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227-Newsletter.Pdf
THE POETRY PROJECT NEWSLETTER www.poetryproject.org APR/MAY 2011 #227 LETTERS POEM NATHANIEL MACKEY INTERVIEW CARLA HARRYMAN & LYN HEJINIAN TALK WITH CORINA COPP CALENDAR PATRICK JAMES DUNAGAN REVIEWS CHAPBOOKS BY ARIEL GOLDBERG, JESSICA FIORINI, JIM CARROLL, ALLI WARREN & NICHOLAS JAMES WHITTINGTON CATHERINE WAGNER REVIEWS ANDREA BRADY CACONRAD REVIEWS SUSIE TIMMONS FARRAH FIELD REVIEWS PAUL LEGAULT CARLEY MOORE REVIEWS EILEEN MYLES ERIK ANDERSON REVIEWS RENEE GLADMAN DAVID BRAZIL REVIEWS MINA PAM DICK STEPHANIE DICKINSON REVIEWS LEWIS WARSH MATT LONGABUCCO REVIEWS MIŁOSZ BIEDRZYCKI JAMIE TOWNSEND REVIEWS PAUL FOSTER JOHNSON ABRAHAM AVNISAN REVIEWS CAROLINE BERGVALL NICOLE TRIGG REVIEWS JULIANA LESLIE ERICA KAUFMAN REVIEWS KARINNE KEITHLEY $5? 02 APR/MAY 11 #227 THE POETRY PROJECT NEWSLETTER NEWSLETTER EDITOR: Corina Copp DISTRIBUTION: Small Press Distribution, 1341 Seventh St., Berkeley, CA 94710 The Poetry Project, Ltd. Staff ARTISTIC DIRECTOR: Stacy Szymaszek PROGRAM COORDINATOR: Arlo Quint PROGRAM ASSISTANT: Nicole Wallace MONDAY NIGHT COORDINATOR: Macgregor Card MONDAY NIGHT TALK SERIES COORDINATOR: Michael Scharf WEDNESDAY NIGHT COORDINATOR: Joanna Fuhrman FRIDAY NIGHT COORDINATORS: Brett Price SOUND TECHNICIAN: David Vogen VIDEOGRAPHER: Alex Abelson BOOKKEEPER: Stephen Rosenthal ARCHIVIST: Will Edmiston BOX OFFICE: Courtney Frederick, Kelly Ginger, Vanessa Garver INTERNS: Nina Freeman, Stephanie Jo Elstro, Rebecca Melnyk VOLUNTEERS: Jim Behrle, Rachel Chatham, Corinne Dekkers, Ivy Johnson, Erica Kaufman, Christine Kelly, Ace McNamara, Annie Paradis, Christa Quint, Judah Rubin, Lauren Russell, Thomas Seely, Erica Wessmann, Alice Whitwham, Dustin Williamson The Poetry Project Newsletter is published four times a year and mailed free of charge to members of and contributors to the Poetry Project. Subscriptions are available for $25/year domestic, $45/year international. -
Saints of Hysteria a Half-Century of Collaborative American Poetry Edited by Denise Duhamel, Maureen Seaton & David Trinidad
Saints of Hysteria A Half-Century of Collaborative American Poetry Edited by Denise Duhamel, Maureen Seaton & David Trinidad Saints of Hysteria A Half-Century of Collaborative American Poetry Edited by Denise Duhamel, Maureen Seaton & David Trinidad Soft Skull Press Brooklyn, NY 2007 Contents Denise Duhamel, Maureen Seaton & David Trinidad i Introduction Charles Henri Ford et al. International Chainpoem 1 Neal Cassady, Allen Ginsberg & Jack Kerouac Pull My Daisy 3 Copyright © 2007 by Denise Duhamel, Maureen Seaton & David Trinidad Jack Kerouac & Lew Welch Masterpiece 5 Cover art: Good’n Fruity Madonna © 1968 Joe Brainard John Ashbery & Kenneth Koch Used by permission of the Estate of Joe Brainard. A Postcard to Popeye 7 Crone Rhapsody 9 Credits & acknowledgments for the poems begin on page 389. Jane Freilicher & Kenneth Koch The Car 12 Soft Skull project editor & book designer: Shanna Compton Bill Berkson & Frank O’Hara St. Bridget’s Neighborhood 13 A note on the text: Because the poems in this anthology were created over seven decades Song Heard Around St. Bridget’s 16 by more than 200 authors, certain idiosyncrasies of style, orthography, and form St. Bridget’s Efficacy 17 have been preserved in order to present the works as their authors intended. These Reverdy 19 variations are characteristic textural effects of the collaborative process Bill Berkson, Michael Brownstein & Ron Padgett and should not be interpreted as errors. Waves of Particles 21 Ron Padgett & James Schuyler Soft Skull Press Within the Dome 22 55 Washington Street -
This Is Not a Dissertation: (Neo)Neo-Bohemian Connections Walter Gainor Moore Purdue University
