED ADILABAD 36AAAAG4299E1ZO 12 GIRIJAN PRIMARY CO OP MARKETING SOCIETY LTD UTNOOR 36AAAAG4426D1Z5 13 GIRIJANA PRIMARY CO-OPERATIVE MARKETING SOCIETY LIMITED VENKATAPURAM 36AAAAG5461E1ZY 14 GANGA HITECH CITY 2 SOCIETY 36AAAAG6290R1Z2 15 GSK - VISHWA (JV) 36AAAAG8669E1ZI 16 HASSAN CO OPERATIVE MILK PRODUCERS SOCIETIES UNION LTD 36AAAAH0229B1ZF 17 HCC SEW MEIL JOINT VENTURE 36AAAAH3286Q1Z5 18 INDIAN FARMERS FERTILISER COOPERATIVE LIMITED 36AAAAI0050M1ZW 19 INDU FORTUNE FIELDS GARDENIA APARTMENT OWNERS ASSOCIATION 36AAAAI4338L1ZJ 20 INDUR INTIDEEPAM MUTUAL AIDED CO-OP THRIFT/CREDIT SOC FEDERATION LIMITED 36AAAAI5080P1ZA 21 INSURANCE INFORMATION BUREAU OF INDIA 36AAAAI6771M1Z8 22 INSTITUTE OF DEFENCE SCIENTISTS AND TECHNOLOGISTS 36AAAAI7233A1Z6 23 KARNATAKA CO-OPERATIVE MILK PRODUCER\S FEDERATION -
LIST of HINDI CINEMA AS on 17.10.2017 1 Title : 100 Days
LIST OF HINDI CINEMA AS ON 17.10.2017 1 Title : 100 Days/ Directed by- Partho Ghosh Class No : 100 HFC Accn No. : FC003137 Location : gsl 2 Title : 15 Park Avenue Class No : FIF HFC Accn No. : FC001288 Location : gsl 3 Title : 1947 Earth Class No : EAR HFC Accn No. : FC001859 Location : gsl 4 Title : 27 Down Class No : TWD HFC Accn No. : FC003381 Location : gsl 5 Title : 3 Bachelors Class No : THR(3) HFC Accn No. : FC003337 Location : gsl 6 Title : 3 Idiots Class No : THR HFC Accn No. : FC001999 Location : gsl 7 Title : 36 China Town Mn.Entr. : Mustan, Abbas Class No : THI HFC Accn No. : FC001100 Location : gsl 8 Title : 36 Chowringhee Lane Class No : THI HFC Accn No. : FC001264 Location : gsl 9 Title : 3G ( three G):a killer connection Class No : THR HFC Accn No. : FC003469 Location : gsl 10 Title : 7 khoon maaf/ Vishal Bharadwaj Film Class No : SAA HFC Accn No. : FC002198 Location : gsl 11 Title : 8 x 10 Tasveer / a film by Nagesh Kukunoor: Eight into ten tasveer Class No : EIG HFC Accn No. : FC002638 Location : gsl 12 Title : Aadmi aur Insaan / .R. Chopra film Class No : AAD HFC Accn No. : FC002409 Location : gsl 13 Title : Aadmi / Dir. A. Bhimsingh Class No : AAD HFC Accn No. : FC002640 Location : gsl 14 Title : Aag Class No : AAG HFC Accn No. : FC001678 Location : gsl 15 Title : Aag Mn.Entr. : Raj Kapoor Class No : AAG HFC Accn No. : FC000105 Location : MSR 16 Title : Aaj aur kal / Dir. by Vasant Jogalekar Class No : AAJ HFC Accn No. : FC002641 Location : gsl 17 Title : Aaja Nachle Class No : AAJ HFC Accn No. -
Amar Akbar Anthony • BOLLYWOOD, BROTHERHOOD, and the NATION • William Elison Christianlee Novetzke Andy Rotman
Amar Akbar Anthony • BOLLYWOOD, BROTHERHOOD, AND THE NATION • William Elison ChristianLee Novetzke Andy Rotman Ill Ill HarvardUniversity Press Cambridge, Massachusetts London, England 2016 Copyright© 2016 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America First printing Film stills reproduced from Amar Akbar Anthony (1977), directed and produced by Manmohan Desai. Hirawatjain & Co./ MKD Films/ Manmohan Films. Promotional posters in the Introduction and Appendix for Manmohan Desai's Amar Akbar Anthony (1977). Hirawatjain & Co./ MKD Films/ Manmohan Films. Reproduced from the collection of Andy Rotman. Libraryof Congress Cataloging-in-Publication Data is available from the Library of Congress. ISBN 978-0-674-50448-6 (hardcover) Introduction OUTRIGHT HOKUM HE YEAR 1977 was a tumultuous one in India. The state of emer T gency that Prime Minister Indira Gandhi had declared in 1975, allowing her to rule by decree, at last came to an end. During those twenty-one months of autocratic rule, the government's attempts to en force order led to many excesses: political opponents were imprisoned, the press was censored, and civil liberties were curtailed. When Mrs. Gandhi finallycalled for elections, the political opposition joined forcesto mount a campaign on the theme of "democracy versus dictatorship." The elec tions delivered Mrs. Gandhi a resounding loss and brought in the first non-Congress Party government since Independence. The mood of the times was mixed. There was a renewed feeling of hope, but also pent-up frustration and resentment. Going to the movies gave the nation a way to escape from this trou bled reality. -
21 Aug Page 06.Qxd
SWAPNIL SANSAR, ENGLISH WEEKLY,LUCKNOW, 28,MARCH, 2019 (06) Tragedy Queen of Indian Cinema Contd.From Page no.05 Reluctantly, Meena Kumari agreed, but after appearing in a film. When Meena Kumari came to know about Pran playing the shooting for five days, she instigated a disagreement with Mehboob Khan and titular role, she was not very much convinced by the choice of director. It was so, because during those days, Pran was more popular for portraying a suave villain which made Meena Kumari doubtful. But when she saw Pran on the first day of shooting, she was left awestruck and highly praised him for his acting skills and his huge transformation as the capricious tyrant Halaku. 1957: Sharada – directed by L.V. Prasad, was Meena Kumari's first venture with Raj Kapoor. A difficult role to essay, it was refused by all leading actresses of the day until Meena Kumari finally agreed. She won best actress at Bengal Film Journalists' Association Award for her work. The film gained great critical suc - cess. The film was the ninth highest grossing film at the Indian Box Office in 1957 and was noted as one of her best performances. Miss Mary a comedy film directed by L.V. Prasad, starred Meena Kumari and Gemini Ganesan. The film was one of the biggest hits of that year. 1958: For Sahara directed by Lekhraj Bhakri, Meena Kumari received a Filmfare Best Actress nomination.Yahudi directed by Bimal Roy starred Meena Kumari, Dilip Kumar, Sohrab Modi, Nazir Hussain and Nigar Sultana. It was based on the play Yahudi Ki Ladki by Agha Hashar Kashmiri, a classic in Parsi Urdu theatre, about persecution of Jews in the Roman Empire. -
Recycle Industry: the Visual Economy of Remakes in Contemporary Bombay Film Culture by Ramna Walia “Audiences Now Want New Stories
Recycle Industry: The Visual Economy of Remakes in Contemporary Bombay Film Culture by Ramna Walia “Audiences now want new stories. The problem is Bollywood has no tradition of producing original screenplays" —Chander Lall, lawyer “The brain is a recycling bin, not a creative bin. What goes in comes out in different ways” —Mahesh Bhatt, filmmaker and producer hus spoke filmmaker and producer Mahesh Bhatt when Mr. Chander Lall, the legal representative of two of Hollywood's major studios issued “warning Tletters” to film producers in Bombay who were poised to “indianize” a series of Hollywood films.1 While Lall referred to Bollywood’s widespread practice of making uncredited remakes of Hollywood films as “tradition,” Bhatt defiantly saw these remakes as a symptom of a larger mechanism of recycling material. In fact, the influence of other cinemas on Bombay films was reflected narratively and in other aspects of filmmaking such as fashion, poster art etc. Thus, at the center of this debate was the issue of Bombay cinema's identity as a bastardized clone of Hollywood and the counter argument that noted the distinctiveness of Bombay film culture by highlighting the “difference” in the manner of production. In view of these unacknowledged networks of exchange, the term “remake” was often used within popular discourse as an underhanded accusation of plagiarism against Bombay films. Moreover, because most of Bombay cinema’s remakes of Hollywood films were un-credited, they never secured the legitimacy attained in Hollywood and world cinemas wherein this process was seen as a reinterpretation of an earlier work or an updated modus operandi. -
EROS INTERNATIONAL COLLECTION of INDIAN CINEMA on DVD Last Update: 2008-05-21 Collection 26