Purdue University Purdue e-Pubs Open Access Dissertations Theses and Dissertations 1-1-2015 This Is Not A Dissertation: (Neo)Neo-Bohemian Connections Walter Gainor Moore Purdue University Follow this and additional works at: https://docs.lib.purdue.edu/open_access_dissertations Recommended Citation Moore, Walter Gainor, "This Is Not A Dissertation: (Neo)Neo-Bohemian Connections" (2015). Open Access Dissertations. 1421. https://docs.lib.purdue.edu/open_access_dissertations/1421 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. Graduate School Form 30 Updated 1/15/2015 PURDUE UNIVERSITY GRADUATE SCHOOL Thesis/Dissertation Acceptance This is to certify that the thesis/dissertation prepared By Walter Gainor Moore Entitled THIS IS NOT A DISSERTATION. (NEO)NEO-BOHEMIAN CONNECTIONS For the degree of Doctor of Philosophy Is approved by the final examining committee: Lance A. Duerfahrd Chair Daniel Morris P. Ryan Schneider Rachel L. Einwohner To the best of my knowledge and as understood by the student in the Thesis/Dissertation Agreement, Publication Delay, and Certification Disclaimer (Graduate School Form 32), this thesis/dissertation adheres to the provisions of Purdue University’s “Policy of Integrity in Research” and the use of copyright material. Approved by Major Professor(s): Lance A. Duerfahrd Approved by: Aryvon Fouche 9/19/2015 Head of the Departmental Graduate Program Date THIS IS NOT A DISSERTATION. (NEO)NEO-BOHEMIAN CONNECTIONS A Dissertation Submitted to the Faculty of Purdue University by Walter Moore In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2015 Purdue University West Lafayette, Indiana ii ACKNOWLEDGEMENTS I would like to thank Lance, my advisor for this dissertation, for challenging me to do better; to work better—to be a stronger student. -
American Book Awards 2004
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre. -
Jennifer Joseph
������������� ��������������������������������������������������������������� ������������������������������������������������������������������������������� ������������������������������������������������������ ����������������������������������������������������������������������������� WWW.BOOGCITY.COM �������������BOOG���� CITY����� �� 1� N.Y.C. Meghan Maguire Dahn 6 Maria 7 Damon Ted Dodson 8 Mel 9 Elberg Ariel Goldberg 10 Christine Shan Shan 11 Hou Alex Morris 12 Michael 13 Newton Lisa Rogal 14 Sarah Anne 15 Wallen 2 BOOG CITY WWW.BOOGCITY.COM SAN FRANCISCO Publisher’s Letter Norma o write about San Francisco poets covers decades, another century even. Cole To co-edit a section of San Francisco poets takes pages upon pages, the Tthickest of spines even. But we’re limited to only 10 and to those living 18 here, now. And there are boundaries to the city itself, only seven miles by seven miles. Patrick While no one would bind New York to solely Manhattan, such is the case here, in this monetarily rich S.F., as the artists are fleeing to cheaper rents to support Dunagan the lifeblood. Here, we have those holding down the fort, and those digging in 19 their heels and stuffing lucky beans in their pouches. Personally, we keep an eye, amulet from Egypt, near the door to watch over our homestead. Whatever it takes, right? Christina There are S.F. poets who rest their heads in Berkeley and in Oakland, in Bolinas Fisher and Marin. But there are those still here—more than 10 even! We asked. Some couldn’t commit. Many moved just outside of our grasp. But we three gathered 20 these 10 to shine the light on and celebrate. It’s an honor to represent these voices holding our geography in the city Sarah proper at this moment in time. -
Norman Rockwell Museum Featured Illustrators, 1993–2008
Norman Rockwell Museum Featured Illustrators, 1993–2008 Contemporary Artists Jessica Abel John Burgoyne Leon Alaric Shafer Elizabeth Buttler Fahimeh Amiri Chris Calle Robert Alexander Anderson Paul Calle Roy Anderson Eric Carle Margot Apple Alice Carter Marshall Arisman Roz Chast Natalie Asencios Jean Claverie Istvan Banyai Sue Coe James Barkley Raúl Colon Mary Brigid Barrett Ken Condon Gary Baseman Laurie Cormier Leonard Baskin Christin Couture Melinda Beck Kinuko Y. Craft Harry Beckhoff R. Crumb Nnekka Bennett Howard Cruse Jan and Stan Berenstain (deceased) Robert M. Cunningham Michael Berenstain Jerry Dadds John Berkey (deceased) Ken Dallison Jean-Louis Besson Paul Davis Diane Bigda John Dawson Guy Billout Michael Deas Cathie Bleck Etienne Delessert R.O. Blechman Jacques de Loustal Harry Bliss Vincent DiFate Barry Blitt Cora Lynn Deibler Keith Birdsong Diane and Leo Dillon Thomas Blackshear Steve Ditko Higgins Bond Libby Dorsett Thiel William H. Bond Eric Drooker Juliette Borda Walter DuBois Richards Braldt Bralds Michael Dudash Robin Brickman Elaine Duillo Steve Brodner Jane Dyer Steve Buchanan Will Eisner Yvonne Buchanan Dean Ellis Mark English Richard Leech Teresa Fasolino George Lemoine Monique Felix Gary Lippincott Ian Falconer Dennis Lyall Brian Fies Fred Lynch Theodore Fijal David Macaulay Floc’h Matt Madden Bart Forbes Gloria Malcolm Arnold Bernie Fuchs Mariscal Nicholas Gaetano Bob Marstall John Gilmore Marvin Mattelson Julio Granda Lorenzo Mattotti Robert Guisti Sally Mavor Carter Goodrich Bruce McCall Mary GrandPré Robert T. McCall Jim Griffiths Wilson McClean Milt Gross Richard McGuire James Gurney Robert McGinnis Charles Harper James McMullan Marc Hempel Kim Mellema Niko Henrichon David Meltzer Mark Hess Ever Meulen Al Hirschfeld (deceased) Ron Miller John Howe Dean Mitchell Roberto Innocenti Daniel Moore Susan Jeffers Françoise Mouly Frances Jetter Gregory Manchess Stephen T. -
5.00 #216 October/November 2008
$5.00 #216 OCTOBER/NOVEMBER 2008 New Books from Hanging Loose Press Tony Towle Sharon Mesmer Michael Cirelli William Corbett Winter Journey The Virgin Formica Lobster with Ol’ Opening Day Raves from his last “At turns intimate or Dirty Bastard A large new collection collection: Tony Towle boisterously satiric, “Vital and eye- of poems. Of past is “one of the New York The Virgin Formica catching and new.” – books: “Taut, School’s best-kept can gently detonate or David Lehman. precise...lucid and secrets.” – John erupt, carrying “Shows how hip-hop unflinching...” – Siri Ashbery. “Tony Towle’s readers along on is the evolution of Hustvedt. “One of the is one of the clear, ripples or classic poetry.” – few poets of our time authentic voices of shockwaves.” – Paul Kanye West. “Tender, who attends so well to American poetry.” – Violi. tough, revelatory...a the ear.” – Library Kenneth Koch. “Smart Praise for previous voice that doesn’t Journal. “Corbett is and sly, sure to disarm work: “. beautifully seem to have occurred interested in the and delight.” – Billy bold and vivaciously before.” – Patricia moment of clarity – Collins. His twelfth modern.” – Allen Smith. First revelation – and lets collection. Ginsberg. collection, by the the force and nature Paper, $16. Hardcover, Paper, $16. director of Urban of ‘seeing’...generate $26. Hardcover, $26. Word NYC. shapes in language.” – August Kleinzahler. Indran Marie Carter Paper, $16. Hardcover, $26. Paper, $16. Amirthanayagam The Trapeze Hardcover, $26. The Splintered Diaries R. Zamora Face: Tsunami Linmark Poems First book from the And keep in mind – editor of Word Jig: New The Evolution of a “These poems both Fiction from Scotland. -
Booklyn Archives, Eric Drooker Medium: - Dimensions
ERIC DROOKER FLOOD ARCHIVE ERIC DROOKER Publisher: Booklyn Archives, Eric Drooker Medium: - Dimensions: Origin Description: ERIC DROOKER curriculae vitae Born in 1958 in New York City, and raised on the Lower East Side. Graduate of Brooklyn Friends High School. BFA, Cooper Union, 1983. Eric Drooker supports himself as a freelance artist and illustrator. His work often appears in national newspapers and magazines, including the op- ed page of The New York Times, and The Village Voice. He has furnished seven covers for The New Yorker since 1995, as well as numerous covers for The Nation and The Progressive. He presently lives in Berkeley, California, where he moved in 1998. Publications: World War III Anthology, co-edited by Eric Drooker with Peter Kuper and Seth Tobocman, 1984-1989. Founded in 1980, WWIII continues publishing their comix-narrative digest, with issue #29 now available. Work by Eric Drooker is available in two anthologies: WWIII Anthology: 1980-1989, Fantagraphics, 1990, Seattle; and WWIII: Confrontational Comix, Four Walls Eight Windows, 1995, New York. Flood! A Novel in Pictures, Four Walls Eight Windows, 1992, New York. Winner of the 1992 American Book Award; a winner of New York Times Editor’s Choice/Notable Book of 1992; L.. A.. TImes Finalist, Best Books of 1992. To date, four printings have issued in the edition, most recently re- printed by Quality Paperback Book Club. A new, second edition is in preparation at this time, to issue in Spring, 2002. Illuminated Poems, texts by Allen Ginsberg, Four Walls Eight Windows, 1996, New York. Both cloth and paper editions still in print. -
Court Green Publications
Columbia College Chicago Digital Commons @ Columbia College Chicago Court Green Publications 3-1-2015 Court Green: Dossier: On the Occasion Of Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/courtgreen Part of the Poetry Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Court Green: Dossier: On the Occasion Of" (2015). Court Green. 12. https://digitalcommons.colum.edu/courtgreen/12 This Book is brought to you for free and open access by the Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Court Green by an authorized administrator of Digital Commons @ Columbia College Chicago. For more information, please contact [email protected]. “Read good poetry!” —William Carlos Williams COURT GREEN 12 COURT 12 EDITORS CM Burroughs and Tony Trigilio MANAGING EDITOR Cora Jacobs SENIOR EDITORIAL ASSISTANT Jacob Victorine EDITORIAL ASSISTANTS Cameron Decker, Patti Pangborn, Taylor Pedersen, and Andre Price Court Green is published annually in association with Columbia College Chicago, Department of Creative Writing. Our thanks to Matthew Shenoda, Interim Chair, Department of Creative Writing; Suzanne Blum-Malley, Interim Dean, School of Liberal Arts and Sciences; Stanley T. Wearden, Provost; and Kwang-Wu Kim, President and CEO of Columbia College Chicago. Court Green was founded in 2004 by Arielle Greenberg, Tony Trigilio, and David Trinidad. Acknowledgments for this issue can be found on page 209. Court Green is distributed by Ingram Periodicals and Media Solutions. Copyright © 2015 by Columbia College Chicago. ISSN 1548-5242. Magazine cover design by Hannah Rebernick, Columbia College Chicago Creative Services. -
Graphic Novels in Academic Libraries: from Maus to Manga and Beyond
This article is a post-print copy. The final published article can be accessed at: O’English, L. Matthews, G., & Blakesley, E. (2006). Graphic novels in academic libraries: From Maus to manga and beyond. Journal of Academic Librarianship, 32(2). https://doi.org/10.1016/j.acalib.2005.12.002. Graphic Novels in Academic Libraries: From Maus to Manga and Beyond Lorena O’English Social Sciences Reference/Instruction Librarian Washington State University Libraries PO Box 645610 Pullman WA 99164-5610 [email protected] J. Gregory Matthews Cataloging Librarian Washington State University Libraries PO Box 645610 Pullman WA 99164-5610 [email protected] Elizabeth Blakesley Lindsay Assistant Dean, Public Services and Outreach Former Head, Library Instruction Washington State University Libraries PO Box 645610 Pullman WA 99164-5610 [email protected] 1 Graphic Novels in Academic Libraries: From Maus to Manga and Beyond Abstract This article addresses graphic novels and their growing popularity in academic libraries. Graphic novels are increasingly used as instructional resources, and they play an important role in supporting the recreational reading mission of academic libraries. The article will also tackle issues related to the cataloging and classification of graphic novels and discuss ways to use them for marketing and promotion of library services. A Brief Introduction to Graphic Novels Graphic novels grew out of the comic book movement in the 1960s and came into existence at the hands of writers who were looking to use the comic book format to address -