EROS INTERNATIONAL COLLECTION OF INDIAN CINEMA ON DVD Last Update: 2008-05-21 Collection 26 DVDs grouped by year of original theatrical release Request Titles by Study Copy No. YEAR OF THEATRICAL COLOR / RUNNING STUDY COPY NO. CODE FILM TITLE RELEASE B&W TIME GENRE DIRECTOR(S) CAST 1 DVD5768 M DVD-E-079 MOTHER INDIA 1957 color 2:43:00 Drama Mehoob Khan Nargis, Sunil Dutt, Raj Kumar 2 DVD5797 M DVD-E-751 KAAGAZ KE PHOOL 1959 color 2:23:00 Romance Guru Dutt Guru Dutt, Waheeda Rehman, Johnny Walker 3 DVD5765 M DVD-E-1060 MUGHAL-E-AZAM 1960, 2004 color 2:57:00 Epic K. Asif Zulfi Syed, Yash Pandit, Priya, re-release Samiksha 3.1 DVD5766 M DVD-E-1060 MUGHAL-E-AZAM bonus material: premier color in Mumbai; interviews; "A classic redesigned;" deleted scene & song 4 DVD5815 M DVD-E-392 CHAUDHVIN KA CHAND 1960 b&w 2:35:00 Romance M. Sadiq Guru Dutt, Waheeda Rehman, Rehman 5 DVD5825 M DVD-E-187 SAHIB BIBI AUR GHULAM 1962 b&w 2:42:00 Drama Abrar Alvi Guru Dutt, Meena Kuman, Waheeda Rehman 6 DVD5772 M DVD-E-066 SEETA AUR GEETA 1972 color 2:39:00 Drama Ramesh Sippy Dharmendra, Sanjeev Kumar, Hema Malini 7 DVD5784 M DVD-E-026 DEEWAAR 1975 color 2:40:00 Drama Yash Chopra Amitabh Bachchan, Shashi Kapoor, Parveen Babi, Neetu Singh 8 DVD5788 M DVD-E-016 SHOLAY 1975 color 3:24:00 Action Ramesh Sippy Amitabh Bachchan, Dharmendra, Sanjeev Kumar, Hema Malini 9 DVD5807 M DVD-E-256 HERA PHERI 1976 color 2:37:00 Comedy Prakash Mehra Amitabh Bachchan, Vinod Khanna, Saira Banu, Sulakshana Pandit 10 DVD5802 M DVD-E-140 KHOON PASINA 1977 color 2:31:00 Drama Rakesh Kumar Amitabh Bachchan, Vinod Khanna, Rekha 11 DVD5816 M DVD-E-845 DON 1978 color 2:40:00 Action Chandra Barot Amitabh Bachchan, Zeenat Aman, Pran 12 DVD5811 M DVD-E-024 MR. -
Ward No: 001 ULB Name :KOLKATA MC ULB CODE: 79
BPL LIST-KOLKATA MUNICIPAL CORPORATION Ward No: 001 ULB Name :KOLKATA MC ULB CODE: 79 Member Sl Address Name of Family Head Son/Daughter/Wife of BPL ID Year No Male Female Total 1 96/H/26 COSSIPORE ROAD KOL 2 ABDUL AZIM KHAN ABDUL HAKIM KHAN 2 5 7 1 2 RAJA BAGAN 26/5 K.C.ROAD KOL-02 ABDUL FAHIM LATE ABDUL RAHIM 3 3 6 2 3 26/1 KHAGENDRA CHATTERJEE RD,KOL-2 ABDUL GANI LATE MD ZAHIR 2 2 4 3 4 99/H/17 COSSIPORE ROAD, KOL-02 ABDUL HAMID LT. SK. AMINUDDIN 1 2 3 4 5 26/18 KHAGENDRA CHATTERJEE RD,KOL-2 ABDUL KADIR LATE BADRUL GANI 6 4 10+ 5 6 26/8 KHAGENDRA CHATTERJEE RD,KOL-2 ABDUL KARIM LATE ABDUL HAKIM 5 4 9 6 7 56 NO 96/H/7 COSSIPORE ROAD KOL-2 ABDUL KHALED LATE YASIN SHEIKH 3 4 7 7 8 96/H/7 COSSIPORE ROAD KOL 2 ABDUL KNALIK GAZI LATE MUSLIM GAZI 4 5 9 8 9 96/H/46 COSSIPORE ROAD ABDUL MAMUD ABDUL KABIB 5 2 7 9 10 COSSIPORE 96/H/32 C.P. ROAR KOL=2 ABDUL RAZZAK LT.MD.KARI MIYAN 3 4 7 10 11 BASAK BAGAN 22/1/H/22 K.C.ROAD KOL-02 ABDUL RAZZAQ LATE MD LIAKAT ALI 4 5 9 11 12 COSSIPORE 96/H/47 K.S. ROAD, KOL-02 ABDUL SAHID LT. SK. HANIF 2 4 6 12 13 96/H/13 C.P. ROAD ABDUL TABBAR LT.MD. -
Cinema and Communication: Negotiating Female
Cinema and Communication : Negotiating Female Stereotypes Dr. Eti Sharma Cinema and Communication : Negotiating Female Stereotypes Dr. Eti Sharma* Abstract Communication is and has ever been an indispensable and inevitable Reference to this paper process. It keeps flowing incessantly through multiple means and modes. should be made as In the earlier times, conveying and passing messages was sufficient for follows: the humans, but conveying the message with the utmost impact and emphasis has turned out to be the most coveted thing today. Cinema is Dr. Eti Sharma, one of such media that thrive on the idea of an effectively powerful “Cinema and delivery of the message and of generating an expected reaction or Communication : response from the audience. Cinema has been a powerful medium and played a major role in establishing, and representing a strong image or Negotiating Female message dealing with something or someone. With the aid of certain Stereotypes”, diction, dramatic techniques, costumes etc. the content is created and Notions 2017, Vol. delivered to its audience. The proposed paper titled Cinema and VIII, No.2, pp. 44-49 Communication: Negotiating Female Stereotypes aims to underline the power of media as one of the communication modes, to highlight how cinematic representation of Indian females brought up in London put http://anubooks.com/ ?page_id=2019 them in the fetters of stereotyping. It will highlight how the male Article No. 7 (N590) counterparts in the Bollywood movies represent a reformer, remedy, a preacher and a guide to the heroines who are incapable of taking right decisions and of intelligent thoughts. Keywords: Cinema, Stereotypes, East, West, Male, Female, Communication, Bollywood.