248-Newsletter.Pdf
The Poetry Project October / november 2016 Issue #248 The Poetry Project October / November 2016 Issue #248 Director: Stacy Szymaszek Managing Director: Nicole Wallace Archivist: Will Edmiston Program Director: Simone White Archival Assistant: Marlan Sigelman Communications & Membership Coordinator: Laura Henriksen Bookkeeper: Carlos Estrada Newsletter Editor: Betsy Fagin Workshop/Master Class Leaders (Fall 2016): Krystal Reviews Editor: Sara Jane Stoner Languell, Trace Peterson, Brenda Coultas, Miyung Mi Kim Monday Night Readings Coordinator: Judah Rubin Box Office Staff: Micaela Foley, Cori Hutchinson, and Wednesday Night Readings Coordinator: Simone White Catherine Vail Friday Night Readings Coordinator: Ariel Goldberg Interns: Shelby Cook, Iris Dumaual, and Cori Hutchinson Friday Night Readings Assistant: Yanyi Luo Newsletter Consultant: Krystal Languell Volunteers Damla Bek, Reynaldo Carrasco, Mel Elberg, Micaela Foley, Hadley Gitto, Cori Hutchinson, Anna Kreienberg, Phoebe Lifton, Dave Morse, Batya Rosenblum, Erkinaz Shuminov, Viktorsha Uliyanova, Shanxing Wang, and Emma Wippermann. Board of Directors Camille Rankine (Chair), Katy Lederer (Vice-Chair), Carol Overby (Treasurer), and Kristine Hsu (Secretary), Todd Colby, Adam Fitzgerald, Boo Froebel, John S. Hall, Erica Hunt, Jonathan Morrill, Elinor Nauen, Laura Nicoll, Purvi Shah, Jo Ann Wasserman, and David Wilk. Friends Committee Brooke Alexander, Dianne Benson, Will Creeley, Raymond Foye, Michael Friedman, Steve Hamilton, Viki Hudspith, Siri Hustvedt, Yvonne Jacquette, Gillian McCain, Eileen Myles, Patricia Spears Jones, Michel de Konkoly Thege, Greg Masters, Ron Padgett, Bob Holman, Paul Slovak, John Yau, Anne Waldman and Hal Willner. Funders The Poetry Project is very grateful for the continued support of our funders Axe-Houghton Foundation; Committee on Poetry; Dr. Gerald J. & Dorothy R. Friedman Foundation, Inc.; Jerome Foundation; Leaves of Grass Fund; Leslie Scalapino – O Books Fund; LitTAP; New York Council for the Humanities; Poets & Writers, Inc.; Poets for the Planet Fund; The Robert D. -
Rare Books and First Editions R R Manuscripts and Letters R Literary
Rare Books and First Editions R JamEs s. Jaffe R manuscripts and Letters R Rare Books Literary art and Photography R Rare Books & First Editions manuscripts & Letters Literary art & Photography James S. Jaffe Rare Books New York Item 1: Culin, stewart. Primitive Negro Art, 1923 [aFRICaN aRT] CULIN, stewart. Primitive Negro Art, Chiefly 1 from the Belgian Congo. 8vo, 42 pages, illustrated with 8 plates, origi- nal black, green & yellow printed wrappers. Brooklyn: Brooklyn mu- all items are offered subject to prior sale. seum, 1923. First edition of the first major exhibition of african art all books and manuscripts have been carefully described; however, any in america. In 1903, stewart Culin (1858–1929) became the found- item is understood to be sent on approval and may be returned within sev- ing curator of the Department of Ethnology at the museum of the en days of receipt for any reason provided prior notification has been given. Brooklyn Institute of arts and sciences, now the Brooklyn museum. Libraries will be billed to suit their budgets. He was among the first museum curators to display ethnological col- lections as art objects, not as ethnographic specimens, and among the We accept Visa, masterCard and american Express. first to recognize museum installation as an art form in its own right. New York residents must pay appropriate sales tax. Culin’s exhibition of Primitive Negro Art, based in large part on his own We will be happy to provide prospective customers with digital images of collection which became in turn the basis for the Brooklyn museum’s items in this catalogue